Tag: The Holdovers

A Killer Development in Best Actress

Last year, the Best Supporting Actress race was upended when it was announced that Michelle Williams of Steven Spielberg’s The Fabelmans would be campaigned for in the lead Actress competition. Williams was seen as the strong frontrunner in the supporting field. Her placement in the more crowded Actress derby took her from a predicted winner to a question mark as to whether she’d even make the final five. She did, but lost to Michelle Yeoh in Everything Everywhere All at Once and she was never looked at as a threat to win. Her omission from the supporting category made it a wide open race where Jamie Lee Curtis (also from Everything Everywhere) eventually prevailed.

And now… history repeats itself. In each one of my predictions for the 96th Academy Awards this year, I have had Lily Gladstone listed #1 in Supporting Actress for Martin Scorsese’s Killers of the Flower Moon. Ever since it premiered at Cannes (before its October 20th domestic bow), reviews have indicated she’s a standout performance among heavy hitters like Leonardo DiCaprio, Robert De Niro, and Jesse Plemons. Like Williams, she was a heavy favorite for supporting. And just like Williams, there’s now an announcement that Gladstone will vie for Best Actress.

What’s it mean? Let’s start with Supporting Actress. With Gladstone out, it is now an uncertain race with no frontrunner. One could emerge when The Color Purple premieres with either Danielle Brooks (who I’ve consistently had ranked second) or Taraji P. Henson (who’s often been third). It potentially opens the door for Emily Blunt to not only nab her first nom for Oppenheimer, but maybe make it to the stage. It also increases the chances for hopefuls like Da’Vine Joy Randolph (The Holdovers), Viola Davis (Air), Jodie Foster (Nyad), Sandra Hüller (The Zone of Interest), or Penelope Cruz (Ferrari) to get in.

As for Best Actress, I believe Gladstone ends up in the grouping. Yet she might not be the automatic favorite like she was in supporting. Emma Stone (Poor Things) and Sandra Hüller (Anatomy of a Fall) are serious competitors. Fantasia Barrino from The Color Purple could be as well. And there’s Carey Mulligan (Maestro), Margot Robbie (Barbie), Greta Lee (Past Lives), Annette Bening (Nyad), Natalie Portman (May December), and Cailee Spaeney (Priscilla) to consider. In other words (like Williams), Gladstone has made her road to gold tougher though still achievable.

When I update my Oscar predictions this weekend, you can expect to see Gladstone in the Actress five. Whether she’s #1 like she’s been in supporting is very much still in question.

Oscars 2023: The State of the Best Picture Race (September 18th)

My closer looks at six high profile races for the 96th Academy Awards culminates with, of course, Best Picture. If you missed my posts over the last few days on the four acting derbies and Best Director, you can access them here:

Oscars 2023: The State of the Best Director Race (September 17th Edition)
Oscars 2023: The State of the Best Actress Race (September 14th)
Oscars 2023: The State of the Best Actor Race (September 12th)
Oscars 2023: The State of the Supporting Actress Race (September 10th)
Oscars 2023: The State of the Supporting Actor Race (September 7th)

Since my last look at the BP race on August 28th, we have experienced the Venice, Toronto, and Telluride Film Festivals. They have provided lots of information as to whether certain contenders are legit or not so much.

That said, it has not changed my top 2 selections of Killers of the Flower Moon and Oppenheimer. I have, on the other hand, switched Oppenheimer to first place with Moon in the runner-up spot.

The movie that rose the most of my predicted group is Poor Things, which won the Venice Film Festival and positioned itself as a serious threat to take the top prize. It vaults six spots from 9th to 3rd.

Then there’s American Fiction. Just yesterday, it received the People’s Choice Awards at Toronto. As I discussed yesterday on the blog, 14 of the past 15 winners of that honor ended up nabbing a BP nom. Fiction is still a coin toss in my view. At the moment, I’m including it in the selected ten. Same goes for The Holdovers which was first runner-up for People’s Choice. Those TIFF favorites are in at the expense of The Zone of Interest and Air.

