Tag: Wicked

97th Academy Awards FINAL Winner Predictions

This is it. After months upon months of speculation and scores of individual Oscar Prediction posts…

After 35 Case Of entries making the argument for and against every Best Picture, Director, Actress, Actor, Supporting Actress, and Supporting Actor nominee…

After trying to pick up clues based on what happened at the Golden Globes, BAFTA, SAG, Critics Choice, PGA, DGA, and more…

After changing and re-changing my mind right up until I type these final words…

These are my final prediction for the 97th Academy Awards airing Sunday with Conan O’Brien hosting!

We’ve had endless chatter on this blog so let’s get to it. For each race, I’m giving you my winner pick with a runner-up and some brief commentary.

BEST PICTURE

Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, Wicked

Unlike last year where Oppenheimer was the obvious pick to win, there is real suspense heading into the last category of the night. Anora took Critics Choice/DGA/PGA, Conclave nabbed BAFTA/SAG Best Ensemble while The Brutalist and Emilia Pérez won their respective Drama and Musical or Comedy competitions at the Globes.

Due to its recent controversies, Pérez is out of the hunt. I honestly could see The Brutalist still emerging. I had it placed at #1 in my overall predictions for a long time during my weekly updates. That said, it’s probably third in the running. Even though one heckuva argument can be made for Conclave and recent momentum, I’m going with Anora.

PREDICTED WINNER: ANORA

Runner-Up: Conclave

BEST DIRECTOR

Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), James Mangold (A Complete Unknown)

It is very dangerous to go against the DGA winner and that’s Sean Baker. Oscar/DGA match nearly every year. If you’re betting on this competition, probably go Baker. Yet Corbet took the Globe and BAFTA. Jon M. Chu (as an outlier) was the Critics Choice honoree. I could see Corbet still pulling this off.

PREDICTED WINNER: BRADY CORBET, THE BRUTALIST

Runner-Up: Sean Baker, Anora

BEST ACTRESS

Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance), Fernanda Torres (I’m Still Here)

Torres (Globe winner for Actress in a Drama) isn’t impossible, but it’s a long shot. This is a real nail biter between Madison and Moore. The former was the surprise BAFTA recipient while Moore’s comeback narrative yielded her the Globe (Musical or Comedy), Critics Choice, and SAG. Had Madison taken SAG, I’d probably be predicting her. I’m sticking with Demi in what could be the closest race of the evening.

PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE

Runner-Up: Mikey Madison, Anora

BEST ACTOR

Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)

Chalamet certainly made this race more intriguing when he took SAG, but Brody has the Globe/Critics Choice/BAFTA combo.

PREDICTED WINNER: ADRIEN BRODY, THE BRUTALIST

Runner-Up: Timothée Chalamet, A Complete Unknown

BEST SUPPORTING ACTRESS

Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)

It was once thought that this could turn into a Grande v. Saldaña showdown. The latter has instead swept through the season. Saldaña appears immune to the Pérez negative publicity.

PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ

Runner-Up: Ariana Grande, Wicked

BEST SUPPORTING ACTOR

Yura Borisvov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)

It’s rare for the Supporting Actor winner not to come from a BP nominee, but Culkin has swept thus far and anyone else taking this would be a major upset at this juncture.

PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN

Runner-Up: Edward Norton, A Complete Unknown

BEST ORIGINAL SCREENPLAY

Anora, The Brutalist, A Real Pain, September 5, The Substance

This is not the slam dunk that I once assumed with Anora. Both A Real Pain and The Substance have picked up unexpected precursor prizes. I’m still going with my BP.

PREDICTED WINNER: ANORA

Runner-Up: A Real Pain

BEST ADAPTED SCREENPLAY

A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing

Conclave should get this though a Nickel Boys upset is feasible.

PREDICTED WINNER: CONCLAVE

Runner-Up: Nickel Boys

BEST INTERNATIONAL FEATURE FILM

Emilia Pérez, Flow, The Girl with the Needle, I’m Still Here, The Seed of the Sacred Fig

This will be the largest test as to how much controversy truly hurt Pérez. A few weeks ago, I would’ve easily picked it. Then came bad press and I’m Still Here sneaking in the BP ten with Torres up in Best Actress. Pérez could still pull this off, but I’m saying Here.

