Zootopia 2 seeks to rule the Thanksgiving box office while rom com Eternity opens and will just try and make the top 5. You can peruse my detailed prediction posts on the newcomers here:
Disney’s sequel to their 2016 Oscar-winning animated feature should easily the eclipse the $75 million debut of what came nine years ago. Zootopia 2 appears on track for the second highest Turkey frame behind the Mouse House’s own Moana 2 from last year.
As for Eternity, the heaven set pic with Miles Teller and Elizabeth Olsen may struggle out of the (pearly) gates on approximately 1500 screens. My projection leaves it outside the top five.
Speaking of the high five, I’m doing not doing an official estimate for Wake Up Dead Man: A Knives Out Mystery. The third entry in Rian Johnson’s murder mystery series with Daniel Craig, it is slated for selected theaters prior to its December 12th Netflix bow. Three years ago, predecessor Glass Onion kicked off over the same holiday frame in nearly 700 venues. Though Netflix doesn’t officially report its numbers, figures of just over $9 million (three-day) and $13 million (five-day) were unofficially given for that rollout prior to its streaming start. Because hard figures aren’t revealed (and due to uncertainty about Wake‘s actual screen count), I’m not projecting it. That said, don’t be surprised if the unofficial tally reveals a third place showing with similar grosses to Onion. Got all that?
Moving to the holdovers, Wicked: For Good flew high with 2025’s second largest opening (more on that below). The first Wicked premiered in the same weekend in 2024 and dropped a mere 28% over Thanksgiving. The likelihood is that For Good is more front loaded and it may ease in the low to mid 40s for what would essentially be the same numbers for its sophomore play.
Now You See Me: Now You Don’t, Predator: Badlands, and The Running Man should all move down a slot and here’s how I see it playing out:
1. Zootopia 2
Predicted Gross: $112.4 million (Friday to Sunday); $184.3 million (Wednesday to Sunday)
2. Wicked: For Good
Predicted Gross: $82 million
3. Now You See Me: Now You Don’t
Predicted Gross: $6.2 million
4. Predator: Badlands
Predicted Gross: $4.6 million
5. The Running Man
Predicted Gross: $3.4 million
6. Eternity
Predicted Gross: $3 million (Friday to Sunday); $4.4 million (Wednesday to Sunday)
Box Office Results (November 21-23)
Wicked: For Good may not have completely defied prognostications, but its $147 million debut is second only to A Minecraft Movie for the year. Part 2 of the witchy and wizardly saga didn’t match my $158.1 million call though it managed to outshine the $112.5 million achieved by part 1.
Now You See Me: Now You Don’t dropped to second with $8.9 million, in line with my $9.4 million prediction. The magic themed threequel has made off with $36 million.
Predator: Badlands was third in week 3 with $6.5 million compared to my $5.9 million take. It is up to $76 million overall.
In fourth position, The Running Man stumbled a steep 65% in weekend 2 with $5.7 million (I said $6.7 million) for just $26 million thus far.
Rental Family with Brendan Fraser, despite appreciative reviews and word-of-mouth, was fifth with a ho-hum $3.3 million. That is slightly above my $2.9 million estimate.
Finally, Finnish action sequel Sisu: Road to Revenge was sixth with an unimpressive $2.4 million. I gave it more credit at $4 million.
Ahead of its Friday release, the embargo has lapsed for the eagerly awaited sequel Wicked: For Good and we are seeing just how popular or unpopular it is with critics. Jon M. Chu returns to direct alongside the cast of Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh, and Jeff Goldblum.
Based on the Broadway phenomenon, Good is expected to generate massive box office dollars. Will it be able to match or exceed the Oscar performance of its predecessor from last year? At the 97th Academy Awards, Wicked picked up 10 nominations – Best Picture, Actress (Erivo), Supporting Actress (Grande), Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Production Design, Sound, and Visual Effects. It won for Costume Design and Production Design.
We’ll get into all those in a second, but let’s start with the headline. As one of the final pieces to this grand awards puzzle, Good‘s reviews aren’t as strong as part 1’s. 2024’s original had 88% on Rotten Tomatoes and 73 on Metacritic. At the time of publication, RT for Good is 71% with Metacritic at 61.
