As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. The first entry in the biggest race of all is Bugonia from Yorgos Lanthimos.
The Case for Bugonia:
The latest critically acclaimed multi-genre oddity from Yorgos Lanthimos made the Best Picture cut at the key precursors – Golden Globes, Critics Choice, Producers Guild. Oscar voters clearly like the filmmaker as this is his third feature up for BP (2019’s The Favourite, 2023’s Poor Things).
The Case Against Bugonia:
It has four total nominations. In addition to Picture, there’s Emma Stone in Actress, Adapted Screenplay, and Original Score. That’s tied with three other BP hopefuls for the fewest mentions. There have been no signature victories in previous ceremonies. With four nods, there’s obviously some notable misses including Lanthimos in Director and Jesse Plemons in Actor.
The Verdict:
The Favourite and Poor Things didn’t nab BP, but both of their leading ladies (Olivia Colman and Stone respectively) made podium walks and Things took home some tech prizes. Each of those contending features was in the top 5 of their top 10 BP class. Bugonia is in the bottom 5 and not really a threat to win anything on Oscar night.
My Case Of posts will continue with our second BP nominee, F1…
As October draws to a close, it’s time for a deep dive into the Best Picture race with two months left in the release calendar. I’ve done the same with the directing competition and the four acting derbies. If you missed those write-ups over the past few days, you can access them here:
I published my first preview of the Best Picture field on April 17th. In that post, I listed my initial predictions for the 10 BP hopefuls along with 15 other possibilities . At that impossibly early stage of the game, my selections were:
After the Hunt
Avatar: Fire and Ash
Hamnet
Jay Kelly
The Life of Chuck
Marty Supreme
No Other Choice
The Rivals of Amziah King
Sentimental Value
Wicked: For Good
Other Possibilities:
Alpha
Ballad of a Small Player
Bugonia
Die, My Love
F1
Frankenstein
Highest 2 Lowest
Kiss of the Spider Woman
Materialists
Michael
One Battle After Another
Sinners
The Smashing Machine
Springsteen: Deliver Me from Nowhere
The Testament of Ann Lee
Let’s dispense with the movies that are no longe viable. The Rivals of Amziah King and Michael will be 2026 releases. The following titles did not get solid enough reviews, box office, or a combo of both to truly be threats: After the Hunt (which I initially had ranked at #1 back in the spring), The Life of Chuck, (despite winning the 2024 Audience Award at the Toronto Film Festival), Alpha, Ballad of a Small Player, Die, My Love (though Jennifer Lawrence could contend in Actress), F1 (which was a critically appreciated hit and could nab some tech nods), Highest 2 Lowest, Kiss of the Spider Woman (perhaps Jennifer Lopez can sneak in Supporting Actress), Materialists, and The Smashing Machine.
Springsteen: Deliver Me from Nowhere and The Testament of Ann Lee aren’t dead in the water, but the former is a sizable box office disappointment with some less than stellar reviews and the latter is perhaps too divisive. Their leads Jeremy Allen White and Amanda Seyfried have healthier chances in the lead acting contests.
So let’s get into the 11 of the 25 aforementioned titles that do still have a decent chance and a few others worthy of mention.
The soft frontrunner appears to be Paul Thomas Anderson’s One Battle After Another with its multiple acting contenders and some of the highest critical praise of the year. Even though it disappointed a bit at the box office, the Cinemascore grade of A indicates it would be a satisfactory audience choice for voters to select. Plus PTA is generally seen as overdue for Academy affection.
Its biggest competition could be Hamnet from Chloé Zhao, who picked up a directorial prize and a BP win for 2020’s Nomadland. History could repeat five years later for her heralded historical drama.
I’m also confident that Ryan Coogler’s Sinners, the vampiric financial smash from the spring, will be remembered on BP ballots even though horror flicks often have a hard time breaking through. This should be a welcome exception.
Joachim Trier’s family drama Sentimental Value is a festival darling that has enough goodwill to make the BP cut.
