Ghostlight, co-directed by Kelly O’Sullivan and Alex Thompson, was a highlight of this year’s Sundance Film Festival according to numerous critics. The indie drama casts an actual family of aspiring actors as the central characters. Focused on a grieving father pulled into the world of community theater, the cast includes Keith Kupferer, Katherine May Kupferer, and Tara Mallen. They are, respectively, father, daughter, and mother in real life. Dolly De Leon (who likely came close to a Supporting Actress nom for Triangle of Sadness in 2022) is among the costars.
With a 100% Rotten Tomatoes score, IFC Films (who picked up distribution rights after the Utah fest in January) could make a play for awards attention. I don’t know if the film can break through in the way that Coda did back in 2021. Probably not, but you never know if critics groups put it in the conversation a few months down the line. My Oscar Prediction posts will continue…
The Cannes Film Festival of 2024 is complete and, as always, it made the Oscar picture a little clearer with potential nominees as well as films that won’t be on the radar screen based on their French buzz.
One picture that did itself the most favors is Sean Baker’s Anora. The latest dramedy from The Florida Project drew raves and was named the Palme d’Or recipient (the highest Cannes prize). Three of the past four Palme winners (Parasite, Triangle of Sadness, Anatomy of a Fall) ended up with a BP nod from the Academy.
The film’s leading lady Mikey Madison did not take Best Actress. That instead went to a quartet of performers (Karla Sofia Gascón, Selena Gomez, Adriana Paz, Zoe Saldaña) from Jacques Audiard’s Emilia Pérez, which also entered the BP conversation. It is uncertain at this point whether Gascón or Saldaña, in particular, will be slotted in lead Actress or supporting come Oscar time. I currently have Gascón in the latter and Saldaña in the former and both have solid shots at inclusion.
In addition to Madison’s legit chances for an Actress recognition from the Academy, Demi Moore announced herself as a hopeful for her first nom in the heralded body horror tale The Substance from Coralie Fargeat. She is your Cannes honoree for Best Screenplay.
Anora‘s Sean Baker did not take Best Director (Cannes spreads the love). Miguel Gomes took that prize for the period drama Grand Tour. I wouldn’t pencil him in for a Director nom from the Academy. You have to go back to Pawel Pawlikowski and Cold War in 2018 for the previous Cannes winner who nabbed an Oscar mention. That is the only example in the 21st century.
Jesse Plemons is the Best Actor from Kinds of Kindness. Yorgos Lanthimos’s latest got its share of appreciative notices and I do believe it could contend for two or three Oscars. Plemons might be one of the benefactors.
As far as other acting possibilities, The Apprentice didn’t pick up any hardware. I do think Sebastian Stan (as Donald Trump in the 70s and 80s) and Jeremy Strong (as his mentor Roy Cohn) entered the Actor and Supporting Actor discussion. I also wouldn’t discount Nykiya Adams and Barry Keoghan in Actress and Supporting Actor for Andrea Arnold’s Bird.
Of course not all Cannes debuts lead to high praise. Francis Ford Coppola’s Megalopolis, Kevin Costner’s Horizon: An America Saga – Chapter 1, and Paul Schrader’s Oh, Canada all lessened their viability moving forward.
Keep an eye on the blog for new post Cannes projections in the six major races!
The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.
Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).
I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.
For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.
The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.
In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.
Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.
My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.
Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Color Purple (PR: 6) (+1)
6. Past Lives (PR: 5) (-1)
7. Maestro (PR: 8) (+1)
8. The Holdovers (PR: 7) (-1)
9. Anatomy of a Fall (PR: 9) (E)
10. The Zone of Interest (PR: 11) (+1)
Other Possibilities:
11. American Fiction (PR: 10) (-1)
12. Air (PR: 12) (E)
13. Napoleon (PR: 15) (+2)
14. Spider-Man: Across the Spider-Verse (PR: 14) (E)
15. Origin (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Celine Song, Past Lives (PR: 5) (-2)
8. Bradley Cooper, Maestro (PR: 9) (+1)
9. Alexander Payne, The Holdovers (PR: 7) (-2)
10. Blitz Bazawule, The Color Purple (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Greta Lee, Past Lives (PR: 7) (+2)
Other Possibilities:
6. Fantasia Barrino, The Color Purple (PR: 6) (E)
7. Margot Robbie, Barbie (PR: 5) (-2)
8. Cailee Spaeny, Priscilla (PR: 9) (+1)
9. Annette Bening, Nyad (PR: 8) (-1)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 5) (+3)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Paul Giamatti, The Holdovers (PR: 4) (-1)
Other Possibilities:
6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Joaquin Phoenix, Napoleon (PR: 9) (+1)
9. Barry Keoghan, Saltburn (PR: 10) (+1)
10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)
Dropped Out:
Teo Yoo, Past Lives
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 4) (+1)
4. Taraji P. Henson, The Color Purple (PR: 3) (-1)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Penelope Cruz, Ferrari (PR: 6) (E)
7. Julianne Moore, May December (PR: 7) (E)
8. Jodie Foster, Nyad (PR: 9) (+1)
9. Rosamund Pike, Saltburn (PR: 8) (-1)
10. America Ferrera, Barbie (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Mark Ruffalo, Poor Things (PR: 3) (E)
4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)
5. Charles Melton, May December (PR: 7) (+2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Colman Domingo, The Color Purple (PR: 8) (+1)
8. John Magaro, Past Lives (PR: 5) (-3)
9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)
10. Glenn Howerton, BlackBerry (PR: 9) (-1)
Dropped Out:
Sterling K. Brown, American Fiction
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Past Lives (PR: 2) (E)
3. The Holdovers (PR: 3) (E)
4. Anatomy of a Fall (PR: 4 ) (E)
5. Air (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. May December (PR: 7) (E)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 10) (+1)
10. Saltburn (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. Poor Things (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. All of Us Strangers (PR: 5) (E)
Other Possibilities:
6. The Zone of Interest (PR: 8) (+2)
7. Hit Man (PR: 6) (-1)
8. The Color Purple (PR: 7) (-1)
9. Origin (PR: 9) (E)
10. Spider-Man: Across the Spider-Verse (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. About Dry Grasses (PR: 5) (-1)
5. Fallen Leaves (PR: 4) (+1)
Other Possibilities:
6. Society of the Snow (PR: 7) (+1)
7. The Peasants (PR: Not Ranked)
8. The Settlers (PR: Not Ranked)
9. The Delinquents (PR: 8) (-1)
10. The Promised Land (PR: 9) (-1)
Dropped Out:
The Teachers’ Lounge
Io capitano
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)
Dropped Out:
“High Life” from Flora and Son
Best Production Design
Predicted Nominees:
1. Barbie (PR: 3) (+2)
2. Poor Things (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Oppenheimer (PR: 4) (E)
5. Asteroid City (PR: 6) (+1)
Other Possibilities:
6. The Color Purple (PR: 5) (-1)
7. Napoleon (PR: 7) (E)
8. Maestro (PR: 8) (E)
9. The Zone of Interest (PR: Not Ranked)
10. Saltburn (PR: 10) (E)
Dropped Out:
Wonka
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Ferrari (PR: 3) (+1)
3. Napoleon (PR: 4) (+1)
4. The Color Purple (PR: 2) (-2)
5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)
Other Possibilities:
6. Killers of the Flower Moon (PR: 5) (-1)
7. The Creator (PR: Not Ranked)
8. Barbie (PR: 8) (E)
9. The Zone of Interest (PR: 10) (+1)
10. Maestro (PR: 7) (-3)
Dropped Out:
The Killer
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)
3. The Creator (PR: 3) (E)
4. Napoleon (PR: 6) (+2)
5. Rebel Moon (PR: 5) (E)
Other Possibilities:
6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)
7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)
8. Poor Things (PR: 4) (-4)
9. Barbie (PR: 10) (+1)
10. Killers of the Flower Moon (PR: 8) (-2)
That means I’m projecting these movies will garner these numbers of nominations:
12 Nominations
Killers of the Flower Moon, Oppenheimer
10 Nominations
Poor Things
9 Nominations
Barbie
6 Nominations
The Color Purple, Maestro
5 Nominations
Past Lives
4 Nominations
The Holdovers, The Zone of Interest
3 Nominations
Anatomy of a Fall
2 Nominations
Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
We are caught up and have reached 2022 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?
For the ceremony that occurred less than three months ago, we know Everything Everywhere All at Once would land a spot. To say it was the big winner on Oscar night is an understatement. The multi-genre hit made off with 7 trophies – Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), Original Screenplay (also the Daniels), and Film Editing. It was nominated for four more – Supporting Actress (Stephanie Hsu), Costume Design, Original Score, and Original Song.
Picking the other 4 of 9 for the final five was no easy feat, but here’s my best speculation!
Well… almost. Before we get to that, this particular series will now become a yearly occurrence where I give you my final five in the coming years. However, stay tuned for the reverse of these write-ups. Starting soon and beginning with 2008 (the last year there were five nominees), I’ll give you speculation on which pictures I believe would be nominated if there were ten contending films.
Back to the Oscars that just happened…
All Quiet on the Western Front
Edward Berger’s World War I epic was one of the easiest picks on Oscar night to win the International Feature Film trophy. It also took home Cinematography, Original Score, and Production Design and received noms for Adapted Screenplay, Makeup and Hairstyling, Sound, and Visual Effects. The quartet of victories was second best to Everything.
Does It Make the Final Five?
Yes, despite surprising misses for its Director and in Film Editing. I still think the 9 nine total nods (also second best to Everything) puts it in the quintet.
Avatar: The Way of Water
As anticipated, James Cameron’s long-awaited sequel to the 2009 box office behemoth was a victor in Visual Effects. It also got nods in Production Design and Sound.
Does It Make the Final Five?
No. Water logged less than half of its predecessor’s nine mentions and Cameron himself didn’t make the directorial derby.
The Banshees of Inisherin
Martin McDonagh’s black comedy clocked nine nominations with the others being for the director and screenwriter (both McDonagh), Actor (Colin Farrell), two Supporting Actor bids (Brendan Gleeson and Barry Keoghan), Supporting Actress (Kerry Condon), Film Editing, and Original Score. It ended up going 0 for 8.
Does It Make the Final Five?
Yes. The winning percentage of zero was due to the Everything love, but it still would’ve found a slot among the five.
Elvis
Baz Luhrmann’s lavish musical biopic of The King shimmied to 8 nods including Actor (Austin Butler), Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Production Design, and Sound. Like Banshees, it left the building with no statues.
Does It Make the Final Five?
No. Had Elvis garnered wins in some of the below-the-line races (which it was expected to) or for Butler, I may have a different answer in this case. Yet it wasn’t to be.
The Fabelmans
Steven Spielberg’s most personal work to date saw 7 nominations for the director and screenwriter (both Spielberg with Tony Kushner co-scribing), Actress (Michelle Williams), Supporting Actor (Judd Hirsch), Original Score, and Production Design. In what’s starting to sound like a broken record, it failed to capitalize on any of its nominations.
Does It Make the Final Five?
Yes though I struggled with this one. Missing editing (a good harbinger of a BP nod) was a surprise and same goes for the cinematography. Ultimately the power of Spielberg might’ve reserved this for the fourth or fifth spot.
Tár
Todd Field’s profile of a complicated EGOT winner generated six mentions for its director and screenwriter (both Field), Actress (Cate Blanchett), Cinematography, and Film Editing. Once again – any potential victory was thwarted by Everything as it went 0/6.
Does It Make the Final Five?
Yes. I must say that I really went back and forth on this (more so than with The Fabelmans). Yet it managed to score inclusions in the precursors that matter most and it gets the edge for it.
Top Gun: Maverick
The moneymaking monolith of 2022 had a total of six nominations with Adapted Screenplay, Film Editing, Original Song, Sound, and Visual Effects on the menu. It emerged victorious in Sound (Everything and Western Front didn’t take them all).
Does It Make the Final Five?
No. I went back and forth between this and Tár for #5. The latter got in where it matters. Maverick, despite being the people’s champ, missed key races like Director (Joseph Kosinski), Actor (Tom Cruise), and Cinematography.
Triangle of Sadness
The Palme d’or recipient at Cannes was awarded an unexpected directing nod for Ruben Östlund and an expected screenwriting mention for him. The count for was 0 for 3.
Does It Make the Final Five?
No. Östlund’s surprise nomination for his behind the camera was a pleasant surprise, but a final five slot would be an even bigger shocker.
Women Talking
Director Sarah Polley won for her Adapted Screenplay and that marks Women‘s only other nom. That means the sprawling cast that included Rooney Mara, Claire Foy, and Jessie Buckley were all left out.
Does It Make the Final Five?
No. Despite the screenplay award, the aforementioned facts make this the easiest of the bunch to leave out (especially considering its two nods were the smallest of the group).
And that means my 2022 final five is:
All Quiet on the Western Front
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Tár
Stay tuned for the inverse of these posts beginning with 2008!
If you missed my write-ups in the series covering 2009-21, you can access them right here:
As the month of May closes out, we arrive at my post Cannes forecast for the 96th Academy Awards! There were heavy hitters premiering in the south of France and buzz to discuss for several of them.
One year ago, Triangle of Sadness took the Palme d’Or (the fest’s top prize) and it eventually became a Best Picture contender at the Oscars. Ruben Östlund, Triangle‘s director who served as this year’s jury president, was also nominated for his behind the camera work.. In 2023, Justine Triet’s Anatomy of a Fall won the biggest honor. The French courtroom drama established itself as a major factor in International Feature Film and it is feasible that it could nab a slot in the eventual BP ten.
Other films that solidified their statuses as Academy bait? We start with Martin Scorsese’s Killers of the Flower Moon. The three and a half hour epic maintains its #1 position in Picture, Director, Supporting Actress (Lily Gladstone), and Supporting Actor after many raves at Cannes. However, the Supporting Actor in first is Robert De Niro and not Jesse Plemons, who was perched there two weeks ago. Reviews indicate it’s De Niro who should have the better shot.
Let’s be clear. My rankings right now reflect who I believe will be nominated and not necessarily who I think will win (it’s simply too early for that). Killers looks to be in a fantastic position for multiples nods after its unveiling.
Jonathan Glazer’s The Zone of Interest is right behind Moon as far as significant chatter out of the festival. The Holocaust drama could contend in Pic and Director. So could lead actress Sandra Hüller. Yet she might have an even stronger chance for her performance in Anatomy of a Fall.
For May December from Todd Haynes, reviews were quite solid. Its best chances at inclusion could be for its trio of actors Natalie Portman, Julianne Moore, and Charles Melton. We’re still not sure if Portman and Moore will be co-campaigned for lead. For now I’m slotting the former in Actress and the latter in supporting.
Wes Anderson’s Asteroid City drew plaudits though mixed reaction elsewhere. I’m skeptical of its chances (though it could play in down-the-line races like Production Design and Score).
Then there’s the features that dropped out of contention. Pixar’s Elemental won’t be the first studio title to vie for BP since Toy Story 3. It might be lucky to get an Animated Feature mention after some lackluster reaction. Indiana Jones and the Dial of Destiny will not be a Top Gun: Maverick style hopeful for Oscars. And the fest’s opener Jeanne du Barry with Johnny Depp might get a Costume Design nod and that’s all.
In 2022, I made predictions for the 95th Academy Awards on this same day. It yielded 3 of the eventual 10 BP nominees with eventual winner Everything Everywhere All at Once, The Fabelmans, and Women Talking. Four others (Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick) were named in Other Possibilities. I wasn’t ready to anoint Triangle of Sadness despite its Cannes hardware. In Director – I correctly named the victorious Daniels for Everything Everywhere and Steven Spielberg for The Fabelmans. With Best Actress, I had Michelle Yeoh (Everything Everywhere) who would take the gold. Cate Blanchett (Tár) and Ana de Armas (Blonde) were Other Possibilities. I will note that I had Michelle Williams (The Fabelmans) listed in supporting and she was nominated in lead. For Actor, winner Brendan Fraser (The Whale) were correctly called with Austin Butler (Elvis) listed. Both Colin Farrell (The Banshees of Inisherin) and Paul Mescal (Aftersun) were Other Possibilities. None of the five contenders in Supporting Actress were rightly placed. I did have winner Jamie Lee Curtis (Everything Everywhere), her costar Stephanie Hsu, and Hong Chau (The Whale) in Other Possibilities. Finally, Ke Huy Quan (who took the statue) for Everything Everywhere was the only correctly tagged performer in Supporting Actor.
OK… deep breath. With all that context, let’s see where everything and everyone ranks…
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. The Color Purple (PR: 3) (+1)
3. Past Lives (PR: 2) (-1)
4. Dune: Part Two (PR: 4) (E)
5. Oppenheimer (PR: 5) (E)
6. Saltburn (PR: 7) (+1)
7. The Zone of Interest (PR: 15) (+8)
8. The Holdovers (PR: 8) (E)
9. Air (PR: 9) (E)
10. Poor Things (PR: 6) (-4)
Other Possibilities:
11. May December (PR: 10) (-1)
12. Maestro (PR: 11) (-1)
13. Anatomy of a Fall (PR: Not Ranked)
14. Challengers (PR: 14) (E)
15. Blitz (PR: 13) (-2)
16. Barbie (PR: 12) (-4)
17. Napoleon (PR: 18) (+1)
18. Rustin (PR: 20) (+2)
19. Flint Strong (PR: 17) (-2)
20. Bob Marley: One Love (PR: 16) (-4)
21. The Nickel Boys (PR: 21) (E)
22. The Book of Clarence (PR: 22) (E)
23. The Killer (PR: 19) (-4)
