As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The Best Actor derby’s final entrant is Wagner Moura in Kieber Mendonça Filho’s The Secret Agent. If you missed my posts covering the other leading men, they can be found here:
For the Brazilian political thriller, Moura took home the Golden Globe for Best Actor in a Drama. That particular race has matched Oscar 11 out of the last 13 years. It helps that the Academy has a larger international contingent than some of the other awards bodies. The Narcos star also got the top prize at the Cannes Film Festival and was nominated at Critics Choice.
The Case Against Wagner Moura:
No nods at BAFTA or SAG Actor. For SAG Actor (which began in 1994), there has never been an Oscar winner in this lead race that wasn’t nominated there. At BAFTA, you have to go back to 2013 and Matthew McConaughey (Dallas Buyers Club).
The Verdict:
Timothée Chalamet (Marty Supreme) is the Globe winner in a Musical or Comedy while Michael B. Jordan (Sinners) picked up momentum at SAG Actor. The case for Moura is somewhat compelling but that SAG Actor stat in particular is tough to ignore. A victory is not impossible, but it would be an upset and a fairly bold pick.
My Case Of posts will continue with the last Supporting Actress to consider and that’s Teyana Taylor in One Battle After Another…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our fourth entry in the Best Actor derby is Michael B. Jordan playing the dual roles of Smoke and Stack in Ryan Coogler’s Sinners. If you missed my posts covering the first three leading men, they can be found here:
Last night’s Actor Awards where Jordan scored a minor upset victory after not winning previous precursors. Starring in one of two pics with a legit shot at Best Picture, Jordan’s win from the SAG branch comes at a crucial time when Academy members are actively voting. He was nominated everywhere else including at the Globes, Critics Choice, and BAFTA. It doesn’t hurt that Sinners scored a record setting 16 noms in total.
The Case Against Michael B. Jordan:
He came up short to Timothée Chalamet (Marty Supreme) at Critics Choice and lost to Wagner Moura (The Secret Agent) at the Golden Globes. Both performers are very much still in the mix and major threats to take the prize. The voters have two other chances to honor the Sinners cast via Wunmi Mosaku and Delroy Lindo in their respective supporting fields.
The Verdict:
We don’t know if Jordan’s Actor award is the knockout blow he needed. There’s little question that it upped his chances considerably.
My Case Of posts will continue with Jordan’s costar Wunmi Mosaku for Supporting Actress…
Some Oscar categories may have become more solidified (Supporting Actor) while others remain unsettled (Actor and Supporting Actor and perhaps Best Picture) courtesy of tonight’s 32nd Actor Awards. Formerly known as SAG, Kristen Bell returned to host the Netflix aired ceremony where Sinners remained a viable alternative to One Battle After Another for Best Picture in two weeks.
It was the only film to take 2 prizes as I correctly called it for Best Ensemble. Ryan Coogler’s vampire tale did take an acting honor, but not the one I forecasted. In Best Actor, Michael B. Jordan is the winner over Timothée Chalamet (Marty Supreme) and this opens up the real possibility of him grabbing the Oscar. After Robert Aramayo (I Swear) took BAFTA, Chalamet is looking truly vulnerable.
On a night where I went 4 for 6, the other miss was projecting BAFTA victor Wunmi Mosaku’s work in Sinners for Supporting Actress. Instead the Screen Actors Guild went with Critics Choice winner Amy Madigan in Weapons. That race is legit looking like an open contest between Madigan (who now has 2 key precursors) and Mosaku and Teyana Taylor (One Battle After Another).
Battle‘s Sean Penn is your Supporting Actor honoree and he’s grabbed 2 trophies in a row (BAFTA). I wouldn’t want to bet against him on Oscar night for what would be a third gold statue.
Jessie Buckley’s sweep continued in Best Actress for Hamnet. With all preceding ceremonies going her way, she is unquestionably the easiest acting derby to predict for the Academy.
In the Stunt Ensemble race, the voters predictably went with Mission: Impossible – The Final Reckoning.
From a pure precursor standpoint, Battle has won top honors at the Globes, Critics Choice, BAFTA, and PGA. That mix is hard to deny. Yet late breaking momentum certainly makes Sinners the easy runner-up and a threat to be the Academy’s BP.
Stay tuned to the blog for final Oscar predictions in a few days!