I am winnowing the possible nominees from 25 to 15 and here’s where I have the BP standings post festivals:

Predicted Nominees

1. Oppenheimer (Previous Ranking: 2) (+1)

2. Killers of the Flower Moon (PR: 1) (-1)

3. Poor Things (PR: 9) (+6)

4. Past Lives (PR: 3) (-1)

5. Barbie (PR: 8) (+3)

6. Anatomy of a Fall (PR: 7) (+1)

7. The Color Purple (PR: 4) (-3)

8. The Holdovers (PR: 12) (+4)

9. Maestro (PR: 5) (-4)

10. American Fiction (PR: Not Ranked)

Other Possibilities:

11. The Zone of Interest (PR: 6) (-5)

12. Air (PR: 10) (-2)

13. Origin (PR: 24) (+11)

14. Spider-Man: Across the Spider-Verse (PR: 13) (-1)

15. Napoleon (PR: 14) (-1)

Dropped Out:

Saltburn

Ferrari

The Killer

May December

Asteroid City

One Life

Next Goal Wins

Rustin

The Nickel Boys

Dumb Money

The Book of Clarence

Oscar Predictions: American Fiction

Awards prospects for Cord Jefferson’s American Fiction rose precipitously today as it won the People’s Choice Award at the Toronto Film Festival. Per a previous post hours ago, that particular honor has been a major harbinger for a Best Picture nomination at the Oscars. How much so? 14 of the past 15 recipients have achieved a BP nod and five have taken the prize.

Fiction marks the directorial debut of Jefferson and the race relations dramedy is led by Jeffrey Wright. Based on buzz from up north, the actor could absolutely snag a spot in Best Actor. Yet as I’ve mentioned before, that is a stacked race that includes hopefuls like Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Bradley Cooper (Maestro), and Paul Giamatti (The Holdovers).

The supporting cast includes Tracee Ellis Ross, Erika Alexander, Leslie Uggams, Sterling K. Brown, John Ortiz, Issa Rae, Adam Brody, and Keith David. It’s likely Wright (vying for his first nomination) is the feasible nominee if he can break through the crowded pack.

Adapted Screenplay might be the best bet for inclusion, but I can’t stress enough how major the TIFF People’s Choice victory is. Expect it to materialize in lots of BP top tens starting today and I very well may follow suit in my imminent update. My Oscar Prediction posts will continue…

Oscars 2023: The State of the Best Director Race (September 17th Edition)

My closer look at six high profile races for the 96th Academy Awards arrives at Best Director. If you missed my posts covering the four acting derbies, you can peruse them here:

Oscars 2023: The State of the Best Actress Race (September 14th)
Oscars 2023: The State of the Best Actor Race (September 12th)
Oscars 2023: The State of the Supporting Actress Race (September 10th)
Oscars 2023: The State of the Supporting Actor Race (September 7th)

As I have with those categories, I am winnowing the field of my predicted nominees from 15 possibilities to 10. At the moment, I believe Christopher Nolan (Oppenheimer) and Martin Scorsese (Killers of the Flower Moon) are guaranteed slots with Yorgos Lanthimos (Poor Things) darn close to wrapping up one himself.

After that, there are plenty of hopefuls vying for the two spots. I do believe two females could populate them via some combo of Celine Song (Past Lives), Greta Gerwig (Barbie), Justine Triet (Anatomy of a Fall), and Ana DuVernay (Origin).

We also have Bradley Cooper (Maestro), Jonathan Glazer (The Zone of Interest), and Alexander Payne (The Holdovers) as strong possibilities. Perhaps even Cord Jefferson (director of freshly minted Toronto Film Festival People Choice’s winner American Fiction) could make a run.

And there’s the unseen contenders in Blitz Bazawule (The Color Purple) and Ridley Scott (Napoleon).