Two upcoming releases have their review embargoes intact but have screened to encouraging word-of-mouth: Josh Safdie’s Marty Supreme (where Timothée Chalamet appears to be a Best Actor favorite) and Wicked: For Good, part two to Wicked which garnered BP and other nominations last year. Both should find themselves among the ten.
That’s six pics (One Battle After Another, Hamnet, Sinners, Sentimental Value, Marty Supreme, Wicked: For Good) that I’m confident are in. Twelve others are jockeying for the four additional slots.
I’ve had Guillermo del Toro’s Frankenstein in and out of my lineup at various times. I’m becoming more convinced it could be Netflix’s best chance in BP.
An argument could easily be made that the streamer’s Jay Kelly from Noah Baumbach is their strongest horse with its Hollywood friendly storyline. Some reviews have been lukewarm, but I still am leaning toward it placing in the 10.
To close the Netflix loop, Train Dreams has its ardent admirers and I wouldn’t totally discount it. Kathryn Bigelow’s A House of Dynamite seems to be fizzling a tad due to some ambivalent audience reaction, but a rebound is not out of the question.
Avatar: Fire and Ash looks to follow in the footsteps of its two predecessors. Having it in or near the selected 10 seems like a smart move but screenings will soon tell the tale.
Jafar Panahi’s It Was Just an Accident from Neon took the Palme d’Or at Cannes and I’m increasingly confident it’ll be an international contender in its own race and BP (like Neon’s Sentimental Value).
The Secret Agent (Neon) and No Other Choice (Neon) could accomplish the same dual noms though it’s rare for more than two international submissions to get into the big dance. And not every Neon distributed foreign title can make the list… can they?
Bugonia from Yorgos Lanthimos may be a touch too oddball for BP though I’d be careful to dismiss the latest from The Favourite and Poor Things maker.
Richard Linklater’s has had an impressive year with Blue Moon and Nouvelle Vague though I’m guessing neither are real threats.
Finally, Song Sung Blue (out Christmas) is said to be a crowdpleaser and Kate Hudson is a possibility in Best Actress. A Musical/Comedy BP spot at the Globes seems more feasible than Academy love.
Keep an eye on the blog with updated rankings on BP and all other feature film races hitting shortly!
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and continues today with Supporting Actress. If you missed my write-up on Supporting Actor, you can find it here:
I published my first preview of the Supporting Actress field on April 6th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Ayo Edebiri, After the Hunt
Ariana Grande, Wicked: For Good
Angelina LookingGlass, The Rivals of Amziah King
Gwyneth Paltrow, Marty Supreme
Teyana Taylor, One Battle After Another
Let’s dispense with a couple of those names. Angelina LookingGlass’s heralded work in The Rivals of Amziah King has not been scheduled for 2025. At this point, I’m assuming it will come out in 2026.
After the Hunt has lost its awards luster after a poor commercial and critical reaction. While her costar Julia Roberts may have a long shot chance at making the Actress cut, I don’t see the same for Edebiri.
The other three names are very much viable. Ariana Grande was nominated last year as Glinda the Good Witch and was probably runner-up to Zoe Saldaña (Emilia Pérez). While For Good has yet to screen, it stands to reason that she could make a return to the lineup. I’ve had her ranked first the whole year and we’ll see if that remains when word-of-mouth comes in.
Teyana Taylor’s performance dominates the first third of One Battle After Another (arguably the BP frontrunner). That should be enough for her to be the most likely Supporting Actor nominee in the film and we’ll get to Regina Hall shortly.
Gwyneth Paltrow is not a guaranteed competitor like her costar Timothée Chalamet is in lead actor. However, her work in Marty Supreme is definitely viable in this unformed race. The same could be said for her costar Odessa A’Zion though I’d put Paltrow ahead.
