Tag: Triangle of Sadness

98th Academy Awards Predictions: May 25th Edition

It’s been three weeks since I’ve updated my predictions for the 98th Academy Awards and a little thing called the Cannes Film Festival has happened since then. The French extravaganza has become increasingly important when figuring out your eventual Oscar ballots. To what extent? Last year’s winner Anora premiered there and took the Palme d’Or while fellow nominees Emilia Pérez and The Substance were also unveiled. In 2023, Anatomy of a Fall‘s Palme victory translated to a BP nomination while The Zone of Interest and Killers of the Flower Moon were also on the slate. 2022 Palme recipient Triangle of Sadness was part of the Academy’s BP ten while Elvis and Top Gun: Maverick premiered out of competition. You get the idea.

This year’s proceedings bestowed top prize to Jafar Panahi’s It Was Just an Accident. And while a Palme d’Or certainly increases a picture’s chances in BP, I’m not ready to vault it into the Oscar top 10. As for the Grand Prix winner (essentially runner-up), I already had Joachim Trier’s Sentimental Value in my ten and the Cannes premiere solidified that projection.

There were performances that gained momentum like Value’s quadrology of Renate Reinsve, Stellan Skarsgård, Elle Fanning, and Inga Ibsdotter Lilleass. Same goes for Jennifer Lawrence in Die, My Love and Cannes Best Actor Wagner Moura for The Secret Agent, who goes from unranked to my top 5.

Per usual, there were movies whose awards consideration hopes faded. That list includes The History of Sound, Alpha, Eddington, and The Phoenician Scheme.

Yet for all the Cannes chatter, my new #1 in BP has nothing to do with that event. I’ve had Luca Guadagnino’s After the Hunt slotted atop that chart over the last few weeks. Truth be told, that’s plain ole guesswork since it has yet to screen. I’m replacing it with Ryan Coogler’s vampire tale Sinners, the box office phenomenon that opened in April. Do I think it’s going to win BP? Probably not though it’s obviously far too early for that call. I do think that it and Sentimental Value (also rising) are the two pics that have been viewed that will not miss the cut.

Best Picture

Predicted Nominees:

1. Sinners (Previous Ranking: 3) (+2)

2. After the Hunt (PR: 1) (-1)

3. Marty Supreme (PR: 2) (-1)

4. Sentimental Value (PR: 6) (+2)

5. Wicked: For Good (PR: 4) (-1)

6. Jay Kelly (PR: 8) (+2)

7. Hamnet (PR: 7) (E)

8. The Rivals of Amziah King (PR: 5) (-3)

9. Avatar: Fire and Ash (PR: 10) (+1)

10. The Life of Chuck (PR: 9) (-1)

Other Possibilities:

11. One Battle After Another (PR: 11) (E)

12. Deliver Me from Nowhere (PR: 13) (+1)

13. Bugonia (PR: 12) (-1)

14. It Was Just an Accident (PR: Not Ranked)

15. The Secret Agent (PR: Not Ranked)

16. Frankenstein (PR: 14) (-2)

17. Sound of Falling (PR: Not Ranked)

18. The Ballad of a Small Player (PR: 17) (-1)

19. No Other Choice (PR: 15) (-4)

20. Die, My Love (PR: 16) (-4)

21. Ann Lee (PR: 19) (-2)

22. Rental Family (PR: 22) (E)

23. F1 (PR: 21) (-2)

24. The Smashing Machine (PR: 23) (-1)

25. Kiss of the Spider Woman (PR: Not Ranked)

Dropped Out:

Highest 2 Lowest

Michael – the Michael Jackson biopic is reportedly moving to 2026

Is This Thing On?

Alpha

Best Director

Predicted Nominees:

1. Ryan Coogler, Sinners (PR: 2) (+1)

2. Luca Guadagnino, After the Hunt (PR: 1) (-1)

3. Joachim Trier, Sentimental Value (PR: 4) (+1)

4. Josh Safdie, Marty Supreme (PR: 3) (-1)

5. Andrew Patterson, The Rivals of Amziah King (PR: 5) (E)

Other Possibilities:

6. Chloé Zhao, Hamnet (PR: 7) (+1)

7. Jon M. Chu, Wicked: For Good (PR: 6) (-1)

8. Noah Baumbach, Jay Kelly (PR: 10) (+2)

9. Paul Thomas Anderson, One Battle After Another (PR: 8) (-1)

10. Yorgos Lanthimos, Bugonia (PR: 9) (-1)

11. Jafar Panahi, It Was Just an Accident (PR: Not Ranked)

12. Guillermo del Toro, Frankenstein (PR: 11) (-1)

13. Kieber Mendonça Filho, The Secret Agent (PR: Not Ranked)

14. Scott Cooper, Deliver Me from Nowhere (PR: 14) (E)

15. James Cameron, Avatar: Fire and Ash (PR: 13) (-2)

Dropped Out:

Park Chan-wook, No Other Choice

Lynne Ramsay, Die, My Love

Best Actress

Predicted Nominees:

1. Julia Roberts, After the Hunt (PR: 1) (E)

2. Renate Reinsve, Sentimental Value (PR: 3) (+1)

3. Cynthia Erivo, Wicked: For Good (PR: 2) (-1)

4. Jennifer Lawrence, Die, My Love (PR: 6) (+2)

5. Jessie Buckley, Hamnet (PR: 4) (-1)

Other Possibilities:

6. Amanda Seyfried, Ann Lee (PR: 5) (-1)

7. Rose Byrne, If I Had Legs I’d Kick You (PR: 8) (+1)

8. Emma Stone, Bugonia (PR: 7) (-1)

9. Tessa Thompson, Hedda (PR: 10) (+1)

10. Emma Mackey, Ella McCay (PR: 11) (+1)

11. June Squibb, Eleanor the Great (PR: 9) (-2)

12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)

13. Amy Adams, At the Sea (PR: Not Ranked)

14. Lucy Liu, Rosemead (PR: 13) (-1)

15. Eva Victor, Sorry, Baby (PR: 14) (-1)

Dropped Out:

Margot Robbie, A Big Bold Beautiful Journey

Best Actor

Predicted Nominees:

1. Timothée Chalamet, Marty Supreme (PR: 1) (E)

2. Jeremy Allen White, Deliver Me from Nowhere (PR: 3) (+1)

3. George Clooney, Jay Kelly (PR: 4) (+1)

4. Matthew McConaughey, The Rivals of Amziah King (PR: 2) (-2)

5. Wagner Moura, The Secret Agent (PR: Not Ranked)

Other Possibilities:

6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)

7. Michael B. Jordan, Sinners (PR: 7) (E)

8. Jesse Plemons, Bugonia (PR: 5) (-3)

9. Daniel Day-Lewis, Anemone (PR: 9) (E)

10. Denzel Washington, Highest 2 Lowest (PR: Not Ranked – moved from supporting)

11. Colin Farrell, The Ballad of a Small Player (PR: 10) (-1)

12. Dwayne Johnson, The Smashing Machine (PR: 12) (E)

13. Willem Dafoe, Late Fame (PR: 11) (-2)

14. Brendan Fraser, Rental Family (PR: Not Ranked)

15. Matthew McConaughey, The Lost Bus (PR: Not Ranked)

Dropped Out:

Paul Mescal, Hamnet (moved to supporting)

Jaafar Jackson, Michael

Lee Byung-hun, No Other Choice

Andrew Scott, Pressure

Best Supporting Actress

Predicted Nominees:

1. Ariana Grande, Wicked: For Good (PR: 1) (E)

2. Ayo Edebiri, After the Hunt (PR: 4) (+2)

3. Angelina LookingGlass, The Rivals of Amziah King (PR: 3) (E)

4. Gwyneth Paltrow, Marty Supreme (PR: 2) (-2)

5. Teyana Taylor, One Battle After Another (PR: 5) (E)

Other Possibilities:

6. Elle Fanning, Sentimental Value (PR: 9) (+3)

7. Laura Dern, Jay Kelly (PR: 6) (-1)

8. Jennifer Lopez, Kiss of the Spider Woman (PR: 8) (E)

9. Hailee Steinfeld, Sinners (PR: 7) (-2)

10. Inga Ibsdotter Lilleass, Sentimental Value (PR: Not Ranked)

11. Regina Hall, One Battle After Another (PR: 11) (E)

12. Emily Blunt, The Smashing Machine (PR: 10) (-2)

13. Emily Watson, Hamnet (PR: 13) (E)

14. Tilda Swinton, The Ballad of a Small Player (PR: Not Ranked)

15. Wunmi Mosaku, Sinners (PR: Not Ranked)

Dropped Out:

Thomasin McKenzie, Ann Lee

Glenn Close, Wake Up Dead Man: A Knives Out Mystery

Greta Lee, Late Fame

Best Supporting Actor

Predicted Nominees:

1. Adam Sandler, Jay Kelly (PR: 1) (E)

2. Andrew Garfield, After the Hunt (PR: 2) (E)

3. Stellan Skarsgård, Sentimental Value (PR: 3) (E)

4. Jeremy Strong, Deliver Me from Nowhere (PR: 5) (+1)

5. Delroy Lindo, Sinners (PR: 4) (-1)

Other Possibilities:

