The 31st SAG Awards added to the unpredictability of Oscar night in one week by crowning Conclave as the Best Ensemble recipient. This occurs seven days after it got BAFTA’s largest prize. The correlation between the Academy’s Best Picture and SAG ensemble is 6/10 in the past decade. Conclave still may not be the frontrunner next Sunday but its chances are looking better.
I predicted Wicked would take Ensemble while plenty of others went with Anora. Had the latter emerged victorious, it would’ve solidified frontrunner positioning in BP. Now Oscar night’s biggest race appears to be a three-way contest between Anora, The Brutalist, and Conclave with genuine suspense as to what will come out on top.
Ensemble was the only category I missed as I went 5/6 in my projections. I’ll gladly take that in this unpredictable season. Both lead acting derbies were coin flips where I managed to make the right call. Demi Moore (The Substance) won and she now has SAG, Critics Choice, and the Globe with Mikey Madison (Anora) claiming BAFTA. I am still deciding who will take the Oscar.
For Best Actor, Timothée Chalamet (A Complete Unknown) picked up his first major trophy over Adrien Brody (The Brutalist). I had a hunch this might happen as the SAG voters ignored Brody’s costars Felicity Jones and Guy Pearce and nominated Chalamet’s cast mates Monica Barbaro and Edward Norton. I’m not convinced the Academy will follow suit, but it’s surely more of a two-way race now.
The supporting fields appear set in stone as Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) have now swept the season. Anyone other than them making podium trips next Sunday would be a rather shocking upset at this juncture.
Finally, The Fall Guy nabbed Best Stunt Ensemble as I figured the movie about stunt performers would.
Keep an eye on the blog as I wrap up my Case Of posts with those final predictions (!) coming Wednesday.
The 31st SAG Awards hosted by Kristen Bell air on Netflix this Sunday and are the last major precursor before the Oscars on March 2nd. The winners here will not influence the Academy since voting closed this week.
That said, the correlation between SAG victors and Oscar winners can be high. In Actress over the past decade, it’s 7 out of 10. For Actor – 8 out of 10. In the supporting fields, we’re looking at a whopping 9/10 for both.
At SAG, the top prize is Best Ensemble and not Best Picture. Therefore we have less frequency between those competitions matching. Yet it’s a decent 6 out of 10 including the last 3 with CODA, Everything Everywhere All at Once, and Oppenheimer.
Let’s walk through each race and I’ll give you my winner pick and a runner-up. I’ll have a recap posted Sunday evening!
Outstanding Performance by a Cast in a Motion Picture
Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked
All 5 nominees here are BP hopefuls at Oscar and that’s the first occurrence of that since 2014. Unknown and the scandal plagued Pérez are long shots. The other three are all stronger possibilities. Conclave is fresh off the BAFTA coronation while Anora recently completed the hat trick of DGA/PGA/Critics Choice. That said, Wicked really over performed with nods in Actress, both supporting fields, and Stunt Ensemble. And (spoiler alert) I’m not predicting it to win any of those. It isn’t rare for the Ensemble recipient to blank everywhere else – Black Panther, Parasite, and The Trial of the Chicago 7 all did so from 2018-2020. I’ll give a slight edge to the musical adaptation.
PREDICTED WINNER: WICKED
Runner-Up: Anora
Outstanding Performance by Female Actor in a Leading Role
Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)
This really has the feel of a coin flip after Madison is the recently minted BAFTA winner while Moore has the Golden Globe and Critics Choice. I just think this group of actors might be swayed by the comeback narrative. Nevertheless this seems so close.
PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE
Runner-Up: Mikey Madison, Anora
Outstanding Performance by a Male Actor in a Leading Role
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave)
Many believe this is Chalamet’s best opportunity to interrupt Brody’s potential sweep. I wouldn’t be surprised if that happens since Felicity Jones and Guy Pearce from The Brutalist both missed here and are Oscar nominees. The smart money is on Brody but I’m going with the mild upset in this one.
