Warner Bros hopes audiences will take a look and then they’ll see pure dollar signs when Wonka opens December 15th. Timothee Chalamet takes over the iconic title role already filled by Gene Wilder in 1971 and Johnny Depp in 2015. The musical fantasy comes from Paul King, best known for Paddington and its sequel. Costars include Keegan-Michael Key, Paterson Joseph, Matt Lucas, Mathew Boynton, Sally Hawkins, Rowan Atkinson, Jim Carter, Tom Davis, Olivia Colman, and Hugh Grant.
An origin story about Roald Dahl’s eccentric chocolatier, the $125 million budgeted confection is generating mostly strong reviews at 85% on Rotten Tomatoes. Hoping to sell lots of golden tickets, it could experience small declines in the holiday weekends ahead.
That may mean its debut isn’t gigantic even though it could be solid. The rosiest out of the gate projections could be in the mid 40s to even $50 million. I’ll say it starts in the mid 30s but word-of-mouth and the time of year could propel it to impressive holds in the future.
Wonka hopes to score some sweet box office business when it debuts December 15th, but could awards voters take notice? Telling the origin story of Roald Dahl’s iconic chocolatier, Timothee Chalamet steps into the title role previously played by Gene Wilder in 1971 and Johnny Depp in 2005. Paul King, best known for making Paddington and its sequel, directs. The supporting cast includes Keegan-Michael Key, Paterson Joseph, Matt Lucas, Mathew Baynton, Sally Hawkins, Rowan Atkinson, Jim Carter, Tom Davis, Olivia Colman, and Hugh Grant as an Oompa-Loompa.
The review embargo is lifted and early results are solid with an 80% Rotten Tomatoes score. It is worth noting that it’s under both Gene Wilder’s classic (91%) and the 2005 remake (83%).
Wonka‘s best shot at Academy attention is in tech races (though don’t be surprised if Chalamet nabs a Golden Globe nod for Actor in a Musical/Comedy). It could score a Costume Design nomination like Charlie did 18 years ago. The best shot might lie in its Production Design though competition is fierce with contenders like Poor Things, Killers of the Flower Moon, Barbie, Oppenheimer, The Color Purple, Asteroid City, and Napoleon. There simply might not be enough room.
One last possibility is Original Song, particularly “A World Of Your Own” crooned by Chalamet. I haven’t had it my top ten in previous predictions, but it might show up there in the next update. My Oscar Prediction posts will continue…
We have reached 2017 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.
What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-16, they are linked at the bottom of the post.
There were nine nominees for 2017’s competition. If there were 5, we know Guillermo del Toro’s The Shape of Water would have made the quintet. It won BP along with Director, Original Score, and Production Design and received 13 nods total (easily the most of all).
Of the 8 remaining movies, here’s my thoughts on which half is in and which half and is out.
Call Me by Your Name
Luca Guadagnino’s coming-of-age romance was a critical darling that won Adapted Screenplay. It was also up for Actor (Timothee Chalamet) and Original Song. The Academy likely almost nominated Armie Hammer for Supporting Actor and are probably glad they snubbed him.
Does It Make the Final Five?
No, but I struggled with this call. An argument could be made with the Adapted Screenplay victory. However, none of the other four nominees in this category were BP nominees (extraordinarily rare). Call could’ve heard its name up, but I have it sixth or seventh.
Darkest Hour
Gary Oldman as Winston Churchill was a recipe for a Best Actor win and it was up for Production Design, Cinematography, Makeup and Hairstyling (another victory), and Costume Design.
Does It Make the Final Five?
No. Despite its admirable turn in the tech derbies, this was all about Oldman. The lack of directing, screenplay, and editing noms leave this out. This is the rare occurrence where I’m saying the Best Actor winner’s movie doesn’t get in the BP race.
Dunkirk
Christopher Nolan’s epic WWII tale earned 8 mentions (2nd behind Shape) and won 3 – both Sound races and Film Editing. Nolan also scored his first and only directing nod.
Does It Make the Final Five?
Yes. I don’t think it’s 100% considering other contenders, but this probably had enough support and was generally considered Nolan’s strongest awards pic in his filmography.
Get Out
Jordan Peele’s heralded horror flick was a box office smash. Its other three nominations were Director, Actor (Daniel Kaluuya), and Original Screenplay where it beat out Shape of Water.
Does It Make the Final Five?
Yes. Like Dunkirk, not a guarantee but that screenplay statue (over the BP recipient and two other contenders) make me think so.
Lady Bird
Greta Gerwig’s coming-of-age dramedy nabbed 5 inclusions with Director, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), and Original Screenplay.
Does It Make the Final Five?
Yes. Broken record… not a slam dunk considering it went 0 for 5. Yet it took the Golden Globe for Musical/Comedy (over Get Out) and was highly acclaimed.
