Box Office Predictions: Christmas Weekend 2013

It’s the most wonderful time of the year and, at multiplexes, by far the most crowded time of the year! On Christmas Day, five pictures enter an already crowded marketplace. They are: Martin Scorsese’s The Wolf of Wall Street, the boxing comedy Grudge Match with Sylvester Stallone and Robert De Niro, Ben Stiller’s fantasy drama The Secret Life of Walter Mitty, martial arts flick 47 Ronin with Keanu Reeves, and the Justin Bieber documentary Believe. You can read my individual posts on all five at the following links:

https://toddmthatcher.com/2013/12/22/the-wolf-of-wall-street-box-office-prediction/

https://toddmthatcher.com/2013/12/22/grudge-match-box-office-prediction/

https://toddmthatcher.com/2013/12/22/the-secret-life-of-walter-mitty-box-office-prediction/

https://toddmthatcher.com/2013/12/22/47-ronin-box-office-prediction/

https://toddmthatcher.com/2013/12/22/justin-bieber-believe-box-office-prediction/

By my estimates there will be nine – yes, nine – movies that gross double digits over the weekend. And there may well be a fierce battle for #1. In this same holiday weekend last year, The Hobbit: An Unexpected Journey fell only 13% in its third weekend and I expect current #1 The Hobbit: The Desolation of Smaug to fall no further than 20%. This should put it in a neck and neck race with my prediction for Wolf of Wall Street.

Disney’s Frozen stands an excellent chance of gaining audience from last weekend and it too has an outside shot at the top spot. Another title I expect to post gains: Disney’s Saving Mr. Banks which had a rather middling opening this past weekend at $9.3 million but should benefit from positive word of mouth.

Anchorman 2: The Legend Continues had a solid opening ($40 million over five days), but it was at the lesser end of expectations. Still, the holiday time frame should prevent it from suffering a large decline. The same can be said for American Hustle, which started strong out of the gate last weekend with $19.1 million.

One thing is for sure: the film calendar doesn’t get more crowded than this. After that, many things are highly uncertain but here’s my best guesses for the Christmas 2013 Top Ten:

1. The Hobbit: The Desolation of Smaug

Predicted Gross: $25.7 million (representing a drop of 18%)

2. The Wolf of Wall Street

Predicted Gross: $25.4 million ($44.2 million predicted for five-day opening)

3. Frozen

Predicted Gross: $22.1 million (representing an increase of 13%)

4. Anchorman: The Legend Continues

Predicted Gross: $19.6 million (representing a drop of 26%)

5. American Hustle

Predicted Gross: $14.9 million (representing a drop of 22%)

6. Grudge Match

Predicted Gross: $13.9 million ($24.5 million predicted for five-day opening)

7. The Secret Life of Walter Mitty

Predicted Gross: $11.7 million ($19.3 million predicted for five-day opening)

8. 47 Ronin

Predicted Gross: $11.4 million ($17.8 million predicted for five-day opening)

9. Saving Mr. Banks

Predicted Gross: $10.6 million (representing an increase of 15%)

10. The Hunger Games: Catching Fire

Predicted Gross: $7.7 million (representing a drop of 12%)

These predictions would leave Justin Bieber’s Believe out of the top ten and likely in the #12 slot behind the second weekend of Walking with Dinosaurs.

And there you have it! My predictions for Christmas 2013. Of course, I’ll have updates on the blog’s Facebook page throughout the week with final results Sunday. And have yourself a Merry little Christmas, my friends!

 

Box Office Results: December 20-22

In a result that surprised yours truly, Ron Burgundy and company couldn’t dislodge Gandalf and company from the top spot at the box office in this crowded pre-holiday weekend.

The Hobbit: The Desolation of Smaug remained #1 for the second week in a row with an estimated $31.4 million – exactly on target with my $31.5M projection. Peter Jackson’s middle chapter in the franchise has earned $127.5M in its ten days of release.

This left Anchorman 2: The Legend Continues in the two spot and well below my projected opening. The sequel to the 2004 original made $26.7 million over the Friday to Sunday frame and $40 million since its Wednesday debut. I had it earning $41.9M and $61.2M, respectively, over those time periods. While the opening is decent, this is clearly below my overzealous expectations. Furthermore, audiences seem a bit disappointed with what they’re seeing as they awarded it a B Cinemascore grade, which is rather low.

