Smile 2 looks to make horror fans happy this weekend while the Andrew Garfield and Florence Pugh romantic drama We Live in Time debuts. You can peruse my detailed prediction posts on them here:
Likely building upon the goodwill from its predecessor two years ago, Smile 2 should outpace the $22 million that Smile opened wide with. My mid to high 20s estimate puts it easily out front.
Time is hitting just 1000 venues and I’m projecting mid single digits before it expands even wider on October 25th.
Terrifier 3 got off to a terrific start (more on that below). Projecting its sophomore fall is tricky. I would think the unrated horror threequel might be front loaded, but I’m not sure it drops over 60%. It’s actually theaters so it may only decline around 50% and that’s good for a horror flick of this nature. That should put it in third as I foresee The Wild Robot only easing in the mid 20s and staying in second. A similar meager decrease for Beetlejuice Beetlejuice should keep it in the top 5 in its seventh frame. Joker: Folie à Deux may manage fifth place though it should see another calamitous percentage fall. Yet I wouldn’t be surprised if Transformers One manages to rise the five spot.
Here’s how I see the top 6 playing out:
1. Smile 2
Predicted Gross: $27 million
2. The Wild Robot
Predicted Gross: $10.7 million
3. Terrifier 3
Predicted Gross: $9.8 million
4. Beetlejuice Beetlejuice
Predicted Gross: $5.8 million
5. We Live in Time
Predicted Gross: $4.3 million
Box Office Results (October 11-13)
Please note that Joker: Folie à Deux is not listed in my top 5 for its third go-round due to a historically awful sophomore weekend plummet. We’ll get to that in a second, but let’s focus on the other big story for now. Terrifier 3 wowed prognosticators with $18.8 million, ahead of my $14.4 million call. With a reported budget of $5 million, the grisly Art the Clown Christmas bloodbath solidified its franchise bonafides. You can expect a fourth cut in the near future.
The Wild Robot held in second with $14 million and surpassed my $11.7 million prediction. In its three weeks in multiplexes, the DreamWorks Animation adventure has amassed $84 million as it flies to nine digit territory.
Beetlejuice Beetlejuice was third with $7.3 million (I said $6.7 million) for a six-week tally of $275 million as it looks to scare up $300M+ domestically.
Joker: Folie à Deux, after a disastrous enough premiere, was down an embarrassing 81% in fourth with $7 million. I was more generous in thinking it would only go down 75% with $9.5 million. The lambasted sequel has taken in $51 million in ten days and will struggle to reach $75 million stateside. As a reminder, its 2019 predecessor made $335 million in the U.S. and Canada and over one billion worldwide.
A slew of newcomers that didn’t star Art the Clown failed to fill seats. Lego themed Pharrell documentary Piece by Piece was fifth with $3.8 million compared to my $5.4 million projection.
Holdover Transformers One was sixth with $3.7 million for a muted $52 million in four weeks. I did not do an estimate for the animated Hasbro title.
Saturday Night, Jason Reitman’s recounting of the lead-up to SNL’s first episode in 1975, was seventh with a discouraging $3.4 million. I had it pegged in fourth with $7.8 million. SHAMELESS PLUG ALERT: check out the homepage on my blog to see my Top 50 SNL Cast Members of All Time posts. At press time, I’ve written entries for numbers 50-43 and they are being uploaded on a daily(ish) basis.
Manga sequel My Hero Academia: You’re Next was eighth with a meh $3 million, just over half of my $5.9 million prediction.
Finally, The Apprentice stumbled in 10th with $1.6 million (I went with $2.4 million). The story of Donald Trump rising to prominence in the 1980s did not attract curious onlookers.
