The initial cinematic experiences of 2026 arrive this weekend via disaster flick sequel Greenland 2: Migration, animalistic horror tale Primate, and the nationwide expansion of dramedy Is This Thing On? You can peruse my detailed prediction posts on the trio here:
My near teens projection for Gerard Butler’s Migration would give it the highest debut of the newcomers, but that won’t be near enough to dislodge Avatar: Fire and Ash from a fourth frame atop the rankings. Now that the Christmas corridor has lapsed, holdovers should generally see declines in the 50% or so range.
Primate could certainly over perform as the genre sometimes does, but I’ve got it in a race with a fellow (and family friendlier) creature feature in the seventh weekend of Zootopia 2. The Housemaid should round out the top five.
As for Bradley Cooper’s third directorial feature Is This Thing On?, my meager $2.6 million take puts it well outside the top half of the charts. It might even fail to make the top 10. I’m expecting the same for Angel Studios’ I Was a Stranger. I didn’t do an individual prediction post for it. I’ll say $2.4 million.
And with that, here’s how I see it shaking out:
1. Avatar: Fire and Ash
Predicted Gross: $20 million
2. Greenland 2: Migration
Predicted Gross: $12.9 million
3. Zootopia 2
Predicted Gross: $9.8 million
4. Primate
Predicted Gross: $9.7 million
5. The Housemaid
Predicted Gross: $8.2 million
Box Office Results (January 2-4)
It was a heap of holiday leftovers as 2026 rang in with Avatar: Fire and Ash dominating with $41.4 million, in line with my $41.4 million call. The James Cameron threequel is up to $307 million after three weeks. This will not reach the heights of its predecessors, but I would imagine the studio would have no qualms with future sequels.
Zootopia 2 only eased 2% in weekend #6 with $19.3 million, toppling my $15.3 million prediction. The Disney blockbuster stands at $364 million.
The Housemaid has developed commendable legs with only a 1% dip at $15.1 million compared to my $12.5 million estimate. The buzzy thriller has earned $75 million after three weeks with nine digits in its sights.
Marty Supreme was fourth with $12.5 million (I went a little higher at $14.2 million) as the potential Timothée Chalamet Oscar winner has grown to $56 million in its second frame of wide release.
Anaconda rounded out the top five with $10 million, slithering beyond my $8 million projection for $45 million after two weeks.
The SpongeBob Movie: Search for SquarePants found itself in sixth with $8.3 millon (I said $7.7 million) for $57 million after three weeks,
Biblical animated pic David was seventh with $7.6 million, a touch ahead of my $6.5 million guesstimate for $69 million in three weeks,
Finally, Song Sung Blue was eighth with $5.8 million (I said $6 million) with $25 million now in the coffers of the musical drama.
The 31st Critics Choice Awards aired tonight and it’s the first major awards show of the season with the Golden Globes up in one week. Obviously CCA could offer the first clues as to what will follow with the Oscars as the grand finale.
In what was seen as a Warner Bros showdown between One Battle After Another and Sinners for Best Picture, it was Battle that prevailed as I predicted. Yet it was Sinners and (unexpectedly) Frankenstein that tied for the most victories at four apiece.
I went 17/23 in my predictions which I’ll take in a night that gave us a couple of legit surprises. Besides BP, Battle took Director (Paul Thomas Anderson) and Adapted Screenplay (also PTA) for three trophies. It solidifies the pic as the frontrunner at the Oscars.
Sinners emerged victorious in Original Screenplay, Young Actor/Actress (Miles Caton), Score, and Casting and Ensemble (where I had Battle projected).
The lead acting categories went as planned with Jessie Buckley (Hamnet) in Actress and Timothée Chalamet as Marty Supreme in Actor. You can expect to see both make more podium walks in the coming weeks.
I correctly called Amy Madigan as Supporting Actress for the already iconic Aunt Gladys in Weapons. It will be interesting to see if she racks up more wins as the season goes along.
The acting derby that was a genuine shocker was Supporting Actor where Jacob Elordi took the prize for Frankenstein. I had Benicio Del Toro (Battle). Truth be told, I would’ve slotted Elordi fifth or sixth as far as win possibility and have had him in and out of my quintet at the Oscars. We’ll see if this is a one-off, but this definitely increases his visibility in forthcoming ceremonies. I did correctly project Guillermo del Toro’s monster tale in Costume Design, Hair & Makeup, and Production Design.
