Taking its source material from a Henry James novella penned over 120 years ago, Bertrand Bonello’s The Beast is set 20 years in the future (with jumps back to 1910 and 2014). Léa Seydoux (recently seen in Dune: Part Two) and George MacKay headline with Guslagie Malanda and Dasha Nekrasova supporting. The sci-fi romance premiered at the Venice Film Festival last autumn and has made its way stateside after a French start in February.
86% of critics are fresh for what’s described as a tense art movie. Some reviewers are saying it doesn’t completely succeed, but give it points for the try. I don’t expect this to be something that the Academy takes notice of. I wouldn’t be surprised if it develops a cult following from genre enthusiasts. My Oscar Prediction posts will continue…
Woody Allen is back in thriller mode with Coup de chance, his 50th feature behind the camera that premiered in Venice last fall and was released in France shortly after. It’s out stateside in limited fashion this weekend with a streaming bow to follow next weekend. Shot in French, the main cast from that country includes Lou de Laâge, Valérie Lemercier, Melvil Poupaud, and Niels Schneider.
This is the Allen’s first work in three years after 2020’s Rifkin’s Festival as American audiences have largely shunned the filmmaker after abuse allegations resurfaced in the Me Too era. You can safely assume part of the reason this was made across the pond is due to the auteur not being able to pick up domestic distributors.
Despite the controversy around its maker, chance is generating some of Allen’s strongest reviews of the 21st century. The RT score is 84% with critics comparing it to 2005’s Match Point and others saying it’s his best since 2013’s Blue Jasmine. In a previous time, actors would frequently nab Oscar wins and noms in his pictures and so could the screenplay. Even with these laudatory notices, that time has passed. My Oscar Prediction posts will continue…
Luc Besson’s Dogman is out in limited release stateside after premiering at the Venice Film Festival last fall and hitting France months ago. The crime thriller casts Caleb Landry Jones (of Get Out and Three Billboards Outside Ebbing, Missouri fame) as a troubled canine lover. Costars include Jojo T. Gibbs, Christopher Denham, Clemens Schick, John Charles Aguilar, and Grace Palma.
Unsurprisingly, many reviews are calling this is a bizarre watch. That’s par for the course from the man who made The Fifth Element and Valerian and the City of a Thousand Planets. Critical reaction is mixed with a 62% RT rating. Unlike those aforementioned titles, don’t look for Dogman to be in the mix for a Visual Effects nom from awards voters. Neither made the Oscar cut though Element nabbed a Sound Editing mention. Despite plenty of kudos for Jones’s performance, don’t expect this to contend for any other prizes. My Oscar Prediction posts will continue…
Last year, a late breaking Oscar campaign for Andrea Riseborough’s performance in the micro-budgeted drama To Leslie resulted in success. With various celebrities holding events touting her work, Riseborough nabbed one of the five slots in Actress (over favored competitors like Danielle Deadwyler in Till and Viola Davis in The Woman King). This resulted in both controversy and kudos for a unique way to campaign for gold hardware.
Now for the 96th Academy Awards, we have another midnight hour title raising eyebrows in the form of Selma director Ana DuVernay’s Origin. Based on Isabel Wilkerson’s nonfiction novel, the race relations drama premiered on the festival circuit early in the fall at Venice and Toronto. Some reviews were raves, but not all. An 80% Rotten Tomatoes score resulted and Neon picked up distribution rights. Its wide release comes this Friday.
That timing could come in handy. However, Origin hasn’t been seen as a true threat for Picture, Adapted Screenplay, or Actress. Yet there’s been some noteworthy activity over the past week. Angelina Jolie hosted an FYC event with DuVernay and the film’s lead Aunjanue Ellis-Taylor (nominated for Supporting Actress in 2021 for King Richard). Today the USC Scripter nods for Adapted Screenplay had this in their top 5 along with expected heavy hitters American Fiction, Killers of the Flower Moon, Oppenheimer, and Poor Things.
Could Origin nab a screenplay mention from the Academy? That’s still a tough road. The other four titles should make the cut and Barbie is also an adapted work according to Oscar (despite that being heavily debatable). It wasn’t eligible for the USC prize due to their rules.
Where this could “come out of nowhere” as Riseborough did is in Actress. I would say Lily Gladstone in Flower Moon and Emma Stone in Poor Things are locked in. Sandra Hüller (Anatomy of a Fall) and Carey Mulligan (Maestro) aren’t shoo-ins, but their inclusion is expected. Then we have one slot up for grabs and hopefuls include Greta Lee (Past Lives), Margot Robbie (Barbie), and Annette Bening (Nyad). We shall see if this fresh round of campaigning puts Ellis-Taylor in the mix. I have my doubts. Then again I didn’t predict Riseborough a year ago and was proven wrong.