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The third director for discussion is Josh Safdie for Marty Supreme. If you missed my posts covering Paul Thomas Anderson (One Battle After Another) and Ryan Coogler (Sinners), you can access them here:
We went into 2025 wondering which Safdie brother would get the Oscar attention. Brother Benny put out The Smashing Machine in the fall and it generated only a Makeup and Hairstyling nod. Josh’s Marty Supreme nabbed nine mentions including Best Picture. For his direction, precursors noms have come at DGA, Critics Choice, and BAFTA.
The Case Against Josh Safdie:
Paul Thomas Anderson has taken all 3 of those precursors and Ryan Coogler is generally seen as the runner-up. Safdie missed the cut at the Golden Globes.
The Verdict:
Safdie’s first solo work in 17 years could see Timothée Chalamet crowned as Best Actor. That is Supreme‘s best and likely only shot at gold.
My Case Of posts will continue with the fourth entrant in Best Actress – Renate Reinsve for Sentimental Value…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. The third entrant in Best Actor is Ethan Hawke as songwriter Lorenz Hart in Richard Linklater’s musical dramedy Blue Moon. If you missed my posts covering Timothée Chalamet and Leonardo DiCaprio, they can be accessed here:
2001 – Supporting Actor (Training Day) – lost to Jim Broadbent for Iris; 2014 – Supporting Actor (Boyhood) – lost to J.K. Simmons for Whiplash
The Case for Ethan Hawke:
He has garnered some career best notices and made the cut at significant precursors like the Globes, Critics Choice, SAG Actor, and BAFTA. For a career lasting over three decades, Hawke been on a roll lately mixing indies with horror and TV work. Voters may wish to give him his due, especially after being snubbed a few years back for First Reformed and nabbing two other Oscar nods for his Before Sunset and Before Midnight screenplays.
The Case Against Ethan Hawke:
A signature precursor victory has yet to materialize. Chalamet’s performance in Marty Supreme has swept the season thus far. Moon is the sole pic represented in Best Actor that doesn’t come from a Best Picture nominee.
The Verdict:
An upset win is unlikely to occur unless Hawke manages a SAG or BAFTA trophy. Barring that, Chalamet remains the sturdy frontrunner.
My Case Of posts will continue with the third contestant in Supporting Actress and that’s Amy Madigan in Weapons…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. A mostly unknown chap that goes by Leonardo DiCaprio is our second contender in Best Actor for One Battle After Another. If you missed my post on Timothée Chalamet as Marty Supreme, you can peruse it here:
1993 – Supporting Actor (What’s Eating Gilbert Grape) – lost to Tommy Lee Jones for The Fugitive; 2004 – Actor (The Aviator) – lost to Jamie Foxx for Ray; 2006 – Actor (Blood Diamond) – lost to Forest Whitaker from The Last King of Scotland; 2013 – Actor (The Wolf of Wall Street) – lost to Matthew McConaughey from Dallas Buyers Club); 2015 – Actor (The Revenant) – WON); 2019 – Actor (Once Upon a Time in Hollywood) – lost to Joaquin Phoenix from Joker
The Case for Leonardo DiCaprio:
Arguably being the biggest movie star on the planet helps. It doesn’t hurt that Battle is the frontrunner or easily co-frontrunner for Best Picture. As former revolutionary turned forgetful dad Bob Ferguson, DiCaprio has racked up all the precursors nominations including the Globes, Critics Choice, BAFTA, and SAG Actor.
The Case Against Leonardo DiCaprio:
He is up against arguably the biggest movie star on the planet Timothée Chalamet and his work as Marty Supreme has already won him the Globe and Critics Choice prize. Leo’s overdue narrative ended ten years ago with his Revenant victory.
The Verdict:
A SAG Actor or BAFTA trophy would be needed for DiCaprio to pose any real threat to a Chalamet sweep. He might be #2 among the Best Actor five, but there’s some considerable distance between 1st and 2nd.
My Case Of posts will continue with the second nominee in Supporting Actress and that’s Inga Ibsdotter Lilleass in Sentimental Value…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender in the Best Actor five is on the table and it’s Timothée Chalamet for Marty Supreme.