Here’s where else I got it right – The Naked Gun as Best Comedy, KPop Demon Hunters for Animated Feature and Song (“Golden”), Mission: Impossible – The Final Reckoning for Stunt Design, and Avatar: Fire and Ash in Visual Effects.
Where I went wrong – F1 picked up two CCA’s in Editing and Sound. I respectively went with Battle and Sinners. Train Dreams is the Cinematography victor over Battle.
Finally, The Secret Agent is the 2nd biggest surprise (after Elordi) as Best Foreign Language Film where I had It Was Just an Accident predicted and No Other Choice as runner-up.
The Golden Globes are a week away. I will have winner predictions up on the blog on Wednesday!
All in all, these movies generated these numbers of victories:
4 Wins
Frankenstein, Sinners
3 Wins
One Battle After Another
2 Wins
F1, KPop Demon Hunters
1 Win
Avatar: Fire and Ash, Hamnet, Marty Supreme, Mission: Impossible – The Final Reckoning, The Naked Gun, The Secret Agent, Train Dreams, Weapons
We have no major wide releases to start off the year as holiday holdovers will rule the charts. That should start with Avatar: Fire and Ash for a third consecutive weekend in 1st position. The jockeying for chart placement after that could be interesting.
Seasonal leftovers often see minimal declines during the Christmas corridor and there’s no reason to think that won’t be the case this time around. Some dips should be less severe than others. Anaconda, for example, received a meh B Cinemascore grade. Percentage wise, I suspect it will fall further in its sophomore outing than Marty Supreme (B+ CS) or Song Sung Blue (which received an A grade).
Adult audiences might be keeping up with Supreme and Blue as well as The Housemaid while parents and their kiddos catch up (or take in repeat viewings) of Zootopia 2, David, and SpongeBob. Here’s how I see the top 8 shaking out:
1. Avatar: Fire and Ash
Predicted Gross: $42 million
2. Zootopia 2
Predicted Gross: $15.3 million
3. Marty Supreme
Predicted Gross: $14.2 million
4. The Housemaid
Predicted Gross: $12.5 million
5. Anaconda
Predicted Gross: $8 million
6. The SpongeBob Movie: Search for SquarePants
Predicted Gross: $7.7 million
7. David
Predicted Gross: $6.5 million
8. Song Sung Blue
Predicted Gross: $6 million
Box Office Results (December 26-28)
Avatar: Fire and Ash scorched the Yuletide box office with a mere 29% decline for $63 million in its sophomore weekend. That just tops my $61.8 million prediction as James Cameron’s third franchise entry climbed to $216 million.
Where I went wrong in my Christmas projections was with animated features. I didn’t give Zootopia 2 enough credit in its fifth go-round as it was second and increased its family audience by 34% to $19.8 million compared to my $13.8 million call. The Disney juggernaut’s haul is $321 million.
Of the three holiday newcomers, I was correct in projecting that Marty Supreme would earn the most in third. Timothée Chalamet had his third holiday hit in a row as the period sports drama made $17.7 million over the traditional Friday to Sunday frame with $27.3 million since Thursday. That’s right in line with my respective estimates of $18.2 million and $27.6 million. It looks like a bright road ahead for the Oscar hopeful.
The Housemaid held sturdy in weekend #2 with $15.3 million. I went with a tad more at $17.3 million as the thriller is up to $46 million.
Meta comedy Anaconda with Paul Rudd and Jack Black rounded out the top five with $14.5 million and $23.5 million when counting Christmas Day. I was close with predictions of $14.2 million and $20.5 million. As mentioned above, its future is a bit murkier.
Continuing the theme of animated misses on my part, Biblical tale David dropped more than I figured with $12.5 million in sixth. I said $19.5 million though the Angel Studios release is doing just fine with $49 million in two weeks.
The SpongeBob Movie: Search for SquarePants was seventh with $11.1 million, shy of my $14.6 million forecast. The two-week tally is $38 million.
Finally, Song Sung Blue with Hugh Jackman and Kate Hudson opened in eighth with $7 million with $11.4 million including Thursday grosses. That’s below my $9.6 million and $13.7 million predictions as it hopes word-of-mouth keeps it afloat for a few weeks.
Three Christmas offerings look to brighten up the box office as 2025 draws to a close. We have meta comedy Anaconda with Paul Rudd and Jack Black, the nationwide expansion of Timothée Chalamet’s Oscar contender Marty Supreme, and musical dramedy Song Sung Blue starring Hugh Jackman and Kate Hudson. You can peruse my detailed prediction posts on the trio here:
Let’s start with those newcomers in a complicated weekend to project. After a sizzling per theater average in limited release, Marty Supreme could be ready for an impressive expansion. I’ve got it leading the debuting trio with a three-day in the high teens and mid 20s when counting Thursday.
