Tag: The English Patient

Oscars: The Case of Ralph Fiennes in Conclave

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our fourth entry in Best Actor and that’s Ralph Fiennes in Edward Berger’s Conclave. If you missed my posts covering the first three thespians, they’re linked at the bottom.

Previous Acting Oscar Nominations:

Best Supporting Actor (1993, Schindler’s List) – lost to Tommy Lee Jones (The Fugitive)

Best Actor (1996, The English Patient) – lost to Geoffrey Rush (Shine)

The Case for Ralph Fiennes:

For his third nomination and first in nearly 30 years, his work as Cardinal Thomas Lawrence in the papal thriller earned Fiennes lead actor nods at the Globes, BAFTA, SAG, and Critics Choice. The Academy could consider this a lifetime achievement prize after three decades of well-received performances in pics both large and small.

The Case Against Ralph Fiennes:

Adrien Brody (The Brutalist) has swept the season thus far with Timothée Chalamet (A Complete Unknown) generally seen as the runner-up. Conclave took Best Film at BAFTA and if Fiennes couldn’t emerge there, it’s tough to see him winning anywhere.

The Verdict:

I wouldn’t look for Fiennes to be the selection and the third time won’t be the charm.

My Case Of posts will continue with our fourth hopeful in Supporting Actress and that’s Conclave costar Isabella Rossellini…

Oscars: The Case of Adrien Brody in The Brutalist
Oscars: The Case of Timothée Chalamet in A Complete Unknown
Oscars: The Case of Colman Domingo in Sing Sing

Oscar Predictions: The Return

Out in limited fashion today, The Return reimagines no less than Homer’s Odyssey with Uberto Pasolini directing. The Bleecker Street release premiered at the Toronto Film Festival and it reunites Ralph Fiennes and Juliette Binoche, stars of 1996’s Best Picture winner The English Patient. Charlie Plummer, Tom Rhys Harries, and Marwan Kenzari provide support.

Reviews are respectful with 77% on Rotten Tomatoes and 68 on Metacritic. As expected, praise for the leads are present with some complaints about pacing. Fiennes is in the 2024 Best Actor mix, but not for this. His performance in Conclave is expected to earn him a slot. Don’t expect any noms or buzz to greet The Return at this late stage in the awards calendar. My Oscar Prediction posts will continue…

Oscar Predictions: Conclave

Edward Berger’s Conclave has premiered at Telluride prior to its November 1st domestic release. It is the filmmaker’s eagerly anticipated follow-up to 2022’s All Quiet on the Western Front, which garnered nine Oscar nominations with victories in International Feature Film, Cinematography, Original Score, and Production Design. Conclave is based on a 2016 novel by Robert Harris. The thriller focuses on the behind closed doors battle to be the next Pope. Ralph Fiennes stars with Stanley Tucci, John Lithgow, Isabella Rossellini, Lucian Msamati, and Carlos Diehz supporting.

Long seen as a potential across the board awards player, Conclave has seemingly lived up to the hype based on initial chatter. That especially holds true with Fiennes. The veteran actor has only been in contention twice at the Academy Awards for 1993’s Schindler’s List in supporting and 1996’s The English Patient in lead. Early reviews indicated that he’s not only a contender, but a threat to win.

The supporting cast is a little trickier to figure out. There is a possibility that Focus Features may train their focus on Fiennes for the gold. If anyone comes along for the ride, it appears Tucci might have an edge for Lithgow or Msamati. In Supporting Actress, Rossellini’s role is said to be small but crucial. Her inclusion should depend on how competition plays out. I don’t see any of the supporting performers as threats to emerge victorious.