Blogger’s Update (10/03): With the announcement that White Bird is only hitting just over 1000 screens, I’m downgrading my prediction from $3.1 million to $1.5 million
Warner Bros hopes Joker: Folie à Deux can approach the gargantuan grosses that its predecessor earned five years ago while Lionsgate has the long delayed Wonder prequel White Bird out this weekend. You can peruse my detailed prediction posts on the newcomers here:
A half decade ago, Joker rode a wave of sizzling buzz to a $96 million debut (the best October start of all time), a $335 eventual domestic gross, and an Oscar statue for Joaquin Phoenix. With Lady Gaga joining the mayhem as Harley Quinn, word-of-mouth is more mixed for part Deux and it likely won’t achieve the hotshot premiere of part un. While my mid 50s forecast easily has it topping the charts, that’s over $40 million less out of the gate.
As for White Bird, I expect it to be another significant under performer for distributor Lionsgate who just saw Megalopolis crash and burn (more on that below). My number for Bird puts it just outside the top five.
As for holdovers, The Wild Robot might see a mid to high 40s decline after its solid beginning while Beetlejuice Beetlejuice and Speak No Evil‘s percentage dips should be smaller. The highest plummet in the top 5 (same as this past frame) should belong to Transformers One.
Here’s how I see it playing out:
1. Joker: Folie à Deux
Predicted Gross: $54.3 million
2. The Wild Robot
Predicted Gross: $19.8 million
3. Beetlejuice Beetlejuice
Predicted Gross: $11.6 million
4. Transformers One
Predicted Gross: $4.4 million
5. Speak No Evil
Predicted Gross: $3.2 million
Box Office Results (September 27-29)
DreamWorks Animation’s The Wild Robot, with fresh reviews and an A Cinemascore grade, performed impressively with $35.7 million. That’s just ahead of my $33.8 million take and it should play well throughout the next few weeks.
Beetlejuice Beetlejuice, after three weeks in 1st, slid to second with $16.2 million. That’s a mere 37% decline and beyond my $14.8 million prediction. The sequel has amassed $250 million in four weeks.
The news was more distressing for Transformers One as it plummeted 63% in its sophomore frame to $9.1 million. I was more generous at $11.5 million as Hasbro’s latest underwhelming franchise entry has taken in $39 million in ten days.
Epic Indian Telugu-language action flick Devara: Part 1 opened in fourth with $5.6 million with the second best per screen average in the top 10. I incorrectly had it outside the high five.
Speak No Evil was fifth with $4.2 million (I said $3.4 million). The thriller sits at $28 million after three weeks.
Finally, Francis Ford Coppola’s self-financed Megalopolis (with a reported $120 million price tag) could not overcome mostly middling reviews and audience ambivalence. It was sixth with $4 million compared to my $4.7 million call. With a D+ Cinemascore, I suspect this falls over 65% in its second weekend. Ouch.
While Hasbro’s Transformers One fell short of expectations this past weekend, DreamWorks Animation looks to bring families out in force with The Wild Robot this Friday. We also have Francis Ford Coppola’s long in the works sci-fi epic Megalopolis premiering. You can peruse my detailed prediction posts on the newcomers here:
I projected a mid 30s start for Transformers and came to regret it (more on that below). I’m estimating the same for The Wild Robot which is generating stronger reviews and comes from a studio whose animated works usually perform well.
As for Megalopolis, it might be a megaflop. Coppola’s passion project premiered at Cannes to plenty of negative reaction. This might do decent business on the coasts, but I don’t expect much interest in between. A mid single digits gross could mean fourth place.
Beetlejuice Beetlejuice will drop to second after three weeks on top with a percentage dip in the low to mid 40s. Despite an A Cinemascore grade, Transformers will likely suffer with a low to mid 50s decline due to the Robot competition. Speak No Evil should round out the top five.
Here’s how I see it playing out:
1. The Wild Robot
Predicted Gross: $33.8 million
2. Beetlejuice Beetlejuice
Predicted Gross: $14.8 million
3. Transformers One
Predicted Gross: $11.5 million
4. Megalopolis
Predicted Gross: $4.7 million
5. Speak No Evil
Predicted Gross: $3.4 million
Box Office Results (September 20-22)
In an upset, moviegoers made Tim Burton’s sequel the champion three times in a row as Beetlejuice Beetlejuice took in $25.9 million. That’s right on target with my $26.7 million forecast as its total has reached $226 million.
