My Case of posts for Oscar nominees now focuses on the fourth director profiled – Martin Scorsese for The Irishman:
The Case for Martin Scorsese
One of the most acclaimed filmmakers in cinematic history, Scorsese’s epic Netflix gangster drama marks his ninth nomination for Best Director. Previous nods were for Raging Bull, The Last Temptation of Christ, GoodFellas, Gangs of New York, The Aviator, The Departed, Hugo, and The Wolf of Wall Street. If you’re wondering why Taxi Driver isn’t among the pictures included, so am I. His only victory came for The Departed and there’s a feeling that Oscar voters have snubbed him in the past. The Irishman pulled in 10 nominations, which is tied for second with 1917 and Once Upon a Time in Hollywood.
The Case Against Martin Scorsese
The Irishman has gone from a Best Picture front runner to a serious long shot. This is thanks mostly to 1917 and Parasite. Therefore the Best Director derby is now seen as a battle between Sam Mendes and Bong Joon-Ho.
The Verdict
Scorsese’s win total will almost certainly be 1/9 after Sunday night as his movie’s hopes have faded in this and other categories.
My Case of posts will continue with Brad Pitt for Once Upon a Time in Hollywood!
For my second writeup in my Case of posts in the Best Actor derby at the Oscars, we come to Leonardo DiCaprio (perhaps you’ve heard of him). Here’s the storyline for and against a second trip to the podium:
The Case for Leonardo DiCaprio
Well, he’s probably the biggest movie star in the world and that helps. A six-time nominee and winner in 2015 for The Revenant, his work in Quentin Tarantino’s Once Upon a Time in Hollywood garnered the usual raves and one heckuva meltdown scene. In a 2019 field that saw over 10 feasible contender in this race, he’s one of just three (along with Joaquin Phoenix and Adam Driver) to be nominated in all the higher profile precursors.
The Case Against Leonardo DiCaprio
Of the precursors, he’s lost them all to Phoenix. DiCaprio’s costar Brad Pitt has been receiving the lions share of awards love here with multiple Supporting Actor victories.
The Verdict
Had DiCaprio not recently won for The Revenant (Hollywood is his first movie since), there might be more of a path. However, the Phoenix factor and Pitt attention should leave Leo 1/6 on Oscar night.
My Case of posts will continue with the second nominated Best Actress… Scarlett Johansson in Marriage Story!
Continuing with my Oscar series outlining the cases for and against nominees in the top six categories, we arrive at Martin Scorsese’s The Irishman. This is my second of (gulp) 34 posts for films and individuals picked in the Picture, Director, and the acting races. If you missed yesterday’s writeup about Ford v Ferrari, you can find it here:
Scorsese’s latest is an epic unification of screen legends Robert De Niro, Al Pacino, and Joe Pesci in the genre they’re known best for… the gangster tale. The three and a half hour opus certainly has awards gravitas. It was pegged as a likely nominee from the moment it was announced. Both Pacino and Pesci were named in Supporting Actor and the pic sports 10 nominations, which is tied for second along with 1917 and Once Upon a Time in Hollywood. Scorsese is obviously a legendary figure and this is his ninth effort to get a Picture nod (the only winner being 2006’s The Departed).
The critics have been on its side and it has a 96% Rotten Tomatoes score. Several critics group named it as the year’s best.
The Case Against The Irishman
That attention has not translated to the big awards shows yet. The Golden Globes surprised most when they picked 1917 over this in Best Drama. The Critics Choice Awards chose Hollywood. Some have griped about its length. De Niro, unlike Pacino and Pesci, couldn’t manage a nod with the Globes, SAG, or the Academy. And then there’s the still unsettled notion that the Academy could have a Netflix problem, despite the streamer leading this year’s studios in total number of nominations. In 2018, Roma appeared to be the front runner until that Netflix property lost to Green Book.
The Verdict
There was little doubt that The Irishman would garner plenty of attention in various categories, including here. Yet viability as a winner is much in question. Scorsese’s latest could still take the top prize, but it appears to be a bit of a long shot at the moment.
The fact that acclaimed filmmaker Richard Linklater’s latest effort lifted its review embargo one day before release could be seen as a red flag. Considering his previous pic LastFlagFlying didn’t particularly connect with critics or audiences might have been seen as a harbinger of things to come for Where’dYouGo, Bernadette.
