October 27-29 Box Office Predictions

Based on the hugely popular series of video games, the PG-13 horror flick Five Nights at Freddy’s looks to dominate the Halloween frame. It is the only wide release as October draws to a close and you can peruse my detailed prediction post on it here:

There is a wide range of possibility for Freddy’s and I think it is ready for a debut just north of $60 million. That would easily top the rest of the top five combined.

The battle for the runner-up spot will be decided by the respective third and second weekend drops for Taylor Swift: The Eras Tour and Killers of the Flower Moon. The former had an understandable mid 6os plummet as Swifties wanted to rush out and see it immediately. Moon hopes for smallish declines in the frames ahead. I have Ms. Swift edging Killers as her concert film enters its third and final outing in multiplexes.

The Exorcist: Believer should be fourth with PAW Patrol: The Mighty Movie rounding out the top five. Here’s how I see it shaking out:

1. Five Nights at Freddy’s

Predicted Gross: $68.3 million

2. Taylor Swift: The Eras Tour

Predicted Gross: $14.2 million

3. Killers of the Flower Moon

Predicted Gross: $13.4 million

4. The Exorcist: Believer

Predicted Gross: $3.5 million

5. PAW Patrol: The Mighty Movie

Predicted Gross: $2.9 million

Box Office Results (October 20-22)

Taylor Swift: The Eras Tour belonged at #1 again as the record-setting concert experience drew another $33.2 million, a tad under my $35.6 million projection. That gives it a two weekend take of $131 million.

Martin Scorsese’s Killers of the Flower Moon came in at the bottom end of its expected range with $23.2 million. I was more generous at $32.7 million. While not a flop (especially considering it was first slated for an Apple TV streaming start), it is underwhelming considering the awards buzz, Leo star power, and $200 million reported budget. The Oscar hopeful will hope to leg out during November.

The Exorcist: Believer was third with $5.6 million compared to my $6.9 million forecast. The three-week total is a fair $54 million.

PAW Patrol: The Mighty Movie sat in the four spot with $4.4 million (I said $4.7 million) for $56 million after four frames.

Rounding out the top five was a holiday themed re-release of 1993’s The Nightmare Before Christmas on its 30th anniversary. The Tim Burton produced classic added another $4.2 million to its coffers. I failed to put it in the mix.

That took Saw X out of the high five in sixth with $3.6 million (I went with $4.1 million). The four-week gross is $47 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Wendell & Wild

Henry Selick burst onto the stop-motion big screen animation scene nearly 30 years ago with The Nightmare Before Christmas and continued on with James and the Giant Peach and Coraline (which received a Best Animated Feature). Note that the category didn’t exist when Christmas and Peach came out. His first feature in 13 years is Wendell & Wild, which premiered at Toronto and hits Netflix on October 28th (with an awards qualifying run a week prior).

A familiar comedic duo, Keegan-Michael Key and Jordan Peele, voice the demon sibling title characters. Other performers behind the mic include Lyric Ross, Angela Bassett, James Hong, and Ving Rhames. The Canadian debut yielded a 92% Rotten Tomatoes score.

Most reviews are not overwhelming raves and I don’t see this winning the top prize. Netflix’s biggest contender could be the forthcoming Pinocchio from Guillermo del Toro. I also wouldn’t discount their acclaimed The Sea Beast from earlier this year. Wild could easily make the top five when the dust settles though I wouldn’t say it’s a slam dunk. My Oscar Prediction posts will continue…