Transformers One couldn’t catch on in the runner-up position with $24.6 million. That’s well under my $35.4 million take and it’s another underwhelming result for the franchise behind last year’s Transformers: Rise of the Beasts.
Speak No Evil was third at $5.7 million, a bit shy of my $6.5 million call. The thriller has grossed $21 million after two weeks in multiplexes.
Halle Berry’s survival thriller was another yawner for Lionsgate in fourth with $4.4 million, on pace with my $4.7 million prediction.
Deadpool & Wolverine rounded out the top five with $3.8 million (I said $3.9 million). In nine outings, 2024’s second largest domestic earner has amassed $627 million.
Finally, I didn’t do a projection for Demi Moore’s critically hailed The Substance. It opened in sixth with a fairly respectable $3.2 million.
Hasbro’s animated Transformers One looks to dislodge Beetlejuice Beetlejuice from its #1 perch and Halle Berry’s horror pic Never Let Go hopes to bring in genre fans this weekend. You can peruse my detailed prediction posts on the newcomers here:
Transformers should manage to assemble a first place showing in the middle to higher 30s. Expectations aren’t as high for this compared to the live-action action pics, but decent reviews and kid business should help.
Lionsgate has had a string of flops over the past few weeks (The Killer’s Game being the latest) and I expect that to continue with Never Let Go. My mid single digits projection for it should mean a fourth place premiere.
Beetlejuice Beetlejuice, after ruling the charts for the past two weeks, should ease close to 50% for second place. See No Evil may also see a drop in the low to mid 40s for third with Deadpool & Wolverine rounding out the top five in its ninth outing.
Here’s how I have it playing out:
1. Transformers One
Predicted Gross: $35.4 million
2. Beetlejuice Beetlejuice
Predicted Gross: $26.7 million
3. Speak No Evil
Predicted Gross: $6.5 million
4. Never Let Go
Predicted Gross: $4.7 million
5. Deadpool & Wolverine
Predicted Gross: $3.9 million
Box Office Results (September 13-15)
It was a lucky Friday the 13th frame for Tim Burton and company as Beetlejuice Beetlejuice held up stronger than I assumed in its sophomore frame. The long in development sequel grossed $51.3 million compared to my $40.9 million take. After ten days, its impressive haul stands at $187 million.
Psychological thriller Speak No Evil with James McAvoy debuted on the lower end of its anticipated range at $11.3 million in second. I was more generous at $14.6 million. With a B+ Cinemascore (solid for its genre), it may hold up fairly well in the weekends to come.
Deadpool & Wolverine was third with $5.2 million, a tad more than my $4.4 million call. After 8 weeks, the MCU juggernaut has earned $621 million.
I incorrectly did not have hot button documentary Am I Racist? in my top five but it performed impressively in fourth with $4.5 million.
Reagan was in the five spot with $2.9 million (I said $3.1 million) for $23 million after three weeks in play.
Finally, the aforementioned The Killer’s Game with Dave Bautista was DOA in sixth with $2.6 million. I gave it slightly more credit with a $3.7 million forecast.
Psychological thriller Speak No Evil with James McAvoy and action comedy The Killer’s Game starring Dave Bautista hope to get lucky with audiences this weekend as Beetlejuice Beetlejuice looks to reign supreme for a second frame. You can peruse my detailed prediction posts on the newcomers here:
Evil appears poised for an easy second place start as I have the Blumhouse remake of a 2022 Danish flick in the low teens.
As for The Killer’s Game, I look for it to continue a tepid streak for distributor Lionsgate in the mid single digits. That could mean fourth place with holdovers Deadpool & Wolverine in third and Reagan in fifth.