I’ve had Conclave in my Best Picture lineup the whole way and that feels validated this weekend. I don’t think Berger is automatic for Director. Yet the fact that he was notably snubbed for Western Front could help his chances. Adapted Screenplay, Cinematography, Costume Design, Film Editing, Original Score, Production Design, and Sound are all possibilities. For a movie about a high profile campaign, Conclave appears ready to start its own. My Oscar Prediction posts will continue…

Oscar Predictions: Twisters

Twisters storms into multiplexes on July 19th with Universal hoping it whips up giant business worldwide. Arriving nearly 30 years after his blockbuster predecessor from Jan de Bont, Daisy Edgar-Jones and Glen Powell star alongside Anthony Ramos, Brandon Perea, Maura Tierney, Harry Hadden-Paton, Sasha Lane, Daryl McCormack, Kiernan Shpika, and David Corenswet. Lee Isaac Chung, who last made the BP nominee Minari, directs.

Early reviews put this at 76% on RT with many write-ups calling it solid summer popcorn fare. Others say it doesn’t quite measure up to the 1996 pic. At the 69th Academy Awards, Twister received nominations for Best Sound and Visual Effects. It lost respectively to The English Patient and Independence Day.

At the 97th ceremony, Twisters could score nods in those same two competitions. Don’t expect it to win either as Dune: Part Two, for one, would stand a better shot. My Oscar Prediction posts will continue…

Oscar Predictions: The Pot-au-Feu

30 years after his debut The Scent of Green Papaya was nominated in the international picture race at the Oscars, Vietnamese filmmaker Tran Anh Hung could see his latest The Pot-au-Feu achieve the same.

Set in the late 19th century, the French romance centered around the culinary arts features Juliette Binoche (Supporting Actress winner for 1996’s The English Patient) and Benoît Magimel. The Rotten Tomatoes reaction is strong with a 100% current rating.

In 1993, Papaya won the Palme d’Or at the Cannes Film Festival and nabbed a final five spot in Best Foreign Language Film (now International Feature Film). At this year’s ceremony in the south of France, Hung was honored with the Best Director statue.

If France makes this their selection for IFF at the 96th Academy Awards, look for this to potentially be on the menu. My Oscar Prediction posts will continue…

James Bond: An Oscar History

Of the six actors to have played the most famous spy in cinematic history, only one of them has ever been nominated for an Oscar. That would be, of course, Sean Connery and he was victorious in 1987 for his supporting work in The Untouchables. It is worth noting that the last two Bonds (Pierce Brosnan, Daniel Craig) have Golden Globes nods in the Musical/Comedy category for The Matador and Knives Out, respectively.

With the recent death of Sir Connery, this got me thinking… how many actors from the nearly 60 year old franchise have been recognized by the Academy? And how much Oscar attention has the series itself received? For the first question, it was rather limited until Craig took over the role. For the second question, 9 out of the 24 official 007 entries have managed to get on awards voters radar screens. So let’s break it down, shall we?

Goldfinger (1964) was the third feature in the franchise and it marked the first nomination and win for the Bond catalogue. The pic took the Best Sound Effects trophy. One year later, Thunderball won for its Visual Effects. Connery’s final official appearance in 1971’s Diamonds Are Forever resulted in a nod for its sound.

When Roger Moore took over the part, his debut saw the first theme song nominated courtesy of Paul McCartney’s title track to 1973’s Live and Let Die. There would also be song nods for both The Spy Who Loved Me (1977) and For Your Eyes Only in 1981. Spy would mark the first Bond flick to score multiple mentions with its score and art direction. And Moore’s 1979 space opus Moonraker was nominated for its visual effects.

George Lazenby’s one-off appearance in On Her Majesty’s Secret Service, Timothy Dalton’s two 1980s pictures, and the 1990s-early 2000s four film Pierce Brosnan run yielded zero Oscar mentions. Same goes for Craig’s first two outings Casino Royale and Quantum of Solace. 

So it had been over 30 years since a Bond adventure had been recognized on Oscar night when 2012’s Skyfall landed a franchise record 5 nominations. It won two with Adele’s theme song and its sound editing. The other nods were Score, Sound Mixing, and Cinematography. The song love would continue with 2015’s Spectre when Sam Smith won for his tune.