6. Paul Mescal, Hamnet (PR: Not Ranked – moved from lead actor)

7. Mark Hamill, The Life of Chuck (PR: 7) (E)

8. Sean Penn, One Battle After Another (PR: 8) (E)

9. Jonathan Bailey, Wicked: For Good (PR: 10) (+1)

10. Robert Pattinson, Die, My Love (PR: Not Ranked)

11. Stephen Graham, Deliver Me from Nowhere (PR: Not Ranked)

12. Miles Caton, Sinners (PR: 9) (-3)

13. Jeffrey Wright, Highest 2 Lowest (PR: 12) (-1)

14. Jack O’Connell, Sinners (PR: Not Ranked)

15. Benicio del Toro, One Battle After Another (PR: Not Ranked)

Dropped Out:

Colman Domingo, Michael

Denzel Washington, Highest 2 Lowest (moved to lead actor)

Bradley Cooper, Is This Thing On?

Brendan Fraser, Pressure

Jacob Elordi, Frankenstein

Neon Lights Up Cannes

No one can do Cannes like Neon. The indie film production company has ruled the French festival for six years straight when it comes to the Palme d’Or winner. That list consists of Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, and Anora. The first and last movies in that quintet went onto win Best Picture at the Oscars with Triangle and Anatomy nabbing nominations.

Neon once again had contenders to spare at this year’s competition and many assumed the grand prize would go to Joachim Trier’s Sentimental Value. That acclaimed family drama immediately established itself as an Oscar contender. Yet the Cannes jury (headed by Juliette Binoche) instead chose another Neon property in Jafar Panahi’s It Was Just an Accident. It marks another festival triumph for the Iranian filmmaker. His 2000 feature The Circle took top honors in Venice while 2015’s Taxi was awarded best of at the Berlin Fest. Accident now enters the conversation for a BP mention from the Academy and it certainly is a major contender for International Feature Film.

As for the more favored Value, it settled for the Grand Prix designation which is basically runner-up (it went to BP nominee The Zone of Interest in 2023). As mentioned, Neon has high hopes for its future in the coming months.

The Jury Prize (which Emilia Pérez took last time around) was shared between Spanish/French coproduction Sirât from Oliver Laxe and Mascha Schilinski’s German generational tale Sound of Falling (which is also a sturdy hopeful in IFF).

Another major player for Neon is The Secret Agent, the 1970s set Brazilian political thriller. Kieber Mendonça Filho received the Director trophy while Wagner Moura is Best Actor. Look for Agent to have a potential presence in IFF while Moura’s lead campaign could be a real threat for Academy inclusion.

Nadia Melliti is your Best Actress for the French coming-of-age drama The Little Sister. The young actress emerged over heavy hitter Jennifer Lawrence from Die, My Love. Nevertheless Lawrence did strengthen her shot at a fifth Oscar play months down the road.

Some had pegged Richard Linklater’s Nouvelle Vague (which recounts the shooting of French classic Breathless) for some Riviera prizes, but it wasn’t to be. Other high profile premieres not found among the victors are Iranian drama Woman and Child (where Parinaz Izadyar was considered viable in Actress), Wes Anderson’s The Phoenician Scheme, and Julia Ducournau’s Titane follow-up Alpha.

Keep an eye on the blog as I continue to write individual posts for movies screened at Cannes. I hadn’t even gotten to Accident yet! As for next year, look to see what Neon’s backing when figuring out the favorites…

Oscar Predictions: Sentimental Value

Distributor Neon has shined brightly at the Cannes Film Festival by releasing the previous five Palme d’Or recipients: Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, and Anora. Only Titane missed a Best Picture nod from the Academy. Parasite and Anora won. That’s one of the reasons Joachim Trier’s family drama Sentimental Value is considered to be a serious contender for the top prize in France. Another is because it’s the filmmaker’s follow-up to his acclaimed 2021 effort The Worst Person in the World which reunites him with star Renate Reinsve. The supporting cast includes Stellan Skarsgård, Inga Ibsdotter Lilleass, Elle Fanning, Anders Danielsen Lie, and Cory Michael Smith.

Early festival reaction is effusive and points to Value indeed being a major Palme threat. Neon could guide this to numerous Oscar nods including Picture, Director, Reinsve in Actress, Skasrgård in Supporting Actor, and Original Screenplay. Then there’s Supporting Actress and according to reviews, Neon may have a decision to make as Lilleass and Fanning are both being praised. The latter would be a higher profile campaign, but let’s see how it plays out.

