Tag: The Wizard of Oz

Oscar Predictions – Wicked: For Good

Ahead of its Friday release, the embargo has lapsed for the eagerly awaited sequel Wicked: For Good and we are seeing just how popular or unpopular it is with critics. Jon M. Chu returns to direct alongside the cast of Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh, and Jeff Goldblum.

Based on the Broadway phenomenon, Good is expected to generate massive box office dollars. Will it be able to match or exceed the Oscar performance of its predecessor from last year? At the 97th Academy Awards, Wicked picked up 10 nominations – Best Picture, Actress (Erivo), Supporting Actress (Grande), Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Production Design, Sound, and Visual Effects. It won for Costume Design and Production Design.

We’ll get into all those in a second, but let’s start with the headline. As one of the final pieces to this grand awards puzzle, Good‘s reviews aren’t as strong as part 1’s. 2024’s original had 88% on Rotten Tomatoes and 73 on Metacritic. At the time of publication, RT for Good is 71% with Metacritic at 61.

In short, that makes its prospects murkier in most categories starting with BP. On Sunday when I posted my latest update, I dropped the follow-up from 6th to 8th in that race. I wouldn’t be surprised to see it slide further in my next update and I certainly don’t expect it to go up. Anywhere from 8-10 seems reasonable with the possibility that it could miss the cut. A Directing nod for Chu appears out of reach.

Since April when I did my first projections, I’ve had Erivo and Grande getting back to back noms as the Wicked Witch and Glinda the Good. That’s likely to continue though I’m less confident that they’re both slam dunk inclusions. Actress is crowded and Erivo faces tough competition. I think Grande in Supporting Actress is safer. She was probably runner-up for the victory last year when she fell short to Zoe Saldaña in Emilia Pérez. Grande has been ranked 1st for months on this blog and I still believe she could make the podium walk. The mixed overall reaction opens up victory narratives for others, including Teyana Taylor in One Battle After Another, Elle Fanning or Inga Ibsdotter Lilleass in Sentimental Value, and maybe even Amy Madigan for Weapons (though I’ve yet to predict her).

As for the tech races, Costume Design, Makeup and Hairstyling, and Production Design are close to shoo-in noms. I’m a little less assured about Sound and Visual Effects and far less so for Film Editing and Original Score.

Then there’s categories where the second helping of Wicked could pop up where Wicked did not. That includes original song. Universal is submitting “The Girl in the Bubble” and “No Place Like Home” for the tune derby. I included both in my quintet on Sunday. Some critical reaction indicates the new songs (in other words – not in the Broadway show) are not standouts. I still think one gets in (“Bubble”) but you never know.

The 98th Academy Awards marks the first year for the Best Casting prize. Had this existed last year, Wicked would have had 11 mentions instead of 10. Like most other races mentioned above, For Good making this list of five (or ten in BP) in tenuous.

Bottom line – the range of nominations for Wicked: For Good could be anywhere from 3 to maybe matching the 10 of Wicked in a best case scenario. My Oscar Prediction posts will continue…

Wicked: For Good Box Office Prediction

Wicked: For Good sweeps into theaters November 21st and it should eclipse what part one accomplished out of the gate last year. Jon M. Chu returns directing the second half of the saga based on the hugely popular Stephen Schwartz/Winnie Holzman Broadway play. The stage musical, of course, draws its inspiration from the written works of L. Frank Baum and 1939’s iconic The Wizard of Oz. Cynthia Erivo and Ariana Grande are back headlining along with supporting players Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh, and Jeff Goldblum.

Last November, Wicked drew critical kudos, 10 Oscar nominations, and a $112 million domestic opening on its way to $473 million overall stateside. The goodwill left over is expected to mean a larger debut upfront. The Universal release could contend for 2025’s largest premiere thus far. In order to accomplish that feat, it would need to surpass the $162 million that A Minecraft Movie brought in. That is certainly within Good‘s range and I wouldn’t be surprised if it manages the record. I’m putting it a bit below Minecraft‘s figure though it should play well throughout the holidays.

Wicked: For Good opening weekend prediction: $158.1 million

For my Sisu: Road to Revenge prediction, click here:

Sisu: Road to Revenge Box Office Prediction

For my Rental Family prediction, click here:

Rental Family Box Office Prediction

Oscar Predictions: Wicked

Based on one of the 21st century’s most acclaimed theater productions from Stephen Schwartz, Wicked looks to bewitch audiences this Friday. Crazy Rich Asians director Jon M. Chu helms the reported $145 million production with Cynthia Erivo and Ariana Grande headlining. Costars include Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum.