Lots to ponder and there are now three new players in my final quintet compared to my previous predictions on August 28th. Here’s where I have the race standing at the moment:

Predicted Nominees

1. Christopher Nolan, Oppenheimer (Previous Ranking: 2) (+1)

2. Martin Scorsese, Killers of the Flower Moon (PR: 1) (-1)

3. Yorgos Lanthimos, Poor Things (PR: 9) (+6)

4. Greta Gerwig, Barbie (PR: 7) (+3)

5. Justine Triet, Anatomy of a Fall (PR: 6) (+1)

Other Possibilities:

6. Jonathan Glazer, The Zone of Interest (PR: 5) (-1)

7. Alexander Payne, The Holdovers (PR: 12) (+5)

8. Celine Song, Past Lives (PR: 3) (-5)

9. Bradley Cooper, Maestro (PR: 5) (-4)

10. Blitz Bazawule, The Color Purple (PR: 8) (-2)

Dropped Out:

Emerald Fennell, Saltburn

Ridley Scott, Napoleon

Michael Mann, Ferrari

David Fincher, The Killer

Wes Anderson, Asteroid City

Best Picture is up next!

Toronto Gets Real About American Fiction

The Toronto Film Festival has wrapped and our friends up north have bestowed their People Choice’s Award along with the first and second runner-ups. Just how important is this prize in correlating to a Best Picture spot at the Oscars? Let’s go to the numbers and they’re telling.

Of the last 15 People’s Choice winners from TIFF, 14 received a BP nomination and 5 of them ultimately took the big prize: 2008’s Slumdog Millionaire, 2010’s The King’s Speech, 2013’s 12 Years a Slave, 2018’s Green Book, and 2020’s Nomadland.

When it comes to the 1st and 2nd runners-up, 10 of them in the past 15 cycles have received BP attention. That includes three winners in 2012’s Argo, 2015’s Spotlight, and 2019’s Parasite.

So… it’s a key harbinger to Academy attention. And that’s why it’s a tad surprising that Cord Jefferson’s directorial debut American Fiction is the pick. That’s not because it didn’t get great reviews (it’s at 96% via 24 write-ups on RT). It just snuck up on prognosticators like myself with the TIFF love (there’s not even a trailer yet). The dramedy focused on race relations is now undeniably a factor in awards discussions as it moves towards its November 3rd debut. Jeffrey Wright’s lead performance and the Adapted Screenplay are also in the mix for attention.

The first runner-up, unsurprisingly, is Alexander Payne’s The Holdovers (which many were picking to receive People’s Choice). For Payne, it’s looked at as a return to form after his underwhelming predecessor Downsizing in 2017. This 1970s set Christmas tale appears poised for possible nods in BP (joining earlier Payne efforts Sideways, The Descendants, and Nebraska) and Paul Giamatti and Da’Vine Joy Randolph, and certainly Original Screenplay.

The Boy and the Heron is Hayao Miyazaki’s latest acclaimed animated feature which opened TIFF. It’s pretty much a given that this will contend in Best Animated Feature though it could be a tall order to overcome frontrunner Spider-Man: Across the Spider-Verse.

Here are the facts: TIFF has boosted Fiction in a serious way. Keep an eye on the blog for further Oscar Predictions updates!

Oscar Predictions: Dream Scenario

Kristoffer Borgli’s dark comedy Dream Scenario premiered at the Toronto Film Festival prior to its November 10th theatrical release. The A24 effort casts Nicolas Cage as a nerdy professor who inexplicably starts showing up in people’s dreams. Julianne Nicholson, Michael Cera, Tim Meadows, Dylan Gelula, and Dylan Baker costar.