In short, that makes its prospects murkier in most categories starting with BP. On Sunday when I posted my latest update, I dropped the follow-up from 6th to 8th in that race. I wouldn’t be surprised to see it slide further in my next update and I certainly don’t expect it to go up. Anywhere from 8-10 seems reasonable with the possibility that it could miss the cut. A Directing nod for Chu appears out of reach.
Since April when I did my first projections, I’ve had Erivo and Grande getting back to back noms as the Wicked Witch and Glinda the Good. That’s likely to continue though I’m less confident that they’re both slam dunk inclusions. Actress is crowded and Erivo faces tough competition. I think Grande in Supporting Actress is safer. She was probably runner-up for the victory last year when she fell short to Zoe Saldaña in Emilia Pérez. Grande has been ranked 1st for months on this blog and I still believe she could make the podium walk. The mixed overall reaction opens up victory narratives for others, including Teyana Taylor in One Battle After Another, Elle Fanning or Inga Ibsdotter Lilleass in Sentimental Value, and maybe even Amy Madigan for Weapons (though I’ve yet to predict her).
As for the tech races, Costume Design, Makeup and Hairstyling, and Production Design are close to shoo-in noms. I’m a little less assured about Sound and Visual Effects and far less so for Film Editing and Original Score.
Then there’s categories where the second helping of Wicked could pop up where Wicked did not. That includes original song. Universal is submitting “The Girl in the Bubble” and “No Place Like Home” for the tune derby. I included both in my quintet on Sunday. Some critical reaction indicates the new songs (in other words – not in the Broadway show) are not standouts. I still think one gets in (“Bubble”) but you never know.
The 98th Academy Awards marks the first year for the Best Casting prize. Had this existed last year, Wicked would have had 11 mentions instead of 10. Like most other races mentioned above, For Good making this list of five (or ten in BP) in tenuous.
Bottom line – the range of nominations for Wicked: For Good could be anywhere from 3 to maybe matching the 10 of Wicked in a best case scenario. My Oscar Prediction posts will continue…
Wicked: For Good sweeps in to rule the box office and it could compete for 2025’s biggest domestic opening. We also have Finnish action sequel Sisu: Road to Revenge and Japan set dramedy Rental Family making their debuts and you can peruse my detailed prediction posts on the newcomers here:
The second part of Wicked is expected to easily swoosh past the $112 million opening of part 1 last year. The real question is whether it eclipses the $162 million start of A Minecraft Movie which currently holds the record for the year. I have falling just behind.
Sisu: Road to Revenge should manage to top the $3.3 million out of the gate that its predecessor achieved in 2023, but perhaps not by much. My mid single digits projection puts it in fifth.
Rental Family with Oscar winner Brendan Fraser hasn’t been able to generate much buzz despite mostly solid reviews. I have it struggling in sixth place.
Holdovers should populate slots 2-4. Now You See Me: Now You Don’t scored a surprise #1 showing (more on that below). If it drops in range with Now You See Me 2 from nine years ago, it could fall below $10 million for the runner-up spot. The second weekend of The Running Man and third frame of Predator: Badlands could see similar numbers battling for third.
Here’s how I have it shaking out:
1. Wicked: For Good
Predicted Gross: $158.1 million
2. Now You See Me: Now You Don’t
Predicted Gross: $9.4 million
3. The Running Man
Predicted Gross: $6.7 million
4. Predator: Badlands
Predicted Gross: $5.9 million
5. Sisu: Road to Revenge
Predicted Gross: $4 million
6. Rental Family
Predicted Gross: $2.9 million
Box Office Results (November 14-16)
As mentioned, threequel Now You See Me: Now You Don’t easily ruled the charts with a better than anticipated $21 million compared to my $17.1 million prediction. While it’s the lowest opening of the franchise (falling under the original’s $29 million and part two’s $22 million), the #1 posting was an unexpected development.
That’s because many prognosticators, including me, figured The Running Man with Glen Powell might manage bragging rights. Yet the sci-fi remake took in only $16.4 million for second, under my $19.6 million estimate.
Another projection I missed is that I thought Predator: Badlands wouldn’t experience the hefty sophomore decline of other pics in the franchise. However, it plummeted 68% to $12.7 million. I was far more generous at $18.2 million. The two-week tally is still an impressive $66 million.
Regretting You was fourth with $3.7 million and I was higher at $5 million. The four-week take is $44 million.
Black Phone 2 rounded out the top five and I incorrectly didn’t have it there. In its fifth week, it earned $2.6 million to bring its total to $74 million.