Beetlejuice Beetlejuice impressed in its opening frame (more on that below). That business might be prove to be front loaded. A low to mid 60s sophomore slide is likely and understandable.
Here’s how I have it all shaking out:
1. Beetlejuice Beetlejuice
Predicted Gross: $40.9 million
2. Speak No Evil
Predicted Gross: $14.6 million
3. Deadpool & Wolverine
Predicted Gross: $4.4 million
4. The Killer’s Game
Predicted Gross: $3.7 million
5. Reagan
Predicted Gross: $3.1 million
Box Office Results (September 6-8)
Tim Burton’s long in the making sequel Beetlejuice Beetlejuice achieved the second best September start in box office history with $111 million. That puts it in between 2017’s It ($123 million) and its 2019 follow-up ($91 million). While it didn’t quite match my $115.7 million prediction, audiences were clearly primed for Michael Keaton and Winona Ryder’s returns to their iconic characters with Jenna Ortega joining the proceedings.
Deadpool & Wolverine was the runner-up with $7 million (I was higher at $9.8 million) for $613 million after seven weeks of slashing 2024 records.
Reagan held up well in third with $4.8 million. My projection? $4.8 million! In two weeks, the biopic has made $18 million.
Alien: Romulus was fourth at $3.9 million (I said $4.5 million) to bring the four-week tally to $97 million.
I incorrectly did not have It Ends with Us in the top five, but it managed fifth with $3.7 million. It has totaled $141 million in five weeks.
Beetlejuice Beetlejuice, the 36 years in the making sequel to the inventive original, finds ways to capture the spirit of what long ago preceded it. On the other hand, Tim Burton’s follow-up is just 12 minutes longer than the first. Unfortunately it feels about 30 minutes longer as it’s packed with too many characters and storylines. Busier is not better in this paranormal case.
Speaking of the paranormal, Lydia Deetz (Winona Ryder) was last seen as the death obsessed teen back in ’88 who was able to see the ghosts of the dearly departed couple who owned the house she moved into. Now she hosts a popular talk show where she helps guests conjure lost loved ones. Lydia has a conniving boyfriend who’s also her producer (a delightfully smarmy Justin Theroux) and an estranged daughter Astrid (Jenna Ortega) at boarding school. She also has visions of the demented “bio-exorcist” squared title character (Michael Keaton) who tried to marry her way back when.
When Lydia’s father Charles (Jeffrey Jones, not in the film but his character cleverly is) passes, Lydia and her unorthodox posse travel back to quaint Winter River, Connecticut for the funeral. That includes oddly artistic stepmom Delia (Catherine O’Hara). Astrid, who doesn’t believe in ghosts despite the Deetz history but shares mom’s downbeat worldview, meets an intriguing outcast and potential love interest Jeremy (Arthur Conti). She is additionally primed for introduction for Mr. Juice if his name is iconically uttered three times.
Beetlejuice has his own familial issues. Ex-wife Delores (Monica Bellucci) is stalking him in the afterlife so he’s desperately looking to join the physical world and wed Lydia after their first ceremony was indefinitely postponed. Willem Dafoe turns up as a detective in the hereafter. His qualifications to be a sleuth? He’s a former B actor who played one on TV!
There’s a lot going on in Beetlejuice Beetlejuice and the first act is a slight slog to establish all the subplots. Once that occurs, I thought one in particular could’ve been jettisoned completely and that’s the ‘Juice/Delores angle. Dafoe is having a ball but his screen time feels superfluous.
Some of what going on is reminiscent of the darkly amusing pleasures that Beetlejuice brought. Ryder and O’Hara (who’s always a joy) slip effortlessly into their characters and Ortega is a fine addition (she’s had her practice on Netflix’s Wednesday which Burton is a creative force behind). There’s plenty of fun PG-13 level gross visual effects and of course Keaton is reliable for some highlights.