Previous Acting Nominations:
2017 – Actor (Call Me by Your Name) – lost to Gary Oldman for Darkest Hour; 2024 – Actor (A Complete Unknown) – lost to Adrien Brody for The Brutalist
The Case for Timothée Chalamet:
After likely being runner-up last year, Chalamet has drawn career best reviews as the singularly focused ping pong player in Josh Safdie’s sports drama. Precursor appreciation has followed with victories at the Golden Globes and Critics Choice while he awaits the BAFTAs and SAG Actor. While he’s only 30, Chalamet’s body of work in recent years is seen as worthy of recognition and Marty is a supreme vehicle for it.
The Case Against Timothée Chalamet:
The Academy left his costars out of contention including Odessa A’Zion (who I predicted for inclusion). A domino effect for either One Battle After Another or Sinners could create an opening for Leonardo DiCaprio or Michael B. Jordan, respectively.
The Verdict:
Unless one of the upcoming precursors provides an upset, it appears the third time is probably going to be the charm for Chalamet.
My Case Of posts will continue with the first hopeful in Supporting Actress and that’s Elle Fanning in Sentimental Value…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the nominee #5 and that’s Josh Safdie’s Marty Supreme. If you missed my posts covering the previous four contenders, you can find them here:
Academy voters would be selecting one of the most widely seen nominees (it grossed more than arguable frontrunner One Battle After Another). The sports dramedy amassed a laudable eight additional nods including Safdie’s direction, his Original Screenplay with Ronald Bronstein, Casting, Cinematography, Costume Design, Editing, and Production Design. And of course there’s the nod for Marty himself, Timothée Chalamet, in lead Actor. It has landed BP placement in all noteworthy precursors – the Globes, PGA, Critics Choice, BAFTA, for its ensemble at SAG Actor, and Safdie at DGA.
The Case Against Marty Supreme:
It wasn’t as widely seen as the other arguable frontrunner Sinners. Supreme has yet to get a BP victory anywhere and it was a slight surprise that it missed other acting nominations besides Chalamet (supporting players Gwyneth Paltrow and especially Odessa A’Zion were thought to be possibilities).
The Verdict:
Marty Supreme is reminiscent of Hamnet, my previous Case Of post. It received a bounty of mentions but its best (and probably only) chance at gold is in the lead acting field. For Hamnet, it’s with Jessie Buckley in Actress and with Supreme where the third time could definitely be the charm for Chalamet.
My Case Of posts will continue with One Battle After Another…
After months of forecasting and scores of individual posts on the movies vying for the attention of Oscar voters, nominations for the 98th Academy Awards were unveiled this morning. The ceremony airs March 15th with Conan O’Brien returning to host.
There is an undeniable headline in that Sinners shattered the record for most noms ever with 16. The previous holders of that title were a three-way tie between All About Eve, Titanic, and La La Land at 14 apiece. Even without a new race (Casting), Ryan Coogler’s vampire tale still would have broken the record. It is a remarkable achievement that could change the narrative in Best Picture (and others).
A secondary headline? The complete shutout of Wicked: For Good. Its predecessor from just a year ago landed 10 nominations. No one had it goose egging. I had it marked for four mentions and at one time weeks ago, I think I had it landing 10.
Overall I went 87 out of 110 in my feature-length projections (or 79%). Documentary Feature, as it has before, was the bane of my prognosticating existence while Visual Effects also tripped me up.
Some quick fun facts: Stellan Skarsgård is (somehow) the first Supporting Actor contender from a foreign film. The BP nod for One Battle After Another gives Leonardo DiCaprio his 12th BP hopeful. That ties with a record with his This Boy’s Life and Killers of the Flower Moon costar Robert De Niro.
In a second, we’ll walk through each race with some initial thoughts and how I did. First – a reminder that my Case Of posts will be arriving on the blog in short order. As readers may recall, I do individual posts on each Best Picture contender and the 25 hopefuls in Director and the four acting derbies. With each write-up, I give the case for their victory and against it along with a verdict. Those posts will start with the 10 BP nominees and then alternate alphabetically between the directing and acting personnel.
Best Picture
Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, Train Dreams
How I Did: 9/10
F1, my 2nd runner-up, makes the cut over It Was Just an Accident. My Case Of posts will delve deeper, but I do believe Sinners is now a strong possibility to win in a showdown with fellow Warner Bros release One Battle After Another.