Keeper from Osgood Perkins was right behind in sixth with $2.5 million (I said $3.2 million). The horror flick couldn’t attract its intended audience.
Wicked: For Good sweeps into theaters November 21st and it should eclipse what part one accomplished out of the gate last year. Jon M. Chu returns directing the second half of the saga based on the hugely popular Stephen Schwartz/Winnie Holzman Broadway play. The stage musical, of course, draws its inspiration from the written works of L. Frank Baum and 1939’s iconic The Wizard of Oz. Cynthia Erivo and Ariana Grande are back headlining along with supporting players Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh, and Jeff Goldblum.
Last November, Wicked drew critical kudos, 10 Oscar nominations, and a $112 million domestic opening on its way to $473 million overall stateside. The goodwill left over is expected to mean a larger debut upfront. The Universal release could contend for 2025’s largest premiere thus far. In order to accomplish that feat, it would need to surpass the $162 million that A Minecraft Movie brought in. That is certainly within Good‘s range and I wouldn’t be surprised if it manages the record. I’m putting it a bit below Minecraft‘s figure though it should play well throughout the holidays.
Wicked: For Good opening weekend prediction: $158.1 million
For my Sisu: Road to Revenge prediction, click here:
And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
We are a month and change removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They have been unfolding on the blog over the next few days. I already posted my takes for the four acting races and director and they can be accessed here:
That brings us to the biggest race of all – Best Picture. When I did my first projections for BP for the 97th ceremony back in April of 2024, I correctly named two of the eventual ten nominees in Conclave and Dune: Part Two. Three others – Emilia Pérez, Nickel Boys, and Wicked – were listed in Other Possibilities. Five other contenders – winner Anora, The Brutalist, A Complete Unknown, I’m Still Here, and The Substance – were not yet on my radar screen.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system much like Anora, Pérez, The Substance, and The Brutalist last time around.
This premiere post predicts part two of Wicked and part 3 of Avatar among the ten hopefuls as well as last year’s Toronto Film Festival People Choice’s winner The Life of Chuck. Unlike most prognosticators, I currently have Paul Thomas Anderson’s high profile One Battle After Another on the outside looking in. And while I don’t have Sinners in my ten, the 99% RT rating is really making me wonder. I came close to including it.
My initial ranked predictions in the six major races (as well as the screenplay competitions) will be posted soon. In the meantime, here’s the first glimpse at BP.
TODD’S FIRST OSCAR PREDICTIONS FOR BEST PICTURE AT THE 98TH ACADEMY AWARDS
And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
We are just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take in the supporting fields and lead actor and they can be found here:
That brings us to Best Actress. When I gave you my first picks in April of 2024, I did not name any of the eventual nominees in my projected quintet (unlike the other acting races where I got at least one or two). Only Karla Sofia Gascón was listed as an other possibility for Emilia Pérez. The eventual winner Mikey Madison (Anora) and fellow nominees Cynthia Erivo (Wicked, whose category placement was uncertain at the time), Demi Moore (The Substance), and Fernanda Torres (I’m Still Here) had yet to reach my radar.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actresses listed here could end up being campaigned in supporting. And there will be movies we are not even anticipating that will rise up with performances currently not on the radar. This was clearly the case last year when Cannes vaulted Madison and Moore into an eventual tight competition for the victory.
This premiere post projects a repeat nod for Ms. Erivo for the second helping of Wicked in as many years and Julia Roberts back in the mix 25 years after taking this prize for Erin Brockovich.
Here’s the first snapshot with Best Director up next!
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTRESS AT THE 98TH ACADEMY AWARDS
And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
We are just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take on Supporting Actor and it can be found here:
We move to Supporting Actress. When I gave you my first picks in 2024, it yielded one eventual nominee and that’s Isabella Rossellini for Conclave. The eventual winner Zoe Saldaña (Emilia Pérez) as well as Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), were not identified at this early juncture.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actresses listed here could end up being campaigned in lead actor and vice versa when I get to Best Actress. And there will be movies we’re not even anticipating that will rise up with performances currently not on the radar. Last year in April 2024, I had Cynthia Erivo (Wicked) slotted in Supporting Actress in Other Possibilities. She ended up going lead and nabbing a nod.
