Speak No Evil Review

Maybe if you thought long and hard about some of your past vacations, you wouldn’t want to go back and revisit. Perhaps some negative aspects would seem clearer. Best to concentrate on how enjoyable it was while you were there. That’s a bit how I feel about Speak No Evil where a family of three interrupts their mundane London life to visit another family of three in the remote English countryside. I found myself non tongue-tied during its runtime. This is one of those thrillers where you find yourself talking back at the screen. Get out of the house already! You’re almost a teenager – why are you still attached to a stuffed rabbit?? We’ll get to that one.

Let’s start with some official business. Speak No Evil from James Watkins (The Woman in Black) is based on a 2022 Danish pic that I haven’t seen. It’s said to be darker and less audience friendly than this. Comparisons cannot be made from my vantage point. Louise (Mackenzie Davis) and Ben Dalton (Scoot McNairy) are Americans residing in London. We meet them on vacation in Italy along with daughter Agnes (Alix West Lefler). Mom is a little overprotective while Dad is a little gun shy to truly challenge her. The fragility of the Dalton clan seems pronounced at first when compared with Paddy (James McAvoy), younger wife Ciara (Aisling Franciosi), and their mute son Ant (Dan Hough). Paddy is a boisterous and fun loving doctor who entertains his fellow travelers during one of those who cares what hour it is wine filled lunches that becomes dinner that becomes an after hours chat. They get on well enough that the Yankee Londoners agree to visit Paddy and company at their home.

Louise and Ben see it as an opportunity to rekindle a relationship on shaky ground. Maybe some fresh country air will do that. Yet cracks in their plan emerge after they take the long and winding road to their new surroundings. Paddy has some eccentricities that initially are presented as mild annoyances. He force feeds some goose meat to Louise even though she’s already told him she’s a vegetarian. His parenting skills to silent (but always trying to convey something) Ant are questionable. Then again… so are Louise’s in a less sinister way.

Part of the screenplay’s fun is how there’s usually enough logic that you can understand why the Daltons don’t go speeding back to London. After all, their hosts can’t be crazy right? We know they must be or there wouldn’t be a movie to view. The tension building up to certain reveals are the creepiest moments and most of those come in the first half. James McAvoy is responsible for the bulk of them. I didn’t dig M. Night Shyamalan’s Split as much as many others did, but I definitely was wowed by McAvoy’s work. Here again he is chilling.

On the opposite end, the handling of McNairy’s Ben can be fascinating. He’s probably the weakest character of the sextet. Even quiet Ant seems determined to get something done though we’re not sure what it is for awhile. Plenty of genre material portrays the patriarch as the figure of strength. Ben is decidedly not that for most of Speak No Evil and it’s a fairly fresh and often amusing angle. Mackenzie Davis does an admirable job at conveying the realization of the menaces they’re facing.

Contrivances are common to keep the action moving in these thrillers. The plush bunny belonging to Agnes is a prime example. It’s the most memorable use of that non-human character since Nicolas Cage protected one in Con Air. Plot machinations mount as Evil goes along and the third act isn’t as juicy as the first two. Once motivations are known, it’s a mild letdown. However, I never wanted to hop off the B movie ride.

*** (out of four)

Speak No Evil Box Office Prediction

Blumhouse hopes for lucky results over the Friday the 13th weekend with Speak No Evil. The psychological thriller is a remake of an acclaimed 2022 Danish production. James Watkins, who helmed 2012’s The Woman in Black, directs with James McAvoy, Mackenzie Davis, Aisling Franciosi, and Scott McNairy starring.

Evil‘s opening weekend could be good due to lack of competition. Beetlejuice Beetlejuice will be in its sophomore frame and should easily be the reigning champ. However, Evil looks to appeal to genre fans in the teens for a second place start.

Whether that opening is low or higher teens is a question mark. Perhaps McAvoy’s previous successful psycho work (see Split) will help. A gross of $15 million or over is certainly doable, but I’ll put it just under.

Speak No Evil opening weekend prediction: $14.6 million

For my The Killer’s Game prediction, click here:

Box Office Predictions: January 2-4

The first weekend of 2015 at the box office should be dominated by Christmas time holdovers. Only one new release is out – horror sequel The Woman in Black 2: Angel of Death. You can read my detailed prediction post on it here:

https://toddmthatcher.com/2014/12/28/the-woman-in-black-2-angel-of-death-box-office-prediction/

In order for Black to even have a shot at the top spot, it would need to outdo the $20 million that its predecessor debuted at and that seems highly unlikely. I believe it’ll even fail to crack the top five.