Reaction out today confirms the suspicions. The Cate Blanchett led mystery comedy, based on Maria Semple’s 2012 bestseller, holds just a 35% Rotten Tomatoes score at press time. Five years after Linklater’s Boyhood won and was nominated for multiple Oscars, it appears this will be quickly forgotten in the slow August frame.
Blanchett has managed some praise for her work. It’s been 15 years since she won Supporting Actress for Martin Scorsese’s TheAviator and 6 years since she took gold for her leading role in Woody Allen’s BlueJasmine. She’s been nominated five other times.
I wouldn’t anticipate this will be #8. And overall – If Oscar watchers are looking for Bernadette come nominations time, they’ll be left wondering where it went. My Oscar Watch posts will continue…
Today begins a new blog series where I’m looking back at five of the major Oscar categories from 1990 to the present: the four acting races and Best Picture. This is essentially the time period where I’ve closely watched and analyzed. My charge? Picking the three largest upsets in each said category and the three least surprising winners… a film or performer where it truly would have been a shock if they didn’t emerge victorious.
We begin with Best Supporting Actress and this is one in which there have been some genuine upsets over the past quarter century plus. Unlike some other races we’ll get to later, it was not a challenge to pick three unexpected winners.
The other agenda item here is I’m picking my personal selections for strongest and weakest overall field among the five nominees in the acting derby’s and five-ten for Best Picture.
For starters, here’s the list of women that won gold statues in the supporting race from 1990 to now:
1990 – Whoopi Goldberg, Ghost
1991 – Mercedes Ruehl, TheFisherKing
1992 – Marisa Tomei, MyCousinVinny
1993 – Anna Paquin, ThePiano
1994 – Dianne Wiest, BulletsOverBroadway
1995 – Mira Sorvino, MightyAphrodite
1996 – Juliette Binoche, TheEnglishPatient
1997 – Kim Basinger, L.A. Confidential
1998 – Judi Dench, ShakespeareinLove
1999 – Angelina Jolie, Girl, Interrupted
2000 – Marcia Gay Harden, Pollock
2001 – Jennifer Connelly, ABeautifulMind
2002 – Catherine Zeta-Jones, Chicago
2003 – Renee Zellweger, ColdMountain
2004 – Cate Blanchett, TheAviator
2005 – Rachel Weisz, TheConstantGardner
2006 – Jennifer Hudson, Dreamgirls
2007 – Tilda Swinton, MichaelClayton
2008 – Penelope Cruz, VickyChristinaBarcelona
2009 – Mo’Nique, Precious
2010 – Melissa Leo, TheFighter
2011 – Octavia Spencer, TheHelp
2012 – Anne Hathaway, LesMiserables
2013 – Lupita Nyong’o, 12YearsaSlave
2014 – Patricia Arquette, Boyhood
2015 – Alicia Vikander, TheDanishGirl
2016 – Viola Davis, Fences
2017 – Allison Janney, I, Tonya
I’ll begin with the least surprising winners. Truthfully, there are plenty of selections (and will be in each race) to pick from here. It’s normal procedure for the front runner to actually win. Here’s three that did just that:
3. Dianne Wiest, BulletsOverBroadway
Of the 28 recipients to choose from, note that 3 of them were under the direction of Woody Allen. None were surprise winners. That’s most evident with Wiest’s showcase work as an aging diva here. Her win here came just eight years following her Oscar winning role in another Allen pic, HannahandHerSisters.
2. Jennifer Hudson, Dreamgirls
Fans of the Broadway play this is based upon knew Ms. Hudson could have a legitimate breakthrough part here. She nailed it and her win was never in much doubt.
1. Anne Hathaway, LesMiserables
Similar to Hudson’s victory, Hathaway’s casting as Fantine and her “I Dreamed a Dream” dramatic solo made her the odds-on favorite from the moment the project was announced. That never changed.
Now we get to the upsets and there were four to choose from. I could easily include Anna Paquin in ThePiano, who became the second youngest winner when she beat out favorite Winona Ryder for TheAgeofInnocence. Here’s 3 I rank as even more surprising:
3. Marcia Gay Harden, Pollock
Harden had won no significant precursors and Kate Hudson was expected to have her name called for AlmostFamous. She wasn’t even nominated for a Golden Globe or SAG.
2. Juliette Binoche, TheEnglishPatient
While the film itself was the anticipated winner for Picture (which it did), the Oscars were expected to select the legendary Lauren Bacall for her work in Barbra Streisand’s TheMirrorHasTwoFaces. Yet it was Binoche’s performance that was unexpectedly honored.
1. Marisa Tomei, MyCousinVinny
For starters, comedic roles are rarely nominated and wins are even more unheard of. Tomei was a newcomer in a picture that wasn’t a factor in any other category. Her competition was a list of venerable actresses: Judy Davis (HusbandsandWives), Joan Plowright (EnchantedApril), Vanessa Redgrave (HowardsEnd), and Miranda Richardson (Damages). The victory here was so shocking that conspiracy theories emerged that presenter Jack Palance had accidentally read the wrong name. That’s been debunked, but Tomei’s trip to the stage remains one of Oscar’s largest jaw droppers.
As for the fields, I’m going with 1991 for the weakest link in the chain. I probably would have given the award to Juliette Lewis in CapeFear. However, the group was not particularly strong:
Mercedes Ruehl, TheFisherKing (Winner)
Diane Ladd, RamblingRose
Juliette Lewis, CapeFear
Kate Nelligan, ThePrinceofTides
Jessica Tandy, FriedGreenTomatoes
For the strongest field overall, I went with 2004 when Cate Blanchett won for her portrayal of Katherine Hepburn in Martin Scorsese’s TheAviator. The other nominees:
Laura Linney, Kinsey
Virginia Madsen, Sideways
Sophie Okonedo, HotelRwanda
Natalie Portman, Closer
And there you have it! I’ll have Supporting Actor up soon…
In 2009, the Academy underwent a change in the number of Best Picture nominees honored each year. The rule change allowed a fluctuation of five to ten nominees per year, as opposed to a finite five (all other categories stayed at that number).
As has been discussed on this blog, many felt the change was triggered by 2008’s The Dark Knight, the critically acclaimed comic book pic that was also highest earner of the year. It failed to a garner a Best Picture nod and the thinking was that it was time for more popular options to make it into the mix.
Since the change, the magic number has been nine nominated pictures in most years. This got me thinking: what if that rule had been in effect during prior years? What movies that failed to get a nomination would have certainly made it?
That brings us here. I have gone back to 1990 through 2008 and I’m listing two films from each year that I am confident would have made the shortlist. In selecting each title, here were some of the key indicators. If a Director was nominated for his work and the film failed to get nominated, that probably means it would have been included. Additionally, the screenplay races are a decent predictor of some titles that might have made the magic nine (or eight or ten). For reference sake, I am including the five movies that did get nominated.
So here goes! Two features from 1990-2008 that coulda and likely woulda been contenders…
1990
The Actual Nominees: Dances with Wolves (Winner), Awakenings, Ghost, The Godfather Part III, GoodFellas
The Two Coulda Been Contenders: The Grifters, Reversal of Fortune
1991
The Actual Nominees: The Silence of the Lambs (W), Beauty and the Beast, Bugsy, JFK, The Prince of Tides
The Two Coulda Been Contenders: Boyz N The Hood, Thelma & Louise
1992
The Actual Nominees: Unforgiven (W), The Crying Game, A Few Good Men, Howards End, Scent of a Woman
The Two Coulda Been Contenders: Malcolm X, The Player
1993
The Actual Nominees: Schindler’s List (W), The Fugitive, In the Name of the Father, The Piano, The Remains of the Day
The Two Coulda Been Contenders: Philadelphia, Short Cuts
1994
The Actual Nominees: Forrest Gump (W), Four Weddings and a Funeral, Pulp Fiction, Quiz Show, The Shawshank Redemption
The Two Coulda Been Contenders: Bullets Over Broadway, Three Colors: Red
1995
The Actual Nominees: Braveheart (W), Apollo 13, Babe, Il Postino, Sense and Sensibility
The Two Coulda Been Contenders: Dead Man Walking, Leaving Las Vegas
1996
The Actual Nominees: The English Patient (W), Fargo, Jerry Maguire, Secrets & Lies, Shine
The Two Coulda Been Contenders: The People Vs. Larry Flynt, Sling Blade
1997
The Actual Nominees: Titanic (W), As Good as It Gets, The Full Monty, Good Will Huinting, L.A. Confidential
The Two Coulda Been Contenders: Boogie Nights, The Sweet Hereafter
1998
The Actual Nominees: Shakespeare in Love (W), Elizabeth, Life is Beautiful, Saving Private Ryan, The Thin Red Line
The Two Coulda Been Contenders: Gods and Monsters, The Truman Show
1999
The Actual Nominees: American Beauty (W), The Cider House Rules, The Green Mile, The Insider, The Sixth Sense
The Two Coulda Been Contenders: Being John Malkovich, Topsy-Turvy
2000
The Actual Nominees: Gladiator (W), Chocolat, Crouching Tiger, Hidden Dragon, Erin Brockovich, Traffic
The Two Coulda Been Contenders: Almost Famous, Billy Elliot
2001
The Actual Nominees: A Beautiful Mind (W), Gosford Park, In the Bedroom, Lord of the Rings: The Fellowship of the Ring, Moulin Rouge!
