Few directors have made two Best Picture Oscar winners, but Clint Eastwood did that with 1992’s Unforgiven and 2004’s Million Dollar Baby. The latter came along late in the year and shifted the conversation 15 years ago. So anytime Mr. Eastwood screens a potential contender in time for Academy consideration, it’s time to take notice. The AFI Film Festival premiered Richard Jewell last night and the biographical drama centers on the title character who was falsely accused of the 1996 Olympic Park bombing in Atlanta.
So what’s the verdict? Jewell is sporting an 89% Rotten Tomatoes score thus far, but critical reaction brings a question mark as to its viability. While some reviews indicate it could very well contend, others are a little more mixed.
Eastwood filmed his last nominee five years back with the massive hit American Sniper. Since then, his filmography of Sully, The 15:17 to Paris, and The Mule has garnered scant awards attention (save for a Sound Editing nod for Sully).
Chatter has focused on three performances. Paul Walter Hauser, memorable in supporting roles in I, Tonya and BlacKkKlansman, is garnering raves. Yet Best Actor is fiercely competitive in 2019. In my weekly predictions, he hasn’t been in the top ten as I’ve waited for reaction to come. I honestly feel all ten of my current possibilities could get in. Hauser will really need to gather momentum for any shot. It’s doable, but I feel it would be more doable in a different year.
The same can be said for Sam Rockwell as Jewell’s lawyer. Two years ago, the actor won Supporting Actor for Three Billboards Outside Ebbing, Missouri. Last year, he was nominated again as George W. Bush in Vice. It would be a quite a story for him to get nods three years in a row. Like Hauser’s category, Supporting Actor is also chock full of contenders. I’m a bit skeptical he makes it as he might also split his own votes for his work in Jojo Rabbit.
It could be Kathy Bates that manages to get in playing Jewell’s mother. That’s because Supporting Actress is not quite as packed as the races of her costars. Nearly three decades have passed since she won Best Actress for Misery. Bates has received two Supporting Actress recognitions since in 1998’s Primary Colors and 2002’s About Schmidt.
So… how about the film itself and Eastwood? It’s certainly feasible that it nabs a Picture nomination, but it’s definitely an on the bubble candidate. Due to that, I’m not sure Eastwood can make the final five. He’ll just have to rest on his already considerable mantelpiece.
Bottom line: Richard Jewell put itself in the mix at AFI, but there’s also a chance it comes up empty handed. My Oscar Watch posts will continue…
A bit of an awards season surprise turned up today when Warner Bros announced that Clint Eastwood’s TheMule will be out on December 14. The film casts Eastwood in the true story of a World War II vet who becomes a courier for Mexican drug cartels at age 80.
TheMule marks Eastwood’s first turn in front of the camera since 2012’s TroublewiththeCurve. It’s the first time he’s directed himself since 2008’s hit GranTorino. While it’s been a little while since he’s acted, he has been churning out directorial efforts every year. It’s no accident that every time he does, Oscar chatter follows.
Over the past quarter century plus, Eastwood has seen a number of his pictures win and be nominated. In 1992, Unforgiven won Best Picture and Director. Twelve years later, MillionDollarBaby was a surprise late addition to the awards season calendar (as this is). It also won Picture and Director. Additionally, MysticRiver, LettersfromIwoJima, and AmericanSniper all received nods in the big race.
Just last year, The15:17toParis was assumed to be another possibility for inclusion for consideration. It ended up coming out in February of this year and was a commercial and critical failure. Paris is nowhere on the radar screen for Academy chatter this year.
Will TheMule be a different story? Another MillionDollarBaby that alters the Oscar race? While we’ll have to wait for buzz and reviews (there’s not even a trailer yet), some signs point to no.
There’s already rumors that Warner Bros is looking at this as more of a commercial venture than one they will focus on for awards campaigning. The studio already has a very serious contender on its docket with AStarIsBorn. Speaking of, Eastwood’s costars here include Bradley Cooper (director and star of Born) as well as Dianne Wiest, Michael Pena, Laurence Fishburne, Taissa Farmiga, and Alison Eastwood.