My 10 other possibilities that I listed back in April are:
Emily Blunt, The Smashing Machine
Glenn Close, Wake Up Dead Man: A Knives Out Mystery
Laura Dern, Jay Kelly
Elle Fanning, Sentimental Value
America Ferrera, The Lost Bus
Regina Hall, One Battle After Another
Greta Lee, Late Fame
Nia Long, Michael
Jennifer Lopez, Kiss of the Spider Woman
Emily Watson, Hamnet
Let’s start with Regina Hall. When it was announced that Chase Infiniti would compete in lead Actress for Battle, it opened the door for Hall. I maintain that she’s behind her costar Taylor. I currently have her on the outside looking in, but wouldn’t be surprised if she hears her name called. In the 21st century, we’ve seen double nominees in this category 10 out of 25 times. The last example was 2022 when Jamie Lee Curtis won for Everything Everywhere All at Once while her cast mate Stephanie Hsu was also up. The other times were as follows:
2000: Frances McDormand and Kate Hudson, Almost Famous
2001: Helen Mirren and Maggie Smith, Gosford Park
2002: Catherine Zeta-Jones (winner) and Queen Latifah, Chicago
2006: Adriana Barraza and Rinko Kikuchi, Babel
2008: Amy Adams and Viola Davis, Doubt
2009: Vera Farmiga and Anna Kendrick, Up in the Air
2010: Melissa Leo (winner) and Amy Adams, The Fighter
2011: Octavia Spencer (winner) and Jessica Chastain, The Help
2018: Emma Stone and Rachel Weisz, The Favourite
Another possibility of two nominees from the same pictures lies with Elle Fanning (Sentimental Value) and her costar Inga Ibsdotter Lilleass. The former seems marginally more likely but Lilleass is absolutely a threat to make the quintet.
A third possibility of two actresses from one feature is Wunmi Mosaku and Hailee Steinfeld from Sinners. That’s a more remote possibility and the film would really have to over perform for either to get in.
Back to those 10 other possibilities. Michael was pushed to 2026 so there goes Nia Long. Laura Dern, America Ferrera, Greta Lee and Emily Watson are all long shots at best after their movies screened. For Dern and Watson, they could see some of their costars nominated.
Emily Blunt could factor in if she manages SAG or Critics Choice or a Globe nod. Yet The Smashing Machine was a major box office flop and that doesn’t help. The same logic applies to Jennifer Lopez for Kiss of the Spider Woman.
Glenn Close is arguably considered the best thespian who hasn’t won an Oscar despite eight attempts. That could help her cause in Rian Johnon’s latest murder mystery, but none of the actors from Knives Out and Glass Onion made it despite respective buzz for Ana de Armas and Janelle Monae.
One name not on my radar in April was Amy Madigan in Weapons. The summer sleeper gave the veteran actress an unforgettably creepy role that should inspire many a Halloween costume next week. I’m starting to really think she could find herself in the quintet.
So there you have it, readers! I would say Grande, Taylor, Fanning, Lilleass, Madigan, Paltrow and Hall are the seven likeliest contestants with potential surprises including Close, Lopez, Blunt and Mosaku. I will zone in on Best Actor in the next write-up!
Let’s start with a major caveat as my Oscar Prediction posts from the Venice, Telluride, and Toronto Film Festivals kick off in earnest on this blog. Sometimes buzz emanating from these extravaganzas can be misleading. Initial word-of-mouth can make it seem like a particular film is a slam-dunk for awards consideration. On the flip side, mixed reaction can appear to doom a pic’s prospects and then it rallies upon wide release.
Venice started yesterday, Telluride begins tomorrow, and Toronto gets underway in a week. You can anticipate a lot of write-ups in the coming days. One of the more high-profile titles has screened in Italy and that’s Bugonia from Yorgos Lanthimos. A remake of the 2003 South Korean sci-fi satire Save the Green Planet!, the director’s regulars Emma Stone and Jesse Plemons headline. The supporting cast includes Aidan Delbis, Stavros Halkias, and Alicia Silverstone. It releases domestically on October 24th.