Add that up and we have 15 total nominations for the series and 5 wins.

We move to the thespians and their fortune at the big show. As mentioned, before the recent run of Craig titles, it was a bit limited. In fact, the number of actors who are Oscar nominees from the Craig run nearly equals everything that came before it. Giancarlo Giannini appeared in Casino and Quantum and he was a Best Actor nominee in 1975 for Seven Beauties. Ralph Fiennes (otherwise known as M) is a double nominee for Schindler’s List and The English Patient. Naomie Harris (or Moneypenny) achieved a Supporting Actress mention for 2016’s Moonlight. Albert Finney showed up in Skyfall and he was nominated five times in his long career. Craig’s original “M” was Judi Dench and she dates back to the Brosnan era. She’s a one-time winner with 6 other nominations.

That’s just the good guys. In the Craig era, the villains come with serious awards cred. Javier Bardem from Skyfall had taken Supporting Actor five years earlier in No Country for Old Men and is a two-time Best Actor nominee for Before Nights Falls and Biutiful. Christoph Waltz (Spectre) is a double Supporting Actor winner with Inglourious Basterds and Django Unchained. And the next pic – the oft delayed No Time to Die – has Rami Malek as its main baddie. In 2018, he gave his acceptance speech for Bohemian Rhapsody. 

Going back to the beginning, From Russia with Love featured Lotte Lenye (a 1961 nominee for The Roman Spring of Mrs. Stone) and Robert Shaw (nominated three years after Russia for A Man for All Seasons). And that’s actually the extent of performers from the Connery era nominated for Oscars… sort of. The legend did return to the role in 1983’s Never Say Never Again, though it is not considered part of the “official” catalogue. It does boast three Academy players with Klaus Maria Brandauer (Out of Africa), Max Von Sydow (Pelle the Conquerer and Extremely Loud and Incredibly Close), and Kim Basinger (Supporting Actress recipient for 1997’s L.A. Confidential).

Telly Savalas costarred with Lazenby in Secret Service and he was nominated seven years earlier for his work in Birdman of Alcatraz. In the Moore era, there’s just Topol. He’s best known his nominated work in Fiddler on the Roof and he costarred in For Your Eyes Only. In the Dalton double feature, we have Benicio del Toro as he was a henchman in Licence to Kill. Over a decade later, he would win Supporting Actor for Traffic and get another nod for 21 Grams. Things picked up a bit with Brosnan. In addition to Dench, a trio of actresses were on their way or had already achieved nominations. Halle Berry co-headlined Die Another Day one year after winning Actress for Monster’s Ball. Minnie Driver had a small role in Goldeneye and would have her breakout part (along with Supporting Actress inclusion) two years later with Good Will Hunting. And Rosamund Pike was also in Die Another Day a decade plus before her Actress nod for Gone Girl. 

A final word. Not one of the 24 released 007 features has achieved any acting, directing, writing, or picture nominations of its own. Skyfall probably came the closest as some prognosticators wondered whether it could be the first to nab a Picture nod. It didn’t materialize, but its five nominations indicate it might have come the closest. Indeed, Daniel Craig’s time as Bond has seen him costar with the most Academy friendly costars. Let’s see if the next performer to play the iconic spy gets to act alongside that same kind of pedigree.

Oscar Watch: Rebecca

Remaking Hitchcock is always a tricky proposition, but Ben Wheatley is venturing into that territory with the October 21st Netflix release of Rebecca. The 1940 version from the Master of Suspense is the only film in the legend’s filmography to win Best Picture at the Oscars (though it did not land Hitchcock a directing victory). Armie Hammer, Lily James, Kristin Scott Thomas, Sam Riley, and Ann Dowd headline this iteration.

The original source material is actually the 1938 Daphne du Maurier novel and some reviews are saying this 2020 take is actually more faithful than Hitch’s adaptation. Yet it’s getting nowhere close to the raves of what preceded it 80 years ago. The Rotten Tomatoes score stands at a mixed 54%.

In 1940, the trio of Laurence Olivier, Joan Fontaine, and Judith Anderson were all nominated by the Academy. These would be the roles played now by Hammer, James, and Scott Thomas. While some critics have focused on the work of the latter, I find it doubtful that Scott Thomas could nab her second nomination (her first was 1996’s The English Patient).

Even with the so-so reviews, Rebecca could still get some nods. The Production Design and Costume Design have both been singled out. In my weekly Oscar prediction updates, I had this just on the outside looking in at 6th in the costuming race and I have this making the cut in fifth in Production Design. My Oscar Watch posts will continue…

Oscar Watch: Teen Spirit

Last fall, the musical drama Teen Spirit premiered at the Toronto Film Festival to some acclaim that especially focused on its lead Elle Fanning. The film casts her as a shy teen who dreams of pop stardom. The soundtrack finds her covering tunes by the likes of Katy Perry, Ariana Grande, and Annie Lennox. It marks the directorial debut of Max Minghella, whose late father Anthony earned a gold trophy 23 years ago for making The English Patient. Zlatko Buric and Rebecca Hall are in the supporting cast.

With a Rotten Tomatoes score of 70%, Spirit is in no contention for a Best Picture nod. Yet some critics have made a point to single out Fanning, who’s had well received supporting roles lately in The Beguiled and 20th Century Women.

A little box office attention could’ve helped but Spirit completely stalled in its limited release over the weekend. Some reviewers may call Fanning a dark horse candidate months from now, but I expect this to end up like last year’s Vox Lux with Natalie Portman. While different in tone, that picture also centered on a pop singer and had its supporters. They did not include Academy voters. My Oscar Watch posts will continue…

Best Picture: A Look Back

A few weeks ago, I posted look backs at major categories at the Oscars from 1990 to the present. I’ve covered all four acting races and if you missed it, you can peruse them here:

https://toddmthatcher.com/2018/11/04/best-actor-a-look-back/

https://toddmthatcher.com/2018/10/31/best-actress-a-look-back/

https://toddmthatcher.com/2018/10/25/best-supporting-actor-a-look-back/

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

In each post, I review what I’d classify as the three least surprising winners, as well as the three biggest upsets. And I select what I believe are the strongest and weakest overall fields.

Today on the blog, we arrive at the Big Daddy – Best Picture. It’s important to remember that hindsight doesn’t come into play here. For instance, Forrest Gump won the top prize in 1994. Since then, many believe fellow nominees Pulp Fiction or The Shawshank Redemption should have won. Yet the Gump victory was not an upset at the time. Same goes for 1990 when Dances with Wolves bested GoodFellas.

Let’s begin with a reminder of each winner since 1990:

1990 – Dances with Wolves

1991 – The Silence of the Lambs

1992 – Unforgiven

1993 – Schindler’s List

1994 – Forrest Gump

1995 – Braveheart

1996 – The English Patient

1997 – Titanic

1998 – Shakespeare in Love

1999 – American Beauty

2000 – Gladiator

2001 – A Beautiful Mind

2002 – Chicago

2003 – Lord of the Rings: Return of the King

2004 – Million Dollar Baby

2005 – Crash

2006 – The Departed

2007 – No Country for Old Men

2008 – Slumdog Millionaire

2009 – The Hurt Locker

2010 – The King’s Speech

2011 – The Artist

2012 – Argo

2013 – 12 Years a Slave

2014 – Birdman

2015 – Spotlight

2016 – Moonlight

2017 – The Shape of Water

We start with my three least surprising winners:

3. Lord of the Rings: Return of the King (2003)

Peter Jackson’s final entry in the acclaimed trilogy seemed due for a win after the first two installments were nominated, but lost to A Beautiful Mind and Chicago. This was as much a recognition for the entire franchise and by 2003, it was obvious the Academy would move in that direction.