Representing part 1 of the epic musical with its follow-up arriving next November, Wicked is expected to be a massive hit worldwide. With its box office fortunes appearing secure, lingering Oscar buzz was confirmed with today’s review embargo lift.

The Rotten Tomatoes score is 93% with Metacritic at 73. Technical noms were always a strong possibility. Costume Design (where it could win), Makeup and Hairstyling (same), Production Design, Sound, and Visual Effects are all on the table. There are no original songs so that’s off the table.

A Best Picture nod certainly seems achievable and I had it listed 8th in last weekend’s update. That still seems about right. I don’t believe it’s guaranteed a slot, but its impending popularity gives the Academy a chance to honor a crowd favorite that many viewers have actually seen. Chu’s direction and the screenplay seem far less likely to make the cut.

On the performance front, Erivo will vie for Actress with Grande contending in supporting. Best Actress is super crowded and I’m skeptical Erivo gets her second nomination behind 2019’s Harriet. Grande, meanwhile, stands a better shot even though Supporting Actress has plenty of contenders as well. My Oscar Prediction posts will continue…

November 22-24 Box Office Predictions

**Blogger’s Update (11/20): I have posted a $4 million forecast for Bonhoeffer today which puts it in fourth place. That change is reflected below and we now have a top 7 projections.

Bonhoeffer Box Office Prediction

Hollywood hopes for a massive box office weekend ahead as Wicked and Gladiator II look to inject $200 million or more in domestic receipts. You can peruse my detailed prediction posts on the newcomers here:

Wicked Box Office Prediction
Gladiator II Box Office Prediction

In July 2023, the phenomenon known as Barbenheimer occurred when Barbie soared with a $162 million starting haul while Oppenheimer took in $82 million. I don’t think the grosses will be as gargantuan with Wicked and Gladiator II, but multiplexes should be in for a much needed boost.

Wicked adapts the well-known stage musical with Cynthia Erivo and Ariana Grande as early versions of the Wicked Witch of the West and Glinda the Good Witch from The Wizard of Oz, respectively. This is part 1 of Jon M. Chu’s fantasy musical with part II arriving in a year. I’m projecting nearly $135 million out of the gate as a wide audience seems destined to greet it.

Gladiator II is the long-in-development follow-up to Ridley Scott’s Best Picture winner with Paul Mescal headlining and Denzel Washington in an Oscar baity supporting turn. My high 60s forecast puts it in the runner-up position. I would note that either of these titles could over perform and keep on this post to see if there are any upgrades by Thursday.

With families flocking to Wicked and action fans packed for Gladiator, current champ Red One will slide to third. The holiday themed action comedy may experience a decline north of 50% considering the fresh competition.

The rest of the high five will consist of holdovers Venom: The Last Dance and The Best Christmas Pageant Ever and Heretic in a close race for fifth. Here’s how I envision the top 6 shaking out:

1. Wicked

Predicted Gross: $134.6 million

2. Gladiator II

Predicted Gross: $69.8 million

3. Red One

Predicted Gross: $14.9 million

4. Bonhoeffer

Predicted Gross: $4 million

5. Venom: The Last Dance

Predicted Gross: $3.6 million

6. The Best Christmas Pageant Ever

Predicted Gross: $2.7 million

7. Heretic

Predicted Gross: $2.5 million

Box Office Results (November 15-17)

On one hand, Red Notice with Dwayne Johnson and Chris Evans was originally set for Amazon only distribution so any number is better than nothing. On the other, its debut is fairly ho-hum considering the reported $250 million price tag. It made $32.1 million which did manage to exceed my $27.6 million take. As mentioned, I do expect a hefty dip though it could rebound over the Turkey Day frame.

Venom: The Last Dance was second after three weeks in 1st with $7.3 million, falling behind my $10.2 million prediction. The comic book based threequel sits at $127 million after four outings.

The Best Christmas Pageant Ever was third with $5.2 million. In a trend from this past weekend, it didn’t match my number as I pegged it at $7.6 million. The two-week tally is $19 million.

Heretic was fourth with $5.1 million (I said $6.3 million) as Hugh Grant horror thriller’s total is $20 million after its second go-round.

The Wild Robot rounded out the top five with $4.2 million compared to my $5.5 million call. The animated tale has earned $137 million in eight weeks.

And that does it for now, folks! Until next time…

Wicked Box Office Prediction

Universal is banking on Wicked casting a spell on a wide audience when it debuts November 22nd. Based on the Stephen Schwartz musical, the fantasy set in the land of Oz comes from Crazy Rich Asians director Jon M. Chu. Cynthia Erivo and Ariana Grande headline with a supporting cast including Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum. The adaptation serves as part one with the sequel scheduled for November of 2025.