So where are Barbara (Geena Davis) and Richard (Alec Baldwin) – the Maitlands from part 1? The sequel cheekily explains their absence in a flippant manner. I kind of appreciated that this backstory isn’t delved into. After all, this film is plenty crowded. That said, the Maitlands were the audience’s conduit to the bizarro world that Burton and company constructed. It’s an aspect that is missing here. Beetlejuice Beetlejuice is on track intermittently even if its soul can feel departed.
The autumn cinematic season looks to spook up a massive debut with Beetlejuice Beetlejuice, Tim Burton’s long in the works sequel to his 1988 classic with Michael Keaton reprising his iconic role. My detailed prediction post on it can be accessed here:
In order for Beetlejuice to set the all-time domestic September opening record, it would need to eclipse the $123 million achieved by 2017’s It. That could be a tall order but it is achievable. For second place, topping the $91 million earned by It‘s 2019 sequel is the assignment. My forecast gives Burton and company those bragging rights with room to spare.
The rest of the top five will belong to summer holdovers with Deadpool & Wolverine sliding to second. Spots 3-5 should be a close call between Reagan, Twisters, and Alien: Romulus. I have them in that order though the figures are basically interchangeable.
Here’s how I have it shaking out:
1. Beetlejuice Beetlejuice
Predicted Gross: $115.7 million
2. Deadpool & Wolverine
Predicted Gross: $9.8 million
3. Reagan
Predicted Gross: $4.8 million
4. Twisters
Predicted Gross: $4.7 million
5. Alien: Romulus
Predicted Gross: $4.5 million
Box Office Results (August 30-September 2)
A rather dull Labor Day weekend greeted multiplexes as Deadpool & Wolverine, in its sixth frame, stayed in first with $19.5 million. That’s a little more than my $18.3 million prediction as the MCU heavy hitter is up to $603 million.
Alien: Romulus was second with $11.6 million, under my $13.7 million prediction. The franchise’s latest entry is nearing the century mark at $91 million after three weeks.
The bright spot of the holiday for theaters was Ronald Reagan’s reemergence with Dennis Quaid playing him. Biopic Reagan was a solid third with $10.3 million, easily surpassing my meager $5.6 million take.
Fourth place belonged to Twisters with $9.8 million. It blew past my $6.8 million forecast in week 7 to bring its tally to $260 million.
It Ends with Us rounded out the top five with $9.3 million (I went with $10.2 million) for a pleasing four-week gross of $135 million.
Faith-based drama The Forge was sixth with $6.5 million (I said $7.2 million) for $16 million after two weeks.
Also in its sophomore frame, Blink Twice grossed $6.1 million for seventh. That’s in range with my $6.3 million projection and it has $16 million in its coffers.
Finally, Blumhouse horror flick AfrAId was DOA in ninth with just $4.4 million. I was kinder at $7.4 million.
Over three and a half decades after the original made a killing at the box office, Beetlejuice Beetlejuice appears in theaters on September 6th. Tim Burton returns to direct the macabre comedy with Michael Keaton reprising his title role as the demented bio-exorcist. Winona Ryder and Catherine O’Hara are back as Lydia and Delia Deetz with Jenna Ortega (hot off Netflix’s Wednesday from exec producer Burton) joining as third gen Deetz. Other newcomers to the franchise are Justin Theroux, Monica Bellucci, and Willem Dafoe.
The long-in-development sequel received a high-profile slot kicking off the Venice Film Festival this week. Reviews are mostly fresh with many critics saying it’s a return to form for its filmmaker. In 1988, Beetlejuice grossed $74 million domestically and was the 10th highest earner of the year. Since then, its reputation has grown as a classic genre mixup of humor and genial horror.
This should succeed in bringing in 36 years worth of fans and it doesn’t hurt that Ortega is present. Tracking continues to tick up from $65-75 million as it’s now expected to rise above well above that and maybe even in nine figures. The domestic September opening weekend records are held by 2017’s It ($123 million) and its 2019 sequel It Chapter Two with $91 million. Third place belongs to the MCU’s Shang-Chi and the Legend of the Ten Rings at $75 million.