Bottom line: there is no doubt that Sentimental has quickly established itself a potential force at Cannes and beyond. Expect to hear a lot about it this awards season. My Oscar Prediction posts will continue…

Oscar Predictions: Death of a Unicorn

A24’s Death of a Unicorn has screened at South by Southwest prior to its March 28th theatrical premiere. The horror comedy from Alex Scharfman stars Paul Rudd and Jenna Ortega as a father-daughter who accidentally cause the title of the film to occur. This displeases another unicorn. The supporting cast includes Will Poulter, Téa Leoni, Richard E. Grant, and Anthony Carrigan.

Early reviews are complimentary mixed with so-so notices. The Rotten Tomatoes score is 70% with Metacritic at 60. Unicorn represents the latest feature in a growing eat the rich sub genre that includes Triangle of Sadness, The Menu, Glass Onion: A Knives Out Mystery, and Saltburn. Some of those titles received awards attention. Don’t expect Death to. My Oscar Prediction posts will continue…

77th Directors Guild of America Awards Nomination Predictions

This Wednesday (01/08), the Directors Guild of America reveals their five nominees for behind the camera achievement in 2024. The DGA is normally a reliable barometer to project 4 of the 5 eventual Oscar nominees. Over the past decade, the match has been that margin in eight of the years. For two of the years, the match was 3 for 5. That includes last year when Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) made the DGA cut but Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) received Academy attention.

I believe there are two shoo-in nominees for the 77th ceremony in Brady Corbet for The Brutalist and Sean Baker for Anora. Furthermore, I see Edward Berger (Conclave) as really close to being an automatic pick.

Then it gets interesting. The DGA often prioritizes American pictures over foreign entries or foreign directors. We certainly saw that last year with Gerwig/Payne over Glazer/Triet. In 2021, Denis Villeneuve was in the DGA quintet for Dune while Ryusuke Hamaguchi (Drive My Car) replaced him in the Academy five. In 2022, it was Ruben Östlund (Triangle of Sadness) vying for Oscar instead of DGA selection Joseph Kosinski for Top Gun: Maverick.

That’s why I wouldn’t pencil in Mohammad Rasoulof (The Seed of the Sacred Fig) or Payal Kapadia (All We Imagine as Light) here. And that’s why being skeptical about Jacques Audiard (Emilia Pérez) or Coralie Fargeat (The Substance) is warranted. Both could get in and both movies are over performing in various precursors. Pérez, it could be argued, is doing so by an even more impressive margin. That’s why I’m leaving Audiard in while Fargeat is barely on the outside looking in.

So who gets the fifth slot? I wouldn’t count out RaMell Ross for Nickel Boys or even James Mangold for A Complete Unknown or Jon M. Chu for Wicked (though I’m finding that one increasingly unlikely). I’m reminded that DGA also selects some filmmakers for blockbuster fare the Academy ignores. Gerwig for Barbie and Kosinski for Top Gun. Ridley Scott for The Martian.

And… Denis Villeneuve for Dune. I think history could repeat itself with Villeneuve in contention for the sequel and that’s the direction I’m going for DGA.

DGA Predicted Nominees

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Edward Berger, Conclave

Brady Corbet, The Brutalist

Denis Villeneuve, Dune: Part Two

Runner-Up: Coralie Fargeat, The Substance

Blink Twice Review

Zoë Kravitz’s directorial career opens up nicely enough with Blink Twice that it feels whiny to gripe on the negatives. It takes a while to find its destination. Perhaps the “eat the rich” genre is getting overdone considering The Menu, Triangle of Sadness, Saltburn, and HBO’s The White Lotus. There’s still enough to savor in this assured debut from the actress of many franchises including X-Men, Mad Max, Divergent, and The Batman.

That starts with an entrancing cast led by Naomi Ackie’s Frida. She’s a cocktail waitress whose employment at swanky benefits puts her in the airspace of vapid and vaping billionaire Slater (Channing Tatum). Frida is familiar with him as we witness her scroll through Instagram where he’s making an indistinct apology for some past transgression. If he’s canceled, no one’s informed various hangers on in his orbit. A sudden burst of confidence and then klutziness from Frida creates a Meet Cute where Slater invites her and her coworker/roommate Jess (Alia Shawkat) to his private island.