PREDICTED WINNER: TIMOTHÉE CHALAMET, A COMPLETE UNKNOWN
Runner-Up: Adrien Brody, The Brutalist
Outstanding Performance by a Female Actor in a Supporting Role
Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)
Don’t discount Grande with Wicked‘s nomination haul. However, Saldaña has swept thus far and seems immune to any controversy with the picture.
PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ
Runner-Up: Ariana Grande, Wicked
Outstanding Performance by a Male Actor in a Supporting Role
Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)
Norton is maybe the only real threat to Culkin’s seasonal sweep. I don’t believe it’ll be interrupted.
PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN
Runner-Up: Edward Norton, A Complete Unknown
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked
This could go to Dune: Part Two (though the first one lost to No Time to Die) or even Wicked, but this might be a layup for SAG to honor the movie about stunt ensembles.
Prior to its February 23rd airdate on Netflix with host Kristen Bell, nominations for the 31st SAG Awards were unveiled this morning. The planned in-person event revealing the nominees was scuttled due to the wildfires in southern California and were delivered via press release instead.
Bottom line – I went 22 for 30 in my predictions and there were some genuine shockers (particularly in the supporting contests). Let’s walk through each race with how I did and some commentary.
Outstanding Performance by a Cast in a Motion Picture
Nominees: Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked
How I Did: 5/5 (!)
Pretty happy about this result! Unlike most SAG years, all five contenders here should make the list of the 10 BP hopefuls at the Oscars. Considering that Wicked led all pictures in terms of nominations, it could be out front though I wouldn’t discount Pérez.
Outstanding Performance by a Female Actor in a Leading Role
Nominees: Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)
How I Did: 4/5
Angelina Jolie (Maria) is having a tough season lately and her Oscar chances are in serious jeopardy. She didn’t make the BAFTA long list and fell short to Fernanda Torres (I’m Still Here) at the Golden Globes in the dramatic lead actress competition. Now she misses the cut with SAG and it’s Pamela Anderson (The Last Showgirl) getting in. Could Moore’s momentum after her Globes victory continue here or will it be Madison emerging victorious?
Outstanding Performance by a Male Actor in a Leading Role
Nominees: Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Clarence Domingo (Sing Sing), Ralph Fiennes (Conclave)
How I Did: 4/5
The core four (Brody, Chalamet, Domingo, Fiennes) are present but it is Daniel Craig getting the nod over my pick of Sebastian Stan in The Apprentice. That fifth slot is up for grabs at Oscar while Brody and Chalamet could compete for the ultimate prize.
Outstanding Performance by a Female Actor in a Supporting Role
Nominees: Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)
How I Did: 3/5
The supporting races are where SAG really provide some surprises this time around with Barbaro and Curtis. They’re in over my forecasted nominees Selena Gomez (Emilia Pérez) and Isabella Rossellini (Conclave). I would’ve figured Margaret Qualley (The Substance) and Felicity Jones (The Brutalist) had better shots than Barbaro/Curtis so this is a bit out of left field. Expect this to be between Saldaña and Grande.
Outstanding Performance by a Male Actor in a Supporting Role
Nominees: Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)
How I Did: 2/5 (oof)
And we’re even more in unanticipated territory with Supporting Actor as Bailey, Borisov, and Strong (who was my alternate) are in with Clarence Maclin (Sing Sing), Guy Pearce (The Brutalist), and Denzel Washington (Gladiator II) out. I genuinely am surprised that SAG left out Pearce and Washington. The former is considered Culkin’s main competitor this season. That may no longer be the case as Culkin could sweep the upcoming ceremonies. Side note – not a great morning for The Brutalist with Brody being the pic’s sole nominee.
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
Nominees: Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked
How I Did: 4/5
I went with Furiosa: A Mad Max Saga over Wicked. I would think The Fall Guy, which is about stunt performers, could be the selection.
And there you have it, folks! Keep an eye on the blog for all Oscar precursor chatter…
Nominations for the 31st Annual Screen Actors Guild (SAG) Awards roll out this Wednesday, January 8th. They are, of course, another key precursor before Oscar noms are unveiled January 17th. However, this branch can often go there own way and that’s especially true for lead Actress and the supporting fields. Let’s take a walk through all six feature film categories with my picks, a runner-up possibility, and some commentary.
Outstanding Performance by a Female Actor in a Leading Role
At the last five SAGs, 18 of the 25 nominees matched the Oscar selections. In none of the years did SAG and the Academy match 5 for 5. Therefore, I’m hesitant to project my current Oscar quintet of Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Angelina Jolie (Maria), Mikey Madison (Anora), and Demi Moore (The Substance). I would say Gascón, Madison, and Moore feel relatively safe with Erivo and Jolie (especially after missing the BAFTA long list) vulnerable. Who could spoil the party? I wouldn’t discount Kate Winslet (Lee), Nicole Kidman (Babygirl), or Amy Adams (Nightbitch). Yet I just can’t decide who to take out the original group so I’m (reluctantly) sticking with it.
Predicted Nominees:
Cynthia Erivo, Wicked
Karla Sofia Gascón, Emilia Pérez
Angelina Jolie, Maria
Mikey Madison, Anora
Demi Moore, The Substance
Runner-Up: Kate Winslet, Lee
Outstanding Performance by a Male Actor in a Leading Role
In this contest, SAG and the Academy is more synced up at 22/25 over the past five years and 5 for 5 matches in 2020, 2021, and 2023 and 4 for 5 for 2019 and 2022. That means I’m feeling confident about these four slots that most agree will achieve Oscar status – Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), and Ralph Fiennes (Conclave). It’s that fifth one that’s a question mark. I currently have Daniel Craig (Queer) clinging to the Academy spot. However, I could see SAG going for either Hugh Grant (Heretic) or Sebastian Stan (The Apprentice). I’ll go with the latter.
Predicted Nominees:
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice
Runner-Up: Hugh Grant, Heretic
Outstanding Performance by a Female Actor in a Supporting Role
Like Actress, there’s an 18 for 25 SAG/Oscar matchup over the previous half decade. In 2020, there was only a 2 for 5 match while it was 5/5 in 2022. I feel like only two performers are safe: Ariana Grande in Wicked and Zoe Saldaña for Emilia Pérez. Despite the short screen time, Isabella Rossellini in Conclave seems likely. For Danielle Deadwyler in The Piano Lesson, she needs to show up here and I have her barely making the cut. While I have Felicity Jones currently getting an Oscar nod for The Brutalist, she may be on the outside looking in here. The fifth slot could be Saldaña’s costar Selena Gomez, Margaret Qualley in The Substance, or either Elle Fanning or Monica Barbaro from A Complete Unknown. I’m going to roll the dice with Gomez on this one which would cause Pérez to probably lead all nominated pictures.
Predicted Nominees:
Danielle Deadwyler, The Piano Lesson
Selena Gomez, Emilia Pérez
Ariana Grande, Wicked
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez
Runner-Up: Margaret Qualley, The Substance
Outstanding Performance by a Male Actor in a Supporting Role
There’s a 17 for 25 SAG/Oscar match here. Kieran Culkin (A Real Pain) has a reserved spot in the five and I feel like SAG won’t ignore Denzel Washington from Gladiator II. Guy Pearce (The Brutalist) is probably close to a shoo-in. For the last two spots, I would think they’d go for Clarence Maclin in Sing Sing unless they figure an Ensemble nomination is recognition enough. For the five spot, I had it between Edward Norton (A Complete Unknown) and Yura Borisov (Anora) with the former having the edge. I’ll be honest. I hate that this is my current Oscar quintet but it is what it is. Keep an eye on surprisers like Stanley Tucci (Conclave), Jeremy Strong (The Apprentice), Adam Pearson (A Different Man), or Brian Tyree Henry (The Fire Inside)
Predicted Nominees:
Kieran Culkin, A Real Pain
Clarence Maclin, Sing Sing
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Denzel Washington, Gladiator II
Runner-Up: Jeremy Strong, The Apprentice
Best Performance by a Cast in a Motion Picture
As an annual reminder, SAG isn’t honoring “Best Picture”. It’s their favorite ensemble. Normally there’s at least one nominee that doesn’t get a BP nod from the Academy. Perhaps Saturday Night is that movie, but I’m skeptical. The top 7 possibilities here – Anora, The Brutalist, A Complete Unknown, Conclave, Emilia Pérez, Sing Sing, Wicked – are all serious BP contenders. The Brutalist (despite being first in my Oscar mix at the moment) could be vulnerable due to its smaller cast. It’s a coin flip as to what else comes out, but I’m going with Sing Sing.