Beetlejuice Beetlejuice should face no trouble achieving second place and it could absolutely come in first. The momentum appears real and I’ll say it gets beyond the century mark.
Beetlejuice Beetlejuice opening weekend prediction: $115.7 million
It was surprising when the Venice organizers announced that Beetlejuice Beetlejuice (out September 6th) would open their film festival which kicked off today. The long-in-development sequel (as in 36 years) brings Tim Burton back in the director’s chair with Michael Keaton reprising his iconic role as the ghost with the most. Winona Ryder and Catherine O’Hara return with Jenna Ortega (who stars in Netflix’s Wednesday from Burton), Justin Theroux, Monica Bellucci, and Willem Dafoe entering the macabre universe.
Projections have Beetlejuice squared circling big numbers at the box office. The Italian premiere announcement has prognosticators pondering the awards viability. The 1988 original earned a sole Oscar nod and it won Best Makeup (before it was Makeup and Hairstyling), beating out a worthy competitor in Coming to America.
Most of the reviews for the follow-up are in the plus column with 21 out of the current 27 sporting red on Rotten Tomatoes. Many are saying it’s a welcome return to form for Burton. It could certainly land another Makeup mention though defeating Dune: Part Two won’t be an easy chore. I wouldn’t totally rule out Production Design or Visual Effects as possibilities.
Anything beyond that is unlikely as the same probably holds true for its Golden Globes chances in Musical/Comedy. My Oscar Prediction posts will continue with frequency now that Venice is underway…
Hello America. As we celebrate our birthday today, perhaps the biggest awards news this week came from the Venice Film Festival. It kicks off in late August and the surprise announcement was that Tim Burton’s long in the works sequel Beetlejuice Beetlejuice will open the Italian competition prior to its September 6th domestic theatrical bow.
That caused some prognosticators’ to speculate whether the Warner Bros release will make a play for Oscar inclusion. I wouldn’t go that far. In the past decade and a half, some of the premiere gala pics at Venice have generated BP nods including Black Swan, Gravity, Birdman, and La La Land. There’s been more that haven’t such as The Ides of March, Everest, Downsizing, First Man, and White Noise. That’s why you won’t find Beetlejuice Beetlejuice in my 25 possibilities for BP though I would expect to see its name (twice) in races like Makeup and Hairstyling and Production Design when I expand the category predictions a few weeks from now.
The London Film Festival shared its own scheduling report that Steve McQueen’s WWII drama Blitz will kick off that event in October before its November 1st output on the big screen. It will then hit Apple TV on November 22nd. I am a little befuddled that it is skipping Venice and Toronto, but it still appears to be Apple’s most significant contender. The word is also out that Saoirse Ronan will contend in lead Actress and not supporting for Blitz. That may well put her in competition with herself considering the acclaimed The Outrun (which was first seen at Sundance) and should make its way to theaters later this fall. I’ve had Ronan’s performance in Blitz slotted in supporting, but she makes the move up and replaces her Outrun work in the lead quintet. The buzz also has Harris Dickinson as the main supporting play over costars like Stephen Graham and Leigh Gill. Same with Kathy Burke in Supporting Actress. We’ll see if that holds true when those Londoners get eyeballs on it.
Another note – you may notice that Sing Sing is still #1 in BP while its director Greg Kwedar is on the outside looking in at sixth. That may seem counterintuitive. While it is still rare for a potential BP recipient to not see its maker in the cut for Director, it’s happened twice very recently with 2018’s Green Book and 2021’s CODA. Kwedar’s picture seems like the type of emotional crowdpleaser that could go all the way with voters. However, Kwedar himself may not make the quintet for his behind the camera efforts. I do anticipate him being up for the Adapted Screenplay that he cowrote.
Nickel Boys is the most significant gainer this time around. It moves into the BP ten while Aunjanue Ellis-Taylor vaults to #1 in Supporting Actress. The pic also materializes for the first go-round in Adapted Screenplay.
