The Gothic thriller The Devil All the Time, based on the 2011 bestseller by Donald Ray Pollock, is in theater this weekend in limited fashion before a Netflix release this coming Wednesday. Directed by Antonio Campos, the pic boasts an impressive cast that includes Tom Holland, Bill Skarsgard, Riley Keough, Jason Clarke, Sebastian Stan, Haley Bennett, Mia Wasikowska, and Robert Pattinson (who’s everywhere at the moment with Tenet and The Batman trailer out).
Reviews out are of the mixed variety as Devil holds a 64% Rotten Tomatoes rating. Some critics have gone out of their way to praise the performances of Holland and Pattinson. The latter, in particular, seems likely to find an awards friendly role sooner than later with his impressive post Twilight output.
However, this is highly unlikely to be it. In addition to the several negative reviews, Netflix is simply too busy this season to make this film a priority. The streamer looks to have several legitimate contenders on their hands in the near future with Mank, The Trial of the Chicago 7, Ma Rainey’s Black Bottom, and Hillbilly Elegy – all of which have actors that they’ll campaign for. My Oscar Watch posts will continue…
Kristen Stewart seems to have found another acclaimed indie role with the premiere of Seberg today at the Venice Film Festival. From director Benedict Andrews (best known for Una), the pic casts Stewart as actress Jean Seberg (best known for 1960’s Breathless), whose career was put in jeopardy by her association with an African-American activist played by Anthony Mackie. Costars include Jack O’Connel, Margaret Qualley, and Vince Vaughn.
Reviews for the film itself are a bit shaky. Yet it’s Stewart once again being singled out for her strong work. The Twilight performer has had a run of applauded roles in titles such as Cloudsof SilsMaria and PersonalShopper. The Academy has yet to take notice and I’m skeptical they will here considering competitors in higher profile material. My Oscar Watch posts will continue…
A remake of an acclaimed 2011 Mexican pic with the same name, the action thriller MissBala hits theaters next weekend. Catherine Hardwicke, best known for making the original Twilight, directs with a cast led by Gina Rodriguez. She plays a tourist to our Southern border neighbor who gets mixed up with law enforcement and drug cartels. Ismael Cruz Cordova and Anthony Mackie are included in the supporting cast.
This is Rodriguez’s first headlining role after her successful TV career and co-starring parts in DeepwaterHorizon and Annihilation. Bala arrives in what is traditionally a sleepy box office weekend that will include a highly rated game between the New England Patriots and L.A. Rams on Sunday. It’s the only new release out as studios don’t expect large openings during this frame.
I believe this could struggle to reach double digits and I’ll say it falls under it.
Blogger’s Note (08/02/18) – On the eve of its premiere, I am revising my estimate from $8.7 million to $6.3 million
Based on a series of YA novels from Alexandra Bracken, TheDarkestMinds debuts in theaters next weekend. The dystopian adventures stars Amandla Stenberg (from last year’s Everything, Everything), Mandy Moore, Gwendoline Christie, and Bradley Whitford. Jennifer Yuh Nelson (best known for making parts 2 and 3 of the animated KungFuPanda franchise) directs.
We are far removed from the YA adaptation heyday of TheHungerGames and Twilight series. 20th Century Fox doesn’t seem to be hyping this one much. Instead of anything near Katniss or Bella numbers, I could see this struggling to reach double digits. The best comp could be 2013’s TheMortalInstruments: CityofBones, which made a piddling $9.3 million for its start and effectively ended any chance of future sequels. That will probably be the case here with a dark opening for Minds.
TheDarkestMinds opening weekend prediction: $6.3 million
A long way from Twilight, Robert Pattinson is receiving critical acclaim for his latest pic and it is heist drama Good Time, which expands nationwide this weekend. The A24 release comes from directors Ben and Josh Sadfie with a supporting cast featuring Barkhad Abdi and Jennifer Jason Leigh.
The film premiered at the Cannes Film Festival in May to solid notices and it stands at 90% on Rotten Tomatoes, with a performance from Mr. Pattinson that’s drawn raves. Over the previous weekend, it drew a commendable $165,000 on just 20 screens.
Doing an opening weekend estimate for Good Time is a little tricky since I don’t have a theater count at press time (in other words, this prediction could change). I’m going to assume it’s on maybe 600-700 screens. For now, I’ll say it manages to reach a bit between $1-$2M out of the gate.