The Dream reviews are mostly on the plus side with an 84% Rotten Tomatoes rating. There’s really only two categories where I see Oscar possibilities. Mr. Cage is being praised for his work. He could be in line for a third Best Actor nod behind 1995’s Leaving Las Vegas (for which he won) and 2002’s Adaptation. He likely came close to his third nod for 2021’s Pig. Yet as I’ve already discussed on this blog, there’s a quintet of contenders who already look strong in the race. That would be Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Bradley Cooper (Maestro), Colman Domingo (Rustin), and Paul Giamatti (The Holdovers). It almost seems too easy, right? That’s why I figure at least one of those gentlemen get snubbed. Cage could fill the gap, but there’s other hopefuls in the mix. I think his chances to be named in the Musical/Comedy competition at the Golden Globes is stronger.

Original Screenplay is feasible and perhaps even more so if A24 campaigns hard for it. Nominations in those two derbies are the dream scenario with the Academy. My Oscar Prediction posts will continue…

Oscars 2023: The State of the Best Actor Race (September 12th)

At this impossibly early stage of the Oscar predicting calendar, one could actually make a decent argument that the final five of the Best Actor category could be set. That might seem like a silly thing to say, but it’s entirely possible that the quintet I have ranked 1-5 end up being the contenders. We have arrived at the leading gentlemen in my deep dives into six major categories at the 96th Academy Awards. If you missed my write-ups on the supporting derbies, you can access them here:

Oscars 2023: The State of the Supporting Actor Race (September 7th)
Oscars 2023: The State of the Supporting Actress Race (September 10th)

The Venice and Telluride fests and the ongoing one in Toronto have shed light on some hopefuls and increased their chances. They’ve also winnowed the field in my opinion. Adam Driver probably won’t be feted for Ferrari nor is Michael Fassbender looking likely for The Killer or Next Goal Wins. Barry Keoghan has a better shot than either of them for Saltburn, but the film’s divisive reaction may hurt him. On the other hand, Andrew Scott has established himself as a serious possibility for All of Us Strangers. So have Anthony Hopkins in One Life and (perhaps to a lesser degree) Jeffrey Wright for American Fiction.

Yet I can’t shake the strange feeling that the five might look like a combo of already screened and/or released titles (including one at Cannes). There’s Cillian Murphy for Oppenheimer and Leonardo DiCaprio in Killers of the Flower Moon. And the fests of the past few days have showcased the strong chances for Bradley Cooper (Maestro), Colman Domingo (Rustin), and Paul Giamatti (The Holdovers). That said, I’d say there’s not a clear frontrunner of the group.

It can’t be that simple, can it? Probably not. Yet it’s a sturdy group to bet on at the moment. We’re still waiting to see about Joaquin Phoenix as Napoleon or Kingsley Ben-Adir in Bob Marley: One Love. And perhaps Teo Yoo (Past Lives) or Matt Damon (Air) could materialize for the duo’s already released efforts.

I’m shortening my possible nominees from 15 to 10 and here’s my snapshot of the race right now!

Predicted Nominees:

1. Cillian Murphy, Oppenheimer (Previous Ranking: 1) (Even)

2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (+1)

3. Bradley Cooper, Maestro (PR: 2) (-1)

4. Colman Domingo, Rustin (PR: 4) (E)

5. Paul Giamatti, The Holdovers (PR: 6) (+1)

Other Possibilities:

6. Andrew Scott, All of Us Strangers (PR: Not Ranked)

7. Joaquin Phoenix, Napoleon (PR: 9) (+2)

8. Anthony Hopkins, One Life (PR: 8) (E)

9. Barry Keoghan, Saltburn (PR: 5) (-4)

10. Teo Yoo, Past Lives (PR: 7) (-3)

Dropped Out:

Kingsley Ben-Adir, Bob Marley: One Love

Michael Fassbender, Next Goal Wins

Adam Driver, Ferrari

Matt Damon, Air

David Strathairn, A Little Prayer

Koji Yakusho, Perfect Days

Best Actress is up next!