An entourage is in tow including private chef Cody (Simon Rex), business partner and Polaroid documenter Vic (Christian Slater), young Lucas (Levon Hawke) and Tom (Haley Joel Osment) whose primary character trait is wearing sunglasses and being under the influence. The boys are joined by influencer and reality star Sarah (Adria Arjona) and Camilla (Liz Caribel) and Heather (Trew Mullens). The latter two share Tom’s generally hazy ways. Sarah seems to be in a competition for Slater’s attention with Frida even though she’s seemingly paired up with Cody. Geena Davis joins the proceedings as Slater’s organized but off-kilter assistant.

With their phones confiscated, the vacation with an indeterminate end date starts with picture perfect scenery, amazing food that Cody snootily describes, and copious dollops of designer drugs. Sure there’s venomous vipers on the grounds, but the servants seem to be handling them. Increasingly there’s periods of lost time that Frida and eventually Sarah and especially Jess begin to notice. And why is there dirt under Frida’s animal adorned fingernails each morning? What’s with random bruises showing up on people that they can’t recall?

The eventual truths are as disturbing as the real life stories of plutocrats with their own islets. The screenplay from Kravitz and E.T. Feigenbaum doesn’t shy away from entering dark and disturbing places. This is after a fairly lengthy windup that risks lulling the audience into complacency (perhaps on purpose). The cast helps guide us through the earlier days becoming a blur. No one seems to have a grasp on whether it’s Monday, Saturday, or whether they’ve been there a week or three.

Ackie and Arjona’s performances are the worthiest of attention. Best known as Whitney Houston in the biopic I Wanna Dance with Somebody, Ackie goes from infatuated server to victim of horrifying acts to unexpected statuses that I won’t spoil. That’s a tricky balancing act and she certainly manages it. Arjona is perhaps the most impressive in a role that seems one-note at first (the jilted woman) and becomes anything but. With this and her starring turn in Hit Man from a few months back, she’s having a fantastic cinematic year.

Blink Twice might be familiar territory as of late, but Kravitz’s take made me not wanna look away. It’s worth taking the trip with these literal and figurative snakes in the grass and those that serve them until the power dynamic shifts.

*** (out of four)

Oscar Predictions: Between the Temples

The religious themed dramedy Between the Temples premiered at Sundance in January and it receives limited theatrical engagements this weekend. Nathan Silver directs and cowrites with a cast led by Jason Schwartzman and Carol Kane. Costars include Dolly de Leon (who probably came close to a Supporting Actress nod for 2022’s Triangle of Sadness), Caroline Aaron, Robert Smigel, and Madeline Weinstein.

Reviews are mostly strong as it sits with 86% on Rotten Tomatoes. Critics are particularly kind to Schwartzman and Kane. The former is, of course, a Wes Anderson staple. The latter is a veteran actress whose sole Oscar nod in Supporting Actress came nearly 50 years ago for Hester Street.

Temples just isn’t visible enough for any Academy chatter and the same logic likely applies to the Golden Globes if it submits in the Musical/Comedy categories. My Oscar Prediction posts will continue…

Oscar Predictions: Ghostlight

Ghostlight, co-directed by Kelly O’Sullivan and Alex Thompson, was a highlight of this year’s Sundance Film Festival according to numerous critics. The indie drama casts an actual family of aspiring actors as the central characters. Focused on a grieving father pulled into the world of community theater, the cast includes Keith Kupferer, Katherine May Kupferer, and Tara Mallen. They are, respectively, father, daughter, and mother in real life. Dolly De Leon (who likely came close to a Supporting Actress nom for Triangle of Sadness in 2022) is among the costars.

With a 100% Rotten Tomatoes score, IFC Films (who picked up distribution rights after the Utah fest in January) could make a play for awards attention. I don’t know if the film can break through in the way that Coda did back in 2021. Probably not, but you never know if critics groups put it in the conversation a few months down the line. My Oscar Prediction posts will continue…

Anora Takes the Cannes

The Cannes Film Festival of 2024 is complete and, as always, it made the Oscar picture a little clearer with potential nominees as well as films that won’t be on the radar screen based on their French buzz.

One picture that did itself the most favors is Sean Baker’s Anora. The latest dramedy from The Florida Project drew raves and was named the Palme d’Or recipient (the highest Cannes prize). Three of the past four Palme winners (Parasite, Triangle of Sadness, Anatomy of a Fall) ended up with a BP nod from the Academy.

The film’s leading lady Mikey Madison did not take Best Actress. That instead went to a quartet of performers (Karla Sofia Gascón, Selena Gomez, Adriana Paz, Zoe Saldaña) from Jacques Audiard’s Emilia Pérez, which also entered the BP conversation. It is uncertain at this point whether Gascón or Saldaña, in particular, will be slotted in lead Actress or supporting come Oscar time. I currently have Gascón in the latter and Saldaña in the former and both have solid shots at inclusion.