Predicted Nominees:
Anora
A Complete Unknown
Conclave
Emilia Pérez
Wicked
Runner-Up: Sing Sing
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Give credit to SAG as they give credit to stunt performers and this sure seems like a competition that’s tailor-made for The Fall Guy in 2024. Other possibilities include Dune: Part Two, Furiosa: A Mad Max Saga, Gladiator II, Kingdom of the Planet of the Apes, and maybe even Wicked. I also wouldn’t discount Dev Patel’s Monkey Man. That said, I’m forecasting Deadpool & Wolverine enough though Mr. Pool’s two predecessors didn’t get in here.
Predicted Nominees:
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Runner-Up: Monkey Man
That means I’m predicting the following numbers of nominations for these pictures:
4 Nominations
Emilia Pérez
3 Nominations
A Complete Unknown, Conclave, Wicked
2 Nominations
Anora, The Brutalist, Gladiator II, Sing Sing
1 Nomination
The Apprentice, Dune: Part Two, The Fall Guy, Furiosa: A Mad Max Saga, Maria, Monkey Man, The Piano Lesson, A Real Pain, The Substance
Michael Sarnoski, director of Pig, takes over a highly profitable horror franchise from John Krasinski with A Quiet Place: Day One. Paramount is hoping the prequel continues to bring home the bacon. With Krasinski (who just released the family friendly IF) and spouse Emily Blunt (recently in The Fall Guy) out of the mix, Lupita Nyong’o, Joseph Quinn, Alex Wolff, and Djimon Hounsou (a returnee from the second entry) headline.
In the spring of 2018, A Quiet Place made loud noises at multiplexes with a $50 million beginning and $188 million overall domestic haul. The 2021 sequel (delayed a year due to the pandemic) earned $48 million out of the gate with $160 million total stateside.
Scary movies have seen underwhelming premieres for the most part in 2024. Day One should be an exception. That said, I don’t see a compelling reason why this would significantly top its predecessors. A $50 million plus debut is possible. I suspect it will fall in line with its predecessor from three years ago in the mid to high 40s range.
A Quiet Place: Day One opening weekend prediction: $46.3 million
For my Horizon: An American Saga – Chapter 1 prediction, click here:
Sony Pictures and theater owners are desperately looking for Will Smith and Martin Lawrence’s Bad Boys: Ride or Die to inject some life into the box office this weekend. We also have The Watchers, the horror debut from Ishana Night Shyamalan, daughter of M. You can peruse my detailed prediction posts on the newcomers here:
While I don’t have Ride revving up to the same numbers that predecessor Bad Boys for Life managed in January 2020, my mid to high 40s projection puts it in line with its somewhat muted expectations.
As I’ve been mentioning frequently in 2024, scary movies have struggled even managing $10M+ as of late for their starts. I do believe The Watchers gets there, but not by a lot for a so-so second place showing.
After rising to #1 (more on that below), The Garfield Movie should drop to third while IF appears poised for a one spot slide to fourth. That’s because Furiosa: A Mad Max Saga is bound to see a larger percentage decline. It may even fall from second to sixth depending on how Kingdom of the Planet of the Apes holds up.
And with that, my top 6 take on the frame ahead:
1. Bad Boys: Ride or Die
Predicted Gross: $47.3 million
2. The Watchers
Predicted Gross: $10.2 million
3. The Garfield Movie
Predicted Gross: $8.9 million
4. IF
Predicted Gross: $7.4 million
5. Kingdom of the Planet of the Apes
Predicted Gross: $6 million
6. Furiosa: A Mad Max Saga
Predicted Gross: $5.7 million
Box Office Results (May 31-June 2)
The woes continued at multiplexes with no major new releases even sniffing $5 million. It’s a bit of a cinematic litter box right now and The Garfield Movie elevated to first with $14 million. That’s ahead of my $12 million projection for its sophomore outing as it’s up to $51 million.
Furiosa: A Mad Max Saga plummeted 59%, as I figured, to second with $10.7 million. That’s on target with my $11.3 million take as the prequel has amassed a mere $49 million in its two weeks.
IF held up nicely in third with $10.5 million (I said $10.1 million) for a three-week gross of $80 million.
Kingdom of the Planet of the Apes was fourth with $8.9 million, in range with my $8.5 million call. After four weeks, the sequel is perched at $140 million.
I incorrectly didn’t have estimates for The Fall Guy or The Strangers: Chapter 1. The former was fifth with $4.1 million for $80 million after five frames while the latter took in $3.7 million in sixth for $28 million after three weeks.
That’s because I had Japan’s animated Haiyku!! The Dumpster Battle in fifth place, but it was seventh with $3.6 million. I was darn close for the forecast with $3.9 million.
The closeout of May and dawn of June at the box office will be even rougher than the Memorial Day weekend… and that weekend was rough at multiplexes (more on that below). The anime sports pic Haiyku!! The Dumpster Battle is the only significant new release as it aims for a top five showing where the #1 pic could struggle to top double digits. My detailed prediction post on the newcomer can be accessed here:
With my mid single digits projection (it could go higher), I have Dumpster placing fifth.
There could be a photo finish for #1 after a frame in which the new holiday pictures bombed. I have Furiosa: A Mad Max Saga falling in the high 50s after its poor performance and The Garfield Movie dipping over 50%. That might give the tabby cat the (not exactly) bragging rights in 1st.
IF should hold in third with a smaller decline than the sophomore weekend competitors. Heck, it could contend for the top spot if Furiosa and Garfield go downhill even more. Kingdom of the Planet of the Apes is likely to hold in fourth and here’s how I have it all playing out:
1. The Garfield Movie
Predicted Gross: $12 million
2. Furiosa: A Mad Max Saga
Predicted Gross: $11.3 million
3. IF
Predicted Gross: $10.1 million
4. Kingdom of the Planet of the Apes
Predicted Gross: $8.5 million
5. Haiyku!! The Dumpster Battle
Predicted Gross: $3.9 million
Box Office Results (May 24-27)
And now to the dumpster fire that just happened. Furiosa: A Mad Max Saga managed to be first with $32.3 million over the Friday to Monday four-day expanded frame. That’s well below what predecessor Fury Road achieved some nine years ago and way under my $47.2 million prediction. **Please note that my percentage drops listed above are for the three-day Friday to Sunday portion of the weekend where this earned just $26.3 million.
The Garfield Movie also debuted on the lowest end of its anticipated range in second with $31.2 million compared to my $41.5 million take. Its B+ Cinemascore grade is subpar for a family feature (IF got an A) and I’m skeptical its legs will be sturdy.
IF fell to third in weekend #2 with $22.3 million, a tad ahead of my $20.6 million call. The two-week tally is $64 million.
Kingdom of the Planet of the Apes was fourth with $17.6 million (I said $18 million) as it inched up to $127 million. This is really the only significant success story of the summer thus far… or at least it’s generally performing in line with expectations.
The Fall Guy rounded out the top five with $7.9 million. I went lower at $5.8 million, but it’s only up to $74 million after four weeks.
The Strangers: Chapter 1 was sixth with $7 million (I said $5.6 million) as the low budget horror sequel is at $22 million.
Finally, Sight from Angel Studios struggled for eyeballs with $3.7 million in seventh. I thought it might get more with $5.3 million.
We all know Tom Cruise does his own stunts. He reminds us of that frequently and is the biggest artist handling the bulk of those duties himself. David Leitch’s The Fall Guy takes time to honor those performers doubling for the non-Cruisers and that’s a noble cause though it often plays like a long shaggy dog story.
Sort of based on the 1980s TV show with Lee Majors, Ryan Gosling is Colt Seavers. He’s Cliff Booth to Aaron Taylor-Johnson’s Rick Dalton… or rather Tom Ryder, who’s a mega action superstar with a penchant for hard partying. Seavers does the trickier work while Ryder takes all the credit. A prologue details a setup gone wrong that derails Colt’s career and his budding relationship with camerawoman Jody Moreno (Emily Blunt).
A year and a half later, Colt is parking cars instead of crashing them. He is summoned by producer Gail (Hannah Waddingham, kind of looking like 70s era Robert Evans in a wig) to set in Sydney. The selling point is the opportunity to make up with Jody, who is now directing the sci-fi saga Metalstorm with Ryder headlining. Upon his arrival down under, it turns out Jody has no idea what’s up or that he was joining the production.
The picture’s lead has mysteriously disappeared and Colt is tasked with tracking him down while also stunting by day. And, of course, there’s some serious and humorous tension with his ex.
I was reminded at times of 80s action comedies like Beverly Hills Cop or Fletch where the plot is inconsequential and where coasting on the above the title players’ charisma is enough. Obviously Gosling and Blunt have that level of appeal.
Somehow I didn’t fall for it despite their efforts. They have chemistry, but this fails to coast on their charms. The action scenes are well-choreographed. They should be given the subject matter and Leitch (John Wick, Atomic Blonde, Bullet Train) in charge. Yet there’s not one sequence that rivals, say, the antics of you know who in fill in the recent Mission: Impossible entry.
There are more references to Miami Vice or other 80s artifacts than the TV show it takes its name from. This includes Jody belting out “Against All Odds” by Phil Collins at a karaoke bar while Colt is engaged in an elaborate car chase. Blunt being more involved in the fights might have helped. Her one scene where she gets to do so is memorable.
The Fall Guy, given the personnel, is a minor disappointment especially with how convoluted it gets in the denouement. The occasionally on point self-referential jokes and the Barbenheimer cast mates provide the highlights. When they’re apart, it can feel like just an empty space.
After an iffy start to the summer cinematic season, the industry hopes business heats up over Memorial Day weekend. We have George Miller’s franchise prequel Furiosa: A Mad Max Saga looking to lead the way with the animated The Garfield Movie angling to post a strong second place showing. There’s also the faith-based biopic Sight from Angel Studios. You can peruse my detailed prediction posts on the trio here:
With mostly laudatory reviews (though not on the level of predecessor Mad Max: Fury Road), I’m estimating that Furiosa gets just under $50 million over the extended Friday to Monday frame. That would put in right in line with expectations.
Same goes for Chris Pratt’s vocal work as that orange tabby cat in The Garfield Movie. My low 40s forecast gives it a runner-up debut as this hopes to bring family audiences in for the next few weeks.
Speaking of families, they turned out on the lower end of the anticipated range for IF (more on that below). It was still a rather decent opening, but the competition from Garfield could sting a little. I still think manages a tad over $20 million for the holiday.
Kingdom of the Planet of the Apes should slide from 2nd to 4th in the mid teens to high teens region while slots 5-7 could be awfully close between The Fall Guy, Sight, and The Strangers: Chapter 1.
Here’s how I see it playing out and remember that these figures are for Friday through Monday:
1. Furiosa: A Mad Max Saga
Predicted Gross: $47.2 million
2. The Garfield Movie
Predicted Gross: $41.5 million
3. IF
Predicted Gross: $20.6 million
4. Kingdom of the Planet of the Apes
Predicted Gross: $18 million
5. The Fall Guy
Predicted Gross: $5.8 million
6. The Strangers: Chapter 1
Predicted Gross: $5.6 million
7. Sight
Predicted Gross: $5.3 million
Box Office Results (May 17-19)
As mentioned, John Krasinski’s IF with Ryan Reynolds certainly didn’t over perform and came in with a fine but unremarkable $33.7 million. I thought it would get a bit more with $38.3 million. The A Cinemascore grade could mean its legs will be sturdy. That said, competition will be fierce.
Kingdom of the Planet of the Apes was second after a muscular opening last weekend with $25.4 million, just outdoing my $23.6 million prediction. The two-week total is $100 million.