Phantom Thread
Paul Thomas Anderson’s sartorial drama was an overachiever on nomination morning with six including Director, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Score, and Costume Design (the sole win).
Does It Make the Final Five?
No, but I was tempted. It really did perform better than anticipated. I could also see it just missing considering the competition. It might have been sixth.
The Post
Steven Spielberg’s Watergate era drama received only one other nom for Meryl Streep in Actress.
Does It Make the Final Five?
No and this is by far the easiest projection. Spielberg’s magic probably got it in the mix, but I suspect it was ninth.
Three Billboards Outside Ebbing, Missouri
A player in 7 categories, Martin McDonagh’s pic took home Actress (Frances McDormand) and Supporting Actor (Sam Rockwell). Woody Harrelson was also up for Supporting Actor in addition to Original Screenplay, Score, and Film Editing.
Does It Make the Final Five?
Yes, even with McDonagh missing Director. If for no other reason, I can’t imagine the four acting winners having none of their movies up. That would be the case if you left this off considering Oldman’s Darkest Hour and I, Tonya (where Allison Janney took Supporting Actress) not being in the nine.
If you weren’t keeping score, here’s my projected 2017 five:
MGM/UA hopes younger viewers are hungry for some cannibal love when Bones and All opens wide on Wednesday, November 23rd. Based on a 2015 novel by Camille DeAngelis, Taylor Russell and Timothee Chalamet headline the road flick from director Luca Guadagnino. Costars include Mark Rylance, Michael Stuhlbarg, Andre Holland, Chloe Sevigny, David Gordon Green, and Jessica Harper.
The subject matter could be a challenging one for holiday crowds though Chalamet has a rabid fanbase that could turn up. The Thanksgiving release (it’s out five screens November 18 before the expansion) is also the only holiday newbie geared toward teens and young adults. Strange World is for the kids while Devotion and The Fabelmans skew older. Reviews are pretty appetizing with an 89% Rotten Tomatoes score following its September debut at the Venice Film Festival.
With a reported count of around 2500 venues, I’ll say Bones gets to mid single digits for the three-day and for the five.
Bones and All opening weekend prediction: $3.5 million (Friday to Sunday); $5.3 million (Wednesday to Sunday)
Denis Villeneuve’s Dune arrives nearly three decades after David Lynch’s oft criticized version of Frank Herbert’s mid 60s sci-fi novel. It is source material that I’m frankly not familiar with so take that for what it’s worth. With the director of Arrival and Blade Runner 2049 at the controls, this is a technically masterful and consistently stunning looking experience. I also must admit that I didn’t get swept up in it no matter how amazing the desert landscapes appear (and do they ever).
Set 10,000 years in the future, the dense plot (as in often hard to follow) introduces us to the royal family of Caladan. Duke Leto (Oscar Isaac) is the leader of House Atreides, a land with a plentiful supply of water and bagpipes. His concubine is Lady Jessica (Rebecca Ferguson) who possesses the powers of Bene Gesserit, a sisterhood of mystical beings thought to bear children with God-like abilities. Their offspring is Paul (Timothee Chalamet). One problem: the Lady was supposed to have a girl who eventually delivers this story’s version of The One, but she skipped a step.
The Atreides are ordered by Empirical decree to take over Arrakis, a planet with hardly any water (I’m uncertain about bagpipes). However, it is the only land with spice and that substances serves many purposes. First, it gets you high and gives one visions that might play into the plot later. Most importantly, it fuels interstellar travel and is therefore an extraordinarily valuable commodity. It’s what Gollum would be droning on endlessly about if this were another epic adventure. House Harkonnen and their rotund ruler (Stellan Skarsgard), the current Arrakis deed holders, are not going to give up those property rights without a fight.
We sense where all this is heading due to Paul’s visions of Chani (Zendaya). She’s a native of Arrakis and their citizens called the Fremen have learned to use their planet’s sandy and almost unlivable terrain to their advantage. They will need to accept Paul as their captain and that development… will or won’t happen in part two. Yes, part one is a subtitle here. Like some Marvel products that preceded this, you may find yourself realizing that not a lot really happens in this origin tale by the time two and a half hours has lapsed.
I recognize this may sound like sacrilege to the book’s devotees. There is plenty to praise in this immensely gifted director’s adaptation. The cast is uniformly top notch from Chalamet on down (FYI – Zendaya is a part II kinda thing because her participation is limited). Ferguson is perhaps the standout in a sprawling ensemble that includes Josh Brolin (as a trusted Atreides warrior), Javier Bardem (as a Fremen warrior), and Charlotte Rampling as a Reverend Mother of the Bene Gesserit.