This premiere posts projects Erivo’s costar Ariana Grande will be a repeat nominee for Wicked: For Good. I’m also forecasting that Gwyneth Paltrow will return to the awards mix over a quarter century behind her Shakespeare in Love Actress victory.
Here’s the first snapshot with Best Actor up next!
TODD’S FIRST OSCAR PREDICTIONS FOR SUPPORTING ACTRESS AT THE 98TH ACADEMY AWARDS
Ayo Edebiri, After the Hunt
Ariana Grande, Wicked: For Good
Angelina LookingGlass, The Rivals of Amziah King
Gwyneth Paltrow, Marty Supreme
Teyana Taylor, One Battle After Another
Other Possibilities:
Emily Blunt, The Smashing Machine
Glenn Close, Wake Up Dead Man: A Knives Out Mystery
After months of speculation and a whole lotta blog posts covering the various competitions, the 97th Academy Awards is now in the history books. It was a history making night for Anora maker Sean Baker. His four statues tie for the most Oscars received in a single evening. He’s in iconic company. The other individual to achieve it is Walt Disney.
Anora was the story of the night with five victories. I went 17 for 20 in my predictions and the three I missed is where I didn’t pick Anora. I correctly called it in Best Picture and Original Screenplay (wins 1 and 2 for Baker). I incorrectly selected Brady Corbet (The Brutalist) over Baker in director (win 3). Conclave was my wrong pick for Film Editing when went to Baker (win 4). Mikey Madison’s work in the title role was my third misstep as she took gold over Demi Moore (The Substance). Just as Everything Everywhere All at Once dominated the show two years back and Oppenheimer did so a year ago, it was Anora‘s night to shine.
The ceremony itself only ran about 15 minutes over with first-time host Conan O’Brien doing a solid if unspectacular job at the helm. Cynthia Erivo and Ariana Grande kicked things off in soaring fashion with their performance of “Defying Gravity” from Wicked. That was a high point. A rather pointless 007 tribute was a bit of a head scratcher. Overall the show was fine with a heartfelt Gene Hackman tribute from Morgan Freeman being another memorable moment.
Let’s run down what I got right quickly. That includes the other three acting derbies as Adrien Brody (The Brutalist) is now a two-time Best Actor with Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) completing their supporting sweeps.
Frankly, I didn’t think I’d pull off the hat trick of International Feature Film, Animated Feature, and Documentary Feature. I managed it with the respective winners I’m Still Here, Flow, and No Other Land.
Other than the aforementioned Film Editing, all other down the line contests were correct calls: Cinematography and Original Score to The Brutalist; Costume Design and Production Design for Wicked; The Substance in Makeup and Hairstyling; “El Mal” as Original Song for Emilia Pérez; Sound and Visual Effects to Dune: Part Two.
The win counts were as follows for the following pictures:
5 Wins
Anora
3 Wins
The Brutalist
2 Wins
Dune: Part Two, Emilia Pérez, Wicked
1 Win
Conclave, Flow, I’m Still Here, No Other Land, A Real Pain, The Substance
Now it’s time to shift focus to the 98th. So keep an eye on this blog for all the speculation that fits…
This is it. After months upon months of speculation and scores of individual Oscar Prediction posts…
After 35 Case Of entries making the argument for and against every Best Picture, Director, Actress, Actor, Supporting Actress, and Supporting Actor nominee…
After trying to pick up clues based on what happened at the Golden Globes, BAFTA, SAG, Critics Choice, PGA, DGA, and more…
After changing and re-changing my mind right up until I type these final words…
These are my final prediction for the 97th Academy Awards airing Sunday with Conan O’Brien hosting!
We’ve had endless chatter on this blog so let’s get to it. For each race, I’m giving you my winner pick with a runner-up and some brief commentary.
BEST PICTURE
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, Wicked
Unlike last year where Oppenheimer was the obvious pick to win, there is real suspense heading into the last category of the night. Anora took Critics Choice/DGA/PGA, Conclave nabbed BAFTA/SAG Best Ensemble while The Brutalist and Emilia Pérez won their respective Drama and Musical or Comedy competitions at the Globes.
Due to its recent controversies, Pérez is out of the hunt. I honestly could see The Brutalist still emerging. I had it placed at #1 in my overall predictions for a long time during my weekly updates. That said, it’s probably third in the running. Even though one heckuva argument can be made for Conclave and recent momentum, I’m going with Anora.