PREDICTED WINNER: I’M STILL HERE

Runner-Up: Emilia Pérez

BEST ANIMATED FEATURE

Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot

Flow and Robot have both picked up precursors. So did Gromit, but that was BAFTA and they honored their own. This feels like a coin flip between Flow and Robot and my gut says the former in a squeaker.

PREDICTED WINNER: FLOW

Runner-Up: The Wild Robot

BEST DOCUMENTARY FEATURE

Black Box Diaries, No Other Land, Porcelain War, Soundtrack to a Coup d’Etat, Sugarcane

The doc branch is truly unpredictable and that’s compounded by precursors being all over the place. In fact, Super/Man: The Christopher Reeve Story picked up a couple honors and it’s not listed here. No Other Land was once thought of as a sweeper and that didn’t materialize. I’ll still say it wins with Porcelain as the most significant threat.

PREDICTED WINNER: NO OTHER LAND

Runner-Up: Porcelain War

BEST CINEMATOGRAPHY

The Brutalist, Dune: Part Two, Emilia Pérez, Maria, Nosferatu

Maria and Nosferatu are possible but I’ll say the epic Brutalist.

PREDICTED WINNER: THE BRUTALIST

Runner-Up: Nosferatu

BEST COSTUME DESIGN

A Complete Unknown, Conclave, Gladiator II, Nosferatu, Wicked

Academy voters should ride with Wicked.

PREDICTED WINNER: WICKED

Runner-Up: A Complete Unknown

BEST FILM EDITING

Anora, The Brutalist, Conclave, Emilia Pérez, Wicked

This is a tough one between Anora, The Brutalist, and Conclave. The Brutalist is tempting and so is going with the BP pick Anora. This feels like a dart board selection and I’m landing on BAFTA honoree Conclave.

PREDICTED WINNER: CONCLAVE

Runner-Up: Anora

BEST MAKEUP AND HAIRSTYLING

A Different Man, Emilia Pérez, Nosferatu, The Substance, Wicked

All signs point to The Substance.

PREDICTED WINNER: THE SUBSTANCE

Runner-Up: Wicked

BEST ORIGINAL SCORE

The Brutalist, Conclave, Emilia Pérez, Wicked, The Wild Robot

I wouldn’t rule out Conclave, but The Brutalist is the pick.

PREDICTED WINNER: THE BRUTALIST

Runner-Up: Conclave

BEST ORIGINAL SONG

“El Mal” from Emilia Pérez; “The Journey” from The Six Triple Eight; “Like a Bird” from Sing Sing; “Mi Camino” from Emilia Pérez; “Never Too Late” from Elton John: Never Too Late

Who knows? Maybe the Academy just goes with Elton John. They could also finally honor songwriter Diane Warren after 15 nomination and zero wins. And this is another test for Pérez with Globe winner “Mi Camino”. I’ll say “Camino” in a pick ’em.

PREDICTED WINNER: “MI CAMINO” FROM EMILIA PÉREZ

Runner-Up: “The Journey” from The Six Triple Eight

BEST PRODUCTION DESIGN

The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked

If The Brutalist over performs and takes BP, I could see this happening. Wicked is the safer pick.

PREDICTED WINNER: WICKED

Runner-Up: The Brutalist

BEST SOUND

A Complete Unknown, Dune: Part Two, Emilia Pérez, Wicked, The Wild Robot

The musicals could surprise. Dune: Part Two is likelier.

PREDICTED WINNER: DUNE: PART TWO

Runner-Up: A Complete Unknown

BEST VISUAL EFFECTS

Alien: Romulus, Better Man, Dune: Part Two, Kingdom of the Planet of the Apes, Wicked

This should be Dune‘s other victory.