Dune worshipers forgive me. While I spent time marveling at the look and anticipating the unearthing of giant sandworms, I would put this behind Arrival and the Blade Runner follow-up without hesitation. Saying it feels like half a movie is easy criticism. That doesn’t mean it’s not true. It is tempting to recommend Dune based on spectacular work of composer Hans Zimmer and cinematographer Greig Fraser and the sound and visual effects artists. Yet I often found myself a bit shocked by my lack of awe in the story itself.
As the Toronto Film Festival draws to a close, we have some significant updates since I did my last predictions 11 days ago!
And you may notice that, for the first time, I’m including all categories covering feature films. It’s the initial peek at what pics I believe will lead the nominations. The answer is Babylon (11) followed closely by The Fabelmans (10) followed closely by Everything Everywhere All at Once (9).
I’ve also made the shift of whittling 25 BP picks down to 15 possibilities and the other big races from 15 to 10.
I will point out that some categories (particularly Original Song) are in their infancy as far as knowing the contenders.
One year ago, my projections in mid-September yielded eight of the eventual 10 BP nominees and 3 of the 5 Directing hopefuls. For Best Actress – it was 4 of 5 and 3 of 5 for Actor. For Supporting Actress – 2/5, but Supporting Actor (somehow) was 0 for 5.
Let’s talk changes:
In Best Picture, I’m putting Empire of Light back in and removing The Son. You’ll send a trend there as The Son drew divided reactions in Venice and Toronto. It could still contend in more races than just Hugh Jackman in Actor, but for now, I’ve got it nabbing that sole nod.
Todd Field (Tar) is in the directing quintet over Ruben Ostlund for Triangle of Sadness.
Surprisingly enough, Actress and Actor remain the same.
Kerry Condon (The Banshees of Inisherin) crashes the Supporting Actress party with Vanessa Kirby (The Son) dropping.
I’ve put Micheal Ward back in Supporting Actor (I elevated him to lead recently). He’s in the final five along with a bit of an upset selection in Barry Keoghan for The Banshees of Inisherin. Zen McGrath (The Son) and Woody Harrelson (Triangle of Sadness) fall out.
Original Screenplay remains the same but Glass Onion: A Knives Out Mystery is in Adapted Screenplay over (you guessed it) The Son.
You can peruse all the movement below and my inaugural take on the other derbies!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Whale (PR: 7) (+2)
6. Top Gun: Maverick (PR: 6) (E)
7. The Banshees of Inisherin (PR: 9) (+2)
8. Tar (PR: 8) (E)
9. Empire of Light (PR: 11) (+2)
10. Triangle of Sadness (PR: 10) (E)
Other Possibilities:
11. Decision to Leave (PR: 12) (+1)
12. She Said (PR: 13) (+1)
13. All Quiet on the Western Front (PR: Not Ranked)
14. Glass Onion: A Knives Out Mystery (PR: 20) (+6)
15. Elvis (PR: 15) (E)
Dropped Out:
The Son
Avatar: The Way of Water
White Noise
Bones and All
Armageddon Time
Till
Broker
Black Panther: Wakanda Forever
Living
Bardo
The Greatest Beer Run Ever
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tar (PR: 6) (+1)
Other Possibilities:
6. Park Chan-wook, Decision to Leave (PR: 7) (+1)
7. Ruben Ostlund, Triangle of Sadness (PR: 5) (-2)
8. Edward Berger, All Quiet on the Western Front (PR: Not Ranked)
9. Martin McDonagh, The Banshees of Inisherin (PR: 12) (+3)
10. Darren Aronofsky, The Whale (PR: 10) (E)
Dropped Out:
Florian Zeller, The Son
James Cameron, Avatar: The Way of Water
Sam Mendes, Empire of Light
Joseph Kosinski, Top Gun: Maverick
Noah Baumbach, White Noise
Baz Luhrmann, Elvis
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Margot Robbie, Babylon (PR: 3) (E)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 6) (E)