At a quick glance, the 100% Rotten Tomatoes meter (based on 13 reviews) and 82 on Metacritic indicates another massive Oscar player on the level of Lanthimos’s The Favourite and Poor Things. And that could hold true. A deeper dive into the critical takes makes me question whether it makes the Best Picture cut like the aforementioned efforts. I have had Bugonia in my top ten BP contenders for a number of weeks. I will say that, right now, I’m unsure whether it stays there.
Inclusion in BP may dictate whether Stone and Plemons make the cut in their lead categories. They could do it without the movie getting in the biggest race, but it makes it tougher. Right now it seems that Stone might have the edge if only one gets in. That dynamic might shift depending on how crowded the lead derbies become. Of all the major categories, Adapted Screenplay could be the strongest possibility. Film Editing, Cinematography, and Original Score are all feasible in the down-the-line competitions. My Oscar Prediction posts will continue…
Three years ago at the Sundance Film Festival, Sophie Hyde premiered her dramedy Good Luck to You, Leo Grande where Emma Thompson earned an Actress (Musical or Comedy) nom. It also rounded up a few BAFTA mentions. In 2025, the writer/director is back in Park City with Jimpa. Olivia Colman stars as a mom taking her non-binary teen to visit their gay grandpa (or Jimpa) in Amsterdam. John Lithgow is the title character with newcomer Aud Mason-Hyde as the teen. Costars include Tilda Cobham-Hervey, Daniel Henshall, Kate Box, Eamon Farren, and Zoë Love Smith.
Colman had a four year Oscar run where she achieved 3 nominations: 2018’s The Favourite (where she won), 2020’s The Father in supporting, and 2021’s The Lost Daughter in lead. Lithgow nabbed back-to-back mentions in Supporting Actor over four decades ago with 1982’s The World According to Garp and 1983’s Terms of Endearment (winning neither). Both of these roles seem like Academy bait.
However, initial reaction is mixed with 67% on Rotten Tomatoes. Perhaps its eventual distributor will mount a campaign. Lithgow, in what’s said to be quite a revealing role, seems due for one. His turn in Conclave last year turned out not to be that part as costars Ralph Fiennes and Isabella Rossellini were the focal points. I’m just not convinced this’ll be a major awards player at all. My Oscar Prediction posts will continue…
The 2024 Venice Film Festival has wrapped production with a bit of a surprise ending. Pedro Almodóvar’s English language debut The Room Next Door has taken the Golden Lion (equivalent to Best Picture) in Italy. The relationship drama starring Julianne Moore and Tilda Swinton has received positive reviews (95% RT), but the general consensus is they might not have been strong enough for this particular prize.
What does that mean for its Oscar chances? Well, it certainly helps exposure prior to its December 20th limited stateside start and nationwide expansion in January. Five of the past seven Golden Lion recipients have ended up nabbing BP nods – The Shape of Water (winner), Roma, Joker, Nomadland (winner), and Poor Things.
Venice spreads the wealth when it comes to the victors. The Silver Lion designation (equivalent to Best Director) was bestowed to Brady Corbet for The Brutalist. The Holocaust survivor epic was the breakout of the fest with its awards possibilities going through the roof. It could become a major player at the 97th Academy Awards and Corbet’s inclusion here proves it. On the other hand, this was probably the betting odds favorite for the Lion and didn’t get there.
The Volpi Cups go to Actor and Actress. The former went to Vincent Lindon for The Quiet Son. It’s doubtful that he’ll be a factor in the Academy’s race. In the past decade, two Volpi Actor winners have garnered Oscar nods (Willem Dafoe for At Eternity’s Gate and Colin Farrell in The Banshees of Inisherin).
In Best Actress, the story could be different with Nicole Kidman being named for Babygirl. Seeking her sixth Academy nom, she was unable to accept the Venice award due to her mother’s passing. At the Oscars, Best Actress is starting to look crowded. Yet A24 is likely to mount a spirited campaign for the performer. Half of the previous the Actress honorees have made the Academy’s cut: winners Emma Stone (La La Land) and Olivia Colman (The Favourite) in addition to Vanessa Kirby (Pieces of a Woman), Penélope Cruz (Parallel Mothers), and Cate Blanchett (Tár).