PREDICTED WINNER: DUNE: PART TWO

Runner-Up: Better Man

And there you have it! I’ll have a recap up Sunday evening and here’s the breakdown of win totals for the pictures…

4 Wins

The Brutalist

2 Wins

Anora, Conclave, Dune: Part Two, Emilia Pérez, The Substance, Wicked

1 Win

Conclave, Flow, I’m Still Here, No Other Land, A Real Pain

31st SAG Awards Reaction

The 31st SAG Awards added to the unpredictability of Oscar night in one week by crowning Conclave as the Best Ensemble recipient. This occurs seven days after it got BAFTA’s largest prize. The correlation between the Academy’s Best Picture and SAG ensemble is 6/10 in the past decade. Conclave still may not be the frontrunner next Sunday but its chances are looking better.

I predicted Wicked would take Ensemble while plenty of others went with Anora. Had the latter emerged victorious, it would’ve solidified frontrunner positioning in BP. Now Oscar night’s biggest race appears to be a three-way contest between Anora, The Brutalist, and Conclave with genuine suspense as to what will come out on top.

Ensemble was the only category I missed as I went 5/6 in my projections. I’ll gladly take that in this unpredictable season. Both lead acting derbies were coin flips where I managed to make the right call. Demi Moore (The Substance) won and she now has SAG, Critics Choice, and the Globe with Mikey Madison (Anora) claiming BAFTA. I am still deciding who will take the Oscar.

For Best Actor, Timothée Chalamet (A Complete Unknown) picked up his first major trophy over Adrien Brody (The Brutalist). I had a hunch this might happen as the SAG voters ignored Brody’s costars Felicity Jones and Guy Pearce and nominated Chalamet’s cast mates Monica Barbaro and Edward Norton. I’m not convinced the Academy will follow suit, but it’s surely more of a two-way race now.

The supporting fields appear set in stone as Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) have now swept the season. Anyone other than them making podium trips next Sunday would be a rather shocking upset at this juncture.

Finally, The Fall Guy nabbed Best Stunt Ensemble as I figured the movie about stunt performers would.

Keep an eye on the blog as I wrap up my Case Of posts with those final predictions (!) coming Wednesday.

Oscars: The Case of Jacques Audiard for Emilia Pérez

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our next entry in Best Director and that’s Jacques Audiard for Emilia Pérez. If you missed my posts covering Sean Baker from Anora and Brady Corbet for The Brutalist, they’re linked at the bottom.

Previous Directing Oscar Nominations:

None

The Case for Jacques Audiard:

While his 2009 drama A Prophet was up for International Feature Film a decade and a half ago, his behind the camera work for Pérez marks his first BP nominee and inaugural directing nod. The Jury prize winner from Cannes has yielded him directorial mentions at DGA, the Golden Globes, BAFTA, and Critics Choice.

The Case Against Jacques Audiard:

DGA went to Sean Baker for Anora while the Globe and BAFTA was bestowed to The Brutalist‘s Brady Corbet. For Critics Choice, it was Jon M. Chu in Wicked (he didn’t make the Academy’s quintet). The controversy swirling around lead actress Karla Sofia Gascón’s past social media posts likely hurt the film in any race that’s not Supporting Actress where Zoe Saldaña is still favored.

The Verdict:

Audiard was somewhat of a long shot before the bad press. He’s more so now.

My Case Of posts will continue with the fourth hopeful in Best Actress and that’s Demi Moore in The Substance…

Oscars: The Case of Sean Baker for Anora
Oscars: The Case of Brady Corbet for The Brutalist

Oscars: The Case of Felicity Jones in The Brutalist

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Supporting Actress and that’s Felicity Jones in Brady Corbet’s The Brutalist. If you missed my posts covering Monica Barbaro (A Complete Unknown) and Ariana Grande from Wicked, they’re linked at the bottom.

Previous Acting Oscar Nominations:

Best Actress (2014, The Theory of Everything) – lost to Julianne Moore (Still Alice)

The Case for Felicity Jones:

A decade after contending in lead actress for The Theory of Everything, Jones gets her second Academy try in the picture tied for the second most nominations. She also received mentions at BAFTA and the Golden Globes.

The Case Against Felicity Jones:

Jones was not nominated at Critics Choice or SAG and nearly all chatter of an actor winning for The Brutalist has focused on Adrien Brody in Best Actor. Zoe Saldaña (Emilia Pérez) has swept the season so far and with SAG the only precursor left, Jones has no chance of picking up any hardware before the big show.