I have Anaconda hitting low teens Friday to Sunday with just over $20 million for the four-day. That would put it in sixth. It is important to remember that holiday holdovers are likely to experience smallish declines since we are in the Christmas corridor.
Song Song Blue could get to double digits over the traditional weekend though I have it barely under for an 8th place start. Word-of-mouth should carry it forward into January as it’s said to be a crowdpleaser.
There’s little doubt that Avatar: Fire and Ash will repeat in first. The big question is what the sophomore frame percentage decline will look like after it opened on the lower end of expectations (more on that below). I’m thinking it decreases about 30%.
Three features in their second go-rounds (David, The Housemaid, The SpongeBob Movie: Search for SquarePants) should all see meager eases as audiences catch up on the Yuletide products. Here’s how I envision the top 8 shaking out and please note projection for holdovers are for Friday to Sunday:
1. Avatar: Fire and Ash
Predicted Gross: $61.8 million
2. David
Predicted Gross: $19.5 million
3. Marty Supreme
Predicted Gross: $18.2 million (Friday to Sunday); $27.6 million (Thursday to Sunday)
4. The Housemaid
Predicted Gross: $17.3 million
5. The SpongeBob Movie: Search for SquarePants
Predicted Gross: $14.6 million
6. Anaconda
Predicted Gross: $14.2 million (Friday to Sunday); $20.5 million (Thursday to Sunday)
7. Zootopia 2
Predicted Gross: $13.8 million
8. Song Sung Blue
Predicted Gross: $9.6 million (Friday to Sunday); $13.7 million (Thursday to Sunday)
Box Office Results (December 19-21)
James Cameron’s third voyage to Pandora had no trouble ruling the charts, but it couldn’t match my forecast. Avatar: Fire and Ash earned $89.1 million compared to my $98 million take. That’s far less than the $134 million that 2022 predecessor The Way of Water made out of the gate. To be fair, Water had far less competition though this is still an unremarkable start. Let’s see how it plays throughout the season.
Biblical animated tale David from Angel Studios took flight with $22 million, just ahead of my $20.8 million. That’s actually the highest opening for the studio (surpassing Sound of Freedom) and it should fill multiplex pews this coming weekend.
The Housemaid, based on a bestseller and starring Sydney Sweeney and Amanda Seyfried, checked in with $19 million. That’s a tad less than my $21.9 million call as a sizable female crowd turned out.
The SpongeBob Movie: Search for SquarePants underwhelmed compared to other franchise entries with $15.6 million (I said $17.1 million). Family audiences could still make it a priority with kiddos out of school over Christmas.
Finally, Zootopia 2 rounded out the top five with $14.8 million, in line with my $14.3 million prediction. The four-week tally is $283 million.
As October draws to a close, it’s time for a deep dive into the Best Picture race with two months left in the release calendar. I’ve done the same with the directing competition and the four acting derbies. If you missed those write-ups over the past few days, you can access them here:
I published my first preview of the Best Picture field on April 17th. In that post, I listed my initial predictions for the 10 BP hopefuls along with 15 other possibilities . At that impossibly early stage of the game, my selections were:
After the Hunt
Avatar: Fire and Ash
Hamnet
Jay Kelly
The Life of Chuck
Marty Supreme
No Other Choice
The Rivals of Amziah King
Sentimental Value
Wicked: For Good
Other Possibilities:
Alpha
Ballad of a Small Player
Bugonia
Die, My Love
F1
Frankenstein
Highest 2 Lowest
Kiss of the Spider Woman
Materialists
Michael
One Battle After Another
Sinners
The Smashing Machine
Springsteen: Deliver Me from Nowhere
The Testament of Ann Lee
Let’s dispense with the movies that are no longe viable. The Rivals of Amziah King and Michael will be 2026 releases. The following titles did not get solid enough reviews, box office, or a combo of both to truly be threats: After the Hunt (which I initially had ranked at #1 back in the spring), The Life of Chuck, (despite winning the 2024 Audience Award at the Toronto Film Festival), Alpha, Ballad of a Small Player, Die, My Love (though Jennifer Lawrence could contend in Actress), F1 (which was a critically appreciated hit and could nab some tech nods), Highest 2 Lowest, Kiss of the Spider Woman (perhaps Jennifer Lopez can sneak in Supporting Actress), Materialists, and The Smashing Machine.