7. Jennifer Lawrence, Causeway (PR: 12) (+5)
8. Viola Davis, The Woman King (PR: 8) (E)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)
10. Florence Pugh, The Wonder (PR: 9) (-1)
Dropped Out:
Carey Mulligan, She Said
Emma Thompson, Good Luck to You, Leo Grande
Taylor Russell, Bones and All
Tang Wei, Decision to Leave
Jessica Chastain, The Good Nurse
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Austin Butler, Elvis (PR: 3) (+1)
3. Colin Farrell, The Banshees of Inisherin (PR: 4) (+1)
4. Hugh Jackman, The Son (PR: 2) (-2)
5. Bill Nighy, Living (PR: 5) (E)
Other Possibilities:
6. Diego Calva, Babylon (PR: 6) (E)
7. Tom Cruise, Top Gun: Maverick (PR: 10) (+3)
8. Song King-ho, Broker (PR: 7) (-1)
9. Adam Driver, White Noise (PR: 9) (E)
10. Jeremy Pope, The Inspection (PR: Not Ranked)
Dropped Out:
Micheal Ward, Empire of Light (moved to Supporting)
Timothee Chalamet, Bones and All
Paul Mescal, Aftersun
Gabriel LaBelle, The Fabelmans
Kelvin Harrison, Jr., Chevalier
Park Hae-il, Decision to Leave
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Claire Foy, Women Talking (PR: 4) (+2)
3. Jessie Buckley, Women Talking (PR: 2) (-1)
4. Kerry Condon, The Banshees of Inisherin (PR: 9) (+5)
5. Hong Chau, The Whale (PR: 5) (E)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 7) (+1)
7. Vanessa Kirby, The Son (PR: 3) (-4)
8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: Not Ranked)
9. Sadie Sink, The Whale (PR: 12) (+3)
10. Nina Hoss, Tar (PR: 15) (+5)
Dropped Out:
Laura Dern, The Son
Jean Smart, Babylon
Samantha Morton, She Said
Zoe Kazan, She Said
Dakota Johnson, Cha Cha Real Smooth
Dolly De Leon, Triangle of Sadness
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR: 2) (E)
3. Brendan Gleeson, The Banshees of Inisherin (PR: 4) (+1)
4. Micheal Ward, Empire of Light (PR: Not Ranked – moved from Best Actor)
5. Barry Keoghan, The Banshees of Inisherin (PR: Not Ranked)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 6) (E)
7. Ben Whishaw, Women Talking (PR: 7) (E)
8. Judd Hirsch, The Fabelmans (PR: 9) (+1)
9. Anthony Hopkins, Armageddon Time (PR: 8) (-1)
10. Woody Harrelson, Triangle of Sadness (PR: 5) (-5)
Dropped Out:
Zen McGrath, The Son
Tom Hanks, Elvis
Anthony Hopkins, The Son
Mark Strong, Tar
Seth Rogen, The Fabelmans
Ralph Fiennes, The Menu
Russell Crowe, The Greatest Beer Run Ever
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Babylon (PR: 5) (+1)
5. Triangle of Sadness (PR: 4) (-1)
Other Possibilities:
6. Tar (PR: 6) (E)
7. Decision to Leave (PR: 8) (+1)
8. Empire of Light (PR: 7) (-1)
9. Armageddon Time (PR: 9) (E)
10. Bros (PR: 11) (+1)
Dropped Out:
Broker
Aftersun
Cha Cha Real Smooth
Bardo
The Menu
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 2) (+1)
2. The Whale (PR: 3) (+1)
3. She Said (PR: 4) (+1)
4. White Noise (PR: 5) (+1)
5. Glass Onion: A Knives Out Mystery (PR: 9) (+4)
Other Possibilities:
6. The Son (PR: 1) (-5)
7. Living (PR: 8) (+1)
8. Top Gun: Maverick (PR: 6) (-2)
9. Bones and All (PR: 7) (-2)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Till
The Lost King
The Greatest Beer Run Ever
The Wonder
Elvis
The Good Nurse
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio
2. Turning Red
3. Strange World
4. Marcel the Shell with Shoes On
5. The Sea Beast
Other Possibilities:
6. Wendell and Wild
7. The Bad Guys
8. Lightyear
9. My Father’s Dragon
10. Apollo 10 1/2: A Space Age Childhood
Best International Feature Film
Predicted Nominees:
1. Decision to Leave
2. All Quiet on the Western Front
3. Close
4. Saint Omer
5. Holy Spider
Other Possibilities:
6. Bardo
7. RMN
8. RRR
9. Plan 75
10. Argentina, 1985
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed
2. Descendant
3. Navalny
4. Fire of Love
5. Last Flight Home
Other Possibilities:
6. The Territory
7. Moonage Daydream
8. Riotsville, U.S.A.
9. Good Night Oppy
10. All That Breathes
Best Cinematography
Predicted Nominees:
1. Babylon
2. Empire of Light
3. The Fabelmans
4. All Quiet on the Western Front
5. Top Gun: Maverick
Other Possibilities:
6. Bardo
7. Avatar: The Way of Water
8. The Banshees of Inisherin
9. The Whale
10. Everything Everywhere All at Once
Best Costume Design
Predicted Nominees:
1. Babylon
2. Elvis
3. Black Panther: Wakanda Forever
4. The Fabelmans
5. The Woman King
Other Possibilities:
6. Mrs. Harris Goes to Paris
7. Everything Everywhere All at Once
8. Three Thousand Years of Longing
9. The Northman
10. Corsage
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once
2. Babylon
3. Top Gun: Maverick
4. The Fabelmans
5. Women Talking
Other Possibilities:
6. Elvis
7. Tar
8. Glass Onion: A Knives Out Mystery
9. Triangle of Sadness
10. Decision to Leave
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale
2. Babylon
3. Elvis
4. The Batman
5. Everything Everywhere All at Once
Other Possibilities:
6. Black Panther: Wakanda Forever
7. Blonde
8. The Woman King
9. The Fabelmans
10. All Quiet on the Western Front
Best Original Score
Predicted Nominees:
1. Babylon
2. The Fabelmans
3. Empire of Light
4. Women Talking
5. Tar
Other Possibilities:
6. The Banshees of Inisherin
7. Top Gun: Maverick
8. Avatar: The Way of Water
9. The Batman
10. All Quiet on the Western Front
Best Original Song
1. “Hold My Hand” from Top Gun: Maverick
2. “Nobody Like U” from Turning Red
3. “This Is a Life” from Everything Everywhere All at Once
4. “Carolina” from Where the Crawdads Sing
5. “Applause” from Tell It Like a Woman
Other Possibilities:
6. “On My Way” from Marry Me
7. “Naatu Naatu” from RRR
8. “New Body Rhuma” from White Noise
9. “Good Tonight” from The Bad Guys
10. “Paper Airplanes” from A Jazzman’s Blues
Best Production Design
Predicted Nominees:
1. Babylon
2. The Fabelmans
3. Elvis
4. Avatar: The Way of Water
5. Empire of Light
Other Possibilities:
6. Black Panther: Wakanda Forever
7. Everything Everywhere All at Once
8. Bardo
9. Glass Onion: A Knives Out Mystery
10. The Batman
Best Sound
Predicted Nominees:
1. Top Gun: Maverick
2. Avatar: The Way of Water
3. Babylon
4. Elvis
5. The Batman
Other Possibilities:
6. Black Panther: Wakanda Forever
7. All Quiet on the Western Front
8. Everything Everywhere All at Once
9. Nope
10. The Fabelmans
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water
2. Top Gun: Maverick
3. The Batman
4. Everything Everywhere All at Once
5. Doctor Strange in the Multiverse of Madness
Other Possibilities:
6. Black Panther: Wakanda Forever
7. RRR
8. All Quiet on the Western Front
9. Guillermo del Toro’s Pinocchio
10. Nope
And that equates to this very first rundown of how many nominations I am projecting for each picture:
11 Nominations
Babylon
10 Nominations
The Fabelmans’
9 Nominations
Everything Everywhere All at Once
7 Nominations
Women Talking
6 Nominations
The Banshees of Inisherin, Empire of Light, Top Gun: Maverick
5 Nominations
Elvis, The Whale
4 Nominations
Tar
3 Nominations
Avatar: The Way of Water, The Batman
2 Nominations
All Quiet on the Western Front, Triangle of Sadness, Turning Red
1 Nomination
All the Beauty and the Bloodshed, Black Panther: Wakanda Forever, Close, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Holy Spider, Last Flight Home, Living, Marcel the Shell with Shoes On, Navalny, Saint Omer, The Sea Beast, She Said, The Son, Strange World, Tell It Like a Woman, Till, Where the Crawdads Sing, White Noise, The Woman King
Before 2017, the Golden Lion winner (the Venice Film Festival’s top prize) rarely lined up with movies that received Best Picture nominations at the Oscars. In fact, you would have had to go back to 2005 and Brokeback Mountain. Then from 2017-2020 – every nominee did (The Shape of Water, Roma, Joker, Nomadland). Last year’s Happening did not. So it stands to reason that the eyes of prognosticators were heavily trained on today’s ceremony.
The jury’s selection was a bit of a surprise with the documentary All the Beauty and the Bloodshed. Not because it wasn’t acclaimed… it absolutely was. It’s unexpected because this is the only the second doc to take Venice’s biggest award. And that dates back to 1946. My guess is that this won’t translate to an Academy BP nod, but there’s no question it helps Beauty look good in the eyes of Oscar’s documentary branch.
France’s Saint Omer took the Grand Jury Prize (essentially second place). It will hope to follow in the footsteps of last year’s victor The Hand of God, which made the final cut in International Feature Film. Like Bloodshed, it’s also playing in Toronto where it hopes to grow the buzz.
The Silver Lion (the equivalent of Best Director) was bestowed upon Luca Guadagnino for Bones and All. The horror romance garnered loud cheers from the Italian faithful. Taylor Russell, who co-stars with Timothee Chalamet, picked up the Marcello Mastroianni Award, which is for an emerging performer. Though the genre doesn’t lend itself well to Academy attention, I wouldn’t sleep on this picture.