Even if Warner doesn’t see this as their largest Academy player, we will see if critics and audiences feel differently. One thing is for sure – we have another movie to keep an eye on in 2018.
The domination of Black Panther should continue at the box office in full force this weekend, but we do have some new titles debuting. The Jason Bateman/Rachel McAdams comedy Game Night and Natalie Portman led sci-fi thriller Annihilation hit screens and you can peruse my detailed prediction posts on each of them here:
There’s also Every Day, a romantic drama based on a YA novel that’s rolling out on roughly 1650 screens. It seems to be flying pretty far under the radar and I didn’t do an individual post on it. I’ll estimate it only generates $2.9 million in sales.
As for the more high-profile newbies, Game Night appears poised for a second place showing. Annihilation is more of a question mark in my mind. Depending on the drop that Peter Rabbit experiences in its third weekend, it could be third or fourth with Fifty Shades Freed rounding out the top five.
Black Panther will easily rule the charts after its historic and record breaking premiere (more on that below). The Marvel phenomenon could top $100 million in its sophomore frame and that would put it fourth all time as far as #2 weekends go. That said, it pretty much blew away all expectations over the long weekend so maybe it gets to over $100 million.
And with that, my top 5 predictions for the weekend:
It was an absolutely incredible debut for Black Panther as the critically acclaimed comic book adaptation smashed the February record and then some. Panther took in $242.1 million over the President’s Day frame, blasting past my $193.8 million estimate. Deadpool was the previous February high at $152 million. Its Friday to Sunday haul of $202 million gave it the fifth largest domestic opening of all time – right behind MCU counterpart The Avengers. Its Monday gross of $40.1 million stands as the highest Monday gross of all time – just edging out Star Wars: The Force Awakens by a few thousand bucks. With an A+ Cinemascore grade, look for Panther to continue its run for the ages into the next several weekends.
Peter Rabbit stayed put in the runner-up position with $23.3 million, hopping a touch over my $20.9 million prediction for a two-week tally of $54 million.
Fifty Shades Freed dropped to third with $19.4 million, a bit ahead of my $17 million estimate. In its two weeks of release, the threequel has taken in $78 million.
Jumanji: Welcome to the Jungle took the four spot with $10 million, right in line with my $9.6 million projection for $379 million overall.
The 15:17 to Paris rounded out the top five with $8.9 million (I said $7.9 million) for $26 million thus far.
Stop-motion animated feature Early Man, despite mostly solid reviews, didn’t connect with family audiences. The pic opened in seventh with only $4.2 million compared to my prediction of $5.7 million.
Lastly, the Biblical drama Samson made no impact with moviegoers with just $2.2 million, not even matching my $3.1 million forecast.
Blogger’s Note Part II (02/15): And my Panther estimate continues to go up. Now at $193.8 million
Blogger’s Note (02/15): On the eve of their premieres, I’m making the following adjustments: revising Panther up from $168.8M to $178.8M; Early Man from $5.4M to $5.7M; and Samson from $2.2M to $3.1M.
It should be a commanding weekend for Marvel’s Black Panther as it opens over President’s Day in what could be a record-breaking February debut. We also have the stop-motion animated feature Early Man premiering. You can peruse my detailed prediction posts on each of them here:
Panther sprints into theaters with red hot word-of-mouth and sizzling reviews. The film appears to have entered into true event picture territory and it has sky high expectations. In order to blast through the current February record, it would need to eclipse Deadpool from two years ago, which also opened over the four-day POTUS frame. That movie earned $132 million from Friday to Sunday and $152 million when including Monday. My Panther estimate has Chadwick Boseman and company exceeding that.
I’m not expecting much from Early Man, which will experience severe competition from the second weekend of Peter Rabbit (likely to remain #2) and all the kiddos flocking to Panther. My $5.7 million forecast for it puts it outside the top 5.
I didn’t do an individual prediction post for Samson, a Biblical drama from Pure Flix that’s slated to open on around 1200 screens. I’ve got it pegged at just $3.1 million.
As mentioned, I see Rabbit retaining the number two spot while Fifty Shades Freed seems likely to drop to third. Jumanji: Welcome to the Jungle and The 15:17 to Paris should round out the top five.
And with that, my top 5 predictions for the four-day holiday weekend:
Fifty Shades Freed closed out the franchise this weekend with the lowest debut of the three features, as anticipated. The final pairing of Anastasia and Christian took in $38.5 million, right on target with my $38.4 million estimate. The good news for Fifty? Its total this weekend including international sales brought the series overall to a billion dollars worldwide.
Peter Rabbit hopped into the second position with a strong $25 million, eclipsing my $18.7 million prediction. The family friendly tale (or tail if you will) looks to continue its impressive grosses in its sophomore frame where it should experience a smallish dip.
Clint Eastwood’s true-life terrorism drama The 15:17 to Paris opened in third to a middling $12.5 million, just below my $13.1 million projection. Mostly negative reviews likely didn’t help.
Jumanji: Welcome to the Jungle was fourth with $10 million (I was lower at $8.6 million) for a grand tally of $365 million.
The Greatest Showman rounded out the top five with $6.4 million (I was in line with my $6.3 million forecast) for $146 million total.
For much of 2017, there was speculation that Clint Eastwood’s true life terrorism pic The15:17toParis could become a late entry into the Oscar race. It didn’t materialize and it was slated for an opening this Friday. I found it a bit curious that the review embargo didn’t lift until two days prior to its debut.
We may now know why. Early critical reaction to Paris has been rather negative. The film casts the three real life heroes (Spencer Stone, Anthony Sadler, Alek Skarlatos) who thwarted a 2015 French train attack alongside more familiar faces including Jenna Fischer, Judy Greer, and Tony Hale.
Eastwood has, of course, been no stranger to Oscar glory with 1992’s Unforgiven and 2004’s MillionDollarBaby both winning Best Picture and Director. In the 21st century, MysticRiver, LettersfromIwoJima, and AmericanSniper were nominated. His projects often merit Academy chatter and this one did until now.
The15:17toParis seems destined for zero awards attention. That also means Jaleel White (TV’s Urkel who from “Family Matters” appears) will not receive his first Oscar nomination.
After a sluggish frame to start the month of February, things should be looking up this weekend as three higher profile titles debut: threequel Fifty Shades Freed, animated/live-action pic Peter Rabbit, and Clint Eastwood’s true-life terrorism drama The 15:17 to Paris. You can peruse my detailed prediction posts on each of them here:
As I see it, the trio of newcomers should rather easily populate numbers 1-3 with Freed leading the charge, albeit with less dollars coming in than either of its predecessors. Rabbit should sit in the two spot with 15:17 third.
That means Jumanji: Welcome to the Jungle should fall to fourth and I’ll project The Greatest Showman remains in the top five with its continued smallish declines.
And with that, my top 5 projections for the weekend:
In a quiet Super Bowl weekend, Jumanji: Welcome to the Jungle swung back into the top spot with $10.9 million, a bit below my $12.4 million forecast. The mega hit has amassed $352 million overall.
Maze Runner: The Death Cure dropped to second with $10.4 million, in line with my $10.6 million projection for a two-week tally of $40 million.
The weekend’s only newcomer, Helen Mirren horror pic Winchester, debuted in third to a mediocre $9.3 million. I was close with $9.1 million. It did manage to garner the best per screen average of the top five. That said, look for it to drop big next weekend.
The Greatest Showman was fourth with $7.6 million (I said $7.9 million) for $137 million total.
The Post was fifth and I incorrectly had it outside the top 5. It made $5.2 million and it stands at $67 million.
Hostiles was sixth at $5.1 million (I said $5.8 million) for $20 million in sales.