Oscar Predictions: One Life

One Life has had its world premiere at the Toronto Film Festival as it seeks one nomination in particular from awards voters. From director James Hawes, it stars Anthony Hopkins as the real-life rescuer of Jewish children before the atrocities of the Holocaust. Johnny Flynn plays the hunger version of his character with Helena Bonham Carter, Lena Olin, and Jonathan Pryce in the supporting cast.

Early reviews put it at 86% on Rotten Tomatoes. The stateside release date is TBD though it should be out by year’s end. The bulk of the reaction indicates this is not a BP contender. However, much praise is being heaped on Hopkins. This seems like the type of role that might be bait for the Academy.

As has been discussed in the past couple of weeks, the lead actor race is shaping up to be a barnburner. Surefire contenders (to name just five) include Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Bradley Cooper (Maestro), Colman Domingo (Rustin), and Paul Giamatti (The Holdovers). Had Hopkins not won Best Actor just three years ago for The Father (his second after 1991’s The Silence of the Lambs), I might list him with that quintet. As of now, he could get in but I think he’s on the outside. My Oscar Prediction posts will continue…

Oscars 2023: The State of the Supporting Actress Race (September 10th)

My deeper dives into big races at the Oscars arrives at Supporting Actress. If you didn’t catch my take on where Supporting Actor, you can access it here:

Oscars 2023: The State of the Supporting Actor Race (September 7th)

The Telluride and Venice and ongoing Toronto Film Festivals have helped shed some light on various hopefuls. Penelope Cruz helped herself with the Ferrari bow in Venice. Jodie Comer could be a factor for The Bikeriders (though she could also be campaigned for in lead).

One thing remains the same and has since Cannes. Lily Gladstone’s performance in Martin Scorsese’s Killers of the Flower Moon looks like a serious frontrunner. Obviously this could change as more pictures screen. The Color Purple, for example, has plenty of possibilities (Danielle Brooks, Taraji P. Henson, Halle Bailey).

We have gotten some news during festival season in that Sandra Hüller will be showcased here for The Zone of Interest. However, she’s more likely to make the Actress cut for Anatomy of a Fall.

At this stage of the predicting game, I’m shortening my possible nominees from 15 to 10. Here’s my snapshot of where I believe we are now:

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (Previous Ranking: 1) (Even)

2. Danielle Brooks, The Color Purple (PR: 2) (E)

3. Taraji P. Henson, The Color Purple (PR: 3) (E)

4. Da’Vine Joy Randolph, The Holdovers (PR: 6) (+2)

5. Emily Blunt, Oppenheimer (PR: 4) (-1)

Other Possibilities:

6. Viola Davis, Air (PR: 5) (-1)

7. Penelope Cruz, Ferrari (PR: 12) (+5)

8. Jodie Foster, Nyad (PR: 10) (+2)

9. Julianne Moore, May December (PR: 8) (-1)

10. Jodie Comer, The Bikeriders (PR: Not Ranked)

Dropped Out:

Rosamund Pike, Saltburn

Aunjanue Ellis-Taylor, The Nickel Boys

Helena Bonham-Carter, One Life

Claire Foy, All of Us Strangers

Vanessa Kirby, Napoleon

Niecy Nash-Betts, Origin

Best Actor is up next!

Oscars 2023: The State of the Supporting Actor Race (September 7th)

Beginning today, I’m taking a deeper dive into the six major categories for the 96th Academy Awards slated for March 2024. Ardent readers of this here blog know that I typically update my predictions every 10-14 days.

Yet there’s been some major developments in the past week and there will be more in the week or so to come. The Telluride Film Festival just happened. Venice is ongoing and Toronto starts tonight. In other words, a whole bunch of Oscar hopefuls have just screened or are about to screen.

So for these closer looks at the four acting derbies, Best Director, and Best Picture – I’m obviously keeping all that in mind with the heavy buzz emanating from Colorado, Italy, and Ontario.