24. Asteroid City (PR: 25) (+1)
25. Ferrari (PR: 23) (-2)
Dropped Out:
Strangers
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 3) (+1)
3. Blitz Bazawule, The Color Purple (PR: 4) (+1)
4. Celine Song, Past Lives (PR: 2) (-2)
5. Jonathan Glazer, The Zone of Interest (PR: 14) (+9)
Other Possibilities:
6. Christopher Nolan, Oppenheimer (PR: 6) (E)
7. Emerald Fennell, Saltburn (PR: 7) (E)
8. Yorgos Lanthimos, Poor Things (PR: 5) (-3)
9. Justine Triet, Anatomy of a Fall (PR: Not Ranked)
10. Alexander Payne, The Holdovers (PR: 9) (-1)
11. Bradley Cooper, Maestro (PR: 13) (+2)
12. Ben Affleck, Air (PR: 11) (-1)
13. Ridley Scott, Napoleon (PR: 15) (+2)
14. Greta Gerwig, Barbie (PR: 10) (-4)
15. Steve McQueen, Blitz (PR: 12) (-3)
Dropped Out:
Todd Haynes, May December
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Emma Stone, Poor Things (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: Not Ranked)
5. Natalie Portman, May December (PR: 5) (E)
Other Possibilities:
6. Jessica Lange, Long Day’s Journey Into Night (PR: 4) (-2)
7. Carey Mulligan, Maestro (PR: 7) (E)
8. Zendaya, Challengers (PR: 8) (E)
9. Margot Robbie, Barbie (PR: 6) (-3)
10. Saoirse Ronan, Blitz (PR: 9) (-1)
11. Kate Winslet, Lee (PR: 11) (E)
12. Annette Bening, Nyad (PR: 12) (E)
13. Sandra Hüller, The Zone of Interest (PR: 13) (E)
14. Ryan Destiny, Flint Strong (PR: 14) (E)
15. Jane Levy, A Little Prayer (PR: Not Ranked)
Dropped Out:
Regina King, Shirley
Amy Adams, Nightbitch
Best Actor
Predicted Nominees:
1. Colman Domingo, Rustin (PR: 1) (E)
2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)
3. Paul Giamatti, The Holdovers (PR: 4) (+1)
4. Barry Keoghan, Saltburn (PR: 3) (-1)
5. Kingsley Ben-Adir, Bob Marley: One Love (PR: 8) (+3)
Other Possibilities:
6. Bradley Cooper, Maestro (PR: 5) (-1)
7. Teo Yoo, Past Lives (PR: 7) (E)
8. Cillian Murphy, Oppenheimer (PR: 6) (-2)
9. Anthony Hopkins, Freud’s Last Session (PR: 11) (+2)
10. Joaquin Phoenix, Napoleon (PR: 10) (E)
11. David Strathairn, A Little Prayer (PR: Not Ranked)
12. Matt Damon, Air (PR: 9) (-3)
13. Ed Harris, Long Day’s Journey Into Night (PR: 13) (E)
14. Mike Faist, Challengers (PR: 12) (-2)
15. John David Washington, The Piano Lesson (PR: 14) (-1)
Dropped Out:
Andrew Scott, Strangers
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)
5. Julianne Moore, May December (PR: 6) (+1)
Other Possibilities:
6. Viola Davis, Air (PR: 5) (-1)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Lashana Lynch, Bob Marley: One Love (PR: 9) (+1)
9. Audra McDonald, Rustin (PR: 8) (-1)
10. Halle Bailey, The Color Purple (PR: Not Ranked)
11. Aunjanue Ellis, The Nickel Boys (PR: 11) (E)
12. Tilda Swinton, The Killer (PR: 10) (-2)
13. Danielle Deadwyler, The Piano Lesson (PR: 13) (E)
14. Jodie Foster, Nyad (PR: 14) (E)
15. Vanessa Kirby, Napoleon (PR: Not Ranked)
Dropped Out:
Claire Foy, Strangers
Rebecca Ferguson, Dune: Part Two
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 4) (+3)
2. Willem Dafoe, Poor Things (PR: 2) (E)
3. Colman Domingo, The Color Purple (PR: 10) (+7)
4. Charles Melton, May December (PR: 8) (+4)
5. John Magaro, Past Lives (PR: 3) (-2)
Other Possibilties:
6. Samuel L. Jackson, The Piano Lesson (PR: 5) (-1)
7. Ryan Gosling, Barbie (PR: 6) (-1)
8. Richard E. Grant, Saltburn (PR: 11) (+3)
9. Ben Affleck, Air (PR: 7) (-2)
10. Jesse Plemons, Killers of the Flower Moon (PR: 1) (-9)
11. Brian Tyree Henry, Flint Strong (PR: 13) (+2)
12. Mark Ruffalo, Poor Things (PR: 9) (-3)
13. Corey Hawkins, The Color Purple (PR: Not Ranked)
14. Glynn Turman, Rustin (PR: 15) (+1)
15. Ben Foster, Long Day’s Journey Into Night (PR: 14) (-1)
The Cannes Film Festival is underway and if history is any guide, we will see Best Picture contenders emerge from the south of France over the next few days. Just last year, Palme d’Or winner Triangle of Sadness was one of the Academy’s 10 BP hopefuls. Two films playing out of competition (Elvis and Top Gun: Maverick) ended up in competition at the Oscars. Keep an eye on this blog for coverage of all the Cannes pics and their awards viability.