The Verdict:

It was a question mark as to whether Jones would make the final five. It’s an honor to be nominated.

My Case Of posts will continue with the third hopeful in Supporting Actor and that’s Edward Norton in A Complete Unknown…

Oscars: The Case of Monica Barbaro in A Complete Unknown
Oscars: The Case of Ariana Grande in Wicked

31st SAG Awards Winner Predictions

The 31st SAG Awards hosted by Kristen Bell air on Netflix this Sunday and are the last major precursor before the Oscars on March 2nd. The winners here will not influence the Academy since voting closed this week.

That said, the correlation between SAG victors and Oscar winners can be high. In Actress over the past decade, it’s 7 out of 10. For Actor – 8 out of 10. In the supporting fields, we’re looking at a whopping 9/10 for both.

At SAG, the top prize is Best Ensemble and not Best Picture. Therefore we have less frequency between those competitions matching. Yet it’s a decent 6 out of 10 including the last 3 with CODA, Everything Everywhere All at Once, and Oppenheimer.

Let’s walk through each race and I’ll give you my winner pick and a runner-up. I’ll have a recap posted Sunday evening!

Outstanding Performance by a Cast in a Motion Picture

Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked

All 5 nominees here are BP hopefuls at Oscar and that’s the first occurrence of that since 2014. Unknown and the scandal plagued Pérez are long shots. The other three are all stronger possibilities. Conclave is fresh off the BAFTA coronation while Anora recently completed the hat trick of DGA/PGA/Critics Choice. That said, Wicked really over performed with nods in Actress, both supporting fields, and Stunt Ensemble. And (spoiler alert) I’m not predicting it to win any of those. It isn’t rare for the Ensemble recipient to blank everywhere else – Black Panther, Parasite, and The Trial of the Chicago 7 all did so from 2018-2020. I’ll give a slight edge to the musical adaptation.

PREDICTED WINNER: WICKED

Runner-Up: Anora

Outstanding Performance by Female Actor in a Leading Role

Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)

This really has the feel of a coin flip after Madison is the recently minted BAFTA winner while Moore has the Golden Globe and Critics Choice. I just think this group of actors might be swayed by the comeback narrative. Nevertheless this seems so close.

PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE

Runner-Up: Mikey Madison, Anora

Outstanding Performance by a Male Actor in a Leading Role

Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave)

Many believe this is Chalamet’s best opportunity to interrupt Brody’s potential sweep. I wouldn’t be surprised if that happens since Felicity Jones and Guy Pearce from The Brutalist both missed here and are Oscar nominees. The smart money is on Brody but I’m going with the mild upset in this one.

PREDICTED WINNER: TIMOTHÉE CHALAMET, A COMPLETE UNKNOWN

Runner-Up: Adrien Brody, The Brutalist

Outstanding Performance by a Female Actor in a Supporting Role

Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)

Don’t discount Grande with Wicked‘s nomination haul. However, Saldaña has swept thus far and seems immune to any controversy with the picture.

PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ

Runner-Up: Ariana Grande, Wicked

Outstanding Performance by a Male Actor in a Supporting Role

Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)

Norton is maybe the only real threat to Culkin’s seasonal sweep. I don’t believe it’ll be interrupted.

PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN

Runner-Up: Edward Norton, A Complete Unknown

Outstanding Performance by a Stunt Ensemble in a Motion Picture

Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked

This could go to Dune: Part Two (though the first one lost to No Time to Die) or even Wicked, but this might be a layup for SAG to honor the movie about stunt ensembles.

PREDICTED WINNER: THE FALL GUY

Runner-Up: Dune: Part Two

Oscars: The Case of Mikey Madison in Anora

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Actress and that’s Mikey Madison in Sean Baker’s Anora. If you missed my posts covering Cynthia Erivo (Wicked) and Karla Sofia Gascón (Emilia Pérez), they’re linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Mikey Madison:

She’s the titular character in arguably the Best Picture frontrunner. and Cannes Palme d’Or recipient. The 25-year-old has been nominated at the Golden Globes, Critics Choice, SAG, and BAFTA. Just yesterday, she won the BAFTA in an unexpected development over the favored Demi Moore (The Substance).