Springsteen: Deliver Me from Nowhere and The Testament of Ann Lee aren’t dead in the water, but the former is a sizable box office disappointment with some less than stellar reviews and the latter is perhaps too divisive. Their leads Jeremy Allen White and Amanda Seyfried have healthier chances in the lead acting contests.
So let’s get into the 11 of the 25 aforementioned titles that do still have a decent chance and a few others worthy of mention.
The soft frontrunner appears to be Paul Thomas Anderson’s One Battle After Another with its multiple acting contenders and some of the highest critical praise of the year. Even though it disappointed a bit at the box office, the Cinemascore grade of A indicates it would be a satisfactory audience choice for voters to select. Plus PTA is generally seen as overdue for Academy affection.
Its biggest competition could be Hamnet from Chloé Zhao, who picked up a directorial prize and a BP win for 2020’s Nomadland. History could repeat five years later for her heralded historical drama.
I’m also confident that Ryan Coogler’s Sinners, the vampiric financial smash from the spring, will be remembered on BP ballots even though horror flicks often have a hard time breaking through. This should be a welcome exception.
Joachim Trier’s family drama Sentimental Value is a festival darling that has enough goodwill to make the BP cut.
Two upcoming releases have their review embargoes intact but have screened to encouraging word-of-mouth: Josh Safdie’s Marty Supreme (where Timothée Chalamet appears to be a Best Actor favorite) and Wicked: For Good, part two to Wicked which garnered BP and other nominations last year. Both should find themselves among the ten.
That’s six pics (One Battle After Another, Hamnet, Sinners, Sentimental Value, Marty Supreme, Wicked: For Good) that I’m confident are in. Twelve others are jockeying for the four additional slots.
I’ve had Guillermo del Toro’s Frankenstein in and out of my lineup at various times. I’m becoming more convinced it could be Netflix’s best chance in BP.
An argument could easily be made that the streamer’s Jay Kelly from Noah Baumbach is their strongest horse with its Hollywood friendly storyline. Some reviews have been lukewarm, but I still am leaning toward it placing in the 10.
To close the Netflix loop, Train Dreams has its ardent admirers and I wouldn’t totally discount it. Kathryn Bigelow’s A House of Dynamite seems to be fizzling a tad due to some ambivalent audience reaction, but a rebound is not out of the question.
Avatar: Fire and Ash looks to follow in the footsteps of its two predecessors. Having it in or near the selected 10 seems like a smart move but screenings will soon tell the tale.
Jafar Panahi’s It Was Just an Accident from Neon took the Palme d’Or at Cannes and I’m increasingly confident it’ll be an international contender in its own race and BP (like Neon’s Sentimental Value).
The Secret Agent (Neon) and No Other Choice (Neon) could accomplish the same dual noms though it’s rare for more than two international submissions to get into the big dance. And not every Neon distributed foreign title can make the list… can they?
Bugonia from Yorgos Lanthimos may be a touch too oddball for BP though I’d be careful to dismiss the latest from The Favourite and Poor Things maker.
Richard Linklater’s has had an impressive year with Blue Moon and Nouvelle Vague though I’m guessing neither are real threats.
Finally, Song Sung Blue (out Christmas) is said to be a crowdpleaser and Kate Hudson is a possibility in Best Actress. A Musical/Comedy BP spot at the Globes seems more feasible than Academy love.
Keep an eye on the blog with updated rankings on BP and all other feature film races hitting shortly!
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and Actress and continues today with Best Actor. If you missed my write-up on the supporting players, you can find them here:
I published my first preview of the lead Actor field on April 8th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Timothée Chalamet, Marty Supreme
George Clooney, Jay Kelly
Matthew McConaughey, The Rivals of Amziah King
Paul Mescal, Hamnet
Jeremy Allen White, Deliver Me from Nowhere
Other Possibilities:
Lee Byung-hun, No Other Choice
Willem Dafoe, Late Fame
Daniel Day-Lewis, Anemone
Leonardo DiCaprio, One Battle After Another
Colin Farrell, Ballad of a Small Player
Jaafar Jackson, Michael
Dwayne Johnson, The Smashing Machine
Matthew McConaughey, The Lost Bus
Jesse Plemons, Bugonia
Andrew Scott, Pressure
Let’s dispense with the easy subtractions, shall we? The Rivals of Amziah King with Matthew McConaughey seems more likely to release in 2026. Same goes for Jaafar Jackson in Michael and Andrew Scott in Pressure. Paul Mescal (Hamnet) will contend in Supporting Actor where I am predicting him to get a nomination.
