Tag: The Banshees of Inisherin

76th BAFTA Film Awards Winner Predictions

The BAFTAs, Britain’s version of the Academy Awards, airs this Sunday (February 19) and it can often serve as a preview for where the Oscars will go. That holds true in same races more than others like the acting derbies.

In the past decade, 32 of the 40 winners in Actress, Actor, Supporting Actress, and Supporting Actor became Oscar recipients. That’s 8 out of the past 10 Actresses, 9 for 10 in Actor, 7 for 10 in Supporting Actress, and 8 for 10 in Supporting Actor.

It’s a different story for the grand prize. A mere 3 of 10 Best Film winners at BAFTA are BP victors at the Oscars – Argo, 12 Years a Slave, and Nomadland. The percentage goes up considerably for Director at 7/10.

I’m going to keep it simple here. I’ll give you the nominees and my predicted winner and a runner-up. Let’s get to it!

Best Film

All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár

Predicted Winner: The Banshees of Inisherin

Runner-Up: Everything Everywhere All at Once

Best Director

Edward Berger (All Quiet on the Western Front), Park Chan-wook (Decision to Leave), Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin)

Predicted Winner: Daniels, Everything Everywhere All at Once

Runner-Up: Todd Field, Tár

Best Actress in a Leading Role

Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Danielle Deadwyler (Till), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywhere All at Once)

Predicted Winner: Cate Blanchett, Tár

Runner-Up: Michelle Yeoh, Everything Everywhere All at Once

Best Actor in a Leading Role

Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Daryl McCormack (Good Luck to You, Leo Grande), Paul Mescal (Aftersun), Bill Nighy (Living)

Predicted Winner: Austin Butler, Elvis

Runner-Up: Colin Farrell, The Banshees of Inisherin

Best Actress in a Supporting Role

Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everywhere All at Once), Dolly de Leon (Triangle of Sadness), Carey Mulligan (She Said)

Predicted Winner: Kerry Condon, The Banshees of Inisherin

Runner-Up: Angela Bassett, Black Panther: Wakanda Forever

Best Actor in a Supporting Role

Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse), Albrecht Schuch (All Quiet on the Western Front), Micheal Ward (Empire of Light)

Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once

Runner-Up: Brendan Gleeson, The Banshees of Inisherin

Best Original Screenplay

The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness

Predicted Winner: The Banshees of Inisherin

Runner-Up: Everything Everywhere All at Once

Best Adapted Screenplay

All Quiet on the Western Front, Living, The Quiet Girl, She Said, The Whale

Predicted Winner: Living

Runner-Up: All Quiet on the Western Front

Best Animated Film

Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red

Predicted Winner: Guillermo del Toro’s Pinocchio

Runner-Up: Marcel the Shell with Shoes On

Best Film Not in the English Language

All Quiet on the Western Front, Argentina, 1985, Corsage, Decision to Leave, The Quiet Girl

Predicted Winner: All Quiet on the Western Front

Runner-Up: The Quiet Girl

Best Documentary

All That Breathes, All the Beauty and the Bloodshed, Fire of Love, Moonage Daydream, Navalny

Predicted Winner: Fire of Love

Runner-Up: Navalny

Best Casting

Aftersun, All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, Triangle of Sadness

Predicted Winner: Everything Everywhere All at Once

Runner-Up: Elvis

Best Cinematography

All Quiet on the Western Front, The Batman, Elvis, Empire of Light, Top Gun: Maverick

Predicted Winner: All Quiet on the Western Front

Runner-Up: Elvis

Best Costume Design

All Quiet on the Western Front, Amsterdam, Babylon, Elvis, Mrs. Harris Goes to Paris

Predicted Winner: Elvis

Runner-Up: Mrs. Harris Goes to Paris

Best Editing

All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Top Gun: Maverick

Predicted Winner: Everything Everywhere All at Once

Runner-Up: Top Gun: Maverick

Best Make-Up & Hair

All Quiet on the Western Front, The Batman, Elvis, Roald Dahl’s Matilda the Musical, The Whale

Predicted Winner: The Whale

Runner-Up: Elvis

Best Original Score

All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Guillermo del Toro’s Pinocchio