Good Time opening weekend prediction: $1.5 million
The Cannes Film Festival showcased a rather unexpected potential player in the awards derby with the crime drama GoodTime, which debuts stateside in August. The film comes from indie directors Ben and Josh Safdie and finds Twilight star Robert Pattinson as a bank robber trying to break his brother out of jail. Barkhad Abdi and Jennifer Jason Leigh are among the supporting cast.
Early word of mouth for the A24 offering has been quite positive. It stands at 94% on Rotten Tomatoes and it was reportedly greeted with a six minute standing ovation in Cannes. Much of the praise has been awarded to Mr. Pattinson. If the pic is able to break out in any substantial way in the U.S., he could emerge as a dark horse candidate for Best Actor and the Original Screenplay could get some buzz as well.
Any challenges of adapting one of Disney’s classics that happens to be one of their best mostly fall by the wayside in BeautyandtheBeast. Over a quarter century ago, the 1991 Mouse Factory version earned the status of being the first animated feature to receive a Best Picture nomination. It was deserved and Beauty helped usher in a renaissance for the studio with Broadway level music coupled with its tale as old as time storylines.
Our new Beauty doesn’t rock the boat by any means. Is it a factory made production meant to fog up our nostalgia goggles? Sure. Yet it’s crafted with reverence, the music still holds up, and it looks lovely.
It seems silly to recount the plot that’s been around for our collective childhoods in one form or another, but let’s get through it. We have Belle (a strong Emma Watson) living a rather boring existence in 18th century France with her doting dad (Kevin Kline). She’s being pursued by the chauvinistic Gaston (Luke Evans) who wishes to marry her. Her ho hum existence takes a turn when Dad is captured by the Beast (Dan Stevens), who lives in a dilapidated castle that the other French villagers have long forgotten. He was cursed many moons ago for his inability to love. When Belle travels there and trades her father’s freedom for her own, the strange relationship between the title characters commences.
There really isn’t too much new from this reboot compared to 1991. We have a couple more musical numbers, lest you forget the animated version was a mere 85 minutes. Alan Menken returns to do the music and those magnificent staples like the title track and “Be Our Guest” are happily intact. Bill Condon (whose varied filmography includes Twilight pics and more adult fare like GodsandMonsters and Mr. Holmes) directs with an eye on preserving what we appreciated about what came before.
Like the drawn Beauty, the Beast’s castle is filled with inanimate objects who are quite animated. Ian McKellen is clock Cogsworth, Ewan McGregor voices candelabra Lumiere, and Emma Thompson is Mrs. Potts. She acquits herself just fine in the part, but I’d be lying if I said I didn’t miss Angela Lansbury singing that iconic dancing tune toward the finale. Speaking of animated, Josh Gad has his proper comic relief moments in the role of LeFou, Gaston’s sidekick.
Disney has unleashed a gold mine with this recent strategy of updating their canon with live-action. Some have worked better than others and Beauty falls on the better side because it had incredibly strong material adapt from. The team behind this recognize it and are content knowing they had something there to begin with.
Disney’s live-action remake of Beauty and the Beast arrives in theaters next weekend and it looks poised for quite a fantastic opening. Bill Condon serves behind the camera (he directed the last two Twilight installments recently) with Emma Watson as Belle and Dan Stevens as the Beast. Costars include Luke Evans, Kevin Kline, Josh Gad, Ian McKellen, Ewan McGregor, Stanley Tucci, Gugu Mbatha-Raw, and Emma Thompson.
The Mouse Factory has had tremendous success with their reboots of their classic animated tales. 2014’s Maleficent took in $241 million stateside. The following year, Cinderella cleared $200 million. Last year’s The Jungle Book scored even more impressively with $364 million.
Beauty stands a great shot at outdoing them all. For starters, the 1991 original is beloved (it was the first animated feature to nab a Best Picture nomination). The Disney marketing machine has been in high gear and turnout among youngsters and females in particular should be substantial. Reviews (while not gushing) have been solid and it stands at 73% on Rotten Tomatoes.
There is little doubt that this will post 2017’s largest opening so far. Just how high can it go? I am predicting it will achieve one of the top ten domestic premieres of all time. My estimate puts it at #10, right in between The Dark Knight Rises and The Dark Knight for a truly beast mode roll out.
Beauty and the Beast opening weekend prediction: $158.8 million
For my The Belko Experiment prediction, click here:
Hey all – a couple of years back, I wrote a series counting down the top 25 highest grossing actors at the domestic box office of all time. At that time in August 2014, there were four women among the 25. Now there’s just two.
