Tag: The Conjuring

September 19-21 Box Office Predictions

The box office should come down to Earth a bit this weekend after Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle smashed the opening weekend record for an anime title. We have football themed horror thriller Him starring Marlon Wayans, fantastical drama A Big Bold Beautiful Journey with Margot Robbie and Colin Farrell and football themed inspirational tale The Senior featuring Michael Chiklis opening. You can peruse my detailed prediction posts on the newcomers here:

Him Box Office Prediction
A Big Bold Beautiful Journey Box Office Prediction
The Senior Box Office Prediction

Him, from Jordan Peele’s production house, should have bragging rights in 1st position though my low 20s take puts it well behind what other recent horror flicks have achieved.

The other newcomers might not make the top 5. Journey is a head scratcher. As I pointed out in the long post, this is Robbie’s first significant project since Barbie and you’d think there would be more hype. My mid single digits estimate has it in sixth.

As for The Senior, Angel Studios dusted it off after it premiered at a Floridian film festival two years back. Their marketing might get this to mid single digits (if they’re lucky) for seventh place.

Demon Slayer indeed slayed this past weekend (more on that below). These types of anime offerings are typically front loaded and I expect that to be case here. A sophomore drop in the mid to high 70s would give it mid teens and it certainly could repeat in 1st if Him underwhelms.

Being that I’m unconvinced about Journey and The Senior, holdovers The Conjuring: Last Rites, Downton Abbey: The Grand Finale and The Long Walk could populate the rest of the high five.

Here’s how I see the top 7 shaking out:

1. Him

Predicted Gross: $20.3 million

2. Demon Slayer: Kimsetsu no Yaiba – The Movie: Infinity Castle

Predicted Gross: $16.2 million

3. The Conjuring: Last Rites

Predicted Gross: $12.4 million

4. Downton Abbey: The Grand Finale

Predicted Gross: $6.5 million

5. The Long Walk

Predicted Gross: $6.2 million

6. A Big Bold Beautiful Journey

Predicted Gross: $4.8 million

7. The Senior

Predicted Gross: $3.3 million

Box Office Results (September 12-14)

Demon Slayer (I’ve tired of writing the rest of its name) lived up to its late breaking hype with a gargantuan haul of $70.6 million, above my $64.6 million projection. The Crunchyroll release capitalized on unprecedented domestic interest in the genre as it attained the status of an event picture.

The Conjuring: Last Rites, after its own huge start, dropped an understandable 69% to second with $25.6 million. I predicted a tad more at $28.5 million. The two-week tally is a scary good $130 million as it nears the $137 million franchise record held by 2013’s original.

Downton Abbey: The Grand Finale managed to slightly outdo its 2022 predecessor in third with $18.1 million. My guesstimate? $18.1 million! This should also be front loaded and I’m thinking a low to mid 60s fall for this weekend.

Stephen King adaptation The Long Walk was fourth with $11.7 million compared to my $8.7 million call. Solid critical reaction likely helped push it past double digits.

The 30th anniversary re-release of Pixar’s inaugural effort Toy Story rounded out the top five with $3.4 million. I didn’t do a prediction for it. The additional dollars brought its three decade old total to $195 million (or over $400 million stateside adjusted for inflation).

Finally, mockumentary sequel Spinal Tap II: The End Continues flopped in ninth (at least it didn’t go to 11th) with $1.6 million. I was more generous at $3.4 million as interest wasn’t present for the sequel to the classic 1984 original.

And that does it for now, folks! Until next time…

The Conjuring: Last Rites Box Office Prediction

Warner Bros looks for its fruitful 2025 to keep rolling when The Conjuring: Last Rites hits theaters on September 5th. The studio has had horror hits this year via Sinners and Weapons. Rites marks the fourth proper feature in the series that began in 2013 and ninth overall in the franchise when counting spinoffs Annabelle and The Nun and their sequels. Patrick Wilson and Vera Farmiga reprise their roles as paranormal investigators Ed and Lorraine Warren. Michael Chaves, who made #3 The Conjuring: The Devil Made Me Do It and The Nun II, directs. Costars include Mia Tomlinson and Ben Hardy.

