Oscar Watch: Incredibles 2

This should come as no surprise, but reviews out today for Incredibles 2 (out Friday) are pretty encouraging. The sequel from Pixar/Disney arrives 14 years after the original, which stands as one of the vaunted studio’s high marks. The current Rotten Tomatoes score for part 2 stands at 97%.

As I would with any Pixar offering, we turn to its Oscar viability and that takes us on a trip down memory lane. The Best Animated Feature category at the Academy Awards has been around since 2001. That means the first three Pixar tales (Toy Story, A Bug’s Life, Toy Story 2) existed in a time when the category did not. I would say all three would have been nominated had the race been around (and the Toy stories likely both would have been victorious).

Since 2001, Pixar pics have won 9 times and they are as follows:

2003: Finding Nemo

2004: The Incredibles

2007: Ratatouille

2008: Wall-E

2009: Up

2010: Toy Story 3

2012: Brave

2015: Inside Out

2017: Coco

There have been two occasions where a Pixar movie was nominated and lost. In 2001, Monsters Inc. couldn’t get over Shrek. In 2006, Happy Feet took the prize over Cars. 

Five Pixar features have failed to garner a nomination. Four were sequels. The only outlier is 2015’s The Good Dinosaur. The others:

2011: Cars 2

2013: Monsters University

2016: Finding Dory

2017: Cars 3

Which brings us back to Incredibles 2. So where does this stand? Note that this sequel is the only one to a predecessor that won before. And seeing that early reviews are overwhelmingly glowing (even though some say it doesn’t match #1), I’ll predict this Pixar sequels makes the final five come next year. The director, Brad Bird, is also responsible for two of the Pixar statues (The Incredibles and Ratatouille). There will certainly be competition (Isle of Dogs was already released and seems assured a spot) and its possibility to win is still a giant question mark. Yet these superheroes seem primed for a return engagement down the red carpet.

My Oscar Watch posts will continue…

https://www.youtube.com/watch?v=p3lhNu7ci5g

Oscar Watch: Isle of Dogs

It’s been four years since Wes Anderson’s The Grand Budapest Hotel garnered a host of Oscar nominations. His follow-up is the stop-motion animated comedic adventure Isle of Dogs, which hits theaters stateside in March and has made its debut at the Berlin Film Festival. The pic (say its name out loud and pick up on its apparent affection for canines) features a whole bunch of familiar faces providing voice work including Bryan Cranston, Edward Norton, Bill Murray, Greta Gerwig, Scarlett Johansson, Jeff Goldblum, Frances McDormand, Ken Watanabe, Tilda Swinton, Bob Balaban, Courtney B. Vance, Harvey Keitel, Liev Schrieber, and F. Murray Abraham.

Reaction overseas to Anderson’s latest is that he’s delivered another winner. That likely means Dogs will follow in the steps of the director’s Fantastic Mr. Fox, which was nominated for Best Animated Feature by the Academy. It ultimately lost to Pixar’s Up and that powerhouse studio has The Incredibles 2 on deck this year. Additionally, it could be a factor for Mr. Anderson in Original Screenplay.

Yes, it’s early but it could already be a safe assumption that the Dogs will be on display come nomination time next year.

My Oscar Watch posts will continue…

Oscar Watch: Coco

Ahead of its Thanksgiving weekend stateside debut, Pixar’s Coco has screened for critics and as is par for the course for the studio, reviews are exceedingly positive. The concept of the latest creation is centered around Mexico’s Day of the Dead holiday. Early critical reaction suggests it brings Pixar’s typical blend of heart and humor. Lee Unkrich, who co-directed Monsters Inc. and Finding Nemo and branched out solo with Toy Story 3 is behind the camera. Voices included Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, and Edward James Olmos.

Since 2001 when the Academy created the Best Animated Feature category, Pixar has won eight times. The most recent was two years ago for Inside Out. So let’s get this out of the way right now – Coco is unquestionably the major front runner not just for a nomination in that race, but to win.

The real question is whether or not it stands a chance at sneaking into the Best Picture race. Only two of the studio’s works have – Up in 2009 and Toy Story 3 the following year. The answer is probably not. While notices out this weekend are strong, it will likely follow the normal path of contending only in the animated portion of the evening’s festivities.

My Oscar Watch posts will continue…

Oscar Watch: Finding Dory

When it come to their movies getting nominated for Best Animated Feature at the Oscars, Pixar is in a class by itself. This specific category was created in 2001. Of the 15 pictures that have won, 8 have come from Pixar. They include 2004’s The Incredibles, 2007’s Ratatouille, 2008’s Wall-E, 2009’s Up, 2010’s Toy Story 3, 2012’s Brave, and 2015’s Inside Out.

And the first Pixar pic to claim the prize? 2003’s Finding Nemo and its long in the works sequel Finding Dory is out Friday. Will Dory become the 9th studio entry to take home the gold statue? After all, it has a glowing 94% Rotten Tomatoes score and could be the summer’s biggest hit.