In addition to Madison’s legit chances for an Actress recognition from the Academy, Demi Moore announced herself as a hopeful for her first nom in the heralded body horror tale The Substance from Coralie Fargeat. She is your Cannes honoree for Best Screenplay.

Anora‘s Sean Baker did not take Best Director (Cannes spreads the love). Miguel Gomes took that prize for the period drama Grand Tour. I wouldn’t pencil him in for a Director nom from the Academy. You have to go back to Pawel Pawlikowski and Cold War in 2018 for the previous Cannes winner who nabbed an Oscar mention. That is the only example in the 21st century.

Jesse Plemons is the Best Actor from Kinds of Kindness. Yorgos Lanthimos’s latest got its share of appreciative notices and I do believe it could contend for two or three Oscars. Plemons might be one of the benefactors.

As far as other acting possibilities, The Apprentice didn’t pick up any hardware. I do think Sebastian Stan (as Donald Trump in the 70s and 80s) and Jeremy Strong (as his mentor Roy Cohn) entered the Actor and Supporting Actor discussion. I also wouldn’t discount Nykiya Adams and Barry Keoghan in Actress and Supporting Actor for Andrea Arnold’s Bird.

Of course not all Cannes debuts lead to high praise. Francis Ford Coppola’s Megalopolis, Kevin Costner’s Horizon: An America Saga – Chapter 1, and Paul Schrader’s Oh, Canada all lessened their viability moving forward.

Keep an eye on the blog for new post Cannes projections in the six major races!

2023 Oscar Predictions: October 3rd Edition

The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.

Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).

I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.

For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.

The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.

In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.

Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.

My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.

Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Oppenheimer (Previous Ranking: 1) (Even)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Barbie (PR: 4) (E)

5. The Color Purple (PR: 6) (+1)

6. Past Lives (PR: 5) (-1)

7. Maestro (PR: 8) (+1)

8. The Holdovers (PR: 7) (-1)

9. Anatomy of a Fall (PR: 9) (E)

10. The Zone of Interest (PR: 11) (+1)

Other Possibilities:

11. American Fiction (PR: 10) (-1)

12. Air (PR: 12) (E)

13. Napoleon (PR: 15) (+2)

14. Spider-Man: Across the Spider-Verse (PR: 14) (E)

15. Origin (PR: 13) (-2)

Best Director

Predicted Nominees:

1. Christopher Nolan, Oppenheimer (PR: 1) (E)

2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)

3. Yorgos Lanthimos, Poor Things (PR: 3) (E)

4. Greta Gerwig, Barbie (PR: 4) (E)

5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)

Other Possibilities:

6. Justine Triet, Anatomy of a Fall (PR: 6) (E)

7. Celine Song, Past Lives (PR: 5) (-2)

8. Bradley Cooper, Maestro (PR: 9) (+1)

9. Alexander Payne, The Holdovers (PR: 7) (-2)

10. Blitz Bazawule, The Color Purple (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Emma Stone, Poor Things (PR: 1) (E)

2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)

3. Carey Mulligan, Maestro (PR: 3) (E)

4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)

5. Greta Lee, Past Lives (PR: 7) (+2)

Other Possibilities:

6. Fantasia Barrino, The Color Purple (PR: 6) (E)

7. Margot Robbie, Barbie (PR: 5) (-2)

8. Cailee Spaeny, Priscilla (PR: 9) (+1)

9. Annette Bening, Nyad (PR: 8) (-1)

10. Natalie Portman, May December (PR: 10) (E)

Best Actor

Predicted Nominees:

1. Cillian Murphy, Oppenheimer (PR: 1) (E)

2. Bradley Cooper, Maestro (PR: 5) (+3)

3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)

4. Colman Domingo, Rustin (PR: 3) (-1)

5. Paul Giamatti, The Holdovers (PR: 4) (-1)

Other Possibilities:

6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)

7. Andrew Scott, All of Us Strangers (PR: 7) (E)

8. Joaquin Phoenix, Napoleon (PR: 9) (+1)

9. Barry Keoghan, Saltburn (PR: 10) (+1)

10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)

Dropped Out:

Teo Yoo, Past Lives

Best Supporting Actress

Predicted Nominees:

1. Danielle Brooks, The Color Purple (PR: 1) (E)

2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)

3. Emily Blunt, Oppenheimer (PR: 4) (+1)

4. Taraji P. Henson, The Color Purple (PR: 3) (-1)

5. Viola Davis, Air (PR: 5) (E)

Other Possibilities:

6. Penelope Cruz, Ferrari (PR: 6) (E)

7. Julianne Moore, May December (PR: 7) (E)

8. Jodie Foster, Nyad (PR: 9) (+1)

9. Rosamund Pike, Saltburn (PR: 8) (-1)

10. America Ferrera, Barbie (PR: 10) (E)

Best Supporting Actor

Predicted Nominees:

1. Robert Downey Jr., Oppenheimer (PR: 1) (E)

2. Ryan Gosling, Barbie (PR: 2) (E)

3. Mark Ruffalo, Poor Things (PR: 3) (E)

4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)

5. Charles Melton, May December (PR: 7) (+2)

Other Possibilities:

6. Willem Dafoe, Poor Things (PR: 6) (E)

7. Colman Domingo, The Color Purple (PR: 8) (+1)

8. John Magaro, Past Lives (PR: 5) (-3)

9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)

10. Glenn Howerton, BlackBerry (PR: 9) (-1)

Dropped Out:

Sterling K. Brown, American Fiction

Best Original Screenplay

Predicted Nominees:

1. Barbie (PR: 1) (E)

2. Past Lives (PR: 2) (E)

3. The Holdovers (PR: 3) (E)

4. Anatomy of a Fall (PR: 4 ) (E)

5. Air (PR: 5) (E)

Other Possibilities:

6. Maestro (PR: 6) (E)

7. May December (PR: 7) (E)

8. Asteroid City (PR: 8) (E)

9. Fair Play (PR: 10) (+1)

10. Saltburn (PR: 9) (-1)

Best Adapted Screenplay

Predicted Nominees:

1. Poor Things (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Oppenheimer (PR: 3) (E)

4. American Fiction (PR: 4) (E)

5. All of Us Strangers (PR: 5) (E)

Other Possibilities:

6. The Zone of Interest (PR: 8) (+2)

7. Hit Man (PR: 6) (-1)

8. The Color Purple (PR: 7) (-1)

9. Origin (PR: 9) (E)

10. Spider-Man: Across the Spider-Verse (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. The Zone of Interest (PR: 1) (E)

2. The Taste of Things (PR: 2) (E)

3. Perfect Days (PR: 3) (E)

4. About Dry Grasses (PR: 5) (-1)

5. Fallen Leaves (PR: 4) (+1)

Other Possibilities:

6. Society of the Snow (PR: 7) (+1)

7. The Peasants (PR: Not Ranked)

8. The Settlers (PR: Not Ranked)

9. The Delinquents (PR: 8) (-1)

10. The Promised Land (PR: 9) (-1)

Dropped Out:

The Teachers’ Lounge

Io capitano

Best Animated Feature

Predicted Nominees:

1. Spider-Man: Across the Spider-Verse (PR: 1) (E)

2. The Boy and the Heron (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. The Wish (PR: 4) (E)

5. Nimona (PR: 7) (+2)

Other Possibilities:

6. Teenage Mutant Ninja Turtles: Mutant Mayhem (PR: 5) (-1)

7. Chicken Run: Dawn of the Nugget (PR: 6) (-1)

8. The Peasants (PR: Not Ranked)

9. The Super Mario Bros. Movie (PR: 8) (-1)

10. Ruby Gillman, Teenage Kraken (PR: Not Ranked)

Dropped Out:

Suzume

Robot Dreams

Best Documentary Feature

Predicted Nominees:

1. Beyond Utopia (PR: 1) (E)

2. 20 Days in Mariupol (PR: 3) (+1)

3. Stamped from the Beginning (PR: 4) (+1)

4. Still: A Michael J. Fox Movie (PR: 2) (-2)

5. The Eternal Memory (PR: 7) (+2)

Other Possibilities:

6. Every Body (PR: 9) (+3)

7. The Mother of All Lies (PR: 8) (+1)

8. Orlando, My Political Biography (PR: 5) (-3)

9. It Ain’t Over (PR: 10) (+1)

10. The Deepest Breath (PR: Not Ranked)

Dropped Out:

American Symphony

Best Cinematography

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Maestro (PR: 4) (E)

5. The Zone of Interest (PR: 5) (E)

Other Possibilities:

6. Napoleon (PR: 6) (E)

7. Ferrari (PR: Not Ranked)

8. The Killer (PR: 9) (+1)

9. The Color Purple (PR: 7) (-2)

10. Barbie (PR: 10) (E)

Dropped Out:

Asteroid City

Best Costume Design

Predicted Nominees:

1. Barbie (PR: 2) (+1)

2. Poor Things (PR: 1) (-1)

3. The Color Purple (PR: 3) (E)

4. Killers of the Flower Moon (PR: 4) (E)

5. Chevalier (PR: 5) (E)

Other Possibilities:

6. Napoleon (PR: 8) (+2)

7. Asteroid City (PR: Not Ranked)

8. Priscilla (PR: 6) (-2)

9. Oppenheimer (PR: 7) (-2)

10. Wonka (PR: 9) (-1)

Dropped Out:

Maestro

Best Film Editing

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Past Lives (PR: 5) (+1)

5. Maestro (PR: 4) (-1)

Other Possibilities:

6. Air (PR: 7) (+1)

7. Barbie (PR: 10) (+3)

8. The Holdovers (PR: 8) (E)

9. Ferrari (PR: 6) (-3)

10. Anatomy of a Fall (PR: 9) (-1)

Best Makeup and Hairstyling

Predicted Nominees:

1. Poor Things (PR: 1) (E)

2. Maestro (PR: 2) (E)

3. Guardians of the Galaxy Vol. 3 (PR: 3) (E)

4. Barbie (PR: 4) (E)

5. Killers of the Flower Moon (PR: 10) (+5)

Other Possibilities:

6. Priscilla (PR: 5) (-1)

7. The Color Purple (PR: 8) (+1)

8. Beau is Afraid (PR: Not Ranked)

9. Golda (PR: 9) (E)

10. Nyad (PR: 7) (-3)

Dropped Out:

Oppenheimer

Best Original Score

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. Past Lives (PR: 5) (+1)

5. The Killer (PR: 7) (+2)

Other Possibilities:

6. Poor Things (PR: Not Ranked)

7. Napoleon (PR: 4) (-3)

8. The Boy and the Heron (PR: 9) (+1)

9. Ferrari (PR: 10) (+1)

10. Barbie (PR: Not Ranked)

Dropped Out:

Spider-Man: Across the Spider-Verse

Asteroid City

Best Original Song

Predicted Nominees:

1. TBD from The Color Purple (PR: 1) (E)

2. “What Was I Made For?” from Barbie (PR: 2) (E)

3. “Road to Freedom” from Rustin (PR: 3) (E)

4. “The Wish” from Wish (PR: 4) (E)

5. “I’m Just Ken” from Barbie (PR: 5) (E)

Other Possibilities:

6. “Joan Still” from Theater Camp (PR: 9) (+3)

7. “Dance the Night” from Barbie (PR: 10) (+3)

8. “Gonna Be You” from 80 for Brady (PR: 7) (-1)

9. “Quiet Eyes” from Past Lives (PR: 6) (-3)

10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)

Dropped Out:

“High Life” from Flora and Son

Best Production Design

Predicted Nominees:

1. Barbie (PR: 3) (+2)

2. Poor Things (PR: 1) (-1)

3. Killers of the Flower Moon (PR: 2) (-1)

4. Oppenheimer (PR: 4) (E)

5. Asteroid City (PR: 6) (+1)

Other Possibilities:

6. The Color Purple (PR: 5) (-1)

7. Napoleon (PR: 7) (E)

8. Maestro (PR: 8) (E)

9. The Zone of Interest (PR: Not Ranked)

10. Saltburn (PR: 10) (E)

Dropped Out:

Wonka

Best Sound

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Ferrari (PR: 3) (+1)

3. Napoleon (PR: 4) (+1)

4. The Color Purple (PR: 2) (-2)

5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)

Other Possibilities:

6. Killers of the Flower Moon (PR: 5) (-1)

7. The Creator (PR: Not Ranked)

8. Barbie (PR: 8) (E)

9. The Zone of Interest (PR: 10) (+1)

10. Maestro (PR: 7) (-3)

Dropped Out:

The Killer

Best Visual Effects

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)

3. The Creator (PR: 3) (E)

4. Napoleon (PR: 6) (+2)

5. Rebel Moon (PR: 5) (E)

Other Possibilities:

6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)

7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)

8. Poor Things (PR: 4) (-4)

9. Barbie (PR: 10) (+1)

10. Killers of the Flower Moon (PR: 8) (-2)

That means I’m projecting these movies will garner these numbers of nominations:

12 Nominations

Killers of the Flower Moon, Oppenheimer

10 Nominations

Poor Things

9 Nominations

Barbie

6 Nominations

The Color Purple, Maestro

5 Nominations

Past Lives

4 Nominations

The Holdovers, The Zone of Interest

3 Nominations

Anatomy of a Fall

2 Nominations

Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish

1 Nomination

About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol