25 years ago Today in Movie History – January 13 – Barry Levinson’s Rain Man would spend its third out of five weeks in the #1 spot. The drama about long-lost brothers – one an autistic savant, one a hotshot yuppie – starred Dustin Hoffman and Tom Cruise. Rain Man would greatly capture the attention of audiences and critics. It would win Oscars for Best Picture, Director, and Actor for Hoffman, earning his second statue after 1979’s Kramer vs. Kramer. Rain Man would end up being the highest grossing picture of 1988 with $172 million domestically.
As for birthdays, two actors known for their appearances in film franchises celebrate today. Orlando Bloom is 37. He’s starred in some of highest-grossing pictures this century due to his involvement in the Pirates of the Caribbean, Lord of the Rings, and Hobbit series. Other notable film appearances include Black Hawk Down, Troy, Kingdom of Heaven, and Elizabethtown.
Liam Hemsworth is 24 today. He is most known for playing Gale Hawthorne in the enormous Hunger Games franchise that will continue through 2015. He also appeared in The Expendables 2 and last year’s box office bomb Paranoia.
As for Six Degrees of Separation between Mr. Bloom and Mr. Hemsworth:
Orlando Bloom was in the Pirates of the Caribbean films with Johnny Depp
Johnny Depp was in Public Enemies with Christian Bale
Christian Bale was in American Hustle with Jennifer Lawrence
Jennifer Lawrence is in The Hunger Games films with Liam Hemsworth
On this day in Movie History, otherwise known as Christmas Eve – Tom Cruise and Nicole Kidman tied the knot 23 years ago in 1990. Their union resulted in three motion pictures where the couple worked with the late Tony Scott (Days of Thunder), Ron Howard (Far and Away), and, of course, Stanley Kubrick (Eyes Wide Shut). The marriage would last until 2001. Cruise would go onto other high-profile relationships and Kidman would marry Keith Urban and win an Oscar for 2002’s The Hours (something her ex-husband has yet to do).
43 years ago today marked the debut of Disney’s animated The Aristocats, which is notable for being the last studio pic that Mr. Disney approved himself, prior to his 1966 death.
As for celebrity birthdays, we have Stephanie Meyer, author of the “Twilight” series that turned into a highly successful film franchise that ended just last year. We also have director Lee Daniels, who broke out of the gate with 2009’s Oscar nominated Precious and had a hit this year with Lee Daniels’ The Butler.
As for the daily Six Degrees of Separation between birthday folks –
Stephanie Meyer wrote the Twilight series starring Kristen Stewart
Kristen Stewart was with Forest Whitaker in Panic Room
Forest Whitaker was the star of Lee Daniels’ The Butler
And there you have it – Christmas Eve in Movie History!
As far as film history, the year 2001 will most be remembered for the first installments of two billion dollar franchises, The Lord of the Rings and Harry Potter. Other than that, not much will be remembered about the year. It was an exceptionally weak year for movies.
This was reflected in a relatively unimpressive group of Best Picture nominees. Ron Howard’s good but not great A Beautiful Mind would take top prize against Robert Altman’s Gosford Park, Todd Field’s In the Bedroom, and Baz Luhrmann’s Moulin Rouge. The other nominee: Peter Jackson’s Lord of the Rings: The Fellowship of the Ring, which began a three-year streak of the franchise’s entry being nominated.
I’ve always felt Fellowship was the best of the trilogy and I certainly would’ve had no problem with it winning over Mind. The Academy decided against some edgier material, such as David Lynch’s critically lauded Mulholland Drive and Chris Nolan’s twisty thriller Memento.
Ron Howard took Best Director over Altman and Jackson. Lynch would be nominated here for Mulholland, as well as Ridley Scott for Black Hawk Down. Field and Luhrmann were the two auteurs whose Picture was nominated left out. Certainly, I would’ve reserved a slot for Nolan for his work in Memento.
Denzel Washington would earn his first Best Actor prize for Training Day (he won Supporting Actor for Glory in 1989). Other nominees: previous year’s winner Russell Crowe for Mind, Sean Penn for I Am Sam, Will Smith as Ali, and Tom Wilkinson for In the Bedroom.
I would have considered Johnny Depp for his performance in Blow or Billy Bob Thornton in Monster’s Ball. Keeping with the Memento kick, how about Guy Pearce for his challenging lead role? And if you’ve read my previous Oscar History posts, you’ll notice I usually advocate for comedic performances, which the Academy typically ignores. So how about a shout-out to Ben Stiller for his hilarious turn as Derek Zoolander?
Oscar history would be made as Halle Berry became the first African-American to win Best Actress for Monster’s Ball. It would also be the first year where both the Actor and Actress prizes went to African-Americans. Other nominees: Judi Dench in Iris, Nicole Kidman in Moulin Rouge, Sissy Spacek for In the Bedroom, and Renee Zellwegger for Bridget Jones Diary. Other performances worthy of consideration: Naomi Watts in Mulholland Drive and Audrey Tautou in Amelie.
Jim Broadbent was a surprise Supporting Actor winner for Iris, beating out favorites Ben Kingsley in Sexy Beast and Ian McKellen in Lord of the Rings. Other nominees: Ethan Hawke for Training Day and Jon Voight in Ali.
Steve Buscemi in Ghost World and Gene Hackman in The Royal Tenenbaums were worthy nominees. And here’s a totally outside-the-box selection from me: Bruce Davison’s wonderful performance as Kirsten Dunst’s dad in the romantic drama Crazy/Beautiful, a greatly underrated film.
Jennifer Connelly would win Supporting Actress for A Beautiful Mind. Other nominees: Helen Mirren and Maggie Smith (both for Gosford Park), Marisa Tomei for In the Bedroom, and Kate Winslet for Iris.
I probably would have found room for Cameron Diaz’s effective performance as Tom Cruise’s jilted lover in Vanilla Sky.
So, all in all, other than some historical Actor and Actress winners, 2001 was a pretty blah year for the Academy. A Beautiful Mind is a solid flick, but definitely one of the least memorable Best Picture winners of recent years, as I see it.
A list actor Tom Cruise dives into B pulp movie territory with Christopher McQuarrie’s Jack Reacher, a film with style to spare but plenty of flaws to go along with it.
Reacher is based on a series of novels by Lee Child, which I’ve never read. Apparently the character in the novel is 6’5″, which is a bit of a stretch for Tommy boy who is like 4’3″ in real life (give or take). When a group of five random people are gunned down by a sniper in Pittsburgh, the arrested perp instructs defense attorney Helen (Rosemund Pike) to “get Jack Reacher”. Turns out Reacher is an ex-military cop who has a history with the arrested party and doesn’t believe the shooting massacre is as open and shut as the evidence suggests.
The picture follows Cruise along on his investigation to get to the truth. Per usual, no one can be trusted, from the detective heading the case (David Oyelowo) to the district attorney (Richard Jenkins) who happens to be Helen’s dad. There’s also a shadowy character named The Zec (Werner Herzog), a Russian gangster and his band of thugs.
For a good portion of Reacher‘s running time, McQuarrie keeps us intrigued with his polished direction and often effective B movie dialogue. McQuarrie has some credibility in this field as the screenwriter of 1995’s B movie classic The Usual Suspects (he also co-wrote Cruise’s solid 2008 thriller Valkyrie).
However, the plot of Reacher ends up not being terribly engrossing. The character of The Zec is a truly fascinating one who is given virtually no screen time, but famed German director Herzog makes the most of his limited role. None of the other supporting performances are bad but they’re not memorable either. I had to rack my brain trying to remember what else I’d seen Rosemund Pike in. Turns out she was a Bond love interest in the worst 007 flick ever, Die Another Day. She didn’t leave much of an impression there and she doesn’t here either.
By the time Robert Duvall shows up as a grizzled old Ohio gun range owner who helps Jack out, I found myself reaching for my cell phone to check the time. Duvall’s role is ultimately kinda pointless and seems written in simply to reunite the stars of Days of Thunder.
This is Cruise’s show and he acquits himself nicely. While he may not resemble the character in the books, Cruise is first-rate and believable in the role. McQuarrie and Cruise hold our attention for quite a while, but Jack Reacher turns out not worthy of its bloated 130 minute running time. If you’re a Cruise fan, I’d recommend a view just to see something a little different from the star. Be prepared to be a little disappointed though, as I was.
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