The Ethan Hunt Files – Mission: Impossible II

Over two years ago on this here blog, when it was in its infancy, I did the 007 Files where I wrote individualized blog posts on all 23 Bond flicks. That got me thinking about other series I could do the same with and in January 2013, I started The Ethan Hunt Files and wrote about the first Mission: Impossible pic from 1996.

https://toddmthatcher.com/2013/01/31/the-ethan-hunt-files-mission-impossible/

I had every intention of writing about the other three in short order. For whatever reason I did not follow up. With the fifth M:I picture Rogue Nation debuting in July, I decided it was time to resume this series of posts and we continue with Mission: Impossible II from the summer of 2000…

And what an interesting film it is, especially considering the franchise entries that preceded it and followed it. M:I II stands out as the strangest pic in the series and the one that fits in least with the rest. Two words explain the main reason for this: John Woo. The acclaimed action director took over directing duties from Brian De Palma for the second picture and didn’t have an ounce of hesitation about turning it into a bonafide Woo affair with all the slow motion shots, quick cuts, and (yes) doves that come along with it. There are certainly some similarities to the original – foremost of which is the continuation and multiplication of those fancy face masks.

Unlike Mission 1, here we have Tom Cruise’s Ethan in a romantic relationship with the gorgeous Nyah (Thandie Newton), a jewel thief who is the ex of Sean Ambrose (Dougray Scott), an IMF agent gone bad who Ethan is after. Ambrose has stolen a nasty virus called Chimera, as well as its antidote, in an effort to make billions on the pharmaceutical market. Nyah is enlisted to get back in the good graces of her evil ex to get information, but not before she falls in love with Ethan first. They do so during a car chase in which Ethan nearly kills her, then kisses her. It happens.

Ethan is given his mission by the new head of IMF, played by Anthony Hopkins in what is essentially a glorified cameo. Our hero is conflicted by sending Nyah into such a dangerous mission. This all might’ve worked a bit better if the chemistry between Cruise and Newton felt authentic. We simply have zero investment in their romance and by the time Nyah bravely infects herself with the virus, you don’t really mind if Chimera wins. And a lot of the film could have been improved if Scott’s performance as our head villain wasn’t so utterly unremarkable. Some may know that M:I II’s production went into overtime and it forced Dougray Scott to be dropped from playing Wolverine in that same summer’s X-Men. An unknown actor named Hugh Jackman stepped in at the last minute. This is a good thing and Scott went from the next potential Wolverine to that dull M:I II villain that kinda looks like Ewan McGregor.

Ving Rhames returns as Luther, Ethan’s fellow agent who excels in counting down the clock as Hunt performs those impossible stunts. Rade Serbedvija gives a somewhat delightfully off kilter performance as the doctor who created Chimera and Brendan Gleeson is the nefarious owner of the corporation exploiting the virus for financial gain.

The De Palma Mission was a rock solid spy thriller anchored by three first rate action centerpieces: the aquarium sequence, the Langley infiltration and the train finale. In part two, there’s the bio chem lab sequence and the motorcycle chase finale that are front and center.

Neither are as memorable as anything from the previous effort. There’s also the Cruise rock climbing business in the beginning which basically exists so its stunt loving star can look cool rock climbing.

In hindsight, M:I II is easily the weakest link of this franchise. It doesn’t much feel like a Mission feature anymore as much as a John Woo movie with Ethan Hunt in it. Acclaimed screenwriter Robert Towne (who cowrote the first) has sole credit here and a hefty portion of the dialogue, particularly Newton’s, is a bit cringe worthy. Mission: Impossible II has enough fairly cool action to satisfy your average teenage boy, but it pales next to the rest of the Missions. And there’s no excuse for Limp Bizkit reworking that classic TV series theme either.

So while its reputation has deservedly soured in recent times, that didn’t stop part two from becoming a huge global success and earning over half a billion worldwide. It also was the highest domestic grosser of summer 2000 and virtually guaranteed a third go round for Hunt and his IMF team.

Here are the facts:

Film: Mission: Impossible II

U.S. Release Date: May 24, 2000

Director: John Woo

Screenplay: Robert Towne

Budget: $125 million

Worldwide Box Office: $546.3 million

The Ethan Hunt files will return with Mission: Impossible III

Todd’s 15 Most Anticipated 2015 Summer Movies: Nos. 5-1

We’ve arrived at my top five most anticipated 2015 Summer Movies, set to start rolling out in about three weeks through the end of August. If you missed my first two posts covering numbers 15-6, have no fear, just click here:

https://toddmthatcher.com/2015/04/09/todds-15-most-anticipated-2015-summer-movies-nos-15-11/

https://toddmthatcher.com/2015/04/10/todds-15-most-anticipated-2015-summer-movies-nos-10-6/

This brings us to the heavy hitters on my list of must-see flicks for the season.

And away we go:

5. Mad Max: Fury Road

Release Date: May 15

As mentioned in my first post, this July’s Terminator: Genisys didn’t make my top 15 cut because of what I consider its blah trailer. Mad Max: Fury Road represents the opposite. It looks flat out awesome as director George Miller reboots the series some 35 years after the first Mad Max with Mel Gibson. Tom Hardy steps into the title role with Charlize Theron costarring.

4. Mission: Impossible – Rogue Nation

Release Date: July 31

Pushed up from its original December release date, Tom Cruise’s fifth Mission pic brings in his Jack Reacher director Christopher McQuarrie. Series regulars Ving Rhames, Jeremy Renner, and Simon Pegg are back and joined by Alec Baldwin. 2011’s Ghost Protocol was a high point for the franchise and let’s hope this keeps it going.

3. Jurassic World

Release Date: June 12

The famed dino franchise begun by Spielberg gets a reboot with director Colin Trevorrow taking over and Star Lord himself Chris Pratt and Bryce Dallas Howard headlining. The trailer has me ready to return to that dastardly park immediately.

2. Tomorrowland

Release Date: May 22

Disney has enlisted their Incredibles director Brad Bird (he also directed the aforementioned Mission: Impossible – Ghost Protocol) for this live-action tale featuring George Clooney, Britt Robertson, and Hugh Laurie. The plot is being kept under wraps, but the trailer suggests a visual feast. With Bird behind the camera, expect something special.

1. Avengers: Age of Ultron

Release Date: May 1

The first picture of the summer is my most awaited and is certainly poised to be the season’s highest earner. Three years after teaming Iron Man, Captain America, Hulk, Thor, Black Widow, Hawkeye and more – Joss Whedon is back again directing Marvel’s superhero team in the breathlessly awaited sequel to the second highest grossing domestic earner of all time. James Spader voices the title character villain. Don’t be surprised if this has the largest opening weekend in box office history – beating out, yes, The Avengers.

And that’ll do it, friends! I hope my list assists you with your popcorn viewing pleasure coming very soon…

Top 25 Highest Grossing Actors of All Time: Nos. 10-6

We have arrived at the Top Ten in my list of the Top 25 Highest Grossing Actors of All Time this evening. If you missed my first three parts covering numbers 25-11, you can find them here and here and here:

https://toddmthatcher.com/2014/08/09/top-25-highest-grossing-actors-of-all-time-nos-25-21/

https://toddmthatcher.com/2014/08/10/top-25-highest-grossing-actors-of-all-time-nos-20-16/

https://toddmthatcher.com/2014/08/12/top-25-highest-grossing-actors-of-all-time-nos-15-11/

Onto the top ten with the final five coming tomorrow:

10. Robert Downey, Jr.

Career Earnings: $3 billion

Franchises: The Iron Man, Sherlock Holmes, and Avengers series

Highest Grossing Picture: The Avengers – $623 million

Number of $100M+ Earners: 8. Iron Man, Tropic Thunder, Sherlock Holmes, Iron Man 2, Due Date, Sherlock Holmes: A Game of Shadows, The Avengers, Iron Man 3.

Lowest Grossing Picture: Hugo Pool – $13,000

9. Johnny Depp

Career Earnings: $3 billion

Franchises: The Pirates of the Caribbean series

Highest Grossing Picture: Pirates of the Caribbean: Dead Man’s Chest – $423 million

Number of $100M+ Earners: 8. Sleepy Hollow, Pirates of the Caribbean: The Curse of the Black Pearl, Charlie and the Chocolate Factory, Pirates of the Caribbean: Dead Man’s Chest, Pirates of the Caribbean: At World’s End, Alice in Wonderland, Rango, Pirates of the Caribbean: On Stranger Tides.