It starts with Jeanne du Barry. The 18th-century set French drama comes from Maïwenn, who directs herself in the title role. Domestically the premiere is generating lots of attention for one particular costar – Johnny Depp as King Louis XV (attempting a comeback after the trials of the past few years). Other costars include Benjamin Lavernhe, Pierre Richard, Melvin Poupaud, Pascal Greggory, India Hair, and Noémie Lvovsky.
The first handful of reviews are mostly positive though hardly gushing with an early Rotten Tomatoes score of 80%. France could peg it as their selection in International Feature Film, but I wouldn’t be surprised if they ultimately choose not to.
I don’t see this as much of a player at the Oscars… with one exception. Praise for the costume design leads me to think it could nab one of those five slots (whether it’s up in any other race or not). My Oscar Prediction posts will continue…
The environmental heist thriller How to Blow Up a Pipeline debuted in limited release over Easter weekend to solid results. From director Daniel Goldhaber, this is a fictionalized adaptation of Andreas Malm’s nonfiction 2021 novel. The cast includes Ariela Barer (who also co-scripted), Kristine Froseth, Lukas Gage, Forrest Goodluck, Sasha Lane, Jayme Lawson, Marcus Scribner, Jake Weary, and Irene Bedard.
Pipeline first screened at the Toronto Film Festival to impressive reviews and was quickly snatched up by Neon for distribution. The Rotten Tomatoes meter stands at 95%. I would not be surprised if its distributor (who shepherded Triangle of Sadness to a BP nom last year) make a serious campaign push here.
It could be a long shot for BP, but I wouldn’t totally discount it. This could also be a contender for an Adapted Screenplay nod. My Oscar Prediction posts will continue…
It was indeed a slap free almost four hours of TV at the Oscars Sunday night. However, half of the Best Picture nominees were smacked down with zero victories: The Banshees of Inisherin, Elvis, The Fabelmans, Tár, and Triangle of Sadness.
There’s no doubt that Everything Everywhere All at Once was the massive winner of the proceedings, emerging victorious in seven of its 11 nods. It was also a loudly pleasing reception for All Quiet on the Western Front with a better than anticipated four trophies.
As for my numbers, I went 13 for 20. Over the past half decade, I’ve had far stronger showings in the odd numbered years than even numbered ones and my 2022 results were again on the lower end of the spectrum.
Everything took home the most above the line awards (6) of any picture in Academy history: Picture, Director (Dan Kwan and Daniel Scheinert), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actor (Ke Huy Quan), and Original Screenplay (also the Daniels). It also won Film Editing. I correctly called all of those except for Supporting Actress where I went with Kerry Condon (The Banshees of Inisherin). This is the first pic in (get this!) 46 years to nab three of the four acting races. That’s since Network in 1976.
When Elvis lost to The Whale for Makeup and Hairstyling (which I got wrong), prognosticators across the Twitterverse and beyond knew that it could be a sign Brendan Fraser may take the gold over Austin Butler. And indeed that’s what happened – meaning I missed two of the four acting derbies. Let it be noted, by the way, that the Academy exactly matched SAG in those four competitions.
All Quiet grabbed International Feature Film and Cinematography as predicted. It additionally took Production Design (over my Babylon call) and Original Score (over my pick of The Fabelmans). I projected Quiet for Sound, but instead it marked the only victory for Top Gun: Maverick.
Animated Feature and Documentary Feature went, as anticipated, to Guillermo del Toro’s Pinocchio and Navalny. Song was “Naatu Naatu” from RRR and Avatar: The Way of Water in Visual Effects (correct picks) with Black Panther: Wakanda Forever in Costume Design over my Elvis pick.
And it was Sarah Polley in Adapted Screenplay for Women Talking. As far as the 95th Academy Awards, we’ll be talking about a historic night for one film in particular. It didn’t win everything, but it did so everywhere it was expected to and beyond. And it was also an evening filled with some genuinely heartfelt speeches and touching wins capped off by Indiana Jones embracing Short Round nearly 40 years later!