Blogger’s Note (02/08): I am revising my prediction from $15.1 million to $13.1 million
Recounting the 2015 attempted train attack en route to France’s capital city, Clint Eastwood’s The15:17toParis hits theaters next weekend. The true life thriller uses the interesting tactic of having the real life heroes that thwarted the attack (Anthony Sadler, Alek Skarlatos, and Spencer Stone) playing themselves. They’re alongside familiar actors including Jenna Fischer, Judy Greer, and Jaleel White (known to you and I as Urkel from TV’s “Family Matters”).
Just over three years ago, Mr. Eastwood found his greatest box office success with AmericanSniper. This pic isn’t expected to gross anywhere near that, but it could manage to bring in an older audience who will have little to do with the two competitors debuting against it (FiftyShadesFreed and PeterRabbit).
I could see 15:17 opening right around its title numbers and comparable to what 12Strong made out of the gate just a couple weeks ago.
The15:17toParis opening weekend prediction: $13.1 million
My weekly Thursday predictions are in for the eight major categories at the Oscars. As October closes out, we will see some changes beginning next week as November rolls in. This will be the final week of listing 25 possibilities for Best Picture and 15 for the other seven races. Starting next week, the Best Picture possibilities will go down to 15 and 10 in the other categories. Additionally, on November 2, I’ll be bringing in the other categories related to feature films.
Over the past week, we’ve seen first trailers hit for I, Tonya and Phantom Thread, both threats to get multiple nods. The Phantom trailer and subsequent news also introduced us to Vicky Krieps, who apparently will be campaigned for in an already packed lead actress race. I’m still on The Florida Project bandwagon and it moves from 9th to 7th this week in BP possibilities. Greta Gerwig’s Lady Bird also makes a big jump in the rankings.
The film Chappaquiddick was moved to 2018 and that now removes the (long shot) possibility that Jason Clarke could have received a Best Actor nod portraying Senator Ted Kennedy.
Yet the biggest development of the week is Warner Bros announcement that Clint Eastwood’s The15:17toParis will be opening in February 2018. There’s still a chance it could receive a limited late year push for Oscar consideration, but for now it’s out of contention.
Let’s get to it!
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. The Shape of Water (PR: 3)
3. The Post (PR: 2)
4. Darkest Hour (PR: 5)
5. Call Me by Your Name (PR: 4)
6. Three Billboards Outside Ebbing, Missouri (PR: 6)
7. The Florida Project (PR: 9)
8. Mudbound (PR: 7)
9. Blade Runner 2049 (PR: 8)
Other Possibilities:
10. Lady Bird (PR: 18)
11. I, Tonya (PR: 15)
12. Detroit (PR: 10)
13. Phantom Thread (PR: 12)
14. Get Out (PR: 20)
15. Last Flag Flying (PR: 11)
16. Battle of the Sexes (PR: 14)
17. Downsizing (PR: 16)
18. The Greatest Showman (PR: 17)
19. The Big Sick (PR: 22)
20. All the Money in the World (PR: 19)
21. Star Wars: The Last Jedi (PR: 23)
22. Wonderstruck (PR: 21)
23. Molly’s Game (PR: 25)
24. Wind River (PR: 24)
25. Coco (PR: Not Ranked)
Dropped Out:
The15:17toParis
Best Director
Predicted Nominees:
1. Christopher Nolan, Dunkirk (PR: 1)
2. Guillermo del Toro, The Shape of Water (PR: 3)
3. Steven Spielberg, The Post (PR: 2)
4. Joe Wright, Darkest Hour (PR: 5)
5. Luca Guadagnino, Call Me by Your Name (PR: 4)
Other Possibilities:
6. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 8)
7. Denis Villeneuve, Blade Runner 2049 (PR: 6)
8. Dee Rees, Mudbound (PR: 7)
9. Sean Baker, The Florida Project (PR: 9)
10. Greta Gerwig, Lady Bird (PR: 15)
11. Paul Thomas Anderson, Phantom Thread (PR: 13)
12. Kathryn Bigelow, Detroit (PR: 10)
13. Jordan Peele, Get Out (PR: Not Ranked)
14. Richard Linklater, LastFlagFlying (PR: 15)
15. Craig Gillespie, I, Tonya (PR: Not Ranked)
Dropped Out:
Richard Linklater, Last Flag Flying
Ridley Scott, All the Money in the World
Best Actor
Predicted Nominees:
1. Gary Oldman, Darkest Hour (PR: 1)
2. Daniel Day-Lewis, Phantom Thread (PR: 2)
3. Timothee Chalamet, Call Me by Your Name (PR: 3)
4. Hugh Jackman, The Greatest Showman (PR: 4)
5. Tom Hanks, The Post (PR: 5)
Other Possibilities:
6. Jake Gyllenhaal, Stronger (PR: 6)
7. Andrew Garfield, Breathe (PR: 8)
8. James Franco, The Disaster Artist (PR: 10)
9. Denzel Washington, Roman J. Israel, Esq. (PR: 9)
10. Steve Carell, Last Flag Flying (PR: 7)
11. Jeremy Renner, Wind River (PR: 11)
12. Christian Bale, Hostiles (PR: 13)
13. Matt Damon, Downsizing (PR: 12)
14. Algee Smith, Detroit (PR: 15)
15. Kumail Nanjiani, The Big Sick (PR: Not Ranked)
Dropped Out:
Jason Clarke, Chappaquiddick (moved to 2018)
Best Actress
Predicted Nominees:
1. Meryl Streep, The Post (PR: 1)
2. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Margot Robbie, I, Tonya (PR: 3)
4. Sally Hawkins, The Shape of Water (PR: 5)
5. Emma Stone, Battle of the Sexes (PR: 4)
Other Possibilities:
6. Saoirse Ronan, Lady Bird (PR: 9)
7. Kate Winslet, Wonder Wheel (PR: 6)
8. Jessica Chastain, Molly’s Game (PR: 7)
9. Judi Dench, Victoria and Abdul (PR: 8)
10. Vicky Krieps, PhantomThread (PR: Not Ranked)
11. Daniela Vega, A Fantastic Woman (PR: 11)
12. Brooklyn Prince, The Florida Project (PR: 10)
13. Annette Bening, Film Stars Don’t Die in Liverpool (PR: 12)
14. Diane Kruger, In the Fade (PR: 14)
15. Michelle Williams, All the Money in the World (PR: 13)
Dropped Out:
Jennifer Lawrence, mother! (PR: 15)
Best Supporting Actor
Predicted Nominees:
1. Willem Dafoe, The Florida Project (PR: 1)
2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Armie Hammer, Call Me by Your Name (PR: 3)
4. Mark Rylance, Dunkirk (PR: 4)
5. Michael Shannon, The Shape of Water (PR: 5)
Other Possibilities:
6. Michael Stuhlbarg, Call Me by Your Name (PR: 6)
7. Jason Mitchell, Mudbound (PR: 8)
8. Ben Mendelsohn, Darkest Hour (PR: 7)
9. Kevin Spacey, All the Money in the World (PR: 9)
10. Bryan Cranston, Last Flag Flying (PR: 13)
11. Will Poulter, Detroit (PR: 10)
12. Richard Jenkins, The Shape of Water (PR: 12)
13. Christoph Waltz, Downsizing (PR: 11)
14. Patrick Stewart, Logan (PR: 14)
15. Idris Elba, Molly’s Game (PR: Not Ranked)
Dropped Out:
Garrett Hedlund, Mudbound
Best Supporting Actress
Predicted Nominees:
1. Allison Janney, I, Tonya (PR: 1)
2. Melissa Leo, Novitiate (PR: 2)
3. Laurie Metcalf, Lady Bird (PR: 3)
4. Hong Chau, Downsizing (PR: 4)
5. Kristin Scott Thomas, Darkest Hour (PR: 5)
Other Possibilities:
6. Holly Hunter, The Big Sick (PR: 7)
7. Mary J. Blige, Mudbound (PR: 8)
8. Claire Foy, Breathe (PR: 9)
9. Octavia Spencer, The Shape of Water (PR: 6)
10. Lesley Manville, Phantom Thread (PR: Not Ranked)
11. Kirsten Dunst, The Beguiled (PR: 11)
12. Julianne Moore, Wonderstruck (PR: 10)
13. Tatiana Maslany, Stronger (PR: 12)
14. Millicent Simmonds, Wonderstruck (PR: 13)
15. Sarah Paulson, The Post (PR: 14)
Dropped Out:
Michelle Pfeiffer, mother!