Best Screenplay went to Martin McDonagh’s The Banshees of Inisherin, which made a splash with its premiere and established itself as a firm candidate for possibilities throughout the coming season. The Banshees appreciation also included Colin Farrell as Best Actor. This is significant considering he beat out heavy hitters like Brendan Fraser (The Whale) and Hugh Jackman (The Son).
Finally, Cate Blanchett rather predictably took Best Actress for TAR. Get used to seeing her name at every awards show from now until the early months of 2023.
And there you have it! As a side note, I’m deep into screenings at Toronto. I’m trying to post as much as possible with any breaks I have, but that’s quite a challenge (anyone who’s attended a film festival will get it). Don’t get me wrong – I’m not complaining. This is my first TIFF and I’m continuously pinching myself. It’s not everyday you see Daniel Craig, Jennifer Lawrence, Billy Eichner, Judd Apatow, Paul Raci, Finn Wolfhard, and Sterling K. Brown within a 24 hour period. I’ll report back soon on all the happenings of awards season!
As I always say at the beginning of September on this blog – what a difference a few days makes as Venice is at its midpoint and Telluride occurred over the holiday weekend. The Toronto Film Festival begins Thursday. For the first time, I am thrilled to announce that I will be in attendance and have screenings scheduled for several potential heavy hitters! They include The Fabelmans, The Son, The Whale, Women Talking, The Banshees of Inisherin, Triangle of Sadness, Empire of Light, The Menu, The Wonder, Bros, The Greatest Beer Run Ever, and The Good Nurse.
The fall festivals always cause the fortunes of certain pictures to rise and fall. Alejandro Gonzalez Inarritu’s Bardo received mixed reviews out of Lido and it has dropped out of my predictions in Picture, Director, Actor (Daniel Gimenez Cacho), and Supporting Actress (Griselda Sicillani). On the other hand, Sarah Polley’s Women Talking looks to have solidified its position as a BP hopeful while Claire Foy and Jessie Buckley appear to be the two likeliest nominees from its ensemble. Cate Blanchett (Tar) and Brendan Fraser (The Whale) have positioned themselves as surefire nominees and potential winners in the lead acting derbies. Tar itself improved its standing in Picture, Director, and Original Screenplay. Empire of Light is no slam dunk for BP, but it’s in the mix and Olivia Colman seems solid in Actress. The Banshees of Inisherin may be Fox Searchlight’s better hope over Empire. It drew a rapturous Venice reaction today and has vaulted into Picture, Actor, Supporting Actor, and Original Screenplay on my chart. Bones and All, despite some gushing reviews, could face challenges to fit into the BP race. Don’t Worry Darling, due to some middling write-ups, is probably toast.
Of course, we know that festivals are not the end all and be all for final verdicts. For example, Armageddon Time from James Gray seemed DOA after a so-so Cannes bow in the summer. Yet when it played Telluride over the weekend, the buzz was stronger. It’s awards heart is beating again – even if faintly.
This will probably be my last update for two weeks as I’ll be a Canadian for a few days. You can bet you’ll see lots of other individual Oscar prediction posts as well as reviews of the aforementioned pictures. When I update in a couple of weeks, I’m anticipating branching out to all races covering feature films. Until then, you can peruse all the movement (and there is definitely a lot of it) below!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 6) (+2)
5. The Son (PR: 5) (E)
6. Top Gun: Maverick (PR: 10) (+4)
7. The Whale (PR: 8) (+1)
8. Tar (PR: 11) (+3)
9. The Banshees of Inisherin (PR: 18) (+9)
10. Triangle of Sadness (PR: 9) (-1)
Other Possibilities:
11. Empire of Light (PR: 7) (-4)
12. Decision to Leave (PR: 12) (E)
13. She Said (PR: 14) (+1)
14. Avatar: The Way of Water (PR: 16) (+2)
15. Elvis (PR: 15) (E)
16. White Noise (PR: 13) (-3)
17. Bones and All (PR: 22) (+5)
18. Armageddon Time (PR: Not Ranked)
19. Till (PR: 20) (+1)
20. Glass Onion: A Knives Out Mystery (PR: 23) (+3)
21. Broker (PR: 17) (-4)
22. Black Panther: Wakanda Forever (PR: 19) (-3)
23. Living (PR: 25) (+2)