The 95th Academy Awards air tomorrow and, just in the nick of time, I have seen all ten Best Picture nominees courtesy of my Netflix viewing of All Quiet on the Western Front today.
If you missed my predictions for who and what I believe will win at the ceremony, you can access that here:
Now that I’ve seen the group of pics vying for BP, I will rank them according to personal preference. Just as in 2019 with Parasite, my #1 happens to match the movie that I’m projecting to take the biggest prize.
In 2022, I was ecstatic to attend the Toronto Film Festival for the first time. It is there that I saw future nominees The Banshees of Inisherin, The Fabelmans, and Women Talking. At the theater in my home state of Ohio, I took in Avatar: The Way of Water, Tár, and Top Gun: Maverick. Home sweet home is where I viewed All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, and Triangle of Sadness.
After nearly a year of speculation on the blog and the new podcast (look up Movies at the Speed of Speculation on your favorite pod platform, folks!), the time has come to make my final picks for the winners at the 95th Academy Awards. The ceremony comes our way Sunday night with Jimmy Kimmel hosting and here’s hoping the presenters are given the correct envelopes and that no one gets slapped.
For some context, here’s how I did in the previous four Oscars (note that there were 21 races through 2019 because the sound competitions were divided into Editing and Mixing until their combination).
2018: 14/21
2019: 18/21
2020: 13/20
2021: 17/20
Note that I seem to do better in the odd numbered years. That could repeat for 2022 as three of the four acting derbies are highly tricky to pick and there are other down-the-line competitions that could go in different directions. As for Picture, Director, Supporting Actor, Animated Feature, and International Feature Film… not so much.
Let’s go through them one by one and I’ll give you my winner and runner-up projection!
Best Picture
All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking
The tricky part isn’t picking the victor. It’s picking the runner-up. That’s because Everything has taken, well, nearly everything. PGA. DGA. WGA. SAG Ensemble. Critics Choice.
OK, so All Quiet received the BAFTA and The Fabelmans and The Banshees of Inisherin were your respective Drama and Musical/Comedy recipients at the Golden Globes. Yet the momentum has been with Everything for some time and it is the easy pick for the biggest prize of the night.
Given that a screenplay and acting statue are legitimately in play, Banshees has the strongest argument for a package of trophies that could include BP. It’s a distant runner-up.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: The Banshees of Inisherin
Best Director
Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Ruben Östlund (Triangle of Sadness), Steven Spielberg (The Fabelmans)
I suppose the voters could go the Globe route and bestow their honor on the legendary Spielberg. Doubtful. Look for the Academy to match the DGA and Critics Choice selections of Dan Kwan and Daniel Scheinert.
Predicted Winner: Daniels (Everything Everywhere All at Once)
Runner-Up: Steven Spielberg, The Fabelmans
Best Actress
Cate Blanchett (Tár), Ana de Armas (Blonde), Andrea Riseborough (To Leslie), Michelle Williams (The Fabelmans), Michelle Yeoh (Everything Everywhere All at Once)
Now it gets tough. Blanchett’s towering work could be undeniable as it was to BAFTA and Critics Choice (similar to how Anthony Hopkins from The Father managed a win over Chadwick Boseman in Ma Rainey’s Black Bottom two years ago). The BP momentum and SAG could push Yeoh over the line. This is a coin flip and I’m siding with the momentum.
Predicted Winner: Michelle Yeoh, Everything Everywhere All at Once
Runner-Up: Cate Blanchett, Tár
Best Actor
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), Bill Nighy (Living)
A three-person race dwindled when Farrell lost the BAFTA. It went instead to Butler and he also won the Globe (over Fraser). SAG and Critics Choice went to Fraser. I have gone back and forth on this endlessly. If Fraser won, he would break a precedent of the victorious Actor’s movie being up for Best Picture. You have to go back to 2009 and Jeff Bridges (Crazy Heart) to find the last one whose film wasn’t in the BP lineup. I cannot stress enough that this is 50.5/49.5.
Predicted Winner: Austin Butler, Elvis
Runner-Up: Brendan Fraser, The Whale
Best Supporting Actress
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
Unlike Actress and Actor, this is between three nominees. Curtis surprisingly nabbed SAG while Bassett took Critics Choice and the Globe. Both are actresses whose wins could double as career achievement honors. I have a suspicion that the Academy may instead look at BAFTA winner Condon as their best opportunity to throw Banshees a bone.