The reviews and buzz simply doesn’t exist for Colin Farrell in Ballad of a Small Player or McConaughey in The Lost Bus. Same for Willem Dafoe in Late Fame though a surprise Globe or SAG or Critics Choice nod could make him a remote possibility. I would say the same logic applies to Lee Byung-hun for No Other Choice and Dwayne Johnson in The Smashing Machine. For the latter, subpar box office doesn’t help his chances which were once seen as rock solid.
Beyond the names above, there’s a slew of once promising contenders who have fizzled out for one reason or another. It includes Denzel Washington (Highest 2 Lowest), Will Arnett (Is This Thing On?), Brendan Fraser (Rental Family), and Oscar Isaac (Frankenstein). I don’t expect to see their names among the nominees.
So let’s discuss who I think is truly in the mix and it’s ten actors. Half will make the cut and half will not. There could be 11 via the soon to be screened Song Sung Blue with Hugh Jackman though Kate Hudson is rumored to be the awards play from that one.
From my first ranked predictions in April, I’ve had Timothée Chalamet in the #1 spot after he was probably the runner-up for Actor last year to Adrian Brody (The Brutalist) for his embodiment of Bob Dylan in A Complete Unknown. The review embargo is still intact for December’s Marty Supreme, but early word-of-mouth indicates the top ranking is justified and I don’t see that changing anytime soon.
Jeremy Allen White’s portrayal of The Boss in Springsteen: Deliver Me from Nowhere is out tonight. His nomination seems more probable than not even though the pic itself is a question mark in BP.
George Clooney as Jay Kelly is more of an unknown as the movie has its ardent supporters and some detractors. If Kelly gets into BP, it significantly increases his odds.
Daniel Day-Lewis, a three-time winner, could get in just because he’s Daniel Day-Lewis. However, Anemone drew mixed reactions and was a non-entity at the box office.
Other than Chalamet, the performer I’m most confident makes the quintet is Leonardo DiCaprio for One Battle After Another. He’s a threat to take gold if the aforementioned competition fizzles out in the potential BP frontrunner.
Like Clooney, Jesse Plemons would benefit from Bugonia sneaking into BP. A better than currently expected performance from the film could grant him admission.
Blue Moon is a long shot for BP, but voters could still make room for veteran Ethan Hawke. He’d be vying for his third overall nom after supporting recognition for Training Day and Boyhood.
Train Dreams is also probably not on track for BP though Joel Edgerton has a so-so chance of getting in if other awards branches or critics groups bring him up.
Sinners, on the other hand, is a surefire hopeful in the big dance and Michael B. Jordan could get swept in for his dual role in the smash hit.
Wagner Moura was Best Actor at Cannes for The Secret Agent and I’m starting to believe his odds are increasing.
So there you have it. I think Chalamet and DiCaprio have punched their tickets with White close to doing the same unless Springsteen is a notable flop. The other seven are vying for slots four and five. My in-depth look at these high profile categories will continue with Best Actress!
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and continues today with Supporting Actress. If you missed my write-up on Supporting Actor, you can find it here:
I published my first preview of the Supporting Actress field on April 6th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Ayo Edebiri, After the Hunt
Ariana Grande, Wicked: For Good
Angelina LookingGlass, The Rivals of Amziah King
Gwyneth Paltrow, Marty Supreme
Teyana Taylor, One Battle After Another
Let’s dispense with a couple of those names. Angelina LookingGlass’s heralded work in The Rivals of Amziah King has not been scheduled for 2025. At this point, I’m assuming it will come out in 2026.
After the Hunt has lost its awards luster after a poor commercial and critical reaction. While her costar Julia Roberts may have a long shot chance at making the Actress cut, I don’t see the same for Edebiri.
The other three names are very much viable. Ariana Grande was nominated last year as Glinda the Good Witch and was probably runner-up to Zoe Saldaña (Emilia Pérez). While For Good has yet to screen, it stands to reason that she could make a return to the lineup. I’ve had her ranked first the whole year and we’ll see if that remains when word-of-mouth comes in.
Teyana Taylor’s performance dominates the first third of One Battle After Another (arguably the BP frontrunner). That should be enough for her to be the most likely Supporting Actor nominee in the film and we’ll get to Regina Hall shortly.
Gwyneth Paltrow is not a guaranteed competitor like her costar Timothée Chalamet is in lead actor. However, her work in Marty Supreme is definitely viable in this unformed race. The same could be said for her costar Odessa A’Zion though I’d put Paltrow ahead.