Speaking of that writing competition, I’ve shifted Emilia Pérez from Original to Adapted though that has not been determined at press time. We also have a new #1 in Adapted with my aforementioned BP leader Sing Sing.
You can read all the movement below and I’ll have another update available in a couple of weeks!
Best Picture
Predicted Nominees:
1. Sing Sing (Previous Ranking: 1) (Even)
2. Blitz (PR: 3) (+1)
3. Dune: Part Two (PR: 2) (-1)
4. Conclave (PR: 4) (E)
5. Anora (PR: 5) (E)
6. Emilia Pérez (PR: 7) (+1)
7. Queer (PR: 6) (-1)
8. The Piano Lesson (PR: 9) (+1)
9. Nickel Boys (PR: 16) (+7)
10. The Seed of the Sacred Fig (PR: 8) (-2)
Other Possibilities:
11. Nightbitch (PR: 11) (E)
12. Joker: Folie à Deux (PR: 12) (E)
13. The End (PR: 10) (-3)
14. The Apprentice (PR: 13) (-1)
15. Gladiator II (PR: 24) (+9)
16. A Real Pain (PR: 14) (-2)
17. The Room Next Door (PR: 18) (+1)
18. Nosferatu (PR: 25) (+7)
19. Maria (PR: 19) (E)
20. All We Imagine as Light (PR: 21) (+1)
21. The Fire Inside (PR: 15) (-6)
22. His Three Daughters (PR: 17) (-5)
23. Dídi (PR: 23) (E)
24. We Live in Time (PR: Not Ranked)
25. Here (PR: 20) (-5)
Dropped Out:
Hit Man
Best Director
Predicted Nominees:
1. Denis Villeneuve, Dune: Part Two (PR: 1) (E)
2. Steve McQueen, Blitz (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Jacques Audiard, Emilia Pérez (PR: 6) (+2)
5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 5) (E)
Other Possibilities:
6. Greg Kwedar, Sing Sing (PR: 7) (+1)
7. Sean Baker, Anora (PR: 4) (-3)
8. Luca Guadagnino, Queer (PR: 8) (E)
9. RaMell Ross, Nickel Boys (PR: Not Ranked)
10. Marielle Heller, Nightbitch (PR: 10) (E)
11. Malcolm Washington, The Piano Lesson (PR: 12) (+1)
12. Ridley Scott, Gladiator II (PR: 15) (+3)
13. Payal Kapadia, All We Imagine as Light (PR: 13) (E)
14. Joshua Oppenheimer, The End (PR: 9) (-5)
15. Todd Phillips, Joker: Folie à Deux (PR: 11) (-4)
Dropped Out:
Pedro Almodóvar, The Room Next Door
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Mikey Madison, Anora (PR: 3) (E)
4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)
5. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from Supporting
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)
7. Tilda Swinton, The Room Next Door (PR: 8) (+1)
8. Natasha Lyonne, His Three Daughters (PR: 7) (-1)
9. Marianne Jean-Baptiste, Hard Truths (PR: 11) (+2)
10. Saoirse Ronan, The Outrun (PR: 5) (-5)
11. Ryan Destiny, The Fire Inside (PR: 9) (-2)
12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)
13. Lily Gladstone, Fancy Dance (PR: Not Ranked)
14. Zendaya, Challengers (PR: 14) (E)
15. Noémie Merlant, Emmanuelle (PR: Not Ranked)
Dropped Out:
Tilda Swinton, The End
Tessa Thompson, Hedda
Florence Pugh, We Live in Time
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. André Holland, The Actor (PR: 4) (E)
5. Sebastian Stan, The Apprentice (PR: 5) (E)
Other Possibilities:
6. Joaquin Phoenix, Joker: Folie á Deux (PR: 6) (E)