I do think Best Picture is a reach. At best, this might be 12th or 13th as far as possibilities. Or perhaps the power of Jolie isn’t to be underestimated. My final Oscar predictions are arriving on the blog imminently…
Desperate Souls, Dark City and the Legend of Midnight Cowboy is an out of the blue contender for Documentary Feature at the Oscars. It recounts the making of the 1969 Best Picture winner with Jon Voight and Dustin Hoffman as well as its classic era of filmmaking. Nancy Buirski, who passed away in August of last year, directs.
Souls first premiered at the Venice Film Festival in August of 2022. While reviews stand at 91% on Rotten Tomatoes, some of them aren’t exactly raves. The victory for this doc about a BP recipient might be the shortlist. I haven’t had it in my top ten of possibilities and don’t expect to elevate it before making final selections later this week. My Oscar Prediction posts will continue…
Bobi Wine: The People’s President from directors Christopher Sharp and Moses Bwayo chronicles the Ugandan presidential campaign of the title character. Having originally debuted at the Venice Film Festival in 2022, it received distribution stateside last year via Disney+/National Geographic. It’s one of 15 shortlisted features for Best Documentary Feature.
Sporting a 100% RT score, Bobi‘s filmmakers are freshly nominated for the DGA prize for directing for documentary alongside 20 Days in Mariupol, Beyond Utopia, Kokomo City, and Still: A Michael J. Fox Movie. Only Kokomo is not eligible for Academy consideration.
This was under my radar for the majority of speculating season. However, it has sat at #9 in my last two rounds of predictions. I doubt it vaults into the top five when I make final picks later this week, but it’s certainly a viable contender for inclusion. My Oscar Prediction posts will continue…
Two months after it premiered at the Venice Film Festival, Priscilla rolls out in wide release on November 3rd. Based on her mid-80s memoir, the biopic of Priscilla Presley stars Cailee Spaeny in the title role with Jacob Elordi as Elvis. Sofia Coppola directs.
Reviews have been satisfactory with a 94% Rotten Tomatoes rating. While Spaeny could contend at the Oscars in Best Actress (though it’s a crowded field), this has not generated much awards buzz outside of that. The A24 title is out in limited fashion October 27th. While it might play decently on the coasts, I suspect there’s not much demand across the country.
Part of its diminished prospects could be attributed to Elvis, Baz Luhrmann’s flashy biopic which rocked the box office in the summer of 2022. It picked up 8 Academy nominations as well.
If this were to manage high single digits, A24 should consider that a success. I am skeptical about that and I question whether it even gets to $5 million.
Priscilla opening weekend prediction: $3.9 million
The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.
Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).
I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.
For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.
The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.
In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.
Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.
My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.
Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Color Purple (PR: 6) (+1)
6. Past Lives (PR: 5) (-1)
7. Maestro (PR: 8) (+1)
8. The Holdovers (PR: 7) (-1)
9. Anatomy of a Fall (PR: 9) (E)
10. The Zone of Interest (PR: 11) (+1)
Other Possibilities:
11. American Fiction (PR: 10) (-1)
12. Air (PR: 12) (E)
13. Napoleon (PR: 15) (+2)
14. Spider-Man: Across the Spider-Verse (PR: 14) (E)
15. Origin (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Celine Song, Past Lives (PR: 5) (-2)
8. Bradley Cooper, Maestro (PR: 9) (+1)
9. Alexander Payne, The Holdovers (PR: 7) (-2)
10. Blitz Bazawule, The Color Purple (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Greta Lee, Past Lives (PR: 7) (+2)
Other Possibilities:
6. Fantasia Barrino, The Color Purple (PR: 6) (E)
7. Margot Robbie, Barbie (PR: 5) (-2)
8. Cailee Spaeny, Priscilla (PR: 9) (+1)
9. Annette Bening, Nyad (PR: 8) (-1)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 5) (+3)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Paul Giamatti, The Holdovers (PR: 4) (-1)
Other Possibilities:
6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Joaquin Phoenix, Napoleon (PR: 9) (+1)
9. Barry Keoghan, Saltburn (PR: 10) (+1)
10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)
Dropped Out:
Teo Yoo, Past Lives
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 4) (+1)
4. Taraji P. Henson, The Color Purple (PR: 3) (-1)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Penelope Cruz, Ferrari (PR: 6) (E)
7. Julianne Moore, May December (PR: 7) (E)
8. Jodie Foster, Nyad (PR: 9) (+1)
9. Rosamund Pike, Saltburn (PR: 8) (-1)
10. America Ferrera, Barbie (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Mark Ruffalo, Poor Things (PR: 3) (E)