My 10 other possibilities that I listed back in April are:
Emily Blunt, The Smashing Machine
Glenn Close, Wake Up Dead Man: A Knives Out Mystery
Laura Dern, Jay Kelly
Elle Fanning, Sentimental Value
America Ferrera, The Lost Bus
Regina Hall, One Battle After Another
Greta Lee, Late Fame
Nia Long, Michael
Jennifer Lopez, Kiss of the Spider Woman
Emily Watson, Hamnet
Let’s start with Regina Hall. When it was announced that Chase Infiniti would compete in lead Actress for Battle, it opened the door for Hall. I maintain that she’s behind her costar Taylor. I currently have her on the outside looking in, but wouldn’t be surprised if she hears her name called. In the 21st century, we’ve seen double nominees in this category 10 out of 25 times. The last example was 2022 when Jamie Lee Curtis won for Everything Everywhere All at Once while her cast mate Stephanie Hsu was also up. The other times were as follows:
2000: Frances McDormand and Kate Hudson, Almost Famous
2001: Helen Mirren and Maggie Smith, Gosford Park
2002: Catherine Zeta-Jones (winner) and Queen Latifah, Chicago
2006: Adriana Barraza and Rinko Kikuchi, Babel
2008: Amy Adams and Viola Davis, Doubt
2009: Vera Farmiga and Anna Kendrick, Up in the Air
2010: Melissa Leo (winner) and Amy Adams, The Fighter
2011: Octavia Spencer (winner) and Jessica Chastain, The Help
2018: Emma Stone and Rachel Weisz, The Favourite
Another possibility of two nominees from the same pictures lies with Elle Fanning (Sentimental Value) and her costar Inga Ibsdotter Lilleass. The former seems marginally more likely but Lilleass is absolutely a threat to make the quintet.
A third possibility of two actresses from one feature is Wunmi Mosaku and Hailee Steinfeld from Sinners. That’s a more remote possibility and the film would really have to over perform for either to get in.
Back to those 10 other possibilities. Michael was pushed to 2026 so there goes Nia Long. Laura Dern, America Ferrera, Greta Lee and Emily Watson are all long shots at best after their movies screened. For Dern and Watson, they could see some of their costars nominated.
Emily Blunt could factor in if she manages SAG or Critics Choice or a Globe nod. Yet The Smashing Machine was a major box office flop and that doesn’t help. The same logic applies to Jennifer Lopez for Kiss of the Spider Woman.
Glenn Close is arguably considered the best thespian who hasn’t won an Oscar despite eight attempts. That could help her cause in Rian Johnon’s latest murder mystery, but none of the actors from Knives Out and Glass Onion made it despite respective buzz for Ana de Armas and Janelle Monae.
One name not on my radar in April was Amy Madigan in Weapons. The summer sleeper gave the veteran actress an unforgettably creepy role that should inspire many a Halloween costume next week. I’m starting to really think she could find herself in the quintet.
So there you have it, readers! I would say Grande, Taylor, Fanning, Lilleass, Madigan, Paltrow and Hall are the seven likeliest contestants with potential surprises including Close, Lopez, Blunt and Mosaku. I will zone in on Best Actor in the next write-up!
20th Century Studios hopes that Springsteen: Deliver Me from Nowhere has a glorious first three days at the box office when it drops October 24th. Centered around the making of his 1982 album Nebraska, Jeremy Allen White plays the title character with Jeremy Strong as longtime manager Jon Landau. Scott Cooper directs the musical bio with a supporting cast including Paul Walter Hauser, Stephen Graham, Odessa Young, Gaby Hoffman, Marc Maron and David Krumholtz.
Nowhere was first seen at the Telluride Film Festival where it managed to generate awards chatter, especially for White (who’s won multiple honors for his TV work on The Bear). Overall reviews were somewhat tempered in their praise with 72% on Rotten Tomatoes and a 65 Metacritic.
Last year, A Complete Unknown (from the 20th Century umbrella under Searchlight) struck a chord with viewers to tune of $75 million. That biopic of Bob Dylan with Timothée Chalamet seemed to have more buzz prior to its release. Some estimates have Nowhere reaching $20-25 million, but I’m thinking mid teens is where its ends up.
Springsteen: Deliver Me from Nowhere opening weekend prediction: $16.1 million
In my second update for ranked Oscar predictions covering Best Picture, Director, and the four acting derbies, confidence is growing that the force is strong with Ryan Coogler’s Sinners. It moves up two spots to third in Best Picture, Coogler rises a slot to second in Director, and Delroy Lindo is now in my Supporting Actor quintet. Michael B. Jordan, Hailee Steinfeld, and Miles Caton all rise or materialize in Other Possibilities in their respective races.