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 1)
2. Mudbound (PR: 2)
3. Molly’s Game (PR: 4)
4. Last Flag Flying (PR: 3)
5. Wonderstruck (PR: 5)
Other Possibilities:
6. Victoria and Abdul (PR: 6)
7. The Disaster Artist (PR: 12)
8. The Beguiled (PR: 9)
9. Blade Runner 2049 (PR: 7)
10. Stronger (PR: 11)
11. All the Money in the World (PR: 10)
12. Thank You for Your Service (PR: Not Ranked)
13. First, They Killed My Father (PR: 15)
14. The Death of Stalin (PR: 13)
15. Wonder (PR: 14)
Dropped Out:
The 15:17 to Paris
Best Original Screenplay
Predicted Nominees:
1. Three Billboards Outside Ebbing, Missouri (PR: 1)
2. The Shape of Water (PR: 2)
3. Darkest Hour (PR: 6)
4. The Florida Project (PR: 4)
5. Lady Bird (PR: 9)
Other Possibilities:
6. The Post (PR: 3)
7. The Big Sick (PR: 5)
8. Get Out (PR: 8)
9. I, Tonya (PR: 10)
10. Dunkirk (PR: 7)
11. Phantom Thread (PR: 12)
12. Downsizing (PR: 11)
13. Wind River (PR: 13)
14. Battle of the Sexes (PR: Not Ranked)
15. Coco (PR: Not Ranked)
Dropped Out:
Detroit
Wonder Wheel
And there you have it! My final October predictions. I’ll be back next week with all the categories for the first time…
My weekly round of Thursday Oscar predictions in the eight major categories brings a couple of updates from the past week:
Woody Allen’s Wonder Wheel premiered at the New York Film Festival and the mixed reaction has caused it to roll all the way out of the top 25 possibilities for Best Picture. Kate Winslet still stands a decent shot at Best Actress in a very crowded race, but her nomination seems a bit less assured to me now. The film also takes a hit in the Original Screenplay derby.
It’s looking like The Leisure Seeker with Donald Sutherland will not be released until 2018. I’ve had the actor on the lower rungs of possibility for Best Actor, but until I see confirmation of an awards qualifying end of year release date, he’s out for now.
And with that, let’s get to it!
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. The Post (PR: 2)
3. The Shape of Water (PR: 3)
4. Call Me by Your Name (PR: 6)
5. Darkest Hour (PR: 4)
6. Three Billboards Outside Ebbing, Missouri (PR: 5)
It’s Thursday and that means a fresh round of my weekly Oscar predictions in the eight major categories. Some thoughts from the past week:
I can’t help but wonder if the disappointing box office performance of Blade Runner 2049 will hurt its chances at nominations for Picture and Director. It certainly doesn’t help. I had the film and director Denis Villeneuve getting in last week. Today that changes, but we’ll see if it manages to rise back up in subsequent weeks.
Woody Allen’s Wonder Wheel is slated to premiere at the New York Film Festival tonight and that means reviews will be up. I have it getting nominations in Picture, Actress, and Original Screenplay right now, but lots of questions will be answered in a matter of hours.
Sean Baker’s The Florida Project seems to be garnering a lot of goodwill and for the first time, I have it taking a major jump into an actual nomination. We’ll see if that sticks.