4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)
5. Charles Melton, May December (PR: 7) (+2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Colman Domingo, The Color Purple (PR: 8) (+1)
8. John Magaro, Past Lives (PR: 5) (-3)
9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)
10. Glenn Howerton, BlackBerry (PR: 9) (-1)
Dropped Out:
Sterling K. Brown, American Fiction
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Past Lives (PR: 2) (E)
3. The Holdovers (PR: 3) (E)
4. Anatomy of a Fall (PR: 4 ) (E)
5. Air (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. May December (PR: 7) (E)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 10) (+1)
10. Saltburn (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. Poor Things (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. All of Us Strangers (PR: 5) (E)
Other Possibilities:
6. The Zone of Interest (PR: 8) (+2)
7. Hit Man (PR: 6) (-1)
8. The Color Purple (PR: 7) (-1)
9. Origin (PR: 9) (E)
10. Spider-Man: Across the Spider-Verse (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. About Dry Grasses (PR: 5) (-1)
5. Fallen Leaves (PR: 4) (+1)
Other Possibilities:
6. Society of the Snow (PR: 7) (+1)
7. The Peasants (PR: Not Ranked)
8. The Settlers (PR: Not Ranked)
9. The Delinquents (PR: 8) (-1)
10. The Promised Land (PR: 9) (-1)
Dropped Out:
The Teachers’ Lounge
Io capitano
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)
Dropped Out:
“High Life” from Flora and Son
Best Production Design
Predicted Nominees:
1. Barbie (PR: 3) (+2)
2. Poor Things (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Oppenheimer (PR: 4) (E)
5. Asteroid City (PR: 6) (+1)
Other Possibilities:
6. The Color Purple (PR: 5) (-1)
7. Napoleon (PR: 7) (E)
8. Maestro (PR: 8) (E)
9. The Zone of Interest (PR: Not Ranked)
10. Saltburn (PR: 10) (E)
Dropped Out:
Wonka
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Ferrari (PR: 3) (+1)
3. Napoleon (PR: 4) (+1)
4. The Color Purple (PR: 2) (-2)
5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)
Other Possibilities:
6. Killers of the Flower Moon (PR: 5) (-1)
7. The Creator (PR: Not Ranked)
8. Barbie (PR: 8) (E)
9. The Zone of Interest (PR: 10) (+1)
10. Maestro (PR: 7) (-3)
Dropped Out:
The Killer
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)
3. The Creator (PR: 3) (E)
4. Napoleon (PR: 6) (+2)
5. Rebel Moon (PR: 5) (E)
Other Possibilities:
6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)
7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)
8. Poor Things (PR: 4) (-4)
9. Barbie (PR: 10) (+1)
10. Killers of the Flower Moon (PR: 8) (-2)
That means I’m projecting these movies will garner these numbers of nominations:
12 Nominations
Killers of the Flower Moon, Oppenheimer
10 Nominations
Poor Things
9 Nominations
Barbie
6 Nominations
The Color Purple, Maestro
5 Nominations
Past Lives
4 Nominations
The Holdovers, The Zone of Interest
3 Nominations
Anatomy of a Fall
2 Nominations
Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
The Italian drama Io capitano follows the trek of two Senegalese men (Seydou Sarr and Moustapha Fall) to Europe. From Matteo Garrone (who last made Pinocchio with Roberto Benigni), the film premiered at Venice earlier this year and earned its maker the Silver Lion Prize (essentially Best Director). The nine reviews thus far on Rotten Tomatoes stand at 100%.
Already announced as Italy’s selection for Best International Feature, capitano will attempt to be the third feature from that nation to be nominated in the 21st century. The Great Beauty won the race in 2013 and The Hand of God was up in 2021.
While all write-ups thus far are positive, I’m not sure they’re strong enough that it will make the final five. I had this listed at #10 in my new update yesterday. My Oscar Prediction posts will continue…
J.A. Bayona’s Society of the Snow served as the closing night feature at the Venice Film Festival earlier this month and, as expected, has been submitted by Spain as their Oscar hopeful for International Feature Film. The survival drama is expected to be streaming on Netflix by year’s end. It tells the real life tale of Uruguayan Flight 571’s crash in the Andes Mountains in 1972. Bayona is no stranger to disaster dramas with 2012’s The Impossible, which nabbed Naomi Watts a Best Actress nod. His last pic was 2018’s dino sequel Jurassic World: Fallen Kingdom.
Based on a small sampling (9 reviews), Snow has lodged a 100% Rotten Tomatoes score. Spain has had a spotty record getting their selections into the final five with the Academy. In the 21st century, The Sea Inside was the 2004 winner and 2019’s Pain and Glory was nominated. That’s where their luck ends.
I currently have Snow at #7 in IFF. Its chances are decent and getting a lot of eyeballs via Netflix should only assist. If I’m betting now, however, I’ll say it makes the shortlist and not the ultimate quintet. My Oscar Prediction posts will continue…
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