PREDICTED WINNER: ANORA
Runner-Up: Conclave
BEST DIRECTOR
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), James Mangold (A Complete Unknown)
It is very dangerous to go against the DGA winner and that’s Sean Baker. Oscar/DGA match nearly every year. If you’re betting on this competition, probably go Baker. Yet Corbet took the Globe and BAFTA. Jon M. Chu (as an outlier) was the Critics Choice honoree. I could see Corbet still pulling this off.
PREDICTED WINNER: BRADY CORBET, THE BRUTALIST
Runner-Up: Sean Baker, Anora
BEST ACTRESS
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance), Fernanda Torres (I’m Still Here)
Torres (Globe winner for Actress in a Drama) isn’t impossible, but it’s a long shot. This is a real nail biter between Madison and Moore. The former was the surprise BAFTA recipient while Moore’s comeback narrative yielded her the Globe (Musical or Comedy), Critics Choice, and SAG. Had Madison taken SAG, I’d probably be predicting her. I’m sticking with Demi in what could be the closest race of the evening.
PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE
Runner-Up: Mikey Madison, Anora
BEST ACTOR
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)
Chalamet certainly made this race more intriguing when he took SAG, but Brody has the Globe/Critics Choice/BAFTA combo.
PREDICTED WINNER: ADRIEN BRODY, THE BRUTALIST
Runner-Up: Timothée Chalamet, A Complete Unknown
BEST SUPPORTING ACTRESS
Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
It was once thought that this could turn into a Grande v. Saldaña showdown. The latter has instead swept through the season. Saldaña appears immune to the Pérez negative publicity.
PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ
Runner-Up: Ariana Grande, Wicked
BEST SUPPORTING ACTOR
Yura Borisvov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)
It’s rare for the Supporting Actor winner not to come from a BP nominee, but Culkin has swept thus far and anyone else taking this would be a major upset at this juncture.
PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN
Runner-Up: Edward Norton, A Complete Unknown
BEST ORIGINAL SCREENPLAY
Anora, The Brutalist, A Real Pain, September 5, The Substance
This is not the slam dunk that I once assumed with Anora. Both A Real Pain and The Substance have picked up unexpected precursor prizes. I’m still going with my BP.
PREDICTED WINNER: ANORA
Runner-Up: A Real Pain
BEST ADAPTED SCREENPLAY
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing
Conclave should get this though a Nickel Boys upset is feasible.
PREDICTED WINNER: CONCLAVE
Runner-Up: Nickel Boys
BEST INTERNATIONAL FEATURE FILM
Emilia Pérez, Flow, The Girl with the Needle, I’m Still Here, The Seed of the Sacred Fig
This will be the largest test as to how much controversy truly hurt Pérez. A few weeks ago, I would’ve easily picked it. Then came bad press and I’m Still Here sneaking in the BP ten with Torres up in Best Actress. Pérez could still pull this off, but I’m saying Here.
PREDICTED WINNER: I’M STILL HERE
Runner-Up: Emilia Pérez
BEST ANIMATED FEATURE
Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Flow and Robot have both picked up precursors. So did Gromit, but that was BAFTA and they honored their own. This feels like a coin flip between Flow and Robot and my gut says the former in a squeaker.
PREDICTED WINNER: FLOW
Runner-Up: The Wild Robot
BEST DOCUMENTARY FEATURE
Black Box Diaries, No Other Land, Porcelain War, Soundtrack to a Coup d’Etat, Sugarcane
The doc branch is truly unpredictable and that’s compounded by precursors being all over the place. In fact, Super/Man: The Christopher Reeve Story picked up a couple honors and it’s not listed here. No Other Land was once thought of as a sweeper and that didn’t materialize. I’ll still say it wins with Porcelain as the most significant threat.
PREDICTED WINNER: NO OTHER LAND
Runner-Up: Porcelain War
BEST CINEMATOGRAPHY
The Brutalist, Dune: Part Two, Emilia Pérez, Maria, Nosferatu
Maria and Nosferatu are possible but I’ll say the epic Brutalist.
PREDICTED WINNER: THE BRUTALIST
Runner-Up: Nosferatu
BEST COSTUME DESIGN
A Complete Unknown, Conclave, Gladiator II, Nosferatu, Wicked
Academy voters should ride with Wicked.