Finally, it appears Steven Spielberg’s The Post will qualify for Original Screenplay and not Adapted as previously thought. That change has been reflected here.
Let’s get to it!
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. The Post (PR: 2)
3. The Shape of Water (PR: 3)
4. Darkest Hour (PR: 4)
5. Three Billboards Outside Ebbing, Missouri (PR: 6)
6. Call Me by Your Name (PR: 5)
7. Mudbound (PR: 7)
8. Wonder Wheel (PR: 9)
9. The Florida Project (PR: 19)
Other Possibilities:
10. Blade Runner 2049 (PR: 8)
11. Last Flag Flying (PR: 12)
12. Detroit (PR: 13)
13. Battle of the Sexes (PR: 11)
14. The 15:17 to Paris (PR: 15)
15. Phantom Thread (PR: 10)
16. The Greatest Showman (PR: 14)
17. I, Tonya (PR: 17)
18. Downsizing (PR: 18)
19. Get Out (PR: 16)
20. All the Money in the World (PR: 21)
21. Wonderstruck (PR: 24)
22. Lady Bird (PR: 20)
23. The Big Sick (PR: 22)
24. Wind River (PR: Not Ranked)
25. Star Wars: The Last Jedi (PR: Not Ranked)
Dropped Out:
Goodbye Christopher Robin
Molly’s Game
Best Director
Predicted Nominees:
1. Christopher Nolan, Dunkirk (PR: 1)
2. Steven Spielberg, The Post (PR: 2)
3. Guillermo del Toro, The Shape of Water (PR: 3)
4. Joe Wright, Darkest Hour (PR: 4)
5. Dee Rees, Mudbound (PR: 6)
Other Possibilities:
6. Luca Guadagnino, Call Me by Your Name (PR: 7)
7. Denis Villeneuve, Blade Runner 2049 (PR: 5)
8. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 8)
9. Woody Allen, Wonder Wheel (PR: 9)
10. Sean Baker, The Florida Project (PR: Not Ranked)
11. Kathryn Bigelow, Detroit (PR: 11)
12. Clint Eastwood, The 15:17 to Paris (PR: 14)
13. Paul Thomas Anderson, Phantom Thread (PR: 10)
14. Richard Linklater, Last Flag Flying (PR: 12)
15. Jordan Peele, Get Out (PR: 13)
Dropped Out:
Jonathan Dayton and Valerie Faris, Battle of the Sexes
Best Actor
Predicted Nominees:
1. Gary Oldman, Darkest Hour (PR: 1)
2. Daniel Day-Lewis, Phantom Thread (PR: 2)
3. Hugh Jackman, The Greatest Showman (PR: 4)
4. Tom Hanks, The Post (PR: 3)
5. Timothee Chalamet, Call Me by Your Name (PR: 5)
Other Possibilities:
6. Jake Gyllenhaal, Stronger (PR: 6)
7. Steve Carell, Last Flag Flying (PR: 8)
8. Denzel Washington, Roman J. Israel Esq. (PR: 7)
9. Andrew Garfield, Breathe (PR: 11)
10. James Franco, The Disaster Artist (PR: 9)
11. Donald Sutherland, The Leisure Seeker (PR: 10)
12. Jeremy Renner, Wind River (PR: 13)
13. Christian Bale, Hostiles (PR: 12)
14. Algee Smith, Detroit (PR: Not Ranked)
15. Jason Clarke, Chappaquiddick (PR: 15)
Dropped Out:
Domhnall Gleeson, Goodbye Christopher Robin
Best Actress
Predicted Nominees:
1. Meryl Streep, The Post (PR: 1)
2. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Margot Robbie, I, Tonya (PR: 3)
4. Kate Winslet, Wonder Wheel (PR: 4)
5. Emma Stone, Battle of the Sexes (PR: 5)
Other Possibilities:
6. Sally Hawkins, The Shape of Water (PR: 7)
7. Jessica Chastain, Molly’s Game (PR: 6)
8. Judi Dench, Victoria and Abdul (PR: 8)
9. Saoirse Ronan, Lady Bird (PR: 9)
10. Daniela Vega, A Fantastic Woman (PR: 10)
11. Brooklyn Prince, The Florida Project (PR: 13)
12. Annette Bening, Film Stars Don’t Die in Liverpool (PR: 11)
13. Diane Kruger, In the Fade (PR: 12)
14. Carey Mulligan, Mudbound (PR: Not Ranked)
15. Michelle Williams, All the Money in the World (PR: 14)
Dropped Out:
Jennifer Lawrence, mother!
