Tag: The Impossible

Oscar Predictions: The Friend

The Friend played Telluride and is about to hit Toronto and the dramedy has found some allies already. Based on the novel by Sigrid Nunez, the team known as Siegel & McGehee direct. They are known for indie pics such as The Deep End, What Maisie Knew, and Montana Story. Naomi Watts is a writer caring for her late mentor’s dog. Supporting work comes from Bill Murray (as said mentor), Sarah Pidgeon, Constance Wu, Ann Dowd, Owen Teague, and Carla Gugino. There’s also what’s said to be a terrific performance by Great Dane Bing as Apollo.

Several critics, while saying The Friend is formulaic, also say it often rises above similar doggie tales. Early buzz indicates it earns the tears of audience members. The Rotten Tomatoes score is 100% with Metacritic at 70.

Still seeking domestic distribution, it remains to be seen whether this makes the 2024 cut. If so, Watts is getting plenty of applause. She’s a two-time nominee for 2003’s 21 Grams and 2012’s The Impossible. Becoming a contender isn’t an impossibility, but it is a stretch. There’s no Best Canine category so Bing doesn’t need his tux pressed. My Oscar Prediction posts will continue…

Oscar Predictions: Society of the Snow

J.A. Bayona’s Society of the Snow served as the closing night feature at the Venice Film Festival earlier this month and, as expected, has been submitted by Spain as their Oscar hopeful for International Feature Film. The survival drama is expected to be streaming on Netflix by year’s end. It tells the real life tale of Uruguayan Flight 571’s crash in the Andes Mountains in 1972. Bayona is no stranger to disaster dramas with 2012’s The Impossible, which nabbed Naomi Watts a Best Actress nod. His last pic was 2018’s dino sequel Jurassic World: Fallen Kingdom.

Based on a small sampling (9 reviews), Snow has lodged a 100% Rotten Tomatoes score. Spain has had a spotty record getting their selections into the final five with the Academy. In the 21st century, The Sea Inside was the 2004 winner and 2019’s Pain and Glory was nominated. That’s where their luck ends.

I currently have Snow at #7 in IFF. Its chances are decent and getting a lot of eyeballs via Netflix should only assist. If I’m betting now, however, I’ll say it makes the shortlist and not the ultimate quintet. My Oscar Prediction posts will continue…

https://www.youtube.com/watch?v=ARndpfgm9Jo

Oscar Watch: Penguin Bloom

Naomi Watts is a two-time Oscar nominee in lead actress for 21 Grams in 2003 and 2012’s The Impossible. At the Toronto Film Festival this weekend, her latest drama Penguin Bloom premiered from director Glendyn Ivin. Costars include Andrew Lincoln and Jacki Weaver.

The pics casts Watts as a paralyzed woman caring for an injured magpie. It sounds like an awards bait type of role and some of the reviews are praising her work. However, some of the critical reaction is not so high as it sits at 58% on Rotten Tomatoes.

As discussed on this blog, Best Actress in 2020 potentially looks to be a crowded field. Whatever distributor picks Bloom up will have to mount a serious campaign for its star. My guess is that the so-so reaction from Toronto puts Watts at a competitive disadvantage to make it in. My Oscar Watch posts will continue…

Breakthrough Box Office Prediction

Disney is putting their faith over the Easter weekend in Breakthrough, a Christian drama based on the 2017 novel The Impossible. Based on true events, the pic tells the story of a teenager who slips into a frozen lake and his miraculous recovery. Directed by Roxann Dawson in her feature debut, Breakthrough stars Chrissy Metz (of TV’s “This Is Us” fame), Josh Lucas, Topher Grace, Marcel Ruiz, and Dennis Haysbert. NBA champion Stephen Curry has an exec producer credit.

This is actually the first 20th Century Fox production that its new owner Disney is distributing. That well publicized partnership could get off to a solid start if faith-based audiences turn out. The holiday timing should certainly work to its advantage.

