One Life has had its world premiere at the Toronto Film Festival as it seeks one nomination in particular from awards voters. From director James Hawes, it stars Anthony Hopkins as the real-life rescuer of Jewish children before the atrocities of the Holocaust. Johnny Flynn plays the hunger version of his character with Helena Bonham Carter, Lena Olin, and Jonathan Pryce in the supporting cast.
Early reviews put it at 86% on Rotten Tomatoes. The stateside release date is TBD though it should be out by year’s end. The bulk of the reaction indicates this is not a BP contender. However, much praise is being heaped on Hopkins. This seems like the type of role that might be bait for the Academy.
As has been discussed in the past couple of weeks, the lead actor race is shaping up to be a barnburner. Surefire contenders (to name just five) include Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Bradley Cooper (Maestro), Colman Domingo (Rustin), and Paul Giamatti (The Holdovers). Had Hopkins not won Best Actor just three years ago for The Father (his second after 1991’s The Silence of the Lambs), I might list him with that quintet. As of now, he could get in but I think he’s on the outside. My Oscar Prediction posts will continue…
Ellen Kuras is best known for her cinematography (including Eternal Sunshine of the Spotless Mind) and she makes her directorial debut with Lee. Kate Winslet stars in the true life tale of a model turned WWII war photographer. The supporting cast includes Alexander Skarsgård, Andrea Riseborough, Marion Cotillard, Josh O’Connor, Noémie Merlant, and Andy Samberg.
Reaction from its premiere at the Toronto Film Festival is mostly complimentary though not effusive. The Rotten Tomatoes meter is 75%. Winslet and surprisingly Samberg are getting the lions share of kudos. The only real awards play is Winslet, who would be gunning for nomination #8 (her sole Actress win came for 2008’s The Reader). She could make the cut, but the lead category is already packed. Winslet is already behind others like Emma Stone (Poor Things), Sandra Hüller (Anatomy of a Fall), and Carey Mulligan (Maestro) in my view. My Oscar Prediction posts will continue…
Taika Waititi’s Next Goal Wins is finally coming out. Seriously. After multiple COVID delays and other postponements (like reshooting Armie Hammer’s parts with Will Arnett), the true life sports dramedy hits theaters November 17th and has been unveiled at the Toronto Film Festival. Michael Fassbender stars as a down on his luck coach tasked with leading the winless American Samoa soccer squad. Oscar Kightley, Kaimana, David Fane, Rachel House, the aforementioned Arnett, Uli Latukefu, and Elisabeth Moss costar.
Four years ago, the director/writer’s Jojo Rabbit was an awards player with six Oscar nominations and a victory for Waititi in Adapted Screenplay. Goal is being called a crowd pleaser based on Canadian reaction. However, the reviews are mixed with 71% currently on Rotten Tomatoes. Based on a 2014 documentary, I doubt we’ll see Adapted Screenplay mentions this time or any other nominations for that matter. My Oscar Prediction posts will continue…
Craig Gillespie’s Dumb Money is one of the higher profile debuts at the Toronto Film Festival. It recounts 2021’s life is stranger than fiction tale of stock manipulation causing GameStop to become the #1 financial property. Paul Dano, Pete Davidson, Vincent D’Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, and Seth Rogen star.
The trailer and subject matter hinted we were entering The Big Short territory. That 2015 similarly themed pic netted 5 Academy nods, including Best Picture and a victory in Adapted Screenplay. Dumb sits at 86% on Rotten Tomatoes based on Ontario reactions. I wouldn’t completely discount it resonating with awards voters. However, I suspect Adapted Screenplay might be the only race where it has a shot of getting in (despite kudos for Davidson and Ferrera in particular for their supporting parts). In other words, anticipate it falling short of The Big Short. My Oscar Prediction posts will continue…
Japanese animation master Hayao Miyazaki is a legendary figure in his field and the 82-year-old announced his retirement a decade ago with The Wind Rises. He even picked up an honorary Academy Award in 2014 based on his body of work which includes classics like My Neighbor Totoro, Kiki’s Delivery Service, and Princess Mononoke.
The Best Animated Feature race at the Oscars didn’t begin until 2001 so those aforementioned titles weren’t in the mix. In 2002, Miyazaki’s Spirited Away won the category’s second prize. Howl’s Moving Castle was nominated in 2005 and The Wind Rises contended in 2013 (the planned career capper losing to Frozen).
Retirement was interrupted by the filmmaker with The Boy and the Heron (titled How Do You Live? in Japan) and it is the premiere title at the Toronto Film Festival. The Studio Ghibli production came out in its native country in July and will be out domestically on December 8th.
Early stateside reviews, unsurprisingly, have resulted in a 100% Rotten Tomatoes score. Heron should absolutely nab a spot in the five hopefuls in the animated competition. However, don’t expect it to ever fly past the #2 position. That’s because box office behemoth and critical darling Spider-Man: Across the Spider-Verse remains firmly perched in first. My Oscar Prediction posts will continue…
Beginning today, I’m taking a deeper dive into the six major categories for the 96th Academy Awards slated for March 2024. Ardent readers of this here blog know that I typically update my predictions every 10-14 days.
Yet there’s been some major developments in the past week and there will be more in the week or so to come. The Telluride Film Festival just happened. Venice is ongoing and Toronto starts tonight. In other words, a whole bunch of Oscar hopefuls have just screened or are about to screen.
So for these closer looks at the four acting derbies, Best Director, and Best Picture – I’m obviously keeping all that in mind with the heavy buzz emanating from Colorado, Italy, and Ontario.
We begin with Supporting Actor. In this competition, 3 of the biggest contenders saw their movies released (or screen) prior to the September trio of festivals. Robert Downey Jr. (Oppenheimer) and Ryan Gosling (Barbie) are, of course, part of the Barbenheimer phenomenon. Both appear highly likely to be nominated. I could see a narrative develop where Downey Jr. is honored for his body of work (in addition to his strong work in the film itself) and ends up taking the trophy. This would mark his third nom after 1992’s Chaplin and 2008’s Tropic Thunder. He’s currently my #1.
A similar victory could happen with Robert De Niro for Killers of the Flower Moon (which first screened at Cannes in May). The acting legend is a two-time Oscar winner, but it’s been 43 years since he took the lead prize for Raging Bull. You have go back to 49 years for his first statue in Supporting for The Godfather Part II. A Downey Jr. or De Niro statue could be contingent on which of their movies wins BP (if one of them does). The momentum from the top prize could dwindle down to either one of them.
Before its rapturous unveiling at Venice, there was uncertainty as to whether Mark Ruffalo or Willem Dafoe would be Fox Searchlight’s strongest contender for Poor Things. The answer might be both. Ruffalo could have the slight edge, but both could make the dance. That wouldn’t be all that surprising. Three of the past four Supporting Actor quintets have seen double nominees from the same feature – The Irishman in 2019 for Al Pacino and Joe Pesci, The Power of the Dog in 2021 for Jesse Plemons and Kodi Smit-McPhee, and last year for The Banshees of Inisherin with Brendan Gleeson and Barry Keoghan. It’s worth mentioning that none of the six nominees took the prize.
Speaking of double nominees, it isn’t out of the question that the aforementioned Plemons could materialize for Flower Moon. Same goes for Matt Damon in Oppenheimer. I suspect they ultimately don’t make it.
Past Lives is an acclaimed drama that seems destined for a BP spot. John Magaro is sure to be placed here and he could absolutely get into the final five. There is a question as to whether his costar Teo Yoo is campaigned for in lead or here. I’ve got him in the former as of now.
If Air overperforms, I wouldn’t totally discount Ben Affleck (he’s never had an acting mention). Glenn Howerton in BlackBerry has drawn plenty of raves. He’ll win some critics prizes and could be a trendy pick for inclusion. Charles Melton was singled out for his work alongside Natalie Portman and Julianne Moore at Cannes.
Dominic Sessa could see himself in for The Holdovers (especially if Alexander Payne dramedy’s cast mates Paul Giamatti and Da’Vine Joy Randolph make their categories).
The Maestro acting campaigns should go to Carey Mulligan and Bradley Cooper in lead and not Matt Bomer. Saltburn reactions suggest any attention will go to star Barry Keoghan and not Richard E. Grant.
And there are unseen hopefuls in the wings. Colman Domingo in The Color Purple immediately comes to mind. His nom might not happen because he’s almost surely going to make the lead Actor’s five with Rustin.
So where’s that leave us? I’m shortening my possible nominees from 15 to 10 and here’s my snapshot of the race right now!