The Case Against Mikey Madison:

Her BAFTA trophy was a bit of a surprise because Moore was victorious over her at the Globes and Critics Choice. Moore’s narrative might be too enticing for Academy voters to ignore and they might figure Madison has plenty of time for a return engagement.

The Verdict:

This race definitely seems headed for a showdown between Madison and Moore. All eyes are on SAG this weekend to determine who might have the slight edge.

My Case Of posts will continue with the third hopeful in Best Actor and that’s Colman Domingo in Sing Sing…

Oscars: The Case of Cynthia Erivo in Wicked
Oscars: The Case of Karla Sofia Gascón in Emilia Pérez

Oscars: The Case of Brady Corbet for The Brutalist

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Director and that’s Brady Corbet for The Brutalist. If you missed my post covering Sean Baker from Anora, it’s linked at the bottom.

Previous Directing Oscar Nominations:

None

The Case for Brady Corbet:

Mr. Corbet is going the Ron Howard route as a child actor turned acclaimed filmmaker and he’s already got hardware to show for it. Yesterday he took home the BAFTA for his direction to go with his Golden Globe from a few weeks back. While Picture and Director often match, it seems his behind the camera achievement for The Brutalist could win him the latter even if the film doesn’t take the top prize.

The Case Against Brady Corbet:

7 out of the last 10 Golden Globe directing winners won the Oscar. It’s also a 70% ratio over the past decade for BAFTA. For DGA, it is 9 out of the last 10 and Corbet didn’t win that one. Instead it was Sean Baker for Anora. He also came up short at Critics Choice where Jon M. Chu (Wicked) was the unexpected victor.

The Verdict:

Corbet seemed like a relatively safe bet before DGA. Now it feels like a coin flip between Baker and him.

My Case Of posts will continue the third hopeful in Best Actress and that’s Mikey Madison in Anora…

Oscars: The Case of Sean Baker for Anora

78th BAFTA Awards Reaction

The 78th British Academy Film Awards (or BAFTAs) have occurred across the pond. What will be the ripple effect for the Oscars in two weeks? Let’s get into it!

Last weekend, the PGA/DGA/Critics Choice Awards troika rightfully vaulted Sean Baker’s Anora to frontrunner status at the Academy Awards. My feeling (shared by plenty of prognosticators) is that Anora would have a tougher time taking top prize at BAFTA. That turned out to be true, but it did nab an award that could shake up another major competition.

Edward Berger’s Conclave is your BAFTA Best Film and I correctly called that. It wins two years after the director’s All Quiet on the Western Front did the same. A very important reminder: Best Picture at the Oscars and Best Film at BAFTA have matched just twice in the past decade. For those thinking this vaults Conclave into winning status in two weeks, think again. If it can be named Best Ensemble at SAG next weekend, chances improve.

Brady Corbet is Best Director for The Brutalist (another correct call). This adds intrigue to the Academy’s directorial competition as Sean Baker won DGA last weekend for Anora. They should battle it out for Oscar.

Overall I went 17 for 24 in my projections. Before I get into the acting derbies and screenplay contests, let’s do a quick review on where I went right elsewhere. Wallace & Gromit: Vengeance Most Fowl is the honoree for Animated Film while Emilia Pérez escaped its controversies to become Best Film Not in the English Language. The Brutalist took Cinematography and Original Score. Wicked is both your Costume Design and Production Design victor. Make Up & Hair went to The Substance. Conclave won Editing with Dune: Part Two emerging in Sound. Outstanding British Debut by a Writer, Director or Producer went to Kneecap with Conclave predictably taking Outstanding British Film.

Here’s where I went wrong in the down the line competitions. I went out on a limb with Better Man in Special Visual Effects and it was Dune: Part Two. In the Rising Star Competition, the Brits chose one of their own (David Jonsson) instead of Mikey Madison. Jonsson received plenty of complimentary notices in 2024 for Alien: Romulus. We are not done with Madison though.

In the newly created Children’s and Family Film race, it was Wallace & Gromit again and not my predicted The Wild Robot. And Anora aced Best Casting over Conclave. Finally, Super/Man: The Christopher Reeve Story is your Best Documentary despite not being up at Oscar. I went with No Other Land which is considered the soft Academy favorite.