Predicted Winner: Kerry Condon, The Banshees of Inisherin
Runner-Up: Angela Bassett, Black Panther: Wakanda Forever
Best Supporting Actor
Brendan Gleeson (The Banshees of Inisherin), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once)
Keoghan is the #2 since he unexpectedly won BAFTA. That said, this is the simplest acting race to project as Quan has won everything everywhere else.
Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once
Runner-Up: Barry Keoghan, The Banshees of Inisherin
Best Adapted Screenplay
All Quiet on the Western Front, Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick, Women Talking
If All Quiet over performs (and it might), it could emerge here. The smart money is on Sarah Polley and WGA honored script for Talking.
Predicted Winner: Women Talking
Runner-Up: All Quiet on the Western Front
Best Original Screenplay
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
Here’s another category where voters could single out Banshees. Still – I’m not going against the strong BP frontrunner.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: The Banshees of Inisherin
Best Animated Feature
Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Sea Beast, Turning Red
del Toro’s version of the classic tale has taken all precursors that matter. This is one of the uncomplicated calls.
Predicted Winner: Guillermo del Toro’s Pinocchio
Runner-Up: Marcel the Shell with Shoes On
Best International Feature Film
All Quiet on the Western Front, Argentina, 1985, Close, EO, The Quiet Girl
This might even be more automatic than Animated Feature. As your lone BP contestant, All Quiet will make noise here.
Predicted Winner: All Quiet on the Western Front
Runner-Up: Argentina, 1985
Best Documentary Feature
All That Breathes, All the Beauty and the Bloodshed, Fire of Love, A House Made of Splinters, Navalny
Tough pick. Breathes and Beauty are viable. I’ve picked Fire of Love over Navalny twice in Critics Choice and PGA and missed both times. Not again.
Predicted Winner: Navalny
Runner-Up: Fire of Love
Best Cinematography
All Quiet on the Western Front, Bardo, Elvis, Empire of Light, Tár
When perceived favorite Top Gun: Maverick shockingly failed to make this quintet, the race opened up. Elvis could make history and have the first female winner in Mandy Walker. It’s tempting to pick her, but I’ll go with Quiet.
Predicted Winner: All Quiet on the Western Front
Runner-Up: Elvis
Best Costume Design
Babylon, Black Panther: Wakanda Forever, Elvis, Everything Everywhere All at Once, Mrs. Harris Goes to Paris
On the other hand, here’s one where Elvis could take the gold. I wouldn’t count out Panther or even Everything if its sweep branches into upsets.
Predicted Winner: Elvis
Runner-Up: Black Panther: Wakanda Forever
Best Film Editing
The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár, Top Gun: Maverick
Maverick is in the mix, but Everything should extend its haul.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: Top Gun: Maverick
Best Makeup and Hairstyling
All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Elvis, The Whale
The Whale and Western are possible. I’m giving this one to The King, however.
Predicted Winner: Elvis
Runner-Up: The Whale
Best Original Score
All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans
This is one of the most open categories. I don’t see Banshees landing this. All 4 others are possible. Babylon or Western might be the smart pick, but this is the one true upset I’m selecting and projecting a Fabelmans/John Williams appreciation victory.
Predicted Winner: The Fabelmans
Runner-Up: Babylon
Best Original Song
“Tell It Like a Woman” from Applause, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR, “This Is a Life” from Everything Everywhere All at Once
I don’t believe this is cut and dry. The star power of Gaga and Rihanna or an Everything expansion everywhere could make it interesting. “Naatu Naatu” has dominated the precursors and I’m not going with two upsets in the musical competitions.
Predicted Winner: “Naatu Naatu” from RRR
Runner-Up: “Hold My Hand” from Top Gun: Maverick
Best Production Design
All Quiet on the Western Front, Avatar: The Way of Water, Babylon, Elvis, The Fabelmans
This is where Babylon should be Oscar winner Babylon though Elvis lurks.
Predicted Winner: Babylon
Runner-Up: Elvis
Best Sound
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick
And this is where Top Gun: Maverick should get its Oscar. Yet I’m going with a minor upset pick with Western. That means I’m projecting Maverick ends up 0 for 6.
Predicted Winner: All Quiet on the Western Front
Runner-Up: Top Gun: Maverick
Best Visual Effects
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick
No real Maverick shot in VE because Avatar is one of the automatic category picks.
Predicted Winner: Avatar: The Way of Water
Runner-Up: Top Gun: Maverick
That equates to these movies achieving these numbers of wins:
6 Wins
Everything Everywhere All at Once
3 Wins
All Quiet on the Western Front, Elvis
1 Win
Avatar: The Way of Water, Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Navalny, RRR, Women Talking
I’ll have a recap up Sunday evening or Monday on the blog and the podcast!
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