The Two Coulda Been Contenders: Black Hawk Down, Mulholland Drive
2002
The Actual Nominees: Chicago (W), Gangs of New York, The Hours, Lord of the Rings: The Two Towers, The Pianist
The Two Coulda Been Contenders: Far from Heaven, Talk to Her
2003
The Actual Nominees: Lord of the Rings: The Return of the King (W), Lost in Translation, Master and Commander: The Far Side of the World, Mystic River, Seabiscuit
The Two Coulda Been Contenders: City of God, In America
2004
The Actual Nominees: Million Dollar Baby (W), The Aviator, Finding Neverland, Ray, Sideways
The Two Coulda Been Contenders: Hotel Rwanda, Vera Drake
2005
The Actual Nominees: Crash (W), Brokeback Mountain, Capote, Good Night and Good Luck, Munich
The Two Coulda Been Contenders: Syriana, Walk the Line
2006
The Actual Nominees: The Departed (W), Babel, Letters from Iwo Jima, Little Miss Sunshine, The Queen
The Two Coulda Been Contenders: Pan’s Labyrinth, United 93
2007
The Actual Nominees: No Country for Old Men (W), Atonement, Juno, Michael Clayton, There Will Be Blood
The Two Coulda Been Contenders: Away from Her, The Diving Bell and the Butterfly
2008
The Actual Nominees: Slumdog Millionaire (W), The Curious Case of Benjamin Button, Frost/Nixon, Milk, The Reader
The Two Coulda Been Contenders: The Dark Knight, Doubt
And there you have it! There will be a part II to this post. What if the rule change had never occurred? From 2009 until the present, what would have been the five nominated Pictures if only that number was allowed. Stay tuned…
A film focusing on a meticulous and eccentric legend who’s bedded scores of women would seem to be right up Warren Beatty’s alley, but Rules Don’t Apply is a rather big letdown for the director’s first effort in nearly two decades. It’s a passion project for Mr. Beatty that partially focuses on the life of reclusive aviation and movie making billionaire Howard Hughes. Unlike the Martin Scorsese/Leonardo DiCaprio biopic The Aviator, however, Rules isn’t nearly as concerned with historical accuracy and is as much an old-fashioned Hollywood romance.
Beatty plays Hughes circa 1958-1964, a time where his OCD and reliance on pharmaceutical relief had reached massive levels. He’s still running RKO Pictures and flying girls in from all over the country for screen tests. One such prospect is Marla (Lily Collins), a devout Baptist from Virginia who flies into La La Land with her equally proper mother (Beatty’s spouse Annette Bening). She’s never had a drink, never “gone all the way” (as is the common term in this screenplay), and certainly never met a character like Mr. Hughes. Frank (Alden Ehrenreich) is one of Hughes’s many chauffeurs who’s actually yet to meet the man himself. He’s tasked with driving Marla around and they soon begin a courtship, even though Frank is engaged to his childhood sweetheart.
Further complications arise when Hughes (who strictly forbids such interaction between his many employees) gets to know Marla better. The screenplay (by Beatty and his longtime collaborator Bo Goldman) juggles the romance with some of Howard’s business and government dealings as his abnormal behavior continues to increase. We do not see the grotesque and totally shut off character that DiCaprio showed us a dozen years ago in his Oscar nominated role. Rules is much lighter stuff and feels considerably less consequential.
