Oscar Predictions: Guy Ritchie’s The Covenant

Lionel Richie has received three Oscar nominations for his ditties. The filmography of Guy Ritchie has yielded one less as 2009’s Sherlock Holmes was mentioned for Art Direction and Original Score.

Guy could tie Lionel since The Covenant, his Afghanistan war drama, hits theaters this weekend. Jake Gyllenhaal headlines the director’s 14th feature which is generating mostly appreciative reviews and being commended for the restraint shown by the often flashy filmmaker. It sits at 81% on Rotten Tomatoes.

However, the spring release date for the MGM effort indicates this isn’t seen as an awards play. If you’re waiting for this to pop up in mentions during the Academy ceremony next year, you’ll probably be waiting all night long. My Oscar Prediction posts will continue…

Guy Ritchie’s The Covenant Box Office Prediction

Guy Ritchie’s The Covenant finds Jake Gyllenhaal back in Jarhead territory in this war thriller. It marks Ritchie’s second release of 2023 after Operation Fortune: Ruse de Guerre flopped last month. Formerly titled The Interpreter, costars include Dar Salim, Alexander Ludwig, Antony Starr, Emily Beecham, and Jonny Lee Miller.

Gyllenhaal’s previous action flick was a year ago with Ambulance. It performed below expectations with an $8.6 million start. Ritchie’s aforementioned Guerre managed only $3 million in its unfortunate opening.

The Covenant doesn’t seem to be generating much buzz. I think it’ll have a higher premiere than the director’s last effort, but lower than its lead’s predecessor.

Guy Ritchie’s The Covenant opening weekend prediction: $5.6 million

For my Evil Dead Rise prediction, click here:

For my Beau Is Afraid prediction, click here:

The #1 Movies That May Shock You

So get this… when James Bond made his triumphant return to the silver screen in 2006 with Daniel Craig and Casino Royale, it did not open at #1 at the box office. That’s because it opened against the animated hit Happy Feet and those darn penguins never allowed 007 a top spot.

Yet two years later, the critically massacred Bangkok Dangerous with Nicolas Cage did manage to open atop the charts. This is a picture that’d almost certainly be relegated to a VOD only debut today.

This is one among many surprising examples of films in the last two decades that were fortunate enough to claim that they were the #1 movie in America that you wouldn’t expect. It’s all about timing. And there’s a host of easily forgotten pictures that accomplished the number one feat due to debuting in January or April or September in many cases – often seen as dumping grounds for studios. The reverse holds true. As with Casino Royale and others, the fact that they opened in more competitive weekends prevented them from top dog bragging rights.

Neither Austin Powers (in the original 1997 pic) or Ron Burgundy can claim a first place ribbon. Austin came in second to Kurt Russell’s Breakdown out of the gate. The first Anchorman couldn’t topple the second weekend of Spider-Man 2 in 2004. The 2013 sequel couldn’t get above the second Hobbit flick.

However, David Spade’s Dickie Roberts: Former Child Star somehow hit #1 in 2003 when it came out in the doldrums known as early September. And how about that Classic Sigourney Weaver and Jennifer Love Hewitt comedy romp Heartbreakers? It also reigned supreme for a week in April 2001. The 2011 Farrelly Brothers dud Hall Pass with Owen Wilson accomplished the same, but it took his Wedding Crashers three weeks to get to first due to interference from Charlie and the Chocolate Factory.

Even Frozen couldn’t open first and it may be the most beloved kids flick in some time. You know what did? 2003’s Kangaroo Jack and I didn’t see too many kids wearing his Halloween costume…

In 1996, Jean Claudde Van Damme had two #1 premieres with The Quest and Maximum Risk. So did Steven Seagal in 1997 with Fire Down Below and Chris Brown and Hayden Christensen in 2010 with Takers. Much better known action pictures such as Wanted, World War Z, The Day After Tomorrow, and The Bourne Identity cannot claim the same.

How about horror classics Urban Legends: Final Cut, Darkness Falls, The Covenant, The Roommate and The Possession? Number ones they all were. Real genre classics Scream and Saw? Nope.

Sandra Bullock won an Oscar for The Blind Side, but it never got there. Christoph Waltz did for Django Unchained. Same story. These films did open #1 and have a combined zero Oscar nominations among them: Eye of the Beholder and The Musketeer from 2001. SwimFan in 2002. The Forgotten (how appropriate) in 2004. Glory Road in 2006. Lakeview Terrace in 2010.

So, as you can see, longevity counts in box office world and being #1 doesn’t always equate to adoration. Just ask James Bond. And then ask Dickie Roberts.