There was a virtual tie for the #3 spot as Disney’s Frozen took in $19.1 million. I incorrectly had it left out of the top five. Oops. The animated pic has earned $191.5M since its November premiere. David O. Russell’s American Hustle also made $19.1 million, just under my $20.5M projection. This is a solid debut for the critically lauded comedy/drama and its per-screen average was almost identical to that of the Anchorman sequel.

Coming in fifth but well below my estimate was Saving Mr. Banks with Emma Thompson and Tom Hanks. It started out of the gate rather slowly with $9.3 million, way under my $17.1M projection. Banks will count on very low drop-offs over the next few weekends and the chances of that are good with its A Cinemascore grade.

Finally, the animated 3D tale Walking with Dinosaurs was a huge disappointment with an 8th place opening at $7.3 million. I predicted it would earn $18.9M. Oops again. Family audiences are still choosing Frozen over this new offering.

Today on the blog – you’ll see the movie marketplace getting even more crowded as I’ll post predictions for all five features opening Christmas Day: The Wolf of Wall Street, Grudge Match, The Secret Life of Walter Mitty, 47 Ronin, and the Justin Bieber doc Believe. Stay tuned!

Box Office Predictions: December 20-22

As the Christmas season approaches, four high profile pictures enter the marketplace with another five scheduled on Christmas Day. This weekend it’s Anchorman 2: The Legend Continues, American Hustle, Saving Mr. Banks, and Walking with Dinosaurs.

You can read my individual prediction posts on each here:

https://toddmthatcher.com/2013/12/15/anchorman-2-the-legend-continues-box-office-prediction/

https://toddmthatcher.com/2013/12/15/saving-mr-banks-box-office-prediction/

https://toddmthatcher.com/2013/12/15/american-hustle-box-office-prediction/

https://toddmthatcher.com/2013/12/15/walking-with-dinosaurs-box-office-prediction/

If Anchorman 2 were to come in quite a bit below my projection, it could potentially face a battle with this weekend’s champ The Hobbit: The Desolation of Smaug for the #1 spot. However, I do believe Ron Burgundy and company will prevail. Last year in this same weekend, The Hobbit: An Unexpected Journey fell 56% from weekend #1 to #2 and I expect the roughly the same result for Smaug. As for the other three new entries, you’ll notice there’s only a $3.5 million difference between what I believe they’ll debut at. Therefore, these films could easily fluctuate between spots 3-5. Also if any of these newbies were to come in below my projections, it could allow Disney’s Frozen to remain in the top five. Got all that? We shall see how it shakes out, but here’s my predictions for this weekend’s top five:

1. Anchorman 2: The Legend Continues

Predicted Gross: $41.9 million ($61.2 million Wednesday to Sunday)

2. The Hobbit: The Desolation of Smaug

Predicted Gross: $31.5 million (representing a drop of 57%)

3. American Hustle

Predicted Gross: $20.5 million

4. Walking with Dinosaurs

Predicted Gross: $18.9 million

5. Saving Mr. Banks

Predicted Gross: $17.1 million

 

As always, I’ll have an update on the blog’s Facebook page Saturday with final results on the blog Sunday.

Anchorman 2: The Legend Continues Box Office Prediction

If Anchorman: The Legend Continues fails to have a solid opening, it certainly won’t be due to lack of exposure. Will Ferrell has been everywhere as title character Ron Burgundy over the past several weeks from Dodge Durango commercials to local North Dakota newscasts to the MTV Video Music Awards and more.

As you will recall, Anchorman: The Legend of Ron Burgundy came out in the summer of 2004 and grossed a very respectable $85 million. Since then, the film has taken on a life of its own becoming arguably the most quoted comedy of the past decade or two. It’s already earned a (deserved) reputation as a comedy classic.

For years, rumors of a sequel came and went. And now we’re here – with Ferrell, Steve Carell, Paul Rudd, David Koechner, and Christina Applegate back in the mix. There are also expected to be cameos galore – from Kanye West to Jim Carrey to Harrison Ford.