Keep checking the blog for rolling awards coverage!
My latest round of Oscar predictions arrives at the midpoint of the Cannes Film Festival and the hoopla on the French Riviera has cleared up some lingering questions. Is Francis Ford Coppola’s decades in development sci-fi epic Megalopolis a contender? That answer appears to be no. Same goes for Paul Schrader’s Oh, Canada.
It gets a lot more uncertain after that. Andrea Arnold’s Bird has its fans and I do think its BP chances are intact. Category placement issues abound. I thought Barry Keoghan would be lead for Bird, but reaction suggests he’s supporting.
Then there’s Kinds of Kindness from Yorgos Lanthimos. The WOM for it suggests it definitely faces longer odds for Academy inclusion that his two predecessors The Favourite and Poor Things. That said, I wouldn’t totally discount it. I could see it generating a lone Original Screenplay nod. Right now I’m putting Emma Stone and Jesse Plemons in lead as possibilities and hopefully we’ll know soon if they’re being campaigned there or in supporting.
Furiosa: A Mad Max Saga also is behind its predecessor Mad Max: Fury Road in terms of possibilities. While it should land a few tech nods, BP and Director chances are feasible yet less than what happened nine years ago.
I would suggest that Jacques Audiard’s Emilia Pérez has done itself the most good at Cannes. The crowd-pleasing reaction has me elevating it into the top 10 in BP with Zoe Saldaña in Actress and Karla Sofia Gascón in Supporting Actress. In previous posts, I had those two performers in each other’s categories. It’s still not locked as to where they will be, but this is my best guess based on the information available.
In news not related to Cannes, it was announced that The Supremes at Earl’s All-You-Can-Eat will be a Hulu exclusive premiere. That would seem to take it out of contention at the Oscars.
I will likely have another update posted next weekend since more Cannes titles will be unveiled including Horizon: An American Saga and The Apprentice. Stay tuned, folks!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 2) (E)
3. Conclave (PR: 3) (E)
4. Sing Sing (PR: 4) (E)
5. Queer (PR: 5) (E)
6. The End (PR: 6) (E)
7. His Three Daughters (PR: 10) (+3)
8. Emilia Pérez (PR: Not Ranked)
9. The Piano Lesson (PR: 15) (+6)
10. The Apprentice (PR: 13) (+3)
Other Possibilities:
11. Joker: Folie à Deux (PR: 11) (E)
12. Nightbitch (PR: Not Ranked)
13. Bird (PR: 9) (-4)
14. Dídi (PR: 23) (+9)
15. Furiosa: A Mad Max Saga (PR: 14) (-1)
16. Horizon: An American Saga – Chapter 2 (PR: 12) (-4)
17. The Fire Inside (PR: 7) (-10)
18. Kinds of Kindness (PR: 8) (-10)
19. Hit Man (PR: 20) (+1)
20. A Real Pain (PR: 21) (+1)
21. Civil War (PR: 19) (-2)
22. Maria (PR: 17) (-5)
23. Gladiator II (PR: Not Ranked)
24. The Nickel Boys (PR: 18) (-6)
25. Here (PR: Not Ranked)
Dropped Out:
Megalopolis
The Supremes at Earl’s All-You-Can-Eat
Hard Truths
SNL 1975
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Luca Guadagnino, Queer (PR: 6) (+2)
5. Joshua Oppenheimer, The End (PR: 4) (-1)
Other Possibilities:
6. Azazel Jacobs, His Three Daughters (PR: 15) (+9)
7. Greg Kwedar, Sing Sing (PR: 10) (+3)
8. Jacques Audiard, Emila Pérez (PR: Not Ranked)
9. Todd Phillips, Joker: Folie á Deux (PR: 9) (E)
10. Ali Abbasi, The Apprentice (PR: 14) (+4)
11. Marielle Heller, Nightbitch (PR: Not Ranked)
12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: 12) (E)
13. Malcolm Washington, The Piano Lesson (PR: Not Ranked)
14. Andrea Arnold, Bird (PR: 5) (-9)
15. George Miller, Furiosa: A Mad Max Saga (PR: 11) (-4)
Dropped Out:
Yorgos Lanthimos, Kinds of Kindness