2. Titanic (1997)

James Cameron’s epic was plagued with rumors of a troubled shoot and the possibility seemed real that it could be a costly flop. The opposite occurred as Titanic became the highest grossing motion picture of all time upon its release. It seemed clear that Oscar love would follow.

1. Schindler’s List (1993)

Capping an amazing year which saw Steven Spielberg direct Jurassic Park over the summer, his Holocaust feature Schindler’s List became the undeniable front-runner at its end of year release. Winning all significant precursors, this was a shoo-in selection.

Now to the upsets. In my view, there were four very real ones and I had to leave one out. That would be 1995 when Braveheart emerged victorious over the favored Apollo 13 and Sense and Sensibility. Yet there’s 3 others that I feel top it.

3. Moonlight (2016)

La La Land appeared ready to pick up the gold after its filmmaker Damien Chazelle and lead actress Emma Stone had already won. And it looked like the script was being followed when Warren Beatty and Faye Dunaway actually announced the musical as Best Picture. Perhaps Oscar’s largest controversy followed as the wrong envelope was given and the Barry Jenkins effort Moonlight had actually won. Correct envelopes or not, the Moonlight victory was still unexpected given the La La momentum.

2. Shakespeare in Love (1998)

All eyes were on Spielberg’s World War II epic Saving Private Ryan to win as Spielberg had already picked up his second statue for directing. Shakespeare rewrote that script and few saw it coming.

1. Crash (2005)

Here is perhaps the most surprising BP winner in history. Ang Lee’s Brokeback Mountain was the strong favorite when the Paul Haggis race relations drama took it. Even presenter Jack Nicholson looked shocked when he read the envelope.

And now the fields. That’s a bit tough because just under a decade ago, the Academy switched from five finite nominees to anywhere between five and ten (nine being the most common). For weakest, I’m going with 2011 when there were 9. While there’s some quality picks like The Artist, The Descendants, Hugo, Midnight in Paris, Moneyball, and The Tree of Life – I feel even some of them might have missed the cut in stronger years. And I think that certainly applies to Extremely Loud & Incredibly Close, The Help, and War Horse.

For strongest, I will go with the aforementioned 1994. Pulp Fiction and Shawshank are indeed two of the most impressive cinematic contributions in recent times. Winner Gump and other nominees Quiz Show and Four Weddings and a Funeral filled out the slate.

And that does it, folks! Hope you enjoyed my look back at Best Picture in modern times.

Best Supporting Actress: A Look Back

Today begins a new blog series where I’m looking back at five of the major Oscar categories from 1990 to the present: the four acting races and Best Picture. This is essentially the time period where I’ve closely watched and analyzed. My charge? Picking the three largest upsets in each said category and the three least surprising winners… a film or performer where it truly would have been a shock if they didn’t emerge victorious.

We begin with Best Supporting Actress and this is one in which there have been some genuine upsets over the past quarter century plus. Unlike some other races we’ll get to later, it was not a challenge to pick three unexpected winners.

The other agenda item here is I’m picking my personal selections for strongest and weakest overall field among the five nominees in the acting derby’s and five-ten for Best Picture.

For starters, here’s the list of women that won gold statues in the supporting race from 1990 to now:

