Unlike 2016’s ballyhooed female Ghostbusters reboot or 2021’s Ghostbusters: Afterlife (which served as a sequel to the first two), Frozen Empire doesn’t need to burden itself with spending time introducing new characters to mix with the oldies and three-year-old newbies. The fifth franchise feature, unlike Afterlife, doesn’t have to employ a long windup before it nourishes our nostalgic hankerings. Unfortunately it still does yet I found it slightly more fulfilling than its two predecessors. That’s not sizzling praise, but I wasn’t totally cold to its charms and it’s the fresher characters that often shine.

You may recall that Afterlife introduced us to Egon Spengler’s brood that he abandoned for what turned out to be noble reasons. Granddaughter Phoebe (Mckenna Grace) is Harold Ramis’s spitting image in look, spirit, and overall nerdiness. She’s moved from Oklahoma to NYC along with mom (Carrie Coon), stepdad (Paul Rudd), and brother (Finn Wolfhard) and they’ve set up shop in that iconic firehouse where their patriarch slid down the pole with the OG ‘Busters. They are carrying on the family tradition and, yes, it makes them feel good until Mayor Walter Peck (William Atherton, returning after four decades after a memorable role in the original) sidelines Phoebe. Ray (Dan Aykroyd) and Winston (Ernie Hudson) and Janine (Annie Potts, finally getting to put on a uniform) are still around as is Venkman (Bill Murray)… sort of. One gets the impression that Murray crashes the party just long enough for the paycheck and perhaps a week on set. He still fits in a drolly satisfying one-liner or two as only he can.

There’s a lot of characters to keep up with and the script from director Gil Kenan and Jason Reitman develops juggle problems. Rudd and Coon, whose romance was a focal point three years ago, are given the short shrift. Wolfhard and Celeste O’Connor (who hit it off in Oklahoma as well) fare even worse. Same goes for Phoebe’s buddy Podcast (Logan Kim).

The most promising additions are the brand new ones that factor into the plot. Lazy Nadeem (Kumail Nanjiani) sells his dead grandma’s shiny orb to Ray for a quick few bucks. It turns out to be a device that could start a new ice age while also summoning previously captured spirits back to the Big Apple. Nanjiani’s comedic spirits are a high point. Patton Oswalt’s quick work as a library employee in the New York Public Library is one of the better scenes. We have Emily Alyn Lind as a long departed apparition trying to reunite with her loved ones. In the meantime, she plays chess with Phoebe with a slight romantic undertone. Some of this material is decent enough that I wondered whether the wistful remembrances of what entertained us from 1984 is needed anymore.

Saying that Empire is the best sequel in the series is really not saying much. A more appropriate way to say it might be that it’s the least disappointing. Many of the same drawbacks of what came between 1984 and 2024 are present. I did, however, find it funnier than the schmaltzy Afterlife. Maybe there’s a little life left in this franchise after all. Frozen Empire shows that sporadically.

**1/2 (out of four)