2021’s Devil actually had the lowest opening weekend of the entire franchise with $24 million. That comes with an asterisk as it premiered during COVID times and was unveiled simultaneously on HBO Max. 2023’s The Nun II brought the scary universe back to normal debuts at $32 million. The original Nun from 2018 boasts the highest debut of the whole lot at $53 million.

Last Rites is pacing to reach those heights and should exceed the $40 million beginnings like the first two Conjuring pics managed to do at $40 million and $41 million, respectively. I am projecting that it’ll outdo The Nun for a franchise best haul.

The Conjuring: Last Rites opening weekend prediction: $58.2 million

For my Hamilton prediction, click here:

Hamilton Box Office Prediction

The First Omen Box Office Prediction

Despite being a well-known horror series that’s been around for nearly half a century, The First Omen is the first franchise entry in nearly two decades. Serving as a prequel to the 1976 original, Arkasha Stevenson makes her directorial debut with a cast including Nell Tiger Free, Tawfeek Barhom, Sônia Braga, Ralph Ineson, and Bill Nighy.

Genre fans have had plenty to feast on lately from Immaculate to Imaginary to Late Night with the Devil. 20th Century Studios is hoping the brand name helps here, but that could be a stretch. As mentioned, you have to go back 18 years to the last time we had an Omen flick. The 2006 remake premiered in the summer of 2006 and capitalized by debuting on Tuesday, June 6th of that year (get it?). Despite poor reviews, the gambit paid off at first with a $16 million start from Friday to Sunday and $36 million when factoring in those extra three days of release. However, it managed to tumble 65% in its sophomore outing and wound up with a so-so $54 million domestically.

All of that exposition is a way of saying that this franchise doesn’t have the juice of a Conjuring or Insidious or even Evil Dead, to name some. There’s always the chance that horror exceeds expectations. With that caveat, I’ll say low teens is where this lands with a famously unlucky number.

The First Omen opening weekend prediction: $13.3 million

For my Monkey Man prediction, click here:

Monkey Man Box Office Prediction

September 15-17 Box Office Predictions

Sequel heavy September chugs along this weekend as Kenneth Branagh’s A Haunting in Venice continues his Hercule Poirot series and seeks a #1 start. You can peruse my detailed prediction post on it here:

A Haunting in Venice Box Office Prediction

The follow-up to 2017’s Murder on the Orient Express and last year’s Death on the Nile is actually receiving some of the best reviews of the trio. I suspect it may manage to top what Nile did while only reaching about half of what Express grossed out of the gate.

After a solid if unspectacular start, The Nun II may see a high 60s plummet that’s fairly normal for its genre. That would mean a second place showing barely in the double digits.

Holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3 will likely populate the 3-4 slots with drops in the low to mid 40s while Barbie should round out the top five. I figure the year’s biggest hit will remain in the high five as I look for Jawan to have a hefty decline after its impressive premiere (more on that below).

Here’s how I envision that top five:

1. A Haunting in Venice

Predicted Gross: $14.6 million

2. The Nun II

Predicted Gross: $10.9 million

3. The Equalizer 3

Predicted Gross: $7 million

4. My Big Fat Greek Wedding 3

Predicted Gross: $5.9 million

5. Barbie

Predicted Gross: $3.6 million

Box Office Results (September 8-10)

The Nun II didn’t come anywhere near the franchise Conjuring Universe peak $53 million that its predecessor made in 2018. It still scared up a respectable $32.6 million, under my $38.7 million prognosis.

The Equalizer 3 tumbled in the mid 60s during its sophomore frame with $12 million, below my $15.4 million call. The two-week total is $61 million as it hopes to hit $100 million like parts 1 and 2. It’s a legit question mark as to whether it gets there.

My Big Fat Greek Wedding 3 debuted in line with my expectations with a meh $10 million (I said $10.3 million). That is slightly better than other estimates though it’s well under the $16 million of part 2 from 2016.

Acclaimed Hindi action flick Jawan admittedly was not on my radar screen like it should’ve been. The $6.1 million haul put it in fourth place with the second strongest per theater average after The Nun II.

Barbie rounded out the top five with $5.7 million (I went with $6.4 million) as its eight week total rose to a massive $620 million.