Predicted Winner: Babylon

Runner-Up: All Quiet on the Western Front

Best Production Design

All Quiet on the Western Front, Babylon, The Batman, Elvis, Guillermo del Toro’s Pinocchio

Predicted Winner: All Quiet on the Western Front

Runner-Up: Babylon

Best Sound

All Quiet on the Western Front, Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick

Predicted Winner: All Quiet on the Western Front

Runner-Up: Top Gun: Maverick

Best Special Visual Effects

All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Everything Everywhere All at Once, Top Gun: Maverick

Predicted Winner: Avatar: The Way of Water

Runner-Up: Top Gun: Maverick

Outstanding British Film

Aftersun, The Banshees of Inisherin, Brian and Charles, Empire of Light, Good Luck to You, Leo Grande, Living, Roald Dahl’s Matilda the Musical, See How They Run, The Swimmers, The Wonder

Predicted Winner: The Banshees of Inisherin

Runner-Up: Aftersun

Outstanding Debut by a British Writer, Director or Producer

Aftersun, Blue Jean, Electric Malady, Good Luck to You, Leo Grande, Rebellion

Predicted Winner: Aftersun

Runner-Up: Good Luck to You, Leo Grande

That equates to these movies generating these numbers in terms of wins:

4 Wins

All Quiet on the Western Front, The Banshees of Inisherin, Everything Everywhere All at Once

2 Wins

Elvis

1 Win

Aftersun, Avatar: The Way of Water, Babylon, Fire of Love, Guillermo del Toro’s Pinocchio, Living, Tár, The Whale

I’ll have a recap up on Sunday!

Oscars: The Case of Martin McDonagh for The Banshees of Inisherin

Martin McDonagh’s direction of The Banshees of Inisherin is next up for the quintet in that category in my Case Of posts.

The Case for Martin McDonagh:

When a movie has a legit shot at winning Best Picture and the filmmaker is nominated, he’s got a chance. That’s the case here. For the tragicomedy, the acclaimed director/playwright has been nominated in the key precursors DGA, Golden Globes, BAFTA, and Critics Choice.

The Case Against Martin McDonagh:

At Critics Choice, the Daniels (Everything Everywhere All at Once) won. At the Globes, it was Steven Spielberg (The Fabelmans). McDonagh’s victory at the Globes came in screenplay and that could occur with the Academy (where he’s been nominated twice before for written works In Bruges and Three Billboards Outside Ebbing, Missouri).

Previous Nominations:

None for direction

Six other nominations for Live-Action Short Film (Six Shooter, 2005, WON); Original Screenplay (In Bruges, 2008); Picture and Original Screenplay (Three Billboards Outside Ebbing, Missouri), Picture and Original Screenplay (The Banshees of Inisherin)

The Verdict:

A sweeping Banshees night still could leave McDonagh out in director in favor of the Daniels or Spielberg. He could take screenplay instead under that scenario.

My Case Of posts will continue with Andrea Riseborough in To Leslie!

If you missed my other Director write-ups, they can accessed here:

Oscars: The Case of the Daniels for Everything Everywhere All at Once
Oscars: The Case of Todd Field for Tár
Oscars: The Case of Ruben Östlund for Triangle of Sadness
Oscars: The Case of Steven Spielberg for The Fabelmans

Oscars: The Case of Brendan Gleeson in The Banshees of Inisherin

My Case Of posts have reached the first contender in Supporting Actor and that’s Brendan Gleeson for The Banshees of Inisherin!

The Case for Brendan Gleeson:

Despite an acclaimed filmography with lead and supporting roles from Braveheart to The General to the Harry Potter franchise to In Bruges and The Tragedy of Macbeth, the veteran thespian nabbed his first Oscar nod here. Playing Colin Farrell’s fair-weather friend in Martin McDonagh’s tragicomedy, Gleeson landed nominations in all the key precursors thus far.

The Case Against Brendan Gleeson:

In addition to internal competition from his costar Barry Keoghan, anyone not named Ke Huy Quan (Everything Everywhere All at Once) is at a disadvantage as he has won all the major ceremonies so far.

Previous Nominations:

None

The Verdict:

Gleeson might be runner-up to strong frontrunner Quan, but it’s doubtful his fingers will be gripping an Oscar on March 12th.

My Case Of posts will continue with Todd Field and his direction of Tár!

My write-ups for the other Supporting Actor contenders can be found here:

Oscars: The Case of Brian Tyree Henry in Causeway
Oscars: The Case of Judd Hirsch in The Fabelmans
Oscars: The Case of Barry Keoghan in The Banshees of Inisherin
Oscars: The Case of Ke Huy Quan in Everything Everywhere All at Once

Oscars: The Case of Angela Bassett in Black Panther: Wakanda Forever

As the grieving mother of an iconic Marvel superhero, Angela Bassett is first up in my Case Of posts for the Supporting Actress quintet.

The Case for Angela Bassett:

Nearly thirty years after receiving a Best Actress nomination as Tina Turner in What’s Love Got to Do with It, Bassett becomes the first performer to land a mention for an MCU pic (in its 30th feature). Her work in Black Panther: Wakanda Forever has already given her Golden Globe and Critics Choice statues. BAFTA and SAG could follow suit as she hasn’t missed any of the significant precursors. She’s also a highly respected thespian and voters may feel it’s time to honor her.

The Case Against Angela Bassett:

This would be the only performance from a comic book tale to win where the actor isn’t playing the Joker. In other words, despite the prevalence of the genre in the 21st century, this is a rare occurrence. While she’s run the table thus far, a SAG or BAFTA victory for another contestant (say Kerry Condon in The Banshees of Inisherin) would interrupt the sweep chatter.

Previous Nominations:

What’s Love Got to Do with It (Actress, 1993)

The Verdict:

In the supporting fields, I’m not not quite as confident in Bassett’s coronation as I am with Ke Huy Quan in Supporting Actor. That said, she is definitely in the best position for the crown.

My Case Of posts will continue with the first Supporting Actor write-up and that’s Brendan Gleeson in The Banshees of Inisherin!

For post covering the other Supporting Actress hopefuls, click here:

Oscars: The Case of Hong Chau in The Whale
Oscars: The Case of Kerry Condon in The Banshees of Inisherin
Oscars: The Case of Jamie Lee Curtis in Everything Everywhere All at Once
Oscars: The Case of Stephanie Hsu in Everything Everywhere All at Once

Oscars: The Case of Austin Butler in Elvis

Austin Butler is the first performer up for the Best Actor quintet in My Case Of posts for the 95th Academy Awards. Will his performance as Elvis nab the 31-year-old a statue? Let’s break it down.

The Case for Austin Butler:

In a star making role as the iconic musician, Butler looks to follow a Best Actor winning path we’ve seen before. It includes Jamie Foxx in Ray and Rami Malek in Bohemian Rhapsody. He’s picked up some hardware already at the Golden Globes where he took Best Actor in a Drama over Brendan Fraser in The Whale.

The Case Against Austin Butler:

This is a close three-man contest and voters may feel that the time is right for veterans Fraser or Colin Farrell (The Banshees of Inisherin). The former took the Critics Choice prize while the latter received the Globe in Actor (Musical or Comedy).

Previous Nominations:

None

The Verdict:

Butler is as viable as his more seasoned nominees. He’s got a real shot, but SAG (which has matched Oscar 8 for 10 in the past decade) and BAFTA (9 for 10 match) could make him rise or fall.

My Case Of posts will continue with our first Supporting Actress nominee – Angela Bassett in Black Panther: Wakanda Forever!

The Case Of posts covering the other Actor hopefuls can be found here:

Oscars: The Case of Colin Farrell in The Banshees of Inisherin
Oscars: The Case of Brendan Fraser in The Whale
Oscars: The Case of Paul Mescal in Aftersun
Oscars: The Case of Bill Nighy in Living

Oscars: The Case of The Fabelmans

My Case Of posts will for the ten Best Picture hopefuls is past the halfway point as we consider the pros and cons of our sixth competitor The Fabelmans.

The Case for The Fabelmans:

Steven Spielberg’s 13th movie to be nominated for BP (only Schindler’s List won) is his most personal as arguably today’s most iconic director gets autobiographical. It was first seen at the Toronto Film Festival where it took the People’s Choice Award. That’s a prize shared by later Oscar winners such as The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. At the Golden Globes, it had a big night as it was bestowed Best Motion Picture (Drama) and Spielberg nabbed the directorial trophy. A victory here could be seen as a genuine thank you for its maker’s cinematic contributions.