My Best Picture ten remains intact and same goes for Director, Actress, and Supporting Actress. In Best Actor, I’m putting in Jesse Plemons for Bugonia with Daniel Day-Lewis (Anemone) on the outside looking in. Mr. Lindo from Sinners replaces Colman Domingo for Michael. Domingo’s drop is due to persistent rumors that his film (a biopic of the King of Pop) will move to 2026.
You can read all the movement below and I’ll have another update up in a couple weeks!
Best Picture
Predicted Nominees:
1. After the Hunt (Previous Ranking: 1) (Even)
2. Marty Supreme (PR: 2) (E)
3. Sinners (PR: 5) (+2)
4. Wicked: For Good (PR: 4) (E)
5. The Rivals of Amziah King (PR: 6) (+1)
6. Sentimental Value (PR: 3) (-3)
7. Hamnet (PR: 7) (E)
8. Jay Kelly (PR: 8) (E)
9. The Life of Chuck (PR: 9) (E)
10. Avatar: Fire and Ash (PR: 10) (E)
Other Possibilities:
11. One Battle After Another (PR: 11) (E)
12. Bugonia (PR: 13) (+1)
13. Deliver Me from Nowhere (PR: 14) (+1)
14. Frankenstein (PR: 12) (-2)
15. No Other Choice (PR: 16) (+1)
16. Die, My Love (PR: 19) (+3)
17. The Ballad of a Small Player (PR: 17) (E)
18. Highest 2 Lowest (PR: 20) (+2)
19. Ann Lee (PR: 24) (+5)
20. Michael (PR: 18) (-2)
21. F1 (PR: 22) (+1)
22 Rental Family (PR: Not Ranked)
23. The Smashing Machine (PR: 15) (-8)
24. Alpha (PR: 25) (+1)
25. Is This Thing On? (PR: 23) (-2)
Dropped Out:
Kiss of the Spider Woman
Best Director
Predicted Nominees:
1. Luca Guadagnino, After the Hunt (PR: 1) (E)
2. Ryan Coogler, Sinners (PR: 3) (+1)
3. Josh Safdie, Marty Supreme (PR: 2) (-1)
4. Joachim Trier, Sentimental Value (PR: 5) (+1)
5. Andrew Patterson, The Rivals of Amziah King (PR: 4) (-1)
Other Possibilities:
6. Jon M. Chu, Wicked: For Good (PR: 6) (E)
7. Chloé Zhao, Hamnet (PRP 7) (E)
8. Paul Thomas Anderson, One Battle After Another (PR: 9) (+1)
9. Yorgos Lanthimos, Bugonia (PR: 10) (+1)
10. Noah Baumbach, Jay Kelly (PR: 11) (+1)
11. Guillermo del Toro, Frankenstein (PR: 8) (-3)
12. Park Chan-wook, No Other Choice (PR: 15) (+3)
13. James Cameron, Avatar: Fire and Ash (PR: 12) (-1)
14. Scott Cooper, Deliver Me from Nowhere (PR: 13) (-1)
15. Lynne Ramsay, Die, My Love (PR: Not Ranked)
Dropped Out:
Mike Flanagan, The Life of Chuck
Best Actress
Predicted Nominees:
1. Julia Roberts, After the Hunt (PR: 1) (E)
2. Cynthia Erivo, Wicked: For Good (PR: 2) (E)
3. Renate Reinsve, Sentimental Value (PR: 3) (E)
4. Jessie Buckley, Hamnet (PR: 4) (E)
5. Amanda Seyfried, Ann Lee (PR: 5) (E)
Other Possibilities:
6. Jennifer Lawrence, Die, My Love (PR: 9) (+3)
7. Emma Stone, Bugonia (PR: 6) (-1)
8. Rose Byrne, If I Had Legs I’d Kick You (PR: 7) (-1)
9. June Squibb, Eleanor the Great (PR: 8) (-1)
10. Tessa Thompson, Hedda (PR: 10) (E)
11. Emma Mackey, Ella McCay (PR: 11) (E)
12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)
13. Lucy Liu, Rosemead (PR: 14) (+1)
14. Eva Victor, Sorry, Baby (PR: Not Ranked)
15. Margot Robbie, A Big Bold Beautiful Journey (PR: Not Ranked)
Dropped Out:
Jodie Foster, Vie privée
Olivia Colman, The Roses
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme (PR: 1) (E)
2. Matthew McConaughey, The Rivals of Amziah King (PR: 2) (E)
3. Jeremy Allen White, Deliver Me from Nowhere (PR: 3) (E)
4. George Clooney, Jay Kelly (PR: 4) (E)
5. Jesse Plemons, Bugonia (PR: Not Ranked)
Other Possibilities:
6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)