I incorrectly had Blue Beetle in the top five, but it was sixth with $3.8 million. I was right on pace with $3.9 million. The DCU disappointment made $63 million in four weeks.

And that does it for now, folks! Until next time…

September 8-10 Box Office Predictions

A sequel filled September continues with The Nun II looking to conjure up big money while My Big Fat Greek Wedding 3 hopes to post comparable grosses to its 2016 predecessor. You can peruse my detailed prediction posts on them here:

The Nun II Box Office Prediction
My Big Fat Greek Wedding 3 Box Office Prediction

In 2018, The Nun surprisingly achieved the largest premiere in the Conjuring Universe (a record that still stands) at $53 million. While I don’t expect the follow-up to reach that level, a solid high 30s start is my call.

As for Greek Wedding, the first sequel didn’t come close to matching what the smash 2002 original accomplished. I see the numbers continuing to dwindle with the third iteration and I have it barely topping $10 million. That should put #3 in third.

Current champ The Equalizer 3 should fall to second after a robust Labor Day weekend haul (more on that below). A mid 50s decline should put it in the low to mid teens.

Barbie looks to land in the four spot while Oppenheimer and Blue Beetle could duke it out for fifth. I’ve got them both just under $4 million.

Here’s how I envision the top six:

1. The Nun II

Predicted Gross: $38.7 million

2. The Equalizer 3

Predicted Gross: $15.4 million

3. My Big Fat Greek Wedding 3

Predicted Gross: $10.3 million

4. Barbie

Predicted Gross: $6.4 million

5. Blue Beetle

Predicted Gross: $3.9 million

6. Oppenheimer

Predicted Gross: $3.9 million

Box Office Results (September 1-4)

Denzel Washington is quite consistent in his sole franchise as audiences turned up for The Equalizer 3. Reportedly the final entry in the violent series, it earned the second best Labor Day weekend of all time at $42.8 million. That edges my call of $39.2 million. The three-day gross of $34.6 million is right on target with its two predecessors.

Barbie was second with $13.4 million over the long frame. I was generous (a theme for the weekend) at $16.2 million. The highest grossing movie of 2023 sits at $612 million domestically.

Blue Beetle was third with $9.4 million (I said $9.5 million!) as the DCU disappointment has made $58 million after three weeks.

Gran Turismo, despite an A Cinemascore, plummeted from 1st to 4th in its sophomore outing. The racing flick stalled at $8.7 million, well under my $12.1 million take for just $30 million thus far.

Oppenheimer rounded out the top five at $7.6 million (I went with $9.1 million) for a mega $310 million tally.

Finally, Teenage Mutant Ninja Turtles: Mutant Mayhem crossed the nine digit mark. The animated reboot made $6.2 million in sixth (I said more with $8.4 million) for $107 million overall.

And that does it for now, folks! Until next time…

The Nun II Box Office Prediction

Five years ago, The Nun upended conventional wisdom (get it??) with a larger than anticipated opening. At the time, it was the fifth feature in the Conjuring Universe and it set the opening weekend record for the horror franchise at $53 million. The sequel out September 8th is now the ninth entry with Michael Chaves directing (he also made The Curse of La Llorona and The Conjuring: The Devil Made Me Do It). Taissa Farmiga, Jonas Bloquet, and Bonnie Aarons (as The Nun) reprise their roles with Storm Reid and Anna Popplewell joining the cast.

Whether its The Conjuring and its sequels, Annabelle and her follow-ups, or The Nun, Warner Bros has made massive profits in the past decade from this series. Nun II‘s predecessor, in addition to the highest premiere, holds the second best overall domestic gross ($117 million while the first Conjuring took in $137 million). Each direct follow-up for Conjuring and Annabelle has seen slight to fairly substantial decreases in their debuts. 2013’s Conjuring made $41 million while part 2 made $40 million and the third slid to $24 million (with COVID complications to be fair). Annabelle started with $37 million while its sequel hit $35 million and the third did $20 million (a series low).

You’ll note that the second installments hold up rather well. The Nun II would need to top the original Conjuring‘s $41 million for the #2 beginning. That’s certainly doable, but I’ll project high 30s.