Simply put – Anchorman 2 is expected to be kind of a big deal. How big of a deal is the question. Anchorman 2 opens on Wednesday so I’ll be making a three and five day projection. It stands to reason that many fans of the original of which there’s many should be anxious to rush out and see the sequel.

What’s the opening weekend range we’re talking about? It’s tough to say. The absolute high mark I could foresee is a five-day gross in the neighborhood of $80 million. That would be an absolutely astonishing debut. I also can’t imagine the five-day haul being lower than $40 million, which would be considered pretty disappointing. As you can see, that’s a rather large range between potential grosses.

You also need to factor in the pre-Christmas weekend that Anchorman 2 is being released in. For many pictures released at this time, the opening weekend can be relatively lower than you might expect with subsequently smaller than normal drop-offs over the Christmas and New Year’s weekend. However, unlike American Hustle and Saving Mr. Banks which open Friday, I expect a large portion of Ron Burgundy’s business to be front loaded.

With all that explanation – here’s the deal: this is not an easy prediction to make. It’s difficult to judge just how eagerly anticipated moviegoers really are for it. Media saturation has been high, the trailers have been effective, and the original is beloved.

Ultimately I am predicting Anchorman 2 falls in between the highs and lows I presented as possibilities.

Anchorman 2: The Legend Continues opening weekend prediction: $41.9 million (Friday-to-Sunday), $61.2 million (Wednesday-to-Sunday)

For my Saving Mr. Banks prediction, click here:

https://toddmthatcher.com/2013/12/15/saving-mr-banks-box-office-prediction/

For my American Hustle prediction, click here:

https://toddmthatcher.com/2013/12/15/american-hustle-box-office-prediction/

For my Walking with Dinosaurs prediction, click here:

https://toddmthatcher.com/2013/12/15/walking-with-dinosaurs-box-office-prediction/

The Internship Movie Review

The point of an internship in real life is to lead to something better. Ironic because that’s what happens as I watched The Internship with Vince Vaughn and Owen Wilson. Also ironic because the song “Ironic” by Alanis Morrisette is featured prominently in the opening scene. We keep wanting the script to give us something more than a formulaic tale of two old-timers entering the tech world complete with cliched characters and stale jokes. It doesn’t.

The selling point of The Internship is obviously the reunion of Vaughn and Wilson eight years after their 2005 smash Wedding Crashers. It’s a little surprising just how safe this follow-up plays it. The most curious decision is to make it PG-13 when their first collaboration was heralded as a welcome return to raunchy R-rated comedy.

Vaughn and Wilson play watch salesmen whose company falls victim to the fact that everyone checks the time on their cell phone (though last time I checked, lots of people still own watches). The duo decide to apply for an internship at Google and they are grouped with a gang of much younger computer nerds. The team must face off against other teams, one of which is headed by a bully (Max Minghella, who appeared in the Citizen Kane of Internet films The Social Network).

None of this is particularly fresh or interesting. Vaughn and Wilson spend most of the movie coasting on their chemistry together, but the screenplay (co-written by Vaughn) doesn’t bring the funny. We also have a tacked-on romantic subplot between Wilson and Rose Byrne that is just dull. Even cameos by John Goodman and a certain comic superstar who also had a surprise appearance in Crashers add little to the proceedings.

Towards the third act of The Internship, we start to get the feeling through Vaughn and co-writer Jared Stern’s dialogue that they may have something worthwhile to say about the current tech age. There are nibbles here and there about how the younger generation can’t communicate with people as well as older generations. A scene where the two stars convince a business to join the computer age is fairly well-written. It mostly never materializes though.

The only serious problem I had with Wedding Crashers was it could have probably been fifteen minutes shorter and that same complaint applies here with its bloated 120 minute running time. Crashers had a heckuva lot going for it though. Real chemistry between Wilson and Rachel McAdams over a boring subplot here. Outrageous R-rated comedy over conservative PG-13 jokes. A truly hilarious Will Ferrell cameo over a forgettable one.

Anything with these two stars will have a few laughs and Vaughn and Wilson give us that occasionally. There’s no question, however, that when you do a Yahoo or Bing search on Best Vaughn/Wilson comedy, this won’t be it. I could have said another search engine company that you might have heard of, but they just got two long hours of product placement in the film I just watched.