Predicted Nominees
1. Robert Downey Jr., Oppenheimer (Previous Ranking: 1) (Even)
2. Robert De Niro, Killers of the Flower Moon (PR: 2) (E)
In an unusual bit of Oscar history, Annette Bening would probably be a two-time Best Actress recipient if not for Hilary Swank. The latter took home the statue in 1999 for Boys Don’t Cry and Bening was likely runner-up for Best Picture winner American Beauty. In 2004, a late Million Dollar Baby surge gave Swank her second award with Bening’s performance in Being Julia probably in second position.
Nyad has premiered at Telluride prior to its October 20th limited theatrical release and November 3rd Netflix streaming debut. Elizabeth Chai Vasarhelyi and Jimmy Chin, makers of the Oscar winning doc Free Solo, direct. It casts the five-time nominee as real-life swimmer Diana Nyad and critics are praising her performance. Same goes for costar Jodie Foster (in supporting), a two-time Actress victor like Swank who would also be vying for her sixth overall nod.
Both are possibilities as reviews are sturdy (100% on RT). I don’t think this wades into the Best Picture conversation. Both Actress and Supporting Actress look crowded already, but it would be foolish to discount either of these acting legends. Lucky for Bening, Ms. Swank doesn’t seem to have anything in contention. My Oscar Prediction posts will continue…
As the gay activist instrumental in organizing Martin Luther King Jr.’s March on Washington, Colman Domingo has been seen as a serious Best Actor possibility since Rustin was announced. The biopic has premiered in Telluride prior to its November 3rd limited theatrical release and November 17th Netflix streaming start. George C. Wolfe, in his follow-up to Ma Rainey’s Black Bottom, directs with a supporting cast including Chris Rock, Glynn Turman, Ami Ameen, CCH Pounder, Michael Potts, Jeffrey Wright, and Audra McDonald.
Festival reviews indicate Domingo should find himself among the lead Actor quintet and that’s even with the already considerable competition (it’s going to be tricky to figure out who gets snubbed). The pic itself sits at 100% on Rotten Tomatoes.
It will be interesting to see Netflix’s campaign. They’re sure to go all in on Bradley Cooper’s Maestro and their BP blitz for Rustin could be more muted. There’s certainly the chance that Domingo represents its only nod (though Lenny Kravitz has a track called “Road to Freedom” that could make it). If the love extends to supporting, perhaps Turman contends. I’m skeptical about that. As for Domingo, it sure seems like the voters will go his way for a spot. My Oscar Prediction posts will continue…
One of the most surprising 21st century Best Actor snubs at the Oscars was Paul Giamatti being left out in 2004 for Alexander Payne’s Sideways. The movie itself nabbed five nominations – Picture, Director, Supporting Actress (Virginia Madsen), Supporting Actor (Thomas Haden Church), and a win for its Adapted Screenplay. Somehow its star couldn’t make his final five.
Giamatti would receive his one and only nom in Supporting Actor the following year with Cinderella Man. Nearly two decades after the Sideways omission, his latest collaboration with Payne could get him the second and first in lead. Dramedy The Holdovers has premiered at Telluride prior to an October 27th limited release and November 10th wide bow.
Early reviews are hailing it as a return to form for Payne (100% right now on RT). His previous effort Downsizing in 2017 underwhelmed critics and crowds. It could be his fourth Best Picture nominee after Sideways, The Descendants, and Nebraska and if he gets in for his direction, that would also be #4. The original screenplay by David Hemingson seems like a shoo-in.
Could Giamatti miss again? Sure. We already have major contenders such as Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Bradley Cooper (Maestro), and Barry Keoghan (Saltburn). Those are just the pics that have already screened. I’d look for Focus Features to make a strong push. They’ll do the same for his costars Da’vine Joy Randolph and newbie Dominic Sessa in their supporting fields. The former probably has the best shot, but don’t discount Sessa. My Oscar Prediction posts will continue…
A decade after his 2012 pic A Royal Affair received a Foreign Language Film nomination at the Oscars, director Nikolaj Arcel’s latest The Promised Land hopes to do the same. The 18th century set epic is a co-production between Denmark, Sweden, and Germany. It’s worth noting that Denmark submitted Affair for consideration. Mads Mikkelsen stars.
Land premiered at the Venice Film Festival and early reviews are of the mixed variety with 71% on Rotten Tomatoes. The film will move to Toronto for more exposure next week. However, initial reaction indicates it could face tricky odds to break into International Feature Film. My Oscar Prediction posts will continue…
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