The Case Against The Fabelmans:

That genuine thank you could just as easily come with Spielberg being Best Director and BP going to something else. Despite the Globes love, BAFTA was shockingly dismissive as its sole nomination is for screenplay. At Critics Choice, it went a mere 1/11 with Gabriel LaBelle as Best Young Actor (a non-existent Academy race). While the seven nominations are decent, there were notable omissions including Film Editing and Cinematography. It’s also undeniably a box office dud with $16 million at press time.

Other Nominations:

Director (Spielberg), Actress (Michelle Williams), Supporting Actor (Judd Hirsch), Original Screenplay, Original Score, Production Design

The Verdict:

There is a universe in which The Fabelmans gets BP and Director, but I would put it behind Everything Everywhere All at Once and The Banshees of Inisherin right now. An Ensemble win at SAG could help momentum. It may be behind the aforementioned at that ceremony too.

My Case Of posts will continue with Tár!

If you missed my previous posts in the series, you can access them here:

Oscars: The Case of All Quiet on the Western Front
Oscars – The Case of Avatar: The Way of Water
Oscars: The Case of The Banshees of Inisherin
Oscars: The Case of Elvis
Oscars: The Case of Everything Everywhere All at Once
Oscars: The Case of Tár
Oscars – The Case of Top Gun: Maverick
Oscars: The Case of Triangle of Sadness
Oscars: The Case of Women Talking

Oscars: The Case of Everything Everywhere All at Once

Everything Everywhere All at Once is fifth on the docket in my Case Of posts for the 10 Best Picture nominees. Let’s plead the case for and against it!

The Case for Everything Everywhere All at Once:

The sophomore feature from Dan Kwan and Daniel Scheinert (known collectively as the Daniels) debuted at South by Southwest on March 11th and will have been a legit contender for over a year when the Oscars air March 12th. A critical darling with a 95% Rotten Tomatoes rating, it has been nominated in every major precursor. This includes 10 BAFTA nominations, 14 Critics Choice mentions with 5 wins (including Picture, Director and Screenplay), 6 Golden Globe nods with two wins for Michelle Yeoh and Ke Huy Quan, and 5 pending SAG noms. While some have griped that recent BP recipients didn’t break through with mass audiences, Everything was a box office success with $71 million domestically. Its 11 Academy nods are the most of any picture and that includes four for its ensemble (Yeoh, Quan, Jamie Lee Curtis, Stephanie Hsu).

The Case Against Everything Everywhere All at Once:

In the last 10 ceremonies, only two films that led or tied in total nominations (Birdman and The Shape of Water) ended up winning BP. One could argue Everything is the frontrunner. In recent years, ask how that worked out for La La Land, Roma, and 1917. The Academy could follow the Globes suit and skew toward The Banshees of Inisherin. There are some prognosticators who feel it’s too strange for the Academy.

Other Nominations:

Director (the Daniels), Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), Supporting Actress (Stephanie Hsu), Supporting Actor (Ke Huy Quan), Original Screenplay, Costume Design, Film Editing, Original Score, Original Song

The Verdict:

I’ve never bought the “too weird for the Academy” or not traditional enough argument. You could say the same for Birdman or The Shape of Water and Everything is looking to model them on the road to victory. It is risky to be out front, but I do feel this is the odds on favorite. A SAG Ensemble loss on February 26th (especially if it’s to Banshees or The Fabelmans) could cause more intrigue. If it wins, look for this to enter March 12th as even more of a probable BP.

My Case Of posts will continue with The Fabelmans!

If you missed my other posts in this series, you can find them here:

Oscars: The Case of All Quiet on the Western Front
Oscars – The Case of Avatar: The Way of Water
Oscars: The Case of The Banshees of Inisherin
Oscars: The Case of Elvis
Oscars: The Case of The Fabelmans
Oscars: The Case of Tár
Oscars – The Case of Top Gun: Maverick
Oscars: The Case of Triangle of Sadness
Oscars: The Case of Women Talking

Oscars: The Case of The Banshees of Inisherin

My Case Of posts explaining the merits and demerits for the ten Best Picture nominees arrives at our third contender and that’s The Banshees of Inisherin from Martin McDonagh. Let’s get right into it!