Well… Not so fast. It’s also worth noting that in 2013 and 2014, two traditional Disney animated flicks took the Oscar with Frozen and Big Hero 6. While Finding Dory will unquestionably score a nomination, its main competition appears now to be Zootopia. That Disney animated traditional title, released in March, became a box office phenomenon itself (a billion worldwide) and holds an even better 98% RT rating. I would maintain that the animals of Zootopia currently hold the edge, with Dory swimming a bit behind it.

http://youtu.be/TUYgWVmHTUU

 

Top 25 Best Movies (1990-2015): Nos. 10-6

This evening on the blog, we move to the top ten of my personal favorite 25 pictures of the past generation, from 1990 to now. Not an easy task for sure, but clearly all of these ten titles (top five coming tomorrow) are masterpieces in my book. Let’s get to it:

10. Seven (1995)

David Fincher’s run of terrific movies began with this gut wrenching serial killer tale with Brad Pitt, Morgan Freeman, Gwyneth Paltrow, and a deliciously sadistic Kevin Spacey. The final act of these proceedings represent some of the most intense moments on film I’ve ever witnessed.

9. Up (2009)

Over the last 20 years, the creme de la creme of family entertainment has come from Pixar with the Toy Story franchise, Finding Nemo, The Incredibles, Ratatouille, Wall-E, Inside Out, and so on. To me, their absolute high point is Up. I wrote a post on the blog before discussing the sequence which shows the main character’s romance with his wife throughout her life. It’s one of the most beautifully constructed and emotional montages I’ve ever seen, period.

8. The Social Network (2010)

Back to David Fincher again and here we have his brilliant tale of the founding of Facebook that I contend will stand as one of the most important pictures to explain the time we live in.

7. Almost Famous (2000)

Cameron Crowe’s autobiographical tale of his youth spent at Rolling Stone magazine is one of the ultimate feel good experiences filled with great music and performances. The bus scene set to Elton John’s “Tiny Dancer” is perfect and one of the best examples ever put to film about music advancing the story line.

6. Groundhog Day (1993)

In a career filled with amazing performances, Bill Murray is at his apex in this uproarious and also touching tale of one very long day. It is easily my favorite comedy of the last many years.

And that’ll do it for today and the top five will hit the blog tomorrow!

Oscar History: 2009

It’s been a little while, but this evening on the blog – we continue with my ongoing series of Oscar History posts and we’ve arrived at 2009. That year’s Academy Awards are notable for a couple of reasons. First, this was the year where the decision was made to expand the list of Best Picture nominees from five to ten. It’s likely not an accident that this occurred just one year after 2008’s commercial and critical smash The Dark Knight failed to make the five pic cut. This was the Academy’s way of including more commercially successful ventures. After all, there’s a direct correlation between hit pictures being nominated and the ratings of the telecast itself. Secondly, the real battle of nominated entries came down between the efforts of a couple that was married and divorced – James Cameron for his smash hit Avatar (which demolished all box office records) and ex wife Kathryn Bigelow for her war drama The Hurt Locker.

It would be Bigelow who would come out on top as The Hurt Locker would take Best Picture over her ex-husband’s blockbuster. The other eight nominated features: The Blind Side, District 9, An Education, Inglourious Basterds, Precious, A Serious Man, Up, and Up in the Air. The success of Hurt Locker would relegate Avatar to winning only the tech categories.

Up would mark the first animated flick nomination (and first and only Pixar one) since 1991’s Beauty and the Beast and it hasn’t happened since. Basterds would mark Quentin Tarantino’s second pic nod after Pulp Fiction fifteen years prior.

As for movies that might have made my personal cut, I advocate for Steven Soderbergh’s underrated and hilarious The Informant! And if the Academy wanted to include high profile pictures, why not consider the acclaimed Star Trek reboot or comedy smash of the year The Hangover? I’m also a big fan of Zack Snyder’s graphic novel adaptation of Watchmen.

Bigelow would go onto make history by becoming the first female Best Director winner in Oscar history over Cameron, Lee Daniels (Precious), Jason Reitman (Up in the Air), and Tarantino. I may have found room for Neill Blomkamp’s impressive work in District 9.

Beloved actor Jeff Bridges would score his first Best Actor win for Crazy Heart, beating out George Clooney (Up in the Air), Colin Firth (A Single Man), Morgan Freeman (Invictus), and Jeremy Renner (Hurt Locker). Firth would go onto win the prize the following year for The King’s Speech. Once again, my Informant! love would have meant an inclusion for Matt Damon’s terrific work in it.

Sandra Bullock would receive her first ever nomination and a win for her hit football drama The Blind Side. Other nominees: Helen Mirren (The Last Station), Carey Mulligan (An Education), Gabourey Sidibe (Precious), and Meryl Streep (Julie & Julia). Two names I would’ve considered: Alison Lohman’s great scared crapless work in Sam Raimi’s horror tale Drag Me to Hell and Zooey Deschanel in the rom com (500) Days of Summer.

Quentin Tarantino’s knack of finding the perfect actor in the perfect role landed an at the time unknown Christoph Waltz a win in Supporting Actor for Inglourious Basterds. Other nominees were Matt Damon for Invictus, Woody Harrelson for The Messenger, Christopher Plummer in The Last Station, and Stanley Tucci for The Lovely Bones. As I’ve mentioned in these posts before, the Academy usually ignores comedies and this race would have given them an excellent opportunity to nominate Zach Galifianakis in The Hangover. Also, I may have included Jackie Earle Haley for his work in Watchmen.

Mo’Nique would win Supporting Actress in Precious over previous year’s winner Penelope Cruz (Nine), Vera Farmiga and Anna Kendrick (both nominated for Up in the Air), and Maggie Gyllenhaal (Crazy Heart). I would have given consideration to either Melanie Laurent or Diane Kruger for their roles in Basterds.

And that’s 2009 for you, my friends! I’ll get to 2010 at same point in the future…