24. Bardo (PR: 4) (-20)
25. The Greatest Beer Run Ever (PR: 24) (-1)
Dropped Out:
The Menu
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Sarah Polley, Women Talking (PR: 6) (+2)
5. Ruben Ostlund, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Todd Field, Tar (PR: 11) (+5)
7. Park Chan-wook, Decision to Leave (PR: 8) (+1)
8. Florian Zeller, The Son (PR: 9) (+1)
9. James Cameron, Avatar: The Way of Water (PR: 12) (+3)
10. Darren Aronofsky, The Whale (PR: 10) (E)
11. Sam Mendes, Empire of Light (PR: 7) (-4)
12. Martin McDonagh, The Banshees of Inisherin (PR: Not Ranked)
13. Joseph Kosinski, Top Gun: Maverick (PR: Not Ranked)
14. Noah Baumbach, White Noise (PR: 13) (-1)
15. Baz Luhrmann, Elvis (PR: 14) (-1)
Dropped Out:
Alejandro Gonzalez Inarritu, Bardo
Maria Schrader, She Said
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Margot Robbie, Babylon (PR: 3) (E)
4. Olivia Colman, Empire of Light (PR: 4) (E)
5. Danielle Deadwyler, Till (PR: 5) (E)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 6) (E)
7. Naomi Ackie, I Wanna Dance with Somebody (PR: 8) (+1)
8. Viola Davis, The Woman King (PR: 7) (-1)
9. Florence Pugh, The Wonder (PR: 12) (+3)
10. Carey Mulligan, She Said (PR: 10) (E)
11. Emma Thompson, Good Luck to You, Leo Grande (PR: Not Ranked)
12. Jennifer Lawrence, Causeway (PR: Not Ranked)
13. Taylor Russell, Bones and All (PR: Not Ranked)
14. Tang Wei, Decision to Leave (PR: 12) (-2)
15. Jessica Chastain, The Good Nurse (PR: 15) (E)
Dropped Out:
Regina King, Shirley (moved to 2023)
Frances McDormand, Women Talking (role not large enough)
Florence Pugh, Don’t Worry Darling
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 2) (+1)
2. Hugh Jackman, The Son (PR: 1) (-1)
3. Austin Butler, Elvis (PR: 3) (E)
4. Colin Farrell, The Banshees of Inisherin (PR: 10) (+6)
5. Bill Nighy, Living (PR: 6) (+1)
Other Possibilities:
6. Diego Calva, Babylon (PR: 8) (+2)
7. Song Kang-ho, Broker (PR: 7) (E)
8. Micheal Ward, Empire of Light (PR: 5) (-3)
9. Adam Driver, White Noise (PR: 9) (E)
10. Tom Cruise, Top Gun: Maverick (PR: 11) (+1)
11. Paul Mescal, Aftersun (PR: 12) (+1)
12. Gabriel LaBelle, The Fabelmans (PR: 14) (+2)
13. Timothee Chalamet, Bones and All (PR: Not Ranked)
14. Kelvin Harrison, Jr., Chevalier (PR: 13) (-1)
15. Park Hae-il, Decision to Leave (PR: 15) (E)
Dropped Out:
Daniel Gimenez Cacho, Bardo
Best Supporting Actress
Predicted Nominees:
1. Michelle Williams, The Fabelmans (PR: 1) (E)
2. Jessie Buckley, Women Talking (PR: 3) (+1)
3. Vanessa Kirby, The Son (PR: 2) (-1)
4. Claire Foy, Women Talking (PR: 14) (+10)
5. Hong Chau, The Whale (PR: 7) (+2)
Other Possibilities:
6. Laura Dern, The Son (PR: 6) (E)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 4) (-3)
8. Jean Smart, Babylon (PR: 8) (E)
9. Kerry Condon, The Banshees of Inisherin (PR: Not Ranked)
10. Samantha Morton, She Said (PR: 11) (+1)
11. Zoe Kazan, She Said (PR: 12) (+1)
12. Sadie Sink, The Whale (PR: 9) (-3)
13. Dakota Johnson, Cha Cha Real Smooth (PR: 13) (E)
14. Dolly De Leon, Triangle of Sadness (PR: 10) (-4)
15. Nina Hoss, Tar (PR: 15) (E)
Dropped Out:
Griselda Sicillani, Bardo
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Paul Dano, The Fabelmans (PR 2) (E)
3. Zen McGrath, The Son (PR: 3) (E)
4. Brendan Gleeson, The Banshees of Inisherin (PR: 8) (+4)
5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 4) (-2)
7. Ben Whishaw, Women Talking (PR: 7) (E)
8. Anthony Hopkins, Armageddon Time (PR: Not Ranked)
9. Judd Hirsch, The Fabelmans (PR: 9) (E)
10. Anthony Hopkins, The Son (PR: 11) (+1)
11. Tom Hanks, Elvis (PR: 12) (+1)
12. Mark Strong, Tar (PR: Not Ranked)
13. Seth Rogen, The Fabelmans (PR: 13) (E)
14. Ralph Fiennes, The Menu (PR: 14) (E)
15. Russell Crowe, The Greatest Beer Run Ever (PR: 15) (E)
Love and cannibalism collide in Luca Guadagnino’s Bones and All, which has premiered at Venice before its November 23rd stateside theatrical release. The mix of gore and romance reunites the filmmaker with his Call Me by Your Name star Timothee Chalamet (I will refrain from making any Armie Hammer references from now on). Taylor Russell, who drew raves for the little seen Waves, is co-lead with a supporting cast including Mark Rylance, Michael Stuhlbarg, Andre Holland, Chloe Sevigny, and Jessica Harper.