Now let’s get to our acting and writing showdowns. In maybe the biggest upset of all, Jesse Eisenberg won Original Screenplay for A Real Pain. I had Anora projected with The Brutalist as my runner-up. Truth be told, my second runner-up would’ve been The Substance so Pain managing this was truly unexpected. On the other hand, Conclave is the Adapted Screenplay winner which was expected.

Three of the four frontrunners in the acting races made English podium walks today and solidified their positions. That would be Adrien Brody (The Brutalist) as Best Actor and Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) in their respective supporting fields. For any of this trio to be denied a sweep, the SAG Awards would need to provide that disruption next weekend.

The other frontrunner after winning the Golden Globe and Critics Choice was Demi Moore in The Substance. Yet the BAFTAs went with Mikey Madison (Anora) and this sets up an unpredictable competition between them.

Bottom line: the BAFTAs made Best Actress and Director more intriguing while I wouldn’t read too much into the Conclave selection. Keep an eye on the blog for more speculation as we hurdle toward Oscar night.

Here’s the breakdown of movies that won BAFTAs:

4 Wins

The Brutalist, Conclave

2 Wins

Anora, Dune: Part Two, Emilia Pérez, A Real Pain, Wallace & Gromit: Vengeance Most Fowl, Wicked

1 Win

Kneecap, The Substance, Super/Man: The Christopher Reeve Story

Oscars: The Case of Ariana Grande in Wicked

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Supporting Actress and that’s Ariana Grande in Jon M. Chu’s Wicked. If you missed my post on Monica Barbaro in A Complete Unknown, it’s linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Ariana Grande:

As Glinda the Good in the hugely popular adaptation of the stage play, Grande scored big love from audiences and critics. It resulted in nominations at the Globes, SAG, Critics Choice, and BAFTA. This is an opportunity for the Academy to recognize one of the most widely seen performances of the evening.

The Case Against Ariana Grande:

At the Globes and Critics Choice, she’s fallen short to another musical performance in Zoe Saldaña from Emilia Pérez.

The Verdict:

Grande is in the same boat as my previous post with Timothée Chalamet in A Complete Unknown. Both are considered the runner-ups because they’ve yet to win a significant precursor. Like Chalamet, I think Grande needs to take SAG in order to have any real shot of taking gold over Saldaña. She could score a mild upset if the recent Pérez controversy extends beyond Karla Sofia Gascón.

My Case Of posts will continue with the next contender in Supporting Actor and that’s Kieran Culkin in A Real Pain…

Oscars: The Case of Monica Barbaro in A Complete Unknown

Oscars: The Case of Sean Baker for Anora

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP nominees and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the BP contenders and they’re readily available for your perusing pleasure. Today is our initial entry in Best Director and that’s Sean Baker for Anora.

Previous Oscar Directing Nominations:

None

The Case for Sean Baker:

After winning Best Picture at PGA and Critics Choice last weekend, Anora became the frontrunner for the same prize at the Oscars. For Mr. Baker, his chances went way up after taking the Directors Guild of America (DGA) award on Saturday. For context, 21 of the 24 DGA victors in the 21st century have taken done the same from the Academy. He scored noms at BAFTA, Critics Choice, and the Golden Globes.

The Case Against Sean Baker:

He lost that Golden Globe to Brady Corbet (The Brutalist) and Jon M. Chu (Wicked) was the unexpected recipient at Critics Choice. While Chu isn’t nominated for the Oscar, voters could opt for Corbet’s more epic in nature project and honor Baker in Original Screenplay. Since he is the editor of Anora, he could also win that gold statue so that’s another at bat.

The Verdict:

For quite some time, it looked like Baker would be a first-time Academy honoree in Screenplay and perhaps Screenplay only. Now he’s in contention for four in one night with Best Picture, Director, Screenplay, and Editing. His chances for the filmmaking competition skyrocketed after DGA.

My Case Of posts will continue with our second hopeful in Best Actress and that’s Karla Sofia Gascón in Emilia Pérez…

That should be an interesting post.