Lowest Grossing Picture: Arizona Dream – $112,000

8. Robin Williams

Career Earnings: $3.1 billion

Franchises: The Night at the Museum and Happy Feet series

Highest Grossing Picture: Night at the Museum – $250 million

Number of $100M+ Earners: 13. Good Morning, Vietnam, Hook, Aladdin, Mrs. Doubtfire, Jumanji, The Birdcage, Good Will Hunting, Patch Adams, Robots, Happy Feet, Night at the Museum, Night at the Museum: Battle of the Smithsonian, Lee Daniels’ The Butler.

Lowest Grossing Picture: The Secret Agent – $106,000

7. Bruce Willis

Career Earnings: $3.1 billion

Franchises: The Die Hard, Look Who’s Talking, The Expendables, and Red series. Mr. Willis also appeared in the sequel G.I. Joe: Retaliation.

Highest Grossing Picture: The Sixth Sense – $293 million

Number of $100M+ Earners: 10. Look Who’s Talking, Die Hard 2: Die Harder, Pulp Fiction, Die Hard with a Vengeance, Armageddon, The Sixth Sense, Over the Hedge, Live Free or Die Hard, The Expendables, G.I. Joe: Retaliation.

Lowest Grossing Picture: Lay the Favorite – $20,000

6. Tom Cruise

Career Earnings: $3.3 billion

Franchises: The Mission: Impossible series

Highest Grossing Picture: War of the Worlds – $234 million

Number of $100M+ Earners: 17. Top Gun, Rain Man, A Few Good Men, The Firm, Interview with the Vampire, Mission: Impossible, Jerry Maguire, Mission: Impossible II, Vanilla Sky, Minority Report, The Last Samurai, Collateral, War of the Worlds, Mission: Impossible III, Tropic Thunder, Mission Impossible: Ghost Protocol, Edge of Tomorrow.

Lowest Grossing Picture: Losin’ It – $1 million

Top Five coming tomorrow, everyone!

Edge of Tomorrow Movie Review

Over the past decade, Tom Cruise has concentrated mostly on sci-fi and action B movies in between the occasional Mission: Impossible franchise pic. Edge of Tomorrow resides on the higher end of the spectrum as far as quality. It does so mostly by featuring an aspect of Cruise that many of his latest films have not – the guy’s got a sense of humor and can use it well.

Tomorrow‘s plot is explained mostly by CNN anchors as the movie opens. An alien race called Mimics have wreaked havoc all over the world and Cruise’s character Major William Cage has the cushy position of explaining how things are going to talking heads on TV. He’s never actually seen battle and that’s perfectly OK with him. That is until he’s summoned by a general (Brendan Gleeson) to cover a real battle up close and when Cage refuses, he’s stripped of his rank and forced to actually fight in it.

This leads to a situation where Cage’s character is killed (no spoiler here) and the aliens blood is splattered on him. And that creates the Groundhog Day situation where he wakes up everyday on that battle morning until he figures out a way to prevail and eliminate the alien race. Emily Blunt is cast as a super soldier who is the only one that understands Cage’s unique predicament. If this all sounds a bit silly – I suppose it is. However, screenwriters Christopher McQuarrie, Jez Butterworth, and John-Henry Butterworth do a remarkable job at making this all make sense.

Most importantly, Cruise succeeds at bringing a sense of fun for most of Edge‘s running time. The script allows Cruise and Blunt to have some humorous interplay, particularly because its up to Blunt to “kill” him every time he screws up… which is often. Edge of Tomorrow doesn’t take itself too seriously for about two-thirds of its length. It’s only in the last act that it becomes humorless and therefore a more conventional and run-of-the-mill alien invasion flick.

Bill Paxton seems to be having a good time as a squadron leader and Noah Taylor turns up as a scientist who must explain important plot points to Cruise – just as he did over 12 years ago in Vanilla Sky. Blunt is certainly cast against type but she makes the most of her butt kicking role. Doug Liman’s direction is sturdy as you’d expect and The Bourne Identity director knows his well around an action sequence.

The so-so final act aside, Edge of Tomorrow stood out to me because Cruise seems to having more fun that he has in awhile. I would put it ahead of his latest lackluster fare such as Jack Reacher and Oblivion. If you’re looking for a decent summer popcorn watching experience, this fits the bill.

*** (out of four)

Box Office Predictions: June 6-8

The June box office kicks off Friday with The Fault in Our Stars, the adaptation of John Green’s huge bestselling YA novel and the Tom Cruise sci-fi thriller Edge of Tomorrow. You can find my detailed prediction posts on each here:

https://toddmthatcher.com/2014/06/01/the-fault-in-our-stars-box-office-prediction/

https://toddmthatcher.com/2014/06/01/edge-of-tomorrow-box-office-prediction/

As you can see, I’m predicting big things for Fault and less than stellar results for Tomorrow. Truth be told, my estimates seem a bit higher than some on Fault and lower than others on Tomorrow. We shall see how it plays out and there’s the factor of Maleficent‘s second weekend. If my predictions don’t pan out, we could see a very real race between all three for the #1 spot, even though I’m saying it won’t happen.

The rest of the top five should be rounded out by holdovers X-Men: Days of Future Past and box office dud A Million Ways to Die in the West.

Here’s how I think it’ll play out:

1. The Fault in Our Stars

Predicted Gross: $43.1 million

2. Maleficent

Predicted Gross: $34 million (representing a drop of 51%)

3. Edge of Tomorrow

Predicted Gross: $23.7 million

4. X-Men: Days of Future Past

Predicted Gross: $14.9 million (representing a drop of 54%)

5. A Million Ways to Die in the West

Predicted Gross: $7.1 million (representing a drop of 57%)

Box Office Results (May 30-June 1)

Disney got Maleficent off to a rock solid start with Maleficent, which grossed $69.4 million in its debut – just ahead of my $66.2M projection. This marked the highest live-action opening ever for star Angelina Jolie.

In second was X-Men: Days of Future Past, which dropped further than I anticipated in weekend #2 with $32.5 million compared to my $37.1M estimate. While it’s doing well, Future will not reach the level of the highest grosser in the franchise The Last Stand from 2006.

The news was not good for Seth MacFarlane as his A Million Ways to Die in the West tanked with $16.7 million – less than half of my generous $33.6M prediction. Negative reviews likely contributed to the disastrous opening and West‘s entire domestic take should be less than what MacFarlane’s Ted made in its first weekend. Ouch.

Holdovers populated the remainder of top five with Godzilla in fourth at $12 million (below my $14.2M estimate) and Blended in fifth with $8.1 million (below my $9.6M projection).

That’s all for now friends!

Edge of Tomorrow Box Office Prediction

Described as sort of a sci-fi Groundhog Day, Tom Cruise headlines Edge of Tomorrow opening Friday and its release is a big box office question mark for Warner Bros. Directed by Bourne Identity and Mr. and Mrs. Smith‘s Doug Liman and costarring Emily Blunt and Bill Paxton, Tomorrow comes with a reported price tag of nearly $180 million dollars.

My suspicion is that it will need to do very well overseas to recoup its considerable budget. In its favor, Tomorrow is garnering rock solid reviews with a current 95% rating on Rotten Tomatoes. However, it has plenty going against it. Cruise is not the box office force he once was and only the fourth Mission: Impossible surpassed $100M in the last five years. While this would seem to be a picture that women may join their husbands for, they might be attending The Fault in Our Stars (or Maleficent) instead. Additionally, I feel the marketing campaign hasn’t done a great job of showing what Tomorrow is really about – other than being an expensive looking sci-fi flick.

In April of 2013, Cruise’s Oblivion got off to a promising $37 million start before its eventual $89 million domestic take. It’s certainly possible that Edge of Tomorrow could reach that number, but I’m skeptical. I feel it will likely open at around the quarter century mark and not reach $100M stateside when all is said and done.

Edge of Tomorrow opening weekend prediction: $23.7 million

For my The Fault in Our Stars prediction, click here:

https://toddmthatcher.com/2014/06/01/the-fault-in-our-stars-box-office-prediction/

This Day in Movie History: January 13

25 years ago Today in Movie History – January 13 – Barry Levinson’s Rain Man would spend its third out of five weeks in the #1 spot. The drama about long-lost brothers – one an autistic savant, one a hotshot yuppie – starred Dustin Hoffman and Tom Cruise. Rain Man would greatly capture the attention of audiences and critics. It would win Oscars for Best Picture, Director, and Actor for Hoffman, earning his second statue after 1979’s Kramer vs. Kramer. Rain Man would end up being the highest grossing picture of 1988 with $172 million domestically.

As for birthdays, two actors known for their appearances in film franchises celebrate today. Orlando Bloom is 37. He’s starred in some of highest-grossing pictures this century due to his involvement in the Pirates of the Caribbean, Lord of the Rings, and Hobbit series. Other notable film appearances include Black Hawk Down, Troy, Kingdom of Heaven, and Elizabethtown.

Liam Hemsworth is 24 today. He is most known for playing Gale Hawthorne in the enormous Hunger Games franchise that will continue through 2015. He also appeared in The Expendables 2 and last year’s box office bomb Paranoia.

As for Six Degrees of Separation between Mr. Bloom and Mr. Hemsworth:

Orlando Bloom was in the Pirates of the Caribbean films with Johnny Depp

Johnny Depp was in Public Enemies with Christian Bale

Christian Bale was in American Hustle with Jennifer Lawrence

Jennifer Lawrence is in The Hunger Games films with Liam Hemsworth

And that’s today – January 13 – in Movie History!

This Day in Movie History: December 24

On this day in Movie History, otherwise known as Christmas Eve – Tom Cruise and Nicole Kidman tied the knot 23 years ago in 1990. Their union resulted in three motion pictures where the couple worked with the late Tony Scott (Days of Thunder), Ron Howard (Far and Away), and, of course, Stanley Kubrick (Eyes Wide Shut). The marriage would last until 2001. Cruise would go onto other high-profile relationships and Kidman would marry Keith Urban and win an Oscar for 2002’s The Hours (something her ex-husband has yet to do).

43 years ago today marked the debut of Disney’s animated The Aristocats, which is notable for being the last studio pic that Mr. Disney approved himself, prior to his 1966 death.

As for celebrity birthdays, we have Stephanie Meyer, author of the “Twilight” series that turned into a highly successful film franchise that ended just last year. We also have director Lee Daniels, who  broke out of the gate with 2009’s Oscar nominated Precious and had a hit this year with Lee Daniels’ The Butler.

As for the daily Six Degrees of Separation between birthday folks –

Stephanie Meyer wrote the Twilight series starring Kristen Stewart

Kristen Stewart was with Forest Whitaker in Panic Room

Forest Whitaker was the star of Lee Daniels’ The Butler

And there you have it – Christmas Eve in Movie History!

Oscar History: 2001

As far as film history, the year 2001 will most be remembered for the first installments of two billion dollar franchises, The Lord of the Rings and Harry Potter. Other than that, not much will be remembered about the year. It was an exceptionally weak year for movies.

This was reflected in a relatively unimpressive group of Best Picture nominees. Ron Howard’s good but not great A Beautiful Mind would take top prize against Robert Altman’s Gosford Park, Todd Field’s In the Bedroom, and Baz Luhrmann’s Moulin Rouge. The other nominee: Peter Jackson’s Lord of the Rings: The Fellowship of the Ring, which began a three-year streak of the franchise’s entry being nominated.

I’ve always felt Fellowship was the best of the trilogy and I certainly would’ve had no problem with it winning over Mind. The Academy decided against some edgier material, such as David Lynch’s critically lauded Mulholland Drive and Chris Nolan’s twisty thriller Memento.

Ron Howard took Best Director over Altman and Jackson. Lynch would be nominated here for Mulholland, as well as Ridley Scott for Black Hawk Down. Field and Luhrmann were the two auteurs whose Picture was nominated left out. Certainly, I would’ve reserved a slot for Nolan for his work in Memento.

Denzel Washington would earn his first Best Actor prize for Training Day (he won Supporting Actor for Glory in 1989). Other nominees: previous year’s winner Russell Crowe for Mind, Sean Penn for I Am Sam, Will Smith as Ali, and Tom Wilkinson for In the Bedroom.

I would have considered Johnny Depp for his performance in Blow or Billy Bob Thornton in Monster’s Ball. Keeping with the Memento kick, how about Guy Pearce for his challenging lead role? And if you’ve read my previous Oscar History posts, you’ll notice I usually advocate for comedic performances, which the Academy typically ignores. So how about a shout-out to Ben Stiller for his hilarious turn as Derek Zoolander?

Oscar history would be made as Halle Berry became the first African-American to win Best Actress for Monster’s Ball. It would also be the first year where both the Actor and Actress prizes went to African-Americans. Other nominees: Judi Dench in Iris, Nicole Kidman in Moulin Rouge, Sissy Spacek for In the Bedroom, and Renee Zellwegger for Bridget Jones Diary. Other performances worthy of consideration: Naomi Watts in Mulholland Drive and Audrey Tautou in Amelie.

Jim Broadbent was a surprise Supporting Actor winner for Iris, beating out favorites Ben Kingsley in Sexy Beast and Ian McKellen in Lord of the Rings. Other nominees: Ethan Hawke for Training Day and Jon Voight in Ali.

Steve Buscemi in Ghost World and Gene Hackman in The Royal Tenenbaums were worthy nominees. And here’s a totally outside-the-box selection from me: Bruce Davison’s wonderful performance as Kirsten Dunst’s dad in the romantic drama Crazy/Beautiful, a greatly underrated film.

Jennifer Connelly would win Supporting Actress for A Beautiful Mind. Other nominees: Helen Mirren and Maggie Smith (both for Gosford Park), Marisa Tomei for In the Bedroom, and Kate Winslet for Iris.

I probably would have found room for Cameron Diaz’s effective performance as Tom Cruise’s jilted lover in Vanilla Sky.

So, all in all, other than some historical Actor and Actress winners, 2001 was a pretty blah year for the Academy. A Beautiful Mind is a solid flick, but definitely one of the least memorable Best Picture winners of recent years, as I see it.

Jack Reacher Movie Review

A list actor Tom Cruise dives into B pulp movie territory with Christopher McQuarrie’s Jack Reacher, a film with style to spare but plenty of flaws to go along with it.

Reacher is based on a series of novels by Lee Child, which I’ve never read. Apparently the character in the novel is 6’5″, which is a bit of a stretch for Tommy boy who is like 4’3″ in real life (give or take). When a group of five random people are gunned down by a sniper in Pittsburgh, the arrested perp instructs defense attorney Helen (Rosemund Pike) to “get Jack Reacher”. Turns out Reacher is an ex-military cop who has a history with the arrested party and doesn’t believe the shooting massacre is as open and shut as the evidence suggests.

The picture follows Cruise along on his investigation to get to the truth. Per usual, no one can be trusted, from the detective heading the case (David Oyelowo) to the district attorney (Richard Jenkins) who happens to be Helen’s dad. There’s also a shadowy character named The Zec (Werner Herzog), a Russian gangster and his band of thugs.

For a good portion of Reacher‘s running time, McQuarrie keeps us intrigued with his polished direction and often effective B movie dialogue. McQuarrie has some credibility in this field as the screenwriter of 1995’s B movie classic The Usual Suspects (he also co-wrote Cruise’s solid 2008 thriller Valkyrie).

However, the plot of Reacher ends up not being terribly engrossing. The character of The Zec is a truly fascinating one who is given virtually no screen time, but famed German director Herzog makes the most of his limited role. None of the other supporting performances are bad but they’re not memorable either. I had to rack my brain trying to remember what else I’d seen Rosemund Pike in. Turns out she was a Bond love interest in the worst 007 flick ever, Die Another Day. She didn’t leave much of an impression there and she doesn’t here either.

By the time Robert Duvall shows up as a grizzled old Ohio gun range owner who helps Jack out, I found myself reaching for my cell phone to check the time. Duvall’s role is ultimately kinda pointless and seems written in simply to reunite the stars of Days of Thunder.

This is Cruise’s show and he acquits himself nicely. While he may not resemble the character in the books, Cruise is first-rate and believable in the role. McQuarrie and Cruise hold our attention for quite a while, but Jack Reacher turns out not worthy of its bloated 130 minute running time. If you’re a Cruise fan, I’d recommend a view just to see something a little different from the star. Be prepared to be a little disappointed though, as I was.

**1/2 (out of four)