PREDICTED WINNER: WICKED
Runner-Up: A Complete Unknown
BEST FILM EDITING
Anora, The Brutalist, Conclave, Emilia Pérez, Wicked
This is a tough one between Anora, The Brutalist, and Conclave. The Brutalist is tempting and so is going with the BP pick Anora. This feels like a dart board selection and I’m landing on BAFTA honoree Conclave.
PREDICTED WINNER: CONCLAVE
Runner-Up: Anora
BEST MAKEUP AND HAIRSTYLING
A Different Man, Emilia Pérez, Nosferatu, The Substance, Wicked
All signs point to The Substance.
PREDICTED WINNER: THE SUBSTANCE
Runner-Up: Wicked
BEST ORIGINAL SCORE
The Brutalist, Conclave, Emilia Pérez, Wicked, The Wild Robot
I wouldn’t rule out Conclave, but The Brutalist is the pick.
PREDICTED WINNER: THE BRUTALIST
Runner-Up: Conclave
BEST ORIGINAL SONG
“El Mal” from Emilia Pérez; “The Journey” from The Six Triple Eight; “Like a Bird” from Sing Sing; “Mi Camino” from Emilia Pérez; “Never Too Late” from Elton John: Never Too Late
Who knows? Maybe the Academy just goes with Elton John. They could also finally honor songwriter Diane Warren after 15 nomination and zero wins. And this is another test for Pérez with Globe winner “Mi Camino”. I’ll say “Camino” in a pick ’em.
PREDICTED WINNER: “MI CAMINO” FROM EMILIA PÉREZ
Runner-Up: “The Journey” from The Six Triple Eight
BEST PRODUCTION DESIGN
The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked
If The Brutalist over performs and takes BP, I could see this happening. Wicked is the safer pick.
PREDICTED WINNER: WICKED
Runner-Up: The Brutalist
BEST SOUND
A Complete Unknown, Dune: Part Two, Emilia Pérez, Wicked, The Wild Robot
The musicals could surprise. Dune: Part Two is likelier.
PREDICTED WINNER: DUNE: PART TWO
Runner-Up: A Complete Unknown
BEST VISUAL EFFECTS
Alien: Romulus, Better Man, Dune: Part Two, Kingdom of the Planet of the Apes, Wicked
This should be Dune‘s other victory.
PREDICTED WINNER: DUNE: PART TWO
Runner-Up: Better Man
And there you have it! I’ll have a recap up Sunday evening and here’s the breakdown of win totals for the pictures…
4 Wins
The Brutalist
2 Wins
Anora, Conclave, Dune: Part Two, Emilia Pérez, The Substance, Wicked
1 Win
Conclave, Flow, I’m Still Here, No Other Land, A Real Pain
The 31st SAG Awards added to the unpredictability of Oscar night in one week by crowning Conclave as the Best Ensemble recipient. This occurs seven days after it got BAFTA’s largest prize. The correlation between the Academy’s Best Picture and SAG ensemble is 6/10 in the past decade. Conclave still may not be the frontrunner next Sunday but its chances are looking better.
I predicted Wicked would take Ensemble while plenty of others went with Anora. Had the latter emerged victorious, it would’ve solidified frontrunner positioning in BP. Now Oscar night’s biggest race appears to be a three-way contest between Anora, The Brutalist, and Conclave with genuine suspense as to what will come out on top.
Ensemble was the only category I missed as I went 5/6 in my projections. I’ll gladly take that in this unpredictable season. Both lead acting derbies were coin flips where I managed to make the right call. Demi Moore (The Substance) won and she now has SAG, Critics Choice, and the Globe with Mikey Madison (Anora) claiming BAFTA. I am still deciding who will take the Oscar.
For Best Actor, Timothée Chalamet (A Complete Unknown) picked up his first major trophy over Adrien Brody (The Brutalist). I had a hunch this might happen as the SAG voters ignored Brody’s costars Felicity Jones and Guy Pearce and nominated Chalamet’s cast mates Monica Barbaro and Edward Norton. I’m not convinced the Academy will follow suit, but it’s surely more of a two-way race now.
The supporting fields appear set in stone as Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) have now swept the season. Anyone other than them making podium trips next Sunday would be a rather shocking upset at this juncture.
Finally, The Fall Guy nabbed Best Stunt Ensemble as I figured the movie about stunt performers would.
Keep an eye on the blog as I wrap up my Case Of posts with those final predictions (!) coming Wednesday.
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