The Nun II opening weekend prediction: $38.7 million

For my My Big Fat Greek Wedding 3 prediction, click here:

My Big Fat Greek Wedding 3 Box Office Prediction

Summer 2013: The Top 10 Hits and More

This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.

Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.

Let the countdown begin!

10. The Great Gatsby

Domestic Gross: $144 million

Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.

9. We’re the Millers

Domestic Gross: $150 million

Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.

8. The Heat

Domestic Gross: $159 million

Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.

7. World War Z

Domestic Gross: $202 million

Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.

6. Star Trek Into Darkness

Domestic Gross: $228 million

JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.

5. Fast & Furious 6

Domestic Gross: $238 million

Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.

4. Monsters University

Domestic Gross: $268 million

The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.

3. Man of Steel

Domestic Gross: $291 million

The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.

2. Despicable Me 2

Domestic Gross: $368 million

Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.

1. Iron Man 3

Domestic Gross: $409 million

Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.

Now for some others worthy of discussion:

The Conjuring

Domestic Gross: $137 million

It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.

Now You See Me

Domestic Gross: $117 million

The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.

The Butler

Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.

Pacific Rim

Domestic Gross: $101 million

Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.

This Is the End

Domestic Gross: $101 million

This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.

The Purge

Domestic Gross: $64 million

This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.

Blue Jasmine

Predicted Gross: $33 million

That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.

Fruitvale Station

Domestic Gross: $16 million

Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.

There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.

The Hangover Part III

Domestic Gross: $112 million

Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.

Elysium

Domestic Gross: $93 million

Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.

The Lone Ranger

Domestic Gross: $89 million

I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.

White House Down

Predicted Gross: $73 million

Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).

After Earth

Predicted Gross: $60 million

Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.

The Internship

Domestic Gross: $44 million

Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.

R.I.P.D.

Predicted Gross: $33 million

It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.

And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…

Malignant Review

Malignant is exactly the kind of movie you get to make if you’re responsible for the success of three hugely profitable horror franchises like Saw, Insidious, and The Conjuring Universe. That’s James Wan and he’s also dabbled in other cinematic series by directing Furious 7 and Aquaman. Here he gets to return to his roots and clearly do whatever he pleases. Maybe I’m splitting hairs, but I volleyed between wanting to commend and condemn him for it.

A prologue set in 1993 introduces us in dimly lit fashion with Gabriel. He’s a young psychiatric patient who can control electricity and speaks in a manner where he sounds like he’s on a bad Zoom conference call. There’s also some serious killing skills involved.

In the present day, he reappears in the visions of Madison Lake (Annabelle Wallis). The Seattle native lives in a creepy home with her creepy abusive husband Derek (Jake Abel). She’s preggers and anxious after suffering previous miscarriages. A fight with Derek results in the appearance of Gabriel that leaves her a widow.

Turns out that Madison shares a connection with the murderer that’s stronger than his cell phone connection when he threatens victims. Writing a proper review would spoil the surprises of what’s to come, so I’ll be careful. Gabriel is exacting revenge on some medical professional who scarred his childhood. The adopted Madison must exorcise repressed memories from her own upbringing to solve the mystery. Helping our central figure is sister Sydney (Maddie Hasson). Searching for the bloody connection between Madison and Gabriel are two detectives – sympathetic Kekoa (George Young) and no nonsense Regina (Michole Briana White).

Much of the backstory is told via grainy videotapes. That seems appropriate as Wan is paying homage to 1980s slashers that would have went straight to the aisle for your VHS perusing. There’s cheesy dialogue, a reliance on splatter over scares, and I never had a doubt that Wan is having a ball getting away with making it. This might have gotten a lengthy writeup in Fangoria magazine and I bet its maker would’ve loved that. The magazine still exists but the article woulda been cooler in 1985.

Malignant is bound to be debated by genre fans for its WTF twist that occurs in the third act. I won’t lie – I grinned ear to ear when first revealed. Yet it was more of a reaction to the filmmaker getting a $40 million budget to put this out to unsuspecting viewers. Wan is a master craftsman and there are a few moments of technical bravura. Conversely there’s plenty of times where it looks like his cheapest pic since Saw and that’s not an accident.