The race for #1 could come down to The Hobbit: The Battle of the Five Armies, Unbroken, and Into the Woods. I believe Hobbit should manage a three-peat with the other two battling it out for second. Family fare Night at the Museum: Secret of the Tomb and Annie should round out the top five.

And with that, my top 6 predictions for the weekend:

1. The Hobbit: The Battle of the Five Armies

Predicted Gross: $23.3 million (representing a drop of 42%)

2. Unbroken

Predicted Gross: $19.2 million (representing a drop of 37%)

3. Into the Woods

Predicted Gross: $18.5 million (representing a drop of 40%)

4. Night at the Museum: Secret of the Tomb

Predicted Gross: $14.3 million (representing a drop of 30%)

5. Annie

Predicted Gross: $11.2 million (representing a drop of 33%)

6. The Woman in Black 2: Angel of Death

Predicted Gross: $11.1 million

Box Office Results (December 25-28)

The Christmas weekend box office saw a host of new films premiering and expanding, but The Hobbit three-quel stayed on top with $40.9 million. This was right on track with my $42.4M estimate. Peter Jackson’s fantasy epic has earned $168M in two weeks.

The #2 and #3 spots belonged to newcomers that greatly exceeded my expectations. Disney’s Into the Woods scored with $31 million over Friday to Sunday and $46.1 million since its Christmas bow, well ahead of my respective $21.8M and $30.1M projections. Rob Marshall’s generally well-received musical clearly hit its target audience and then some.

Despite middling reviews, Angelina Jolie’s Unbroken also opened very high with $30.6 million from Friday to Sunday and $46 million since Christmas. This blew away my $20.5M and $28.6M predictions.

Night at the Museum: Secret of the Tomb held up well in weekend #2 with $20.2 million, just above my $18.7M projection. While it will certainly be the lowest earner of the franchise, its total stands at a fair $54 million and it should manage to pass the century mark (though not by much).

Annie was fourth with $16.5 million, right in line with my $16.9M estimate. It also benefited in its sophomore frame from family audiences on break and its total stands at $45 million, despite its woeful critical reaction.

As for other newbies, Mark Wahlberg’s The Gambler had a so-so debut with $9.1 million over the traditional weekend. My estimate? $9.1 million (gold star!). Its $14.1M Christmas to Sunday take did barely exceed my $12.2M prediction.

Oscar hopeful The Imitation Game opened wide with fabulous results with $7.9 million (Fri to Sun) and $10.9 million since December 25. This out shined my respective estimates of $5.3M and $7.2M.

The news was not so good for Tim Burton’s Big Eyes. Despite mostly positive notices, adult audiences simply had so much to choose from that this was ignored. It made $3 million from Friday to Sunday and $4.4 million since Christmas, lower than my projections of $5.5M and $7.4M.

Finally, The Interview. Opening on a scant 331 screens due to large chain boycotts, the Seth Rogen/James Franco international headline of a raunchy comedy managed a pretty commendable $1.8 million (Fri to Sun) and $2.8 million since the holiday. It didn’t reach my predictions of $3.1M and $4.4M, but this still isn’t bad considering it reportedly made $15 million through its online distribution offerings.

And that’ll do it for now, folks! Happy New Year!!!

 

The Woman in Black 2: Angel of Death Box Office Prediction

Nearly three years ago, British horror pic The Woman in Black starring Harry Potter himself, Daniel Radcliffe, performed admirably at the U.S. box office with a $54 million gross (and a much better than expected $20M opening weekend).

And now the sequel arriving January 2 that marks the first major wide release of 2015. Radcliffe does not make a return trip and the cast features no well-known actors. Angel of Death will need to capitalize on audience affection for the original. The problem: there likely isn’t much of it. While the original made more than anticipated, it’s hardly considered a genre classic (though it is worth a look). This could follow a similar pattern to the first picture of 2014: Paranormal Activity: The Marked Ones, which debuted to a less than estimated $18 million. Black, unfortunately, doesn’t even have the following of that franchise.

I believe this should open over double digits, but not by a whole lot.

The Woman in Black 2: Angel of Death opening weekend prediction: $11.1 million