7. John David Washington, The Piano Lesson (PR: 7) (E)
8. Sebastian Stan, A Different Man (PR: 11) (+3)
9. Paul Bettany, The Collaboration (PR: 9) (E)
10. Glen Powell, Hit Man (PR: 10) (E)
11. Jesse Plemons, Kinds of Kindness (PR: 8) (-3)
12. Ethan Herisse, Nickel Boys (PR: Not Ranked)
13. Paul Mescal, Gladiator II (PR: 14) (+1)
14. Tom Hanks, Here (PR: 12) (-2)
15. Andrew Garfield, We Live in Time (PR: 13) (-2)
Dropped Out:
Jesse Eisenberg, A Real Pain
Best Supporting Actress
Predicted Nominees:
1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 4) (+3)
2. Zoe Saldaña, Emilia Pérez (PR: 2) (E)
3. Danielle Deadwyler, The Piano Lesson (PR: 3) (E)
4. Isabella Rossellini, Conclave (PR: 1) (-3)
5. Carrie Coon, His Three Daughters (PR: 6) (+1)
Other Possibilities:
6. Kathy Burke, Blitz (PR: Not Ranked)
7. Julianne Moore, The Room Next Door (PR: 9) (+2)
8. Joan Chen, Dídi (PR: 10) (+2)
9. Toni Collette, Juror No. 2 (PR: 14) (+5)
10. Erin Kellyman, Blitz (PR: 13) (+3)
11. Selena Gomez, Emilia Pérez (PR: 12) (+1)
12. Lesley Manville, Queer (PR: 7) (-5)
13. Elizabeth Olsen, His Three Daughters (PR: 11) (-2)
14. Valeria Golino, Maria (PR: 8) (-6)
15. Emily Watson, Small Things like These (PR: Not Ranked)
Dropped Out:
Saoirse Ronan, Blitz – moved to lead Actress
Catherine Keener, Joker: Folie à Deux
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 1) (E)
2. Samuel L. Jackson, The Piano Lesson (PR: 2) (E)
3. Kieran Culkin, A Real Pain (PR: 4) (+1)
4. Stanley Tucci, Conclave (PR: 3) (-1)
5. Harris Dickinson, Blitz (PR: 12) (+7)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: 6) (E)
7. Drew Starkey, Queer (PR: 8) (+1)
8. Denzel Washington, Gladiator II (PR: 11) (+3)
9. Adam Pearson, A Different Man (PR: 9) (E)
10. Brian Tyree Henry, The Fire Inside (PR: 5) (-5)
11. John Lithgow, Conclave (PR: 7) (-4)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Scoot McNairy, Nightbitch (PR: 13) (-1)
14. Elliot Heffernan, Blitz (PR: Not Ranked)
15. Mark Eidelstein, Anora (PR: Not Ranked)
Dropped Out:
Michael Shannon, The End
Barry Keoghan, Bird
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. A Real Pain (PR: 5) (+2)
4. The Seed of the Sacred Fig (PR: 4) (E)
5. His Three Daughters (PR: 7) (+2)
Other Possibilities:
6. Hard Truths (PR: 9) (+3)
7. The Room Next Door (PR: 8) (+1)
8. The End (PR: 3) (-5)
9. The Apprentice (PR: 11) (+2)
10. Dídi (PR: 12) (+2)
11. Kinds of Kindness (PR: 10) (-1)
12. Juror No. 2 (PR: Not Ranked)
13. All We Imagine as Light (PR: 15) (+2)
14. Maria (PR: 13) (-1)
15. Challengers (PR: 14) (-1)
Dropped Out:
Emilia Pérez – moved to Adapted Screenplay
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 2) (+1)
2. Conclave (PR: 1) (-1)
3. The Piano Lesson (PR: 4) (+1)
4. Nickel Boys (PR: 7) (+3)
5. Nightbitch (PR: 5) (E)
Other Possibilities:
6. Queer (PR: 3) (-3)
7. Emilia Pérez (PR: Not Ranked) – moved from Original Screenplay
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