I could never fully escape the thought that Wan is having more fun than I was. The first half of Malignant isn’t much different than your run-of-the-mill sound effects laden fright fest. Once it reaches the aforementioned nutty turning point, I admired the brazenness more than the execution.

**1/2 (out of four)

Malignant Box Office Prediction

**Blogger’s Note (09/09): On the eve of its premiere, I’m revising from my prediction down from $10.2 million to $7.6 million**

The drawing power of director James Wan and a horror audience that’s had plenty to watch lately will be put to the test on September 10th with Malignant. The fright fest comes from a genre filmmaker who kickstarted the Saw, Conjuring, and Insidious franchises. Lately he’s been dabbling in other series as he helmed Furious 7 and Aquaman. The cast includes Annabelle Wallis (who starred in the Conjuring spin-off Annabelle), Maddie Hasson, George Young, and Mckenna Grace.

Originally slated for late summer 2020 before its COVID pause, the Warner Bros property will premiere simultaneously on HBO Max. As mentioned, moviegoers have been inundated with scare tactics in the last few months. This includes sequels to A Quiet Place, Escape Room and Don’t Breathe, a third Conjuring, another Purge, and the new Candyman. 

Malignant has a couple of disadvantages. It’s not based on a known property (though one could argue Wan’s original forays into his now well-known franchises weren’t either). The other is the over saturation of the market. My biggest concern is a lack of buzz and its availability at home. That said, horror fans continually demonstrate their willingness to show up.

The previous Conjuring experience also hit HBO when it landed at multiplexes and it took in $24 million. I have a feeling the prognosis for Malignant is that it may earn about half of that figure and maybe a little less.

Malignant opening weekend prediction: $7.6 million

The Conjuring: The Devil Made Me Do It Review

Remember those Brady Bunch episodes when they went to Hawaii and Bobby found the evil tiki that ruined part of their vacation? Similar happenings occur in The Conjuring: The Devil Made Me Do It to the Warren bunch – our happily married demonologists Ed (Patrick Wilson) and Lorraine (Vera Farmiga). It involves a satanic totem that wreaks even more havoc than Greg wiping out while surfing or Alice throwing her back out during a hula lesson. The latest Conjuring franchise pic delves deeper into the occult than previous entries and it is again based loosely on a true story.

This centers on the 1981 case of Arne Johnson (Ruairi O’Connor), who was the first American to claim demonic possession as a defense during trial. As we learn in the pretty effective opening sequence, his curse was passed like a hot potato from 8-year-old David Glatzel (Julian Hilliard). That little boy is exorcised by the Warrens and church officials in a body twisting procedure, but his malady is transferred to his sister’s boyfriend. That results in Arne returning home from work and his dogs are barking. His feet are fine. Arne works in a boarding kennel and those pups know something is off with him. The rest of Connecticut figures it out shortly after when he brutally stabs his boss.

Ed and Lorraine are naturally sympathetic to Arne’s forthcoming legal proceedings and seek to discover the backstory of how this came to be. Lorraine’s clairvoyant abilities unveils a tale of witchcraft. Meanwhile, Ed is hampered by heart problems. In fact, he experiences more ticker palpitations than you might as a viewer.

In 2013, the original Conjuring emerged as one of the finest horror pics in recent years. None of the official sequels or spinoffs have come too close to matching it and that holds. Michael Chaves takes over directorial duties from James Wan. Like the first two, this is well-made and doesn’t suffer from the cheap knockoff vibe that, say, Annabelle had. To be fair, even the Annabelle follow-ups improved. The last time we saw the Warrens was in 2019’s Annabelle Comes Home and I would say it had more pure entertainment value than this.

That’s not to say Devil is bad. It’s just another so-so example of creaking sound effects and jump scares that intermittently possesses a genuine scare. This even gets a little gooey towards the conclusion with its love conquers all theme. You can’t blame the filmmakers. Ed and Lorraine, in real life apparently and certainly on screen, have been through a lot. It’s too bad they weren’t in Hawaii back in the seventies. Maybe Alice would have had a far more pleasant hula lesson.

**1/2 (out of four)