Oscars 2020: The Case of Gary Oldman

Gary Oldman (Mank) is the fourth thespian in my Case Of posts for the Best Actor Oscar contenders. If you missed the ones covering Riz Ahmed (Sound of Metal), Chadwick Boseman (Ma Rainey’s Black Bottom), and Anthony Hopkins (The Father), they’re here:

Oscars 2020: The Case of Riz Ahmed

Oscars 2020: The Case of Chadwick Boseman

Oscars 2020: The Case of Anthony Hopkins

The Case for Gary Oldman

He’s considered one of the finest actors working today and he found a plum role as Citizen Kane screenwriter Herman J. Mankiewicz in David Fincher’s Netflix pic. Oldman has found success in all the significant precursors garnering nods for this third Academy mention. His first came in 2011 for Tinker Tailor Soldier Spy and he won the gold three years ago for Darkest Hour.

The Case Against Gary Oldman

In 2017, Oldman was a strong favorite for months and it paid off in victory. This is not the case for 2020. While Mank received the most nominations, it missed in key races like Original Screenplay and Editing. None of the precursors nods have resulted in wins.

The Verdict

Oldman is firmly behind Boseman, Hopkins, and Ahmed as far as chances for winning and might even be fifth when you take Steven Yeun (Minari) into account.

My Case Of posts will continue with Oldman’s Mank costar Amanda Seyfried…

Oscar History: 2011

For the Academy Awards, 2011 will forever be known as the year when a French black and white silent film came out of nowhere to win three major categories, including Best Picture. That would be The Artist and it picked up momentum over its rivals, becoming one of the more unlikely recipients of the prize in some time.

During that year, the number of Picture nominees was nine and it beat out The Descendants, Extremely Loud and Incredibly Close, The Help, Hugo, Midnight in Paris, Moneyball, The Tree of Life, and War Horse. 

As for some others I may have considered, my favorite film of the year was Nicolas Winding Refn’s Drive. Another personal favorite: David Fincher’s The Girl with the Dragon Tattoo. Furthermore, the expanded list of nominees could have given the Academy a chance to nominate some of the better blockbusters that year: Rise of the Planet of the Apes or Mission: Impossible – Ghost Protocol for example.

The Artist‘s auteur Michel Hazanavicius would win Director over stellar competitors: Woody Allen (Midnight in Paris), Terrence Malick (The Tree of Life), Alexander Payne (The Descendants), and Martin Scorsese (Hugo). Again, Mr. Refn and Mr. Fincher would have made my cut.

The Artist love continued in Best Actor where Jean Dujardin took the prize over Demian Bichir (A Better Life), George Clooney (The Descendants), Gary Oldman in his first (??) nomination (Tinker Tailor Soldier Spy), and Brad Pitt (Moneyball).

I may have found room for Ryan Gosling’s silent but strong work in Drive or perhaps even Steve Carell in Crazy, Stupid, Love – in which he showed off real dramatic acting chops coupled with his comedic abilities for the first time.

Awards darling Meryl Streep took Best Actress for her portrayal of Margaret Thatcher (no relation) in The Iron Lady. Othern nominees: Glenn Close (Albert Nobbs), Viola Davis (The Help), Rooney Mara (The Girl with the Dragon Tattoo), and Michelle Williams (My Week with Marilyn).

The Academy’s penchant for ignoring comedy was shown here as Kristin Wiig should have merited consideration for her megahit Bridesmaids.

Beloved veteran Christopher Plummer won Supporting Actor for Beginners over Kenneth Branagh (My Week with Marilyn), Jonah Hill (Moneyball), Nick Nolte (Warrior), and Max Von Sydow (Extremely Loud and Incredibly Close).

Two others I may have made room for: Albert Brooks in Drive and especially the brilliant motion capture work of Andy Serkis in Rise of the Planet of the Apes.

Octavia Spencer was victorious in Supporting Actress for The Help over her costar Jessica Chastain, as well as Berenice Bejo (The Artist), Melissa McCarthy in the rare nod for comedy in Bridesmaids, and Janet McTeer (Albert Nobbs).

Two other comedic performances worthy of consideration: Rose Byrne in Bridesmaids and Jennifer Aniston’s scene stealing work in Horrible Bosses. I also would have found room for Shailene Woodley in The Descendants.

And that’s your Oscar history for 2011, folks! I’ll have 2012 up in the near future.