The Case for The Banshees of Inisherin:

On nominations morning, the nine nominations were at or even slightly above expectations. Banshees is tied with All Quiet on the Western Front for the second most nods after the 11 received by Everything Everywhere All at Once. Its quartet of main performers (Colin Farrell, Brendan Gleeson, Barry Keoghan, Kerry Condon) are all up. That matches the four acting mentions garnered by, yep, Everything Everywhere. At the Golden Globes, Banshees was a big winner in three contests: Motion Picture (Musical or Comedy), Actor in a Musical or Comedy (Farrell), and Screenplay. The precursor run, beyond the Globes, has been impressive. There’s a case to be made that it could win around half of its noms, including Picture, Actor, and Original Screenplay.

The Case Against The Banshees of Inisherin:

There’s also a case to be made that it could go 0 for 9. Despite the Globes love, it was Everything Everywhere that dominated the Critics Choice Awards. At that ceremony, this did go for 0 for 9. In the history of Critics Choice, which began in 1995, exactly zero films that won none of their awards ended up winning Best Picture at the Oscars.

Other Nominations:

Director (Martin McDonagh), Actor (Colin Farrell), Supporting Actress (Kerry Condon), Supporting Actor (Brendan Gleeson), Supporting Actor (Barry Keoghan), Original Screenplay, Film Editing, Original Score

The Verdict:

If the Academy isn’t all in on Everything Everywhere, it could be a very good evening for Banshees. If they are, it could go home empty-handed. This logic certainly applies to the Best Picture race.

My Case Of posts will continue with Elvis!

If you missed posts covering the other BP hopefuls, you can peruse them here:

Oscars: The Case of All Quiet on the Western Front
Oscars – The Case of Avatar: The Way of Water
Oscars: The Case of Elvis
Oscars: The Case of Everything Everywhere All at Once
Oscars: The Case of The Fabelmans
Oscars: The Case of Tár
Oscars – The Case of Top Gun: Maverick
Oscars: The Case of Triangle of Sadness

Oscars: The Case of All Quiet on the Western Front

As is tradition every Oscar season on the blog, it’s time to dig a bit deeper into the nominees for Best Picture, Director, and the four acting derbies. These are my Case Of posts where I lay out the merits for and against the 35 contenders in the aforementioned competitions. Yes, that’s 35 individual posts and we start with the 10 hopefuls in BP.

This will occur alphabetically so All Quiet on the Western Front is on deck!

The Case for All Quiet on the Western Front:

Edward Berger’s antiwar epic is the only title that’s won Best Picture before. The 1929-30 ceremony (the 3rd ever Oscars) bestowed best in show to the 1930 version of Erich Maria Remarque’s novel. If we believe BAFTA is a reliable precursor to Academy glory, Front is loaded with a leading 14 nominations. Tied with The Banshees of Inisherin with 9 nods, the pair is second only to Everything Everywhere All at Once‘s 11. This is Netflix’s one and only contender so the streamer has and will be campaigning hard.

The Case Against All Quiet on the Western Front:

The nine mentions are impressive and more than anticipated. However, a couple of misses are key. Not many films end up winning BP that are omitted in Editing and that applies here. Most importantly, Berger did not make the quintet in Director. While there have been recent examples of the directors of BP recipients not making that cut (Ben Affleck for Argo, Peter Farrelly for Green Book, Sian Heder last year with CODA), this seems like the type of project where the filmmaker needed in to have much hope of taking the biggest prize. That’s not the only chink in the armor. Quiet was widely expected to take the Golden Globe statue for foreign feature and lost in an upset to Argentina, 1985. Netflix hasn’t won a BP yet.

Other Nominations:

Adapted Screenplay, International Feature Film, Cinematography, Makeup & Hairstyling, Original Score, Production Design, Sound, Visual Effects

The Verdict:

Quiet appears close to a lock to make noise in International Feature Film (I wouldn’t bet on an Argentina upset on Oscar night). While its haul of nine is laudable, its chances in BP are low-key.

My Case Of posts will continue with Avatar: The Way of Water!