** (out of four)

Oscar History: 2004

In 1976, Martin Scorsese’s Taxi Driver was seen as a strong possibility to win Best Picture at the Oscars until a boxing movie unexpectedly captured audiences attention and took the prize. That would, of course, be Rocky. Fast forward to 2004 where Scorsese’s Howard Hughes biopic The Aviator seemed to be the odds-on favorite for Best Pic until, yet again, a pugilistic tale surprised moviegoers late in the awards season.

Clint Eastwood’s Million Dollar Baby wasn’t even talked about much as an awards contender during 2004’s calendar year. It was released very late in the year, but it turned out to be great timing. 

Baby would win the top award over The Aviator, as well as Marc Forster’s Finding Neverland, Taylor Hackford’s Ray, and Alexander Payne’s Sideways.

As for other contenders not recognized, the Academy would ignore Quentin Tarantino’s fantastic Kill Bill and its Volume II after snubbing the first installment the year prior. It’s also worth noting that the greatest Harry Potter flick in the franchise (in my view) Prisoner of Azkaban could have been honored too. And there’s Michel Gondry’s highly original critical favorite Eternal Sunshine of the Spotless Mind. And a favorite of audiences – Mel Gibson’s mega-blockbuster Passion of the Christ. Any of one of these pics should have at least replaced Finding Neverland, which was decent but doesn’t belong in the category.

The Baby boom would extend to Eastwood, who won Best Director exactly a dozen years after winning the same award for Unforgiven. This prevented Scorsese from winning his first Oscar. Other nominees included Hackford, Payne, and Mike Leigh for Vera Drake. 

Once again – Gondry, Tarantino, and Gibson are names worth mentioning that didn’t get in the mix.

Jamie Foxx would take Best Actor for his dead-on portrayal of the legendary singer Ray Charles in Ray, winning out over Leonardo DiCaprio in The Aviator, Don Cheadle in Hotel Rwanda, Eastwood in Million Dollar Baby, and Johnny Depp in Finding Neverland.

One major snub was Paul Giamatti for his fine work in Sideways. The Academy yet again snubbed Jim Carrey in Eternal Sunshine.

Hilary Swank won her second Best Actress award in five years for Baby (in 1999, she was victorious in Boys Don’t Cry). Other nominees: Annette Bening in Being Julia, Catalina Sandino Moreno in Maria Full of Grace, Imelda Staunton in Vera Drake, and Kate Winslet for Eternal Sunshine.

Once again, it was Uma Thurman left out for her work in the Kill Bill franchise.

Morgan Freeman would win his first Oscar in the Supporting Actor race for Million Dollar Baby over Alan Alda in The Aviator, Thomas Haden Church for Sideways, Jamie Foxx in Collateral, and Clive Owen in Closer. 

Not to keep bringing up Kill Bill, but the late David Carradine should have been nominated.

The Aviator would finally receive some Academy recognition with Cate Blanchett winning Supporting Actress with her portrayal as Katherine Hepburn. Other nominees: Laura Linney in Kinsey, Virginia Madsen for Sideways, Sophie Okonedo in Hotel Rwanda, and Natalie Portman for Closer. 

After all my mentions for Kill Bill and Eternal Sunshine receiving snubs, there’s one other 2004 pic that demonstrates the Academy’s constant ability to ignore comedies. So I give you the following snubs –

Best Actor – Will Ferrell, Anchorman: The Legend of Ron Burgundy

Best Supporting Actor – Steve Carell, Anchorman: The Legend of Ron Burgundy

Best Supporting Actor – Paul Rudd, Anchorman: The Legend of Ron Burgundy

Best Supporting Actor – David Koechner, Anchorman: The Legend of Ron Burgundy

Best Scene Involving a Cannonball – Anchorman: The Legend of Ron Burgundy

Best Scene With a Dog Being Punted – Anchorman: The Legend of Ron Burgundy

Best Rendition of “Afternoon Delight” In a Movie: Anchorman: The Legend of Ron Burgundy

I’ll be back with Oscar History: 2005 soon, my friends!