Some welcome comedic hey is made of the many people who wait on Hughes hand and foot, including Matthew Broderick’s assistant and Candice Bergen’s secretary. There’s many familiar faces who pop up in smaller roles (most of them likely just wanted to work with Beatty) and they include Alec Baldwin, Ed Harris, Martin Sheen, and Oliver Platt.
Part of the problem is that while Collins and Ehrenreich are perfectly fine in their performances, their chemistry is adequate at best. A bigger issue is that Rules feels a bit all over the map in plot and tone. The arc of Howard’s disintegration into madness is an odd mix of humor and drama that never gels despite Beatty’s best efforts. It’s also hard to ignore that he’s about 20 years older than Hughes at this particular point in his life, but if anyone can pull that off…
For a director who’s known to be incredibly particular, this one contains only fleeting moments that you’ll remember. The rest, sadly, don’t apply.
Today we reach the final installment of my listing of the Top 25 Highest Grossing Actresses in box office history with the top five!
Here are the five ladies that have grossed the most stateside:
5. Julia Roberts
Career Earnings: $2.7 billion
Franchises: The Ocean’s pictures
Highest Grossing Picture: Ocean’s Eleven (2001) – $183 million
Number of $100M+ Earners: 11 (Ocean’s Eleven, Ocean’s Twelve, Pretty Woman, Runaway Bride, My Best Friend’s Wedding, Erin Brockovich, Hook, Notting Hill, Valentine’s Day, Sleeping with the Enemy, The Pelican Brief)
Lowest Grosser: Fireflies in the Garden (2011) – $70,000
Overall Rank: 30
4. Helena Bonham Carter
Career Earnings: $2.7 billion
Franchises: Harry Potter, Alice in Wonderland
Highest Grossing Picture: Harry Potter and the Deathly Hallows Part 2 (2011) – $381 million
Number of $100M+ Earners: 9 (Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows Part 1, Harry Potter and the Deathly Hallows Part 2, Alice in Wonderland, Charlie and the Chocolate Factory, Cinderella, Planet of the Apes, Les Miserables, The King’s Speech)
Lowest Grosser: The Theory of Flight (1998) – $73,000
Overall Rank: 28
3. Cate Blanchett
Career Earnings: $2.8 billion
Franchises: Lord of the Rings, The Hobbit
Highest Grossing Picture: Lord of the Rings: The Return of the King (2003) – $377 million
Number of $100M+ Earners: 10 (Lord of the Rings: The Fellowship of the Rings, Lord of the Rings: The Return of the King, The Hobbit: An Unexpected Journey, The Hobbit: The Battle of the Five Armies, Indiana Jones and the Kingdom of the Crystal Skull, Cinderella, How to Train Your Dragon 2, The Curious Case of Benjamin Button, Robin Hood, The Aviator)
Lowest Grosser: Little Fish (2006) – $8,000
Overall Rank: 27
2. Cameron Diaz
Career Earnings: $3 billion
Franchises: Charlie’s Angels, Shrek
Highest Grossing Picture: Shrek 2 (2004) – $441 million
Number of $100M+ Earners: 11 (Shrek, Shrek 2, Shrek the Third, Shrek Forever After, There’s Something About Mary, My Best Friend’s Wedding, Charlie’s Angels, Charlie’s Angels: Full Throttle, The Mask, Vanilla Sky, Bad Teacher)
Lowest Grosser: Head Above Water (1997) – $32,000
Overall Rank: 19
Scarlett Johansson
Career Earnings: $3.3 billion
Franchises: Marvel Cinematic Universe
Highest Grossing Picture: The Avengers (2012) – $623 million
Number of $100M+ Earners: 7 (The Avengers, Avengers: Age of Ultron, Iron Man 2, Captain America: The Winter Soldier, Captain America: Civil War, The Jungle Book, Lucy)
Lowest Grosser: A Love Song for Bobby Long (2004) – $164,000
Overall Rank: 9
And there you have it, my friends! Your 25 highest grossing females in the history of the movies…
All My Life... I Wanted To Be A Blogster 