Rachel Morrison, The Fire Inside
Francis Ford Coppola, Megalopolis
Best Actress
Predicted Nominees:
1. Angelina Jolie, Maria (PR: 1) (E)
2. Saoirse Ronan, The Outrun (PR: 2) (E)
3. Natasha Lyonne, His Three Daughters (PR: 3) (E)
4. Amy Adams, Nightbitch (PR: 7) (+3)
5. Zoe Saldana, Emilia Pérez (PR: Not Ranked, moved from Supporting)
Other Possibilities:
6. Lady Gaga, Joker: Folie á Deux (PR: 5) (-1)
7. Tilda Swinton, The End (PR: 6) (-1)
8. Ryan Destiny, The Fire Inside (PR: 4) (-4)
9. Zendaya, Challengers (PR: 10) (+1)
10. Marianne Jean-Baptiste, Hard Truths (PR: 9) (-1)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Florence Pugh, We Live in Time (PR: 12) (E)
13. Anne Hathaway, Mother Mary (PR: 13) (E)
14. Noemie Merlant, Emmanuelle (PR: 15) (+1)
15. Emma Stone, Kinds of Kindness (PR: Not Ranked)
Dropped Out:
Karla Sofia Gascón, Emilia Pérez (moved to Supporting)
Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR 3) (E)
4. Sebastian Stan, The Apprentice (PR: 8) (+4)
5. André Holland, The Actor (PR: 5) (E)
Other Possibilities:
6. Glen Powell, Hit Man (PR: 7) (+1)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (-1)
8. John David Washington, The Piano Lesson (PR: 9) (+1)
9. George MacKay, The End (PR: 10) (+1)
10. Paul Mescal, Gladiator II (PR: Not Ranked)
11. Kevin Costner, Horizon: An America Saga – Chapter 2 (PR: 15) (+4)
12. Kinglsey Ben-Adir, Bob Marley: One Love (PR: 14) (+2)
13. Andrew Garfield, We Live in Time (PR: 13) (E)
14. Tom Hanks, Here (PR: Not Ranked)
15. Paul Bettany, The Collaboration (PR: 12) (-3)
Dropped Out:
Barry Keoghan, Bird (moved to Supportong)
Sebastian Stan, A Different Man
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 1) (E)
2. Karla Sofia Gascón, Emilia Perez (PR: Not Ranked – moved from lead)
3. Saoirse Ronan, Blitz (PR: 2) (-1)
4. Carrie Coon, His Three Daughters (PR: 4) (E)
5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 5) (E)
Other Possibilities:
6. Danielle Deadwyler, The Piano Lesson (PR: 8) (+2)
7. Maria Bakalova, The Apprentice (PR: 12) (+5)
8. Joan Chen, Dídi (PR: 3) (-5)
9. Elizabeth Olsen, His Three Daughters (PR: 9) (E)
10. Lesley Manville, Queer (PR: 7) (-3)
11. Jodie Comer, The Bikeriders (PR: 11) (E)
12. Robin Wright, Here (PR: Not Ranked)
13. Toni Collette, Juror No. 2 (PR: 13) (E)
14. Naomi Watts, Emmanuelle (PR: Not Ranked)
15. Cailee Spaeny, Civil War (PR: Not Ranked)
Dropped Out:
Hong Chau, Kinds of Kindness
Erin Kellyman, Blitz
Margaret Qualley, Kinds of Kindness
Zoe Saldaña, Emilia Pérez (moved to lead)
Best Supporting Actor
Predicted Nominees:
1. Stanley Tucci, Conclave (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Samuel L. Jackson, The Piano Lesson (PR: 5) (+2)
4. Jeremy Strong, The Apprentice (PR: 7) (+4)
5. Kieran Culkin, A Real Pain (PR: 4) (-1)
Other Possibilities:
6. Drew Starkey, Queer (PR: 6) (E)
7. Brian Tyree Henry, The Fire Inside (PR: 3 (-4)
8. Harris Dickinson, Blitz (PR: 11) (+3)
9. Barry Keoghan, Bird (PR: Not Ranked, moved from lead)
10. John Lithgow, Conclave (PR: 9) (-1)
11. Adam Pearson, A Different Man (PR: 10) (-1)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Denzel Washington, Gladiator II (PR: Not Ranked)
The previous two features from Yorgos Lanthimos – 2018’s The Favourite and last year’s Poor Things – combined for 21 Oscar nominations. This includes two Actress victories for Olivia Colman in the former and Emma Stone in the latter. Mere months after Poor Things, Lanthimos’s follow-up Kinds of Kindness has premiered at Cannes prior to its June 21st stateside bow. The three hour anthology has Ms. Stone headlining alongside Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer.