This led me to think – who are the top 25 actresses in box office history? Well, wonder no more, friends! This five-part series will count down the women who have made the greatest impact financially at the multiplex. As with my previous list, I’ll list their career earnings, franchises they’ve been part of (which helps one to make this list, as you’ll see), their highest and lowest grossing pictures, and the number of $100M plus entries they have appeared in. I’ll also tell you where they rank on the overall list of biggest grossing performers when you factor the fellas in.
Before we dive into the actual list, here’s some women I figured might have been here, but didn’t make the cut. Despite that whole Titanic being one of the hugest blockbusters ever and multiple Oscar nominations thing, no Kate Winslet. No Drew Barrymore or Nicole Kidman or Charlize Theron. Same goes for Reese Witherspoon, Jennifer Aniston and Melissa McCarthy. The Pirates of the Caribbean franchise wasn’t enough to vault Keira Knightley on here.
Enough of who didn’t make the list. Who did? Let’s get to it with numbers 25-21, shall we?
25. Kristen Stewart
Career Earnings: $1.8 billion
Franchises: Twilight
Highest Grossing Picture: The Twilight Saga: Eclipse (2010) – $300 million
Number of $100M+ Earners: 6 (The Twilight Saga: Eclipse, The Twilight Saga: New Moon, The Twilight Saga: Breaking Dawn Part 1, The Twilight Saga: Breaking Dawn Part 2, Twilight, Snow White and the Huntsman)
Lowest Grosser: Camp X-Ray (2014) – $13,000
Overall Rank: 116
24. Gwyneth Paltrow
Career Earnings: $1.8 billion
Franchises: The Marvel Cinematic Universe
Highest Grossing Picture: The Avengers (2012) – $623 million
Numbers of $100M+ Earners: 6 (Iron Man 3, The Avengers, Iron Man 2, Iron Man, Shakespeare in Love, Seven)
Lowest Grosser: The Good Night (2007) – $22,000
Overall Rank: 111
23. Halle Berry
Career Earnings: $1.8 billion
Franchises: X-Men
Highest Grossing Picture: X-Men: The Last Stand (2006) – $234 million
Numbers of $100M+ Earners: 7 (X-Men: The Last Stand, X-Men: Days of Future Past, X2: X-Men United, Die Another Day, X-Men, The Flintstones, Robots)
Lowest Grosser: Frankie & Alice (2011) – $706,000
Overall Rank: 106
22. Queen Latifah
Career Earnings: $1.8 billion
Franchises: Ice Age
Highest Grossing Picture: Ice Age: Dawn of the Dinosaurs (2009) – $196 million
Numbers of $100M+ Earners: 7 (Ice Age: Dawn of the Dinosaurs, Ice Age: The Meltdown, Chicago, Ice Age: Continental Drift, Bringing Down the House, Hairspray, Valentine’s Day)
Lowest Grosser: The Perfect Holiday (2007) – $5.8 million
Overall Rank: 104
21. Julianne Moore
Career Earnings: $1.9 billion
Franchises: The Hunger Games
Highest Grossing Picture: The Hunger Games: Mockingjay Part 1 (2014) – $337 million
Numbers of $100M+ Earners: 5 (The Hunger Games: Mockingjay Part 2, The Hunger Games: Mockingjay Part 1, Hannibal, The Lost World: Jurassic Park, The Fugitive)
Lowest Grosser: World Traveler (2002) – $103,000
Overall Rank: 97
And that’ll do it for today! I’ll be bringing you numbers 20-16 tomorrow…
On this day in Movie History, otherwise known as Christmas Eve – Tom Cruise and Nicole Kidman tied the knot 23 years ago in 1990. Their union resulted in three motion pictures where the couple worked with the late Tony Scott (Days of Thunder), Ron Howard (Far and Away), and, of course, Stanley Kubrick (Eyes Wide Shut). The marriage would last until 2001. Cruise would go onto other high-profile relationships and Kidman would marry Keith Urban and win an Oscar for 2002’s The Hours (something her ex-husband has yet to do).
43 years ago today marked the debut of Disney’s animated The Aristocats, which is notable for being the last studio pic that Mr. Disney approved himself, prior to his 1966 death.
As for celebrity birthdays, we have Stephanie Meyer, author of the “Twilight” series that turned into a highly successful film franchise that ended just last year. We also have director Lee Daniels, who broke out of the gate with 2009’s Oscar nominated Precious and had a hit this year with Lee Daniels’ The Butler.
As for the daily Six Degrees of Separation between birthday folks –
Stephanie Meyer wrote the Twilight series starring Kristen Stewart
Kristen Stewart was with Forest Whitaker in Panic Room
Forest Whitaker was the star of Lee Daniels’ The Butler
And there you have it – Christmas Eve in Movie History!
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