We begin with Supporting Actor. In this competition, 3 of the biggest contenders saw their movies released (or screen) prior to the September trio of festivals. Robert Downey Jr. (Oppenheimer) and Ryan Gosling (Barbie) are, of course, part of the Barbenheimer phenomenon. Both appear highly likely to be nominated. I could see a narrative develop where Downey Jr. is honored for his body of work (in addition to his strong work in the film itself) and ends up taking the trophy. This would mark his third nom after 1992’s Chaplin and 2008’s Tropic Thunder. He’s currently my #1.

A similar victory could happen with Robert De Niro for Killers of the Flower Moon (which first screened at Cannes in May). The acting legend is a two-time Oscar winner, but it’s been 43 years since he took the lead prize for Raging Bull. You have go back to 49 years for his first statue in Supporting for The Godfather Part II. A Downey Jr. or De Niro statue could be contingent on which of their movies wins BP (if one of them does). The momentum from the top prize could dwindle down to either one of them.

Before its rapturous unveiling at Venice, there was uncertainty as to whether Mark Ruffalo or Willem Dafoe would be Fox Searchlight’s strongest contender for Poor Things. The answer might be both. Ruffalo could have the slight edge, but both could make the dance. That wouldn’t be all that surprising. Three of the past four Supporting Actor quintets have seen double nominees from the same feature – The Irishman in 2019 for Al Pacino and Joe Pesci, The Power of the Dog in 2021 for Jesse Plemons and Kodi Smit-McPhee, and last year for The Banshees of Inisherin with Brendan Gleeson and Barry Keoghan. It’s worth mentioning that none of the six nominees took the prize.

Speaking of double nominees, it isn’t out of the question that the aforementioned Plemons could materialize for Flower Moon. Same goes for Matt Damon in Oppenheimer. I suspect they ultimately don’t make it.

Past Lives is an acclaimed drama that seems destined for a BP spot. John Magaro is sure to be placed here and he could absolutely get into the final five. There is a question as to whether his costar Teo Yoo is campaigned for in lead or here. I’ve got him in the former as of now.

If Air overperforms, I wouldn’t totally discount Ben Affleck (he’s never had an acting mention). Glenn Howerton in BlackBerry has drawn plenty of raves. He’ll win some critics prizes and could be a trendy pick for inclusion. Charles Melton was singled out for his work alongside Natalie Portman and Julianne Moore at Cannes.

Dominic Sessa could see himself in for The Holdovers (especially if Alexander Payne dramedy’s cast mates Paul Giamatti and Da’Vine Joy Randolph make their categories).

The Maestro acting campaigns should go to Carey Mulligan and Bradley Cooper in lead and not Matt Bomer. Saltburn reactions suggest any attention will go to star Barry Keoghan and not Richard E. Grant.

And there are unseen hopefuls in the wings. Colman Domingo in The Color Purple immediately comes to mind. His nom might not happen because he’s almost surely going to make the lead Actor’s five with Rustin.

So where’s that leave us? I’m shortening my possible nominees from 15 to 10 and here’s my snapshot of the race right now!

Predicted Nominees

1. Robert Downey Jr., Oppenheimer (Previous Ranking: 1) (Even)

2. Robert De Niro, Killers of the Flower Moon (PR: 2) (E)

3. Ryan Gosling, Barbie (PR: 3) (E)

4. Mark Ruffalo, Poor Things (PR: Not Ranked)

5. John Magaro, Past Lives (PR: 4) (-1)

Other Possibilities:

6. Willem Dafoe, Poor Things (PR: 6) (E)

7. Charles Melton, May December (PR: 5) (-2)

8. Colman Domingo, The Color Purple (PR: 7) (-1)

9. Glenn Howerton, BlackBerry (PR: 8) (-1)

10. Dominic Sessa, The Holdovers (PR: 9) (-1)

Dropped Out:

Jesse Plemons, Killers of the Flower Moon

Ben Affleck, Air

Matt Bomer, Maestro

Matt Damon, Oppenheimer

Richard E. Grant, Saltburn

Glynn Turman, Rustin

Supporting Actress is up next!