Unlike his two Academy contending predecessors, Lanthimos reunites with writing partner Efthimis Filippou. They collaborated on the filmmaker’s earlier projects Dogtooth (2012), The Lobster (2016), and The Killing of a Sacred Deer (2017).
The Rotten Tomatoes score is 94%, but that doesn’t tell the whole story. Several critics, while praising many aspects, are calling this an easier picture to admire than like. This will be a true test of the Academy’s affinity for its maker. Those last two projects yielded five acting nominations and the aforementioned two wins. Stone and Plemons in particular are generating plenty of kudos. I do question whether Searchlight hones in on any of the cast for recognition. Perhaps SAG will take notice. In my previous prediction posts, I singled out Hong Chau for Supporting Actress consideration. I doubt that happens now. The best bet could be a sole Screenplay nod.
I wouldn’t discount Kinds receiving the kindness of awards voters. That said, I believe it faces more of an uphill battle than Lanthimos’s recent things that the Academy favoured. My Oscar Prediction posts will continue…
Olivia Colman and Jessie Buckley both received Oscar nods for their work in 2021’s The Lost Daughter. The pair reunite in Wicked Little Letters from director Thea Sharrock. It premiered last fall at the Toronto Film Festival, came out in the UK in February, and makes it way to stateside locations on March 29th. Costars include Anjana Vasan, Malachi Kirby, Joanna Scanlan, Gemma Jones, and Timothy Spall.
Critics are divided on the 1920s mystery comedy which is said to be heavy on foul language coming from delightful British accents. The RT score is a so-so 64%. Despite praise for the cast, the Sony Picture Classics release is unlikely to factor into the awards race. Same goes for the Globes and BAFTA, but perhaps the studio will mount a campaign. However, it probably won’t make a %#*@$^! difference. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fifth performer in Best Actress and that’s Emma Stone in Poor Things. Let’s get to it!
Previous Oscar Acting Nominations:
Birdman (Supporting Actress, 2014); La La Land (Actress, 2016, WON); The Favourite (Supporting Actress, 2019)
The Case for Emma Stone:
Stone has posted significant wins this season with the Globes for Musical/Comedy, BAFTA, and Critics Choice. As Bella in Yorgos Lanthimos’s latest multi-genre concoction, she leads the picture with the second most overall nominations after Oppenheimer.
The Case Against Emma Stone:
Lily Gladstone (Killers of the Flower Moon) has key victories of her own at the Globes (Drama) and, most notably, SAG last weekend. Voters may opt to honor her in what would be a history making win over Stone’s second statue in seven years.
The Verdict:
This appears to be the one acting derby coming down to the wire. Between Stone and Gladstone, I’ll be pondering it all the way to final predictions in the coming days.
My Case Of posts will continue with Jeffrey Wright in American Fiction…
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