For the other BP Case Of posts, you can find them here:

Oscars – The Case of Avatar: The Way of Water
Oscars: The Case of The Banshees of Inisherin
Oscars: The Case of Elvis
Oscars: The Case of Everything Everywhere All at Once
Oscars: The Case of The Fabelmans
Oscars: The Case of Tár
Oscars – The Case of Top Gun: Maverick
Oscars: The Case of Triangle of Sadness

95th Academy Awards Nominations Reaction

It was a glorious performance for Everything Everywhere All at Once and The Banshees of Inisherin with this morning’s Oscar nominations. Both pics were up everywhere they needed to be for everything to potentially win the big prize on March 12th.

There were also strong showings for All Quiet on the Western Front, Elvis, The Fabelmans, and Top Gun: Maverick. However, it’s fair to say that each missed a key race or two that would’ve helped for their Best Picture viability.

As far as my own showing, I went 79 for 105 in my projections. I’ll take it though it’s slightly under my 82/105 performance from the previous year. One bright spot: no 2 for 5’s as I’d experienced a couple of times in preceding years.

Let’s walk through each race one by one with initial thoughts, shall we?

Best Picture

The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking

How I Did: 8/10

No real shockers. The movies that I had listed 11th and 12th (Avatar and Women Talking) made it over my selections of Babylon and The Whale. I went a little bold omitting Water in the first place.

As hinted at, I’m seeing this as between Everything and Banshees with Fabelmans as a potential spoiler (and maybe Maverick if I’m feeling bold).

Best Director

The Nominees: Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Ruben Ostlund (Triangle of Sadness), Steven Spielberg (The Fabelmans)

How I Did: 4/5

The Daniels v. Spielberg is where this may come down to. All Quiet had a solid morning, but Edward Berger missing (I predicted him) likely eliminates it as a BP winner. Ostlund gets in instead.

Best Actress

The Nominees: Cate Blanchett (Tár), Ana de Armas (Blonde), Andrea Riseborough (To Leslie), Michelle Williams (The Fabelmans), Michelle Yeoh (Everything Everywhere All at Once)

How I Did: 3/5

In just the last few days, there was an organic (?) campaign launched for Riseborough by plenty of famous faces. She was nowhere near the radar for the bulk of the season. Her inclusion might alter how campaigns look in the future. Williams (who was looking shaky) and Riseborough make it over my predictions of Viola Davis (The Woman King) and Danielle Deadwyler (Till). Both of their pics were shutout completely. As for who makes the podium trip, it’s either Blanchett or Yeoh.

Best Actor

The Nominees: Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), Bill Nighy (Living)

How I Did: 5/5 (!)

For most prognosticators, this came down to Tom Cruise in Top Gun: Maverick vs. Mescal for the fifth slot. It wasn’t to be for a fourth Cruise nod. For Mescal and Nighy, it’s an honor to be in the quintet. The race is between Butler and Farrell and Fraser (who have all nabbed key precursors). FYI – this entire lineup is first-time nominees and 16 of the acting nominees are newbies (which is very high).

Best Supporting Actress

The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)

How I Did: 4/5

Hsu, who was my alternate, is in over Triangle‘s Dolly De Leon. If you’d told me De Leon’s movie would get Picture, Director, and Original Screenplay – I would’ve been even more confident she’d make it. With victories already at the Globes and Critics Choice, Bassett is the frontrunner.

Best Supporting Actor

The Nominees: Brendan Gleeson (The Banshees of Inisherin), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once)

How I Did: 4/5

Henry gets the unanticipated nod over my pick of Paul Dano in The Fabelmans (many had Eddie Redmayne in The Good Nurse projected here). This is, frankly, the simplest acting derby to call and it is Quan.

Best Original Screenplay

The Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness

How I Did: 5/5 (!)

The expected five as the Banshees v Everything showdown could be a clue during the night as to what wins BP at the end of it.

Best Adapted Screenplay

The Nominees: All Quiet on the Western Front, Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick, Women Talking

How I Did: 3/5

Maverick and All Quiet over She Said (which was shut out) and The Whale. Considering Women Talking made it in the BP ten, it could get the gold in this race and this one only since it received the least amount of nods (2) for the BP hopefuls. As an aside, there’s always a screenplay contender that gets no other noms anywhere else. This year it was Glass Onion.