An obvious comp is Heaven Is for Real from five Easter’s ago. Like Breakthrough, it also premiered on Wednesday. Taking in $22.5 million over the traditional weekend and $29.5 million over the five-day span, Heaven eventually soared to $91 million overall.

I’ll say this falls a bit lower with the caveat that it could achieve similar numbers. My five-day projection puts it a touch below the three-day of Heaven. That could put this at #2 behind The Curse of La Llorona, which deals with religious themes in a drastically different manner.

Breakthrough opening weekend prediction: $16.9 million (Friday to Sunday), $22 million (Wednesday to Sunday)

For my The Curse of La Llorona prediction, click here:

https://toddmthatcher.com/2019/04/09/the-curse-of-la-llorona-box-office-prediction/

For my Penguins prediction, click here:

https://toddmthatcher.com/2019/04/10/penguins-box-office-prediction/

Oscar History: 2012

It’s been quite some time since I’ve done an Oscar History post (about two and a half years) and I’m at 2012. It was a year in which Seth MacFarlane hosted the show – fresh off his comedy smash Ted. Here’s what transpired in the major categories with some other pictures and performers I might have considered:

The year saw nine nominees for Best Picture in which Ben Affleck’s Argo took the top prize. Other nominees: Amour, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Silver Linings Playbook (my personal favorite of the year), and Zero Dark Thirty. 

Many Wes Anderson fans would contend that Moonrise Kingdom should have made the cut. And I could certainly argue that The Avengers (perhaps the greatest comic book flick and the year’s biggest grosser) was worth a nod.

The nominations in Best Director were a huge surprise at the time. While Argo won the top prize of all, Affleck was not nominated for his behind the camera efforts. It was the first time since Driving Miss Daisy‘s Bruce Beresford where an Oscar-winning Picture didn’t see its filmmaker nominated.

Instead it was Ang Lee who was victorious for Life of Pi over Michael Haneke (Amour), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), and Benh Zeitlin (Beasts of the Southern Wild).

In addition to Affleck, it was surprising that Kathryn Bigelow (Zero Dark Thirty) was not included. And I certainly would have put in Tarantino for Django.

The race for Best Actor seemed over when the casting of Daniel Day-Lewis as Abraham Lincoln was announced. And that’s exactly how it played out as he won his third Oscar over a strong slate of Bradley Cooper (Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).

The exclusion of John Hawkes in The Sessions could have been welcomed, but I’ll admit that’s a solid group.

Jennifer Lawrence won Best Actress for Silver Linings over Jessica Chastain (Zero Dark), Emmanuelle Riva (Amour), Quvenzhane Wallis (Beasts), and Naomi Watts (The Impossible).

Again, no major qualms here. I did enjoy the work of Helen Mirren in Hitchcock (for which she did get a Golden Globe nod).

Supporting Actor was competitive as Christoph Waltz won his second statue for Django (three years after Inglourious Basterds). He was a bit of a surprise winner over Tommy Lee Jones in Lincoln. Other nominees: Alan Arkin (Argo), Robert De Niro (Playbook), and Philip Seymour Hoffman (The Master).

Here’s a year where there’s a lot of others I thought of. Waltz won, but I think the work of Leonardo DiCaprio and Samuel L. Jackson in Django was equally impressive. There’s Javier Bardem as one of the greatest Bond villains ever in Skyfall. Or John Goodman’s showy role in Flight. As for some other blockbusters that year, how about Tom Hiddleston in The Avengers or Matthew McConaughey in Magic Mike? And my favorite comedic scene of that year was due to Giovanni Ribisi in Ted…

https://www.youtube.com/watch?v=Rw-EoS3td0c

In Supporting Actress, Anne Hathaway was a front-runner for Les Miserables and there was no upset. Other nominees: Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), and Jacki Weaver (Playbook).

https://www.youtube.com/watch?v=86lczf7Bou8

Judi Dench had more heft to her part as M in Skyfall that year and I’ll also give a shout-out to Salma Hayek’s performance in Oliver Stone’s Savages.

And there’s your Oscar history for 2012! I’ll have 2013 up… hopefully in less than two and a half years!