1990 – Whoopi Goldberg, Ghost

1991 – Mercedes Ruehl, The Fisher King

1992 – Marisa Tomei, My Cousin Vinny

1993 – Anna Paquin, The Piano

1994 – Dianne Wiest, Bullets Over Broadway

1995 – Mira Sorvino, Mighty Aphrodite

1996 – Juliette Binoche, The English Patient

1997 – Kim Basinger, L.A. Confidential

1998 – Judi Dench, Shakespeare in Love

1999 – Angelina Jolie, Girl, Interrupted

2000 – Marcia Gay Harden, Pollock

2001 – Jennifer Connelly, A Beautiful Mind

2002 – Catherine Zeta-Jones, Chicago

2003 – Renee Zellweger, Cold Mountain

2004 – Cate Blanchett, The Aviator

2005 – Rachel Weisz, The Constant Gardner

2006 – Jennifer Hudson, Dreamgirls

2007 – Tilda Swinton, Michael Clayton

2008 – Penelope Cruz, Vicky Christina Barcelona

2009 – Mo’Nique, Precious

2010 – Melissa Leo, The Fighter

2011 – Octavia Spencer, The Help

2012 – Anne Hathaway, Les Miserables

2013 – Lupita Nyong’o, 12 Years a Slave

2014 – Patricia Arquette, Boyhood

2015 – Alicia Vikander, The Danish Girl

2016 – Viola Davis, Fences

2017 – Allison Janney, I, Tonya

I’ll begin with the least surprising winners. Truthfully, there are plenty of selections (and will be in each race) to pick from here. It’s normal procedure for the front runner to actually win. Here’s three that did just that:

3. Dianne Wiest, Bullets Over Broadway

Of the 28 recipients to choose from, note that 3 of them were under the direction of Woody Allen. None were surprise winners. That’s most evident with Wiest’s showcase work as an aging diva here. Her win here came just eight years following her Oscar winning role in another Allen pic, Hannah and Her Sisters.

2. Jennifer Hudson, Dreamgirls

Fans of the Broadway play this is based upon knew Ms. Hudson could have a legitimate breakthrough part here. She nailed it and her win was never in much doubt.

1. Anne Hathaway, Les Miserables

Similar to Hudson’s victory, Hathaway’s casting as Fantine and her “I Dreamed a Dream” dramatic solo made her the odds-on favorite from the moment the project was announced. That never changed.

Now we get to the upsets and there were four to choose from. I could easily include Anna Paquin in The Piano, who became the second youngest winner when she beat out favorite Winona Ryder for The Age of Innocence. Here’s 3 I rank as even more surprising:

3. Marcia Gay Harden, Pollock

Harden had won no significant precursors and Kate Hudson was expected to have her name called for Almost Famous. She wasn’t even nominated for a Golden Globe or SAG.

2. Juliette Binoche, The English Patient

While the film itself was the anticipated winner for Picture (which it did), the Oscars were expected to select the legendary Lauren Bacall for her work in Barbra Streisand’s The Mirror Has Two Faces. Yet it was Binoche’s performance that was unexpectedly honored.

1. Marisa Tomei, My Cousin Vinny

For starters, comedic roles are rarely nominated and wins are even more unheard of. Tomei was a newcomer in a picture that wasn’t a factor in any other category. Her competition was a list of venerable actresses: Judy Davis (Husbands and Wives), Joan Plowright (Enchanted April), Vanessa Redgrave (Howards End), and Miranda Richardson (Damages). The victory here was so shocking that conspiracy theories emerged that presenter Jack Palance had accidentally read the wrong name. That’s been debunked, but Tomei’s trip to the stage remains one of Oscar’s largest jaw droppers.

As for the fields, I’m going with 1991 for the weakest link in the chain. I probably would have given the award to Juliette Lewis in Cape Fear. However, the group was not particularly strong:

Mercedes Ruehl, The Fisher King (Winner)

Diane Ladd, Rambling Rose

Juliette Lewis, Cape Fear

Kate Nelligan, The Prince of Tides

Jessica Tandy, Fried Green Tomatoes

For the strongest field overall, I went with 2004 when Cate Blanchett won for her portrayal of Katherine Hepburn in Martin Scorsese’s The Aviator. The other nominees:

Laura Linney, Kinsey

Virginia Madsen, Sideways

Sophie Okonedo, Hotel Rwanda

Natalie Portman, Closer

And there you have it! I’ll have Supporting Actor up soon…