The road movie, based on a 2015 YA novel from Camille DeAngelis, is drawing mostly positive early reaction in Italy. The Rotten Tomatoes meter is a strong 92%. Praise is plentiful for Chalamet (he scored an Oscar nod for Name), but Russell is being called the highlight.
Despite the encouraging buzz, I’m not sure voters will bite for this late 80s set horror tale. Five years ago, Guadagnino’s Name called up four Academy nods including Picture and winning Adapted Screenplay. His 2018 follow-up Suspiria didn’t make a dent with the awards crowd.
MGM/UA would need to mount a major campaign for Russell or Chalamet for them to be viable in my view. I would say Bones‘s best shot could be Adapted Screenplay or perhaps the score from Trent Reznor and Atticus Ross. My Oscar Prediction posts will continue…
How important is the Venice Film Festival when it comes to premiering Oscar hopefuls? In the past decade, nearly half of the Best Picture winners got their rollout in Italy. That would be Birdman, Spotlight, The Shape of Water, and Nomadland. It’s tough to find a recent Venice fest where there’s not at least 2 eventual nominees for the Academy’s biggest race.
This year’s competition kicks off tomorrow and you can anticipate plenty of individualized Oscar prediction posts coming your way. Telluride follows this weekend (with the lineup announcement on Thursday) and Toronto starts next Thursday (I’ll be there!).
Let’s take a look at ten Venice entries looking to create their Oscar buzz over the next few days…
All the Beauty and the Bloodshed
Laura Poitras, who won an Academy Award for her 2014 Edward Snowden documentary Citizenfour, turns her eye to activist Nan Goldin and her fight against the opioid epidemic. This could certainly be a player in the Doc competition.
The Banshees of Inisherin
The last time filmmaker Martin McDonagh, Colin Farrell, and Brendan Gleeson collaborated, the result was the acclaimed 2008 black comedy In Bruges. They’re playing in the same genre here with McDonagh’s follow-up to 2017’s Three Billboards Outside Ebbing, Missouri, which earned acting Oscars for Frances McDormand and Sam Rockwell.
Bardo
3 out of Alejandro Gonzalez Inarritu’s last four films were nominated for Best Picture. Birdman took gold with Babel and The Revenant contending. Expectations are that his latest drama (available on Netflix in December) could be the streamer’s most serious contender and it could immediately become a frontrunner for International Feature Film.
Blonde
Andrew Dominik’s Marilyn Monroe biopic starring Ana de Armas (another Netflix offering) comes with an NC-17 rating and lots of prognosticators wondering if it’s too risqué to get awards attention. We’ll know soon.
Bones & All
Luca Guadagnino had a pic in the BP derby five years ago with Call Me by Your Name and then followed with the confounding Suspiria remake. This horror romance with cannibalistic themes stars Timothee Chalamet and Taylor Russell. I have’t really had this as much of a threat for the Oscar race so let’s see if that narrative shifts.
Don’t Worry Darling
Olivia Wilde’s follow-up to Booksmart is a tale of marital and suburban strife headlined by Florence Pugh and Harry Styles. The thriller has been generating headlines for some wrong reasons lately, but great reviews could turn that buzz around.
The Son
Florian Zeller took home a Screenplay Oscar for 2020’s The Father while Anthony Hopkins won Best Actor. The Father is next and Hugh Jackman is seeking his first statue. The supporting cast includes Laura Dern, Vanessa Kirby, Zen McGrath, and Hopkins. Any and all could be in the mix for acting honors.
Tar
Cate Blanchett could be lined up for a third Oscar win in Todd Field’s latest in which the acclaimed actress plays a composer. It’s the director’s first feature in over 15 years after both In the Bedroom and Little Children received Academy nods.
The Whale
Darren Aronofsky directed Natalie Portman to the podium in 2010’s Black Swan. There’s chatter he could do the same and assist in mounting a significant career comeback for Brendan Fraser (something he did for Mickey Rourke with 2008’s The Wrestler). The Mummy star plays a 600 pound man reconnecting with his daughter (Sadie Sink).
White Noise
Noah Baumbach’s last Netflix film was the BP contending Marriage Story from 2019. His Marriage star Adam Driver is back in this adaptation of a 1980s sci-fi dark comedy. It will open Venice tomorrow and it will be my first Oscar Predictions post. Stay tuned!
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