Best Animated Feature

The Nominees: Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Sea Beast, Turning Red

How I Did: 4/5

Pinocchio should take this, but this marks its only nod (it was expected to contend for Song and some techs). I had gone with Netflix’s Wendell and Wild for the fifth spot over Netflix’s The Sea Beast.

Best International Feature Film

The Nominees: All Quiet on the Western Front, Argentina, 1985, Close, EO, The Quiet Girl

How I Did: 3/5

Here’s where there was a total surprise with Decision to Leave getting snubbed. I would’ve had it as the runner-up possibility to win over All Quiet (easily the favorite). I didn’t have Close or EO (though neither is unexpected). In addition to Decision, I also had Joyland.

Best Documentary Feature

The Nominees: All That Breathes, All the Beauty and the Bloodshed, Fire of Love, A House Made of Splinters, Navalny

How I Did: 4/5

Had Descendant instead of Splinters. There’s a path to victory for everything but Splinters in my view.

Best Cinematography

The Nominees: All Quiet on the Western Front, Bardo, Elvis, Empire of Light, Tár

How I Did: 3/5

Top Gun: Maverick missing is baffling considering it was a major threat to win. It misses along with The Batman in favor of Bardo and Tár. I wouldn’t discount Empire for the victory though Quiet could make noise in this one.

Best Costume Design

The Nominees: Babylon, Black Panther: Wakanda Forever, Elvis, Everything Everywhere All at Once, Mrs. Harris Goes to Paris

How I Did: 4/5

Everything‘s over performance is evident. I had The Woman King instead. The first three alphabetically are your possible winners.

Best Film Editing

The Nominees: The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár, Top Gun: Maverick

How I Did: 3/5

In years past, getting an editing nod is often needed if you want to take BP. So it’s bad news for All Quiet and The Fabelmans. Banshees and Tár join the lineup in their place. Elvis, Everything, and Maverick all possibilities.

Best Makeup and Hairstyling

The Nominees: All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Elvis, The Whale

How I Did: 4/5

Had Amsterdam and not Quiet. Elvis or The Whale are most likely.

Best Original Score

The Nominees: All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans

How I Did: 3/5

Considering it made BP, I didn’t think Women Talking would miss. I also had Pinocchio but it’s All Quiet and Everything. This could be the sole Oscar for Babylon.

Best Original Song

The Nominees: “Applause” from Tell It Like a Woman, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR, “This Is a Life” from Everything Everywhere All at Once

How I Did: 4/5

Had Pinocchio‘s “Ciao Papa” and not the Everything tune. Despite big names like Lady Gaga, Rihanna, and producer Diane Warren in the mix, “Naatu Naatu” has taken the precursors.

Best Production Design

The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, Babylon, Elvis, The Fabelmans

How I Did: 4/5

A rare occurrence as I had Everything projected and it didn’t make it. All Quiet materializes instead. This could be Elvis or maybe a second shot for Babylon.

Best Sound

The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick

How I Did: 4/5

The sound you hear when the envelope opens might be Maverick‘s only victory (now that Cinematography is impossible). I had EEAAO and not The Batman.

Best Visual Effects

The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick

How I Did: 3/5

Had the wrong MCU pic with Doctor Strange in the Multiverse of Madness and not Panther. All Quiet is also in and I had Thirteen Lives. This should be the Avatar trophy.

That means these movies ended up garnering these numbers in terms of nominations:

11 Nominations

Everything Everywhere All at Once

9 Nominations

All Quiet on the Western Front, The Banshees of Inisherin

8 Nominations

Elvis

7 Nominations

The Fabelmans

6 Nominations

Tár, Top Gun: Maverick

5 Nominations

Black Panther: Wakanda Forever

4 Nominations

Avatar: The Way of Water

3 Nominations

Babylon, The Batman, Triangle of Sadness, The Whale

2 Nominations

Living, Women Talking

1 Nomination

Aftersun, All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Bardo, Blonde, Causeway, Close, Empire of Light, EO, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, A House Made of Splinters, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, The Quiet Girl, RRR, The Sea Beast, Tell It Like a Woman, To Leslie, Turning Red

So what’s next? Followers of the blog may recall that I will soon begin my “Case Of” posts. That’s 35 separate write-ups making the case for and against all contenders in Picture, Director, and the four acting competitions. Stay tuned!