The Strangers: Chapter 1 managed (barely) the largest horror unveiling of 2024 with a better than expected $11.8 million estimate. Considering its reported teensy budget, that’s a solid number and ahead of my $9.1 million call.
The Fall Guy fell to fourth with $8.3 million, in line with my $8 million projection. The three-week gross is $62 million.
Challengers rounded out the top five in weekend #4 and I incorrectly had it on the outside looking in. It has made $43 million overall.
They tried to make the Amy Winehouse biopic Back to Black a hit, but audiences said no (no no). It flopped in sixth with a mere $2.8 million compared to my more hopeful $4.5 million prediction.
John Krasinski’s fantastical family flick IF looks to top the box office charts while horror prequel The Strangers: Chapter 1 and the Amy Winehouse biopic Back to Black also debut. You can peruse my detailed prediction posts on the newcomers here:
IF is a tricky one to call. It has star power in the form of Ryan Reynolds and plenty of familiar faces voicing the various imaginary friends in the cast. On the other hand, this is original IP and it could struggle to break out with more franchise friendly titles for the fam coming our way this season (The Garfield Movie, Inside Out 2, Despicable Me 4). I’m giving it a mid to high 30s start as it will hope to leg out well over the next several weeks.
The runner-up spot should go to current champ Kingdom of the Planet of the Apes (barring a massive underperformance from IF). The tenth feature overall in the long-running series premiered at highest end of its anticipated range (more on that below). Its sophomore dip could be substantial. While 2014’s Dawn of the Planet of the Apes fell only 50%, follow-up War for the Planet of the Apes in 2017 tumbled 63%. It didn’t help that War faced direct competition from Dunkirk in its first outing. Then there’s the surprising B Cinemascore grade for Kingdom and that’s low for a blockbuster. Word-of-mouth could be an issue. I have it sliding in the high 50s or low 60s for a low to mid 20s second frame.
The Strangers: Chapter 1 could face the same genre hurdles that other recent titles have including Abigail and The First Omen. My estimate just north of $10 million puts it in third for a muted third place beginning.
The Fall Guy should continue its underwhelming run in fourth with a low to mid 40s ease in weekend #3.
With mostly poor reviews, a mid single digits start for Back to Black would have it rounding out the high five.
Here’s how I see it playing out:
1. IF
Predicted Gross: $38.3 million
2. Kingdom of the Planet of the Apes
Predicted Gross: $23.6 million
3. The Strangers: Chapter 1
Predicted Gross: $9.1 million
4. The Fall Guy
Predicted Gross: $8 million
5. Back to Black
Predicted Gross: $4.5 million
Box Office Results (May 10-12)
It was a wonderful weekend for 20th Century Studios as Kingdom of the Planet of the Apes proved the franchise is in good working order. Arriving seven years after predecessor War, it topped that film’s gross with $58.4 million. That’s third in the series only to 2014’s Dawn and Tim Burton’s 2001 re-imagining and ahead of my $55.2 million call.
The Fall Guy fell to second with $13.6 million, on target with my $13.2 million prediction. The total sits at a ho-hum $49 million after ten days as the summer’s first flop will likely not reach nine figures domestically.
Challengers was third with $4.3 million (I said $4.7 million) as its three-week tally is $37 million.
I did not correctly identify the fourth and fifth place finishers. Why? Well… the re-release of Star Wars: Episode 1 – The Phantom Menace was down a gargantuan 84% to $1.4 million (to bring its take to $486 million since 1999). I was far more generous and thought it would do $4 million. Oops.
That’s nothing compared to my overestimate of the Tyler Perry filmography spoof Not Another Church Movie. I had it in third place with $4.9 million. Instead it was 13th with a whopping…. $391k. Apparently filmgoers will go to Perry’s pics and do not want to see them made fun of.
Fourth place went to Tarot in its second go-round with $3.4 million. That’s actually a fine hold for horror as it has reached $11.9 million.
Godzilla x Kong: The New Empire rounded out the top five with $2.6 million to bring its numbers to $191 million after seven weeks.
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