7. Michael B. Jordan, Sinners (PR: 10) (+3)
8. Paul Mescal, Hamnet (PR: 7) (-1)
9. Daniel Day-Lewis, Anemone (PR: 5) (-4)
10. Colin Farrell, The Ballad of a Small Player (PR: 9) (-1)
11. Willem Dafoe, Late Fame (PR: 11) (E)
12. Dwayne Johnson, The Smashing Machine (PR: 8) (-4)
13. Jaafar Jackson, Michael (PR: 13) (E)
14. Lee Byung-hun, No Other Choice (PR: Not Ranked)
15. Andrew Scott, Pressure (PR: Not Ranked)
Dropped Out:
Matthew McConaughey, The Lost Bus
Oscar Isaac, Frankenstein
Ethan Hawke, Blue Moon
Best Supporting Actress
Predicted Nominees:
1. Ariana Grande, Wicked: For Good (PR: 1) (E)
2. Gwyneth Paltrow, Marty Supreme (PR: 2) (E)
3. Angelina LookingGlass, The Rivals of Amziah King (PR: 3) (E)
4. Ayo Edebiri, After the Hunt (PR: 4) (E)
5. Teyana Taylor, One Battle After Another (PR: 5) (E)
Other Possibilities:
6. Laura Dern, Jay Kelly (PR: 8) (+2)
7. Hailee Steinfeld, Sinners (PR: Not Ranked)
8. Jennifer Lopez, Kiss of the Spider Woman (PR: 7) (-1)
9. Elle Fanning, Sentimental Value (PR: 6) (-3)
10. Emily Blunt, The Smashing Machine (PR: 9) (-1)
11. Regina Hall, One Battle After Another (PR: 11) (E)
11. Thomasin McKenzie, Ann Lee (PR: 15) (+4)
13. Emily Watson, Hamnet (PR: 12) (-1)
14. Glenn Close, Wake Up Dead Man: A Knives Out Mystery (PR: 13) (-1)
15. Greta Lee, Late Fame (PR: Not Ranked)
Dropped Out:
America Ferrera, The Lost Bus
Nia Long, Michael
Best Supporting Actor
Predicted Nominees:
1. Adam Sandler, Jay Kelly (PR: 1) (E)
2. Andrew Garfield, After the Hunt (PR: 2) (E)
3. Stellan Skarsgård, Sentimental Value (PR: 3) (E)
4. Delroy Lindo, Sinners (PR: 7) (+3)
5. Jeremy Strong, Deliver Me from Nowhere (PR: 5) (E)
Other Possibilities:
6. Colman Domingo, Michael (PR: 4) (-2)
7. Mark Hamill, The Life of Chuck (PR: 6) (-1)
8. Sean Penn, One Battle After Another (PR: 8) (E)
9. Miles Caton, Sinners (PR: Not Ranked)
10. Jonathan Bailey, Wicked: For Good (PR: 9) (-1)
And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
We are just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take in the supporting fields and they can be found here:
We arrive at Best Actor. When I gave you my first picks in April of 2024, I correctly picked two of the eventual nominees with Colman Domingo in Sing Sing and Ralph Fiennes for Conclave. Sebastian Stan (The Apprentice) was listed in Other Possibilities. At that early juncture, the eventual winner Adrien Brody (The Brutalist) and his probable runner-up Timothée Chalamet (A Complete Unknown) weren’t on the radar.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actors listed here could end up being campaigned in supporting. And there will be movies we’re not even anticipating that will rise up with performances currently not on the radar. For example, one year ago, Chalamet’s work as Bob Dylan was not expected to come out in 2024.
This premiere post projects a second nom in a row for Mr. Chalamet as well as return engagements for past winners George Clooney (a Supporting victory 20 years ago for Syriana) and Matthew McConaughey (lead for 2013’s Dallas Buyers Club). Unlike most prognosticators, I have Leonardo DiCaprio on the outside looking in for Paul Thomas Anderson’s One Battle After Another.
Here’s the first snapshot with Best Actress up next!
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTOR AT THE 98TH ACADEMY AWARDS
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