Tag: The Crown

Oscar Predictions: H Is for Hawk

H Is for Hawk is based on an acclaimed 2014 memoir by Helen MacDonald with Claire Foy playing the author. Philippa Lowthorne directs the drama with a supporting cast including Brendan Gleeson, Denise Gough, Sam Spruell, and Lindsay Duncan. Slated for domestic distribution by Roadside Attractions in December, Hawk has already played the Telluride and London festivals.

Rotten Tomatoes is at 82% based on the few reviews out. While write-ups for the film are more on the positive with reservations side, Foy is being lauded. The Emmy winner for The Crown likely came very close to an Academy nom in Supporting Actress for 2018’s First Man. However, Roadside is not known for attracting awards voters in their campaigns. I’ve yet to have Foy in my top 10 possibilities for lead Actress. Unless precursors surprisingly start including her, don’t expect that to change. My Oscar Prediction posts will continue…

Oscar Predictions: Rebuilding

Josh O’Connor is already an Emmy winner as a young Prince Charles from Netflix’s The Crown. He’s recently had acclaimed roles in La Chimera and Challengers and probably isn’t far away from his first silver screen awards bait role. Could that be Rebuilding?

Max Walker-Silverman’s drama casts O’Connor as a rancher displaced by wildfires. Costars include Meghann Fahy, Kali Reis, Lily LaTorre, and Amy Madigan. Reviews out of Sundance screenings are positive at 94% on RT and 76 on Metacritic. Some notices are strong enough that I wonder whether this could be an awards player with the right campaign. The timely nature of the subject matter should additionally be taken into consideration.

That chatter could extend to O’Connor and the lauded cinematography (a similar combo to Train Dreams which was also unveiled in Park City). My Oscar Prediction posts will continue…

Oscar Predictions: Scoop

No, Scoop is not a remake of the 2006 Woody Allen pic with Hugh Jackman and Scarlett Johansson, but it is centered on a controversial subject. This Scoop is out on Netflix today and focuses on a disastrous TV interview with Prince Andrew about his various scandals. Gillian Anderson plays journalist Emily Maitlis with Rufus Sewell as the aforementioned royalty. Billie Piper and Keely Hawes costar with Philip Martin, known for TV work in Prime Suspect and The Crown, directing.

Like Scoop from Mr. Allen, this Scoop has a mixed reception. At 76% on RT, even the more positive notices temper their plaudits. Here’s a new flash! This won’t a topic in the awards conversation. My Oscar Prediction posts will continue…

Oscar Predictions: My Policeman

Harry Styles, Emma Corrin, and David Dawson headline the 1950s set romantic drama My Policeman, which has premiered at the Toronto Film Festival prior to its November 4th debut on Amazon Prime. An October 21st awards qualifying run is also slated. Michael Grandage directs the adaptation of the 2012 novel by Bethan Roberts. Costars include Linus Roache, Gina McKee, and Rupert Everett as the older versions of the aforementioned stars.

The tale of forbidden love is getting most of its ink due to Styles playing a homosexual policeman. Yet early reviews are quite mixed on the effectiveness of his performance (Corrin is being called best in show). The Rotten Tomatoes meter for the film itself is a mere 47%.

Unless it gets a random Costume Design or Production Design nod (which I doubt), we can likely discount My Policeman to get on the blotter of awards voters. My Oscar Prediction posts will continue…

Oscar Predictions: Lady Chatterley’s Lover

In 1928, D.H. Lawrence novel Lady Chatterley’s Lover was banned in the United States and elsewhere due its explicit sexual nature and profanity. Nearly a century later, the latest celluloid version of his work lands in theaters this November before a December Netflix rollout. It played at Telluride over the weekend. This is Laure de Clermont-Tonnerre’s second directorial effort following 2019’s critically appreciated The Mustang. Emma Corrin and Jack O’Connell are the lead lovers with Matthew Duckett and Joely Richardson in the supporting cast.

Early reviews have this at 100% on Rotten Tomatoes with particular praise heaped on Corrin/O’Connell’s chemistry (expect to see a lot of them according to the buzz). Corrin is a Golden Globe winner as Princess Di on The Crown and she has a busy autumn as she costars alongside Harry Styles in My Policeman (soon screening in Toronto). I don’t think this is a BP contender, but I’ll be curious to see if Netflix attempts an Actress campaign for their Crown royalty. Perhaps that notion could pick up steam if the streamer feels she’s the best option, but I wouldn’t count on it. My Oscar Prediction posts will continue…

Oscars 2020: The Case of Olivia Colman

My third Case Of entry for Supporting Actress hopefuls arrives at Olivia Colman in The Father. If you missed my first two posts for Maria Bakalova (Borat Subsequent Moviefilm) and Glenn Close (Hillbilly Elegy), you can find them here:

Oscars 2020: The Case of Maria Bakalova

Oscars 2020: The Case of Glenn Close

The Case for Olivia Colman

Colman has been a fixture on the awards scene in recent years including as the Queen on Netflix’s The Crown. She’s shown the ability to surprise prognosticators before. In 2018, Colman took Best Actress for The Favourite at the Oscars in an unexpected win over the favorite Glenn Close (The Wife).

The Case Against Olivia Colman

While her fellow nominee Close in no longer the anticipated victor, Colman seems to have longer odds this time around. She has been shut out in the precursors in favor of Bakalova and Yuh-jung Youn in Minari. It’s also hard to imagine her taking the gold if her costar Anthony Hopkins doesn’t in Best Actor (where Chadwick Boseman in Ma Rainey’s Black Bottom is garnering the attention).

The Verdict

In this unpredictable Supporting Actress derby, it’s a strange thing with Colman. When I did my nomination predictions, I actually felt she was most likely to get a nod and least likely to win. I still feel that way.

My Case Of posts will continue with Leslie Odom, Jr. in One Night in Miami…

Oscars 2020: The Case of Vanessa Kirby

Vanessa Kirby in Pieces of a Woman is my third Case Of post for the five women vying in the seemingly wide open Best Actress race. If you missed my previous posts covering Viola Davis (Ma Rainey’s Black Bottom) and Andra Day (The United States vs. Billie Holiday), they’re here:

Oscars 2020: The Case of Viola Davis

Oscars 2020: The Case of Andra Day

The Case for Vanessa Kirby

Other than legions of The Crown viewers, many filmgoers have known Ms. Kirby primarily for action fare like Hobbs & Shaw and Mission: Impossible – Fallout. That changed in 2020 with acclaimed roles in the period piece The World to Come and especially with Pieces of a Woman, the Netflix drama that drew across the board raves for the actress. No frontrunner has truly emerged in this Best Actress competition and it actually feels like any of the five could win. She’s one of only two Oscar nominees in the BAFTA derby this weekend (alongside Frances McDormand in Nomadland) and she could take it.

The Case Against Vanessa Kirby

This marks Piece‘s one and only nod (Ellen Burstyn was a contender in supporting and didn’t make the cut). Barring a BAFTA victory, Kirby would go into Oscar night with zero significant precursor awards. Andra Day (The United States vs. Billie Holiday) took the Golden Globe. Viola Davis (Ma Rainey’s Black Bottom) got the SAG and Carey Mulligan (Promising Young Woman) achieved the Critics Choice prize. The film itself some mixed critical reaction.

The Verdict

Of the five hopefuls, Kirby probably ranks fifth in terms of getting it. Yet I can’t stress enough that it’s a crapshoot at the moment and anything could happen.

My Case Of posts will continue with Anthony Hopkins in The Father…

Oscar Watch: Pieces of a Woman

Certain Netflix viewers know Vanessa Kirby best as Princess Margaret on the hit series The Crown. Action fans recognize her from her participation in two huge franchises with her roles in Mission: Impossible – Fallout and Hobbs & Shaw. Now Kirby may get on the radar of awards voters with Pieces of a Woman, which has screened at the Venice Film Festival.

The drama comes from Hungarian filmmaker Kornel Mundruczo, perhaps best known stateside for his 2014 feature White God. Kirby stars alongside Shia LaBeouf as an expectant couple whose joy turns to sorrow as a result of a home birth situation. Costars include Ellen Burstyn, Jimmie Fails, and Molly Parker. The most high profile name is its executive producer Martin Scorsese.

Critics have been careful not to let loose many spoilers in their reviews, but the Rotten Tomatoes score is a solid 88%. The write-ups seem to agree that this is a breakout role for Kirby. As to whether she can contend for a nod, questions abound. Will Woman pick up domestic distribution by the submission deadline? Is this subject matter too grim for this to pick up steam with the Academy? There’s also the matter of The World to Come. It also features the actress, screened at Venice, and is also picking up some chatter (it will be my next Oscar Watch post).

Bottom line: Kirby has entered the mix in Venice, but a lot of uncertainty surrounds her potential inclusion. I would also add that Burstyn could potentially get mentions in Supporting Actress though it’s feasible that Kirby will get the bulk of attention. Burstyn is, of course, a legendary performer who’s already won an Oscar (for 1974’s Alice Doesn’t Live Here Anymore) and received five other nominations. Her previous nod came 20 years ago for Requiem for a Dream. My Oscar Watch posts will continue…