Expectations are high, especially after industry screenings that were met with Oscar buzz in Best Picture, Supporting Actress fo Grande, and numerous tech races. Moviegoers of all ages have familiarity with the Broadway show and, of course, The Wizard of Oz. There’s even some Barbenheimer chatter since it is opening on the same date as Gladiator II, which is also anticipated to perform well.

The forecasted range of its start is wide with some estimates less than $100 million, but going all the way up to $150 million. I’m skeptical it gets that high as some viewers may choose to wait until the extended Thanksgiving frame to check it out. Yet I do think it will easily clear nine digits out of the gate.

Wicked opening weekend prediction: $134.6 million

For my Gladiator II prediction, click here:

Gladiator II Box Office Prediction

For my Bonhoeffer prediction, click here:

Bonhoeffer Box Office Prediction

Pearl Review

Every place other than home is where our demented dreamer wants to be in Pearl, Ti West’s prequel to X. Whereas the predecessor was set in 1979 and paid loving homage to the grime of 1974’s The Texas Chainsaw Massacre, this basks in the glow of The Wizard of Oz and other Golden Age works. Shot in New Zealand back to back, X and Pearl are vastly different experiences. They do share a setting where unspeakable gore occurs.

They also share Mia Goth. Unlike in X, she inhabits the screen from open to close. You will recall her from X as the elderly tormentor of a porn flick crew shooting on her property (Goth also played a drug addled starlet from the one day shoot that ends prematurely). As just Pearl here, we see her in 1918. The Great War is raging and that’s where her husband Howard is. She’s young, vibrant, and fantasizes of being a starlet herself. Pearl resides at the farm with her no nonsense German speaking mom (Tandi Wright) and sickly father (Matthew Sunderland). Her dreams of becoming a chorus girl are played out in the barn in front of the animals and their little bleating hearts.

We know from X that Pearl’s psychological issues are likely to kick into high gear. West and Goth (who cowrote the screenplay) still manage to take us in unexpected and stimulating directions. When Pearl meets a bohemian projectionist (David Corenswet) working at the local cinema, it arouses her desire to not be in Kansas anymore. **Side note: I don’t believe this is actually set in Kansas, but it could be with all those cornrows.

While Mom vehemently disapproves, Pearl hears of an audition opportunity to join a traveling troupe. We arrive there following family squabbles that lead our title character to see her dance tryout as her only means of escape. X was an ensemble piece. Pearl is a Goth show and she wows. From that aforementioned audition to a dinner table confession with her sister-in-law (Emma Jenkins-Purro, looking as petrified as the audience), this is perhaps the trippiest lead horror performance since Toni Collette’s in fellow A24 fright fest Hereditary. You don’t wanna take your eyes off her, including during the closing credits.

While X and Pearl do indeed share that farmland, I found the latter to be more rewarding overall. The director and lead are having a ball as they inject some darkness into the Technicolor brightness. It usually feels like they are giving the best of what they have.

***1/2 (out of four)

Legends of Oz: Dorothy’s Return Box Office Prediction

Legends of Oz: Dorothy’s Return is an animated feature from the upstart Summertime Entertainment opening Friday. It comes with a healthy estimated budget of $70 million. It’s based on The Wonderful Wizard of Oz by L. Frank Baum and I think we’re all familiar with the massively successful pictures his works have spawned. It features the voices of “Glee” actress Lea Michele, as well as Kelsey Grammer, Dan Aykroyd, Jim Belushi, Martin Short, and Patrick Stewart.

This begs the question: is it just me or does this thing seem to be gaining very little traction with audiences? I would offer that the marketing push for Oz has been relatively minor, even though it’s scheduled to open on a hefty 2800+ screens. Perhaps the Oz affiliation alone could propel this to a double digit opening, but I don’t even think it gets to that minor distinction. There is a shortage of kiddie related pics now that Rio 2 has made the bulk of its gross (though The Amazing Spider-Man 2 should still be doing quite well in weekend #2).

I’m predicting that family audiences will mostly ignore Dorothy’s Return and decide that when it comes to spending money on this, there’s no place like staying home.

Legends of Oz: Dorothy’s Return opening weekend prediction: $5.7 million

For my Neighbors prediction, click here:

https://toddmthatcher.com/2014/05/04/neighbors-box-office-prediction/

For my Moms’ Night Out prediction, click here:

https://toddmthatcher.com/2014/05/04/moms-night-out-box-office-prediction/