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
How I Did: 4/5
Runner-up Trier is in over Jafar Panahi (It Was Just an Accident). Like BP, this should be between PTA (Battle) and Coogler (Sinners). The former probably has an edge even if Sinners manages the BP victory.
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
How I Did: 4/5
Hudson lands her second nomination 25 years after her supporting nod for Almost Famous. I went with Chase Infiniti for Battle. Buckley is the frontrunner.
Best Actor
Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent)
How I Did: 5/5 (!)
The expected quintet materializes with Chalamet hoping the third time is the charm.
Best Supporting Actress
Elle Fanning (Sentimental Value), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another)
How I Did: 4/5
Taylor might be the favorite. However, if Sinners takes BP, I wouldn’t sleep on Mosaku. And I’m saying that having not predicted her though she was my runner-up. I had Marty Supreme‘s Odessa A’Zion in her place. There’s Madigan to consider as well as the Sentimental actresses should vote split.
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Delroy Lindo (Sinners), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
How I Did: 4/5
Lindo is in over Paul Mescal as Hamnet had a couple high profile omissions. Penn may be the only one without a convincing win narrative and this could come down to the wire.
Best Original Screenplay
Blue Moon, It Was Just an Accident, Marty Supreme, Sentimental Value, Sinners
How I Did: 4/5
Moon, which I didn’t list as either of my runner-ups, is in over The Secret Agent. Value is viable though Sinners is the safer bet.
Best Adapted Screenplay
Bugonia, Frankenstein, Hamnet, One Battle After Another, Train Dreams
How I Did: 5/5 (!)
The five Adapted works from BP are in. A pretty easy call for Battle.
Best International Feature Film
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
How I Did: 4/5
Second runner-up Rajab instead of No Other Choice, which was blanked. This is a fascinating category as Agent vs. Value could be the showdown.
Best Animated Feature
Arco, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2
How I Did: 5/5 (!)
This has been the anticipated lineup for several weeks with KPop in the pole position.
Best Documentary Feature
The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor
How I Did: 1/5 (ugh)
The Doc race strikes again and hurts my numbers. I only had Neighbor (the frontrunner… I guess) correctly named as I went with Apocalypse in the Tropics, Cover-Up, My Undesirable Friends: Part I – Last Air in Moscow, and 2000 Meters to Andrivka.
Best Casting
Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sinners
How I Did: 4/5
Hamnet (my runner-up) instead of Frankenstein. This should also come down to Battle v. Sinners and I’m leaning toward the latter.
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
How I Did: 4/5
Marty Supreme (my runner-up) instead of Hamnet (another notable miss). A broken record as this is also between Battle and Sinners.
Best Costume Design
Avatar: Fire and Ash, Frankenstein, Hamnet, Marty Supreme, Sinners
How I Did: 4/5
A genuine shocker with Avatar in. Its two predecessors didn’t even make this category. I had Wicked: For Good instead (get used to hearing that). Frankenstein is out front, but a Sinners over performance could happen.
Best Film Editing
F1, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
How I Did: 4/5
Value instead of Hamnet. Once again, Battle or Sinners.
Best Makeup and Hairstyling
Frankenstein, Kokuho, Sinners, The Smashing Machine, The Ugly Stepsister
How I Did: 4/5
2nd runner-up Stepsister is in contention over Wicked. Frankenstein shouldn’t have any trouble here.
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
How I Did: 4/5
Bugonia, which I didn’t list in the runners-up, over Sirāt. This is likely to be a Sinners prize.
Best Original Song
“Dear Me” from Diane Warren: Relentless, “Golden” from KPop Demon Hunters, “I Lied to You” from Sinners, “Sweet Dreams of Joy” from Viva Verdi!, “Train Dreams” from Train Dreams
How I Did: 4/5
The Verdi! is very much an unexpected inclusion. I had “Salt Then Sour Then Sweet” from Come See Me in the Good Light. I’ll also note neither shortlisted Wicked track made it. Unless the Academy decides to finally honor Diane Warren in a competitive race or a Sinners sweep happens, KPop should be golden.
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
How I Did: 4/5
Runner-Up Battle over (you got it) Wicked. Another potential W for Frankenstein.
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Sirāt
How I Did: 4/5
Runner-up Frankenstein instead of Avatar. This could be between F1 and Sinners with Sirāt as an upset possibility.
