Tag: The Tragedy of Macbeth

Early 2021 Oscar Predictions: Best Actor

My initial 2021 Oscar predictions arrives at Best Actor. If you missed my posts regarding the supporting players, you can find them here:

Early 2021 Oscar Predictions: Best Supporting Actor

Early 2021 Oscar Predictions: Best Supporting Actress

For the 2020 ceremony, my earliest projections in Best Actor yielded two correct picks: winner Anthony Hopkins (The Father) and Gary Oldman (Mank). Steven Yeun (Minari) was listed in other possibilities. I had Daniel Kaluuya (Judas and the Black Messiah) in the top five for Actor, but he ended up going supporting and won in that race. On the flip side, I had Chadwick Boseman (Ma Rainey’s Black Bottom) originally projected in supporting and he went lead. The only player in the quintet not mentioned at first was Riz Ahmed (Sound of Metal).

Let’s get to it with the first take where all five of my initial nominees are either past nominees (Cumberbatch, Driver, Smith) or winners (Bale, Washington).

EARLY OSCAR PREDICTIONS: BEST ACTOR

Christian Bale, Canterbury Glass

Benedict Cumberbatch, The Power of the Dog

Adam Driver, House of Gucci

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Other Possibilities:

Clifton Collins Jr., Jockey

Bradley Cooper, Nightmare Alley

Matt Damon, Stillwater

Leonardo DiCaprio, Don’t Look Up

Peter Dinklage, Cyrano

Adam Driver, Annette

Andrew Garfield, Tick, Tick… Boom!

Cooper Hoffman, Soggy Bottom

Amir Jadidi, A Hero

Joaquin Phoenix, C’Mon C’Mon

Best Actress is up next!

Early 2021 Oscar Predictions: Best Supporting Actor

On this here blog starting right now, my 2021 Oscar predictions officially begin! I seem to start this earlier and earlier in the calendar each year. Why? Well, it’s just about my favorite thing to write about and the Cannes Film Festival and recent announcements for the Venice and Toronto line-ups fueled the flame.

As is tradition, I would like to throw out the annual caveats and a general rundown of how this works. I begin with the early predictions in the six major categories: Picture, Director, and the four acting derbies. For Picture, I will list my ten early forecasted nominees and 15 other possibilities. In the other five races, you will see my five predicted players and 10 other hopefuls. In these initial posts, my nominees will be unranked.

Beginning next week, I’ll have a weekly write-up where I’ll begin ranked predictions in these competitions in addition to Adapted and Original Screenplay.

In late September or early October, my weekly posts will shift to all categories covering feature films. The Picture predictions and possibilities will be whittled down from 25 to 15. All others will be reduced to 10.

Got all that? Good! Now for the caveats. First off, it’s July. So when I say these are early projections – I mean it. Release dates will change. Some movies will be moved out of contention to 2022 (that certainly happened a lot last year due to the pandemic). Some of the actors that appear to be supporting will be moved to lead and vice versa.

You need look no further than the Supporting Actor derby from 2020. In my initial round of early picks, I had Chadwick Boseman (Ma Rainey’s Black Bottom) listed here. He was eventually moved to Best Actor. Conversely, I had Daniel Kaluuya (Judas and the Black Messiah) down for Actor, but he was campaigned for in supporting and won.

Part of that category confusion led to yours truly only naming one of the five eventual nominees from 2020 (Sacha Baron Cohen in The Trial of the Chicago 7). I did mention Lakeith Stanfield (Judas) as a possibility. Paul Raci (Sound of Metal) and Leslie Odom, Jr. (One Night in Miami) were not named initially.

Additionally, you will see the titles Canterbury Glass and Soggy Bottom as contenders here and elsewhere in the coming days. These are the next pictures, respectively, from David O. Russell and Paul Thomas Anderson. It is not confirmed yet whether these are working titles or the actual ones, but I prefer a name rather than saying Untitled over and over.

With all that out of the way, let’s get rolling with the speculation that will last for months (and I’ll enjoy every second of it)!

EARLY OSCAR PREDICTIONS: BEST SUPPORTING ACTOR

Bradley Cooper, Soggy Bottom

Richard E. Grant, Everybody’s Talking About Jamie

Idris Elba, The Harder They Fall

Jason Isaacs, Mass

Jesse Plemons, The Power of the Dog

Other Possibilities:

David Alvarez, West Side Story

Reed Birney, Mass

Willem Dafoe, Nightmare Alley

Jamie Dornan, Belfast

Adam Driver, The Last Duel

Andrew Garfield, The Eyes of Tammy Faye

Corey Hawkins, The Tragedy of Macbeth

Richard Jenkins, The Humans

Ben Mendelsohn, Cyrano

John David Washington, Canterbury Glass

And we’re off! I’ll have my inaugural choices for Supporting Actress up shortly…

Oscar Watch: The French Dispatch

Wes Anderson’s The French Dispatch was supposed to premiere at Cannes in 2020 before the COVID-19 pandemic altered that plan. One year later, the auteur’s latest has screened in the French Riviera and it’s probably the most eagerly awaited debut of the festival. The film boasts an ensemble that is to be expected from the filmmaker and it reads like a who’s who of his frequent collaborators and several other previous awards nominees: Benicio del Toro, Adrien Brody, Tilda Swinton, Timothee Chalamet, Frances McDormand, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Bill Murray, Owen Wilson, Elisabeth Moss, Liev Schrieber, Edward Norton, Willem Dafoe, Saoirse Ronan, Christoph Waltz, Jason Schwartzman (who shares a story credit with Anderson and others), Bob Balaban, and Anjelica Huston. Yeah, I know.

Early reviews indicate that this anthology (out stateside on October 22) is a loving ode to journalism and that could be right up the alley of Academy voters. Yet some buzz is also indicating this isn’t among his strongest efforts. One thing seems certain: Dispatch is a visual feast that should easily assert itself in several technical categories. That certainly includes Production Design, Costume Design, Alexandre Desplat’s Original Score, Cinematography, and perhaps Makeup and Hairstyling (though that race in particular could be packed this year).

What do all those races have in common? They were all nominations received for Anderson’s 2014 pic The Grand Budapest Hotel, which scored nine mentions (winning for Costume Design, Makeup and Hairstyling, Score, and Production Design). Don’t be surprised if this is a major hopeful in those same categories.

As for the massive amount of actors, here’s a fun fact: no performance from an Anderson production has ever been nominated. That seems hard to believe, but his casts often make it tricky to pick a favorite or two to mount a campaign for. Del Toro, Chalamet, Wright, and McDormand have been singled out in some write-ups already. I suspect none will emerge to make the Oscar cut. Chalamet has hope in lead actor for Dune and the same can be said for McDormand with The Tragedy of Macbeth (time will tell).

Now to the biggest derbies. Will The French Dispatch manage Best Picture, Director, and Original Screenplay nods? The latter seems most possible. And while some European chatter indicates the other two could be out of reach, it’s important to remember that it took a little time for Budapest Hotel to become the Academy player that it turned out to be.

Bottom line: the future is cloudy for Dispatch when it comes to the most high-profile competitions. Some Academy love down the line in the tech races already seems highly likely. My Oscar Watch posts will continue…