Best Visual Effects
Avatar: Fire and Ash, F1, Jurassic World Rebirth, The Lost Bus, Sinners
How I Did: 2/5 (ugh)
Like Documentary, the VE voters can be unpredictable and they went with Jurassic (first nod in the franchise since 1997’s The Lost World), Bus, and Sinners (getting that historic 16th mention) over Frankenstein, Superman, and (say it with me!) Wicked. The winner isn’t hard to project as Avatar looks to go 3 for 3.
Besides the aforementioned Wicked and No Other Choice, two other notable pics that you won’t find among the nominees are Jay Kelly and The Testament of Ann Lee.
Here is how the nominations did shake out:
16 Nominations (!)
Sinners
13 Nominations
One Battle After Another
9 Nominations
Frankenstein, Marty Supreme, Sentimental Value
8 Nominations
Hamnet
4 Nominations
Bugonia, F1, The Secret Agent, Train Dreams
2 Nominations
Avatar: Fire and Ash, Blue Moon, It Was Just an Accident, KPop Demon Hunters, Sirāt
1 Nomination
The Alabama Solution, Arco, Come See Me in the Good Light, Cutting Through Rocks, Diane Warren: Relentless, Elio, If I Had Legs I’d Kick You, Jurassic World Rebirth, Kokuho, Little Amélie or the Character of Rain, The Lost Bus, Mr. Nobody Against Putin, The Perfect Neighbor, The Smashing Machine, Song Sung Blue, The Ugly Stepsister, Viva Verdi!, The Voice of Hind Rajab, Weapons, Zootopia 2
Keep an eye out for the Case Of posts as we march toward final predictions in March!
The initial cinematic experiences of 2026 arrive this weekend via disaster flick sequel Greenland 2: Migration, animalistic horror tale Primate, and the nationwide expansion of dramedy Is This Thing On? You can peruse my detailed prediction posts on the trio here:
My near teens projection for Gerard Butler’s Migration would give it the highest debut of the newcomers, but that won’t be near enough to dislodge Avatar: Fire and Ash from a fourth frame atop the rankings. Now that the Christmas corridor has lapsed, holdovers should generally see declines in the 50% or so range.
Primate could certainly over perform as the genre sometimes does, but I’ve got it in a race with a fellow (and family friendlier) creature feature in the seventh weekend of Zootopia 2. The Housemaid should round out the top five.
As for Bradley Cooper’s third directorial feature Is This Thing On?, my meager $2.6 million take puts it well outside the top half of the charts. It might even fail to make the top 10. I’m expecting the same for Angel Studios’ I Was a Stranger. I didn’t do an individual prediction post for it. I’ll say $2.4 million.
And with that, here’s how I see it shaking out:
1. Avatar: Fire and Ash
Predicted Gross: $20 million
2. Greenland 2: Migration
Predicted Gross: $12.9 million
3. Zootopia 2
Predicted Gross: $9.8 million
4. Primate
Predicted Gross: $9.7 million
5. The Housemaid
Predicted Gross: $8.2 million
Box Office Results (January 2-4)
It was a heap of holiday leftovers as 2026 rang in with Avatar: Fire and Ash dominating with $41.4 million, in line with my $41.4 million call. The James Cameron threequel is up to $307 million after three weeks. This will not reach the heights of its predecessors, but I would imagine the studio would have no qualms with future sequels.
Zootopia 2 only eased 2% in weekend #6 with $19.3 million, toppling my $15.3 million prediction. The Disney blockbuster stands at $364 million.
The Housemaid has developed commendable legs with only a 1% dip at $15.1 million compared to my $12.5 million estimate. The buzzy thriller has earned $75 million after three weeks with nine digits in its sights.
Marty Supreme was fourth with $12.5 million (I went a little higher at $14.2 million) as the potential Timothée Chalamet Oscar winner has grown to $56 million in its second frame of wide release.
Anaconda rounded out the top five with $10 million, slithering beyond my $8 million projection for $45 million after two weeks.
The SpongeBob Movie: Search for SquarePants found itself in sixth with $8.3 millon (I said $7.7 million) for $57 million after three weeks,
Biblical animated pic David was seventh with $7.6 million, a touch ahead of my $6.5 million guesstimate for $69 million in three weeks,
Finally, Song Sung Blue was eighth with $5.8 million (I said $6 million) with $25 million now in the coffers of the musical drama.
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