Best Supporting Actor
Predicted Nominees:
1. Willem Dafoe, The Florida Project (PR: 1)
2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Armie Hammer, Call Me by Your Name (PR: 3)
4. Michael Stuhlbarg, Call Me by Your Name (PR: 5)
5. Mark Rylance, Dunkirk (PR: 6)
Other Possibilities:
6. Jason Mitchell, Mudbound (PR: 7)
7. Ben Mendelsohn, Darkest Hour (PR: 4)
8. Michael Shannon, The Shape of Water (PR: 8)
9. Will Poulter, Detroit (PR: 11)
10. Kevin Spacey, All the Money in the World (PR: 9)
11. Christoph Waltz, Downsizing (PR: 13)
12. Richard Jenkins, The Shape of Water (PR: Not Ranked)
13. Patrick Stewart, Logan (PR: 12)
14. Colin Farrell, The Beguiled (PR: Not Ranked)
15. Jim Belushi, Wonder Wheel (PR: 15)
Dropped Out:
Bryan Cranston, Last Flag Flying
Laurence Fishburne, Last Flag Flying
Best Supporting Actress
Predicted Nominees:
1. Allison Janney, I, Tonya (PR: 1)
2. Laurie Metcalf, Lady Bird (PR: 4)
3. Melissa Leo, Novitiate (PR: 2)
4. Hong Chau, Downsizing (PR: 5)
5. Holly Hunter, The Big Sick (PR: 7)
Other Possibilities:
6. Kristin Scott Thomas, Darkest Hour (PR: 3)
7. Mary J. Blige, Mudbound (PR: 8)
8. Octavia Spencer, The Shape of Water (PR: 6)
9. Kirsten Dunst, The Beguiled (PR: 9)
10. Claire Foy, Breathe (PR: 10)
11. Julianne Moore, Wonderstruck (PR: 11)
12. Millicent Simmonds, Wonderstruck (PR: 12)
13. Tatiana Maslany, Stronger (PR: Not Ranked)
14. Juno Temple, Wonder Wheel (PR: 13)
15. Sarah Paulson, The Post (PR: Not Ranked)
Dropped Out:
Margot Robbie, Goodbye Christopher Robin
Cicely Tyson, Last Flag Flying
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 2)
2. Mudbound (PR: 3)
3. Molly’s Game (PR: 5)
4. Last Flag Flying (PR: 4)
5. Wonderstruck (PR: 8)
Other Possibilities:
6. The Beguiled (PR: 10)
7. Victoria and Abdul (PR: 7)
8. Blade Runner 2049 (PR: 6)
9. The 15:17 to Paris (PR: 12)
10. All the Money in the World (PR: 9)
11. The Disaster Artist (PR: 11)
12. Stronger (PR: 13)
13. The Death of Stalin (PR: Not Ranked)
14. Thank You for Your Service (PR: 15)
15. Wonder (PR: 14)
Dropped Out:
The Post (moved to Original Screenplay)
Best Original Screenplay
Predicted Nominees:
1. Three Billboards Outside Ebbing, Missouri (PR: 1)
2. The Post (PR: Not Ranked, moved from Adapted Screenplay)
3. The Shape of Water (PR: 2)
4. Wonder Wheel (PR: 4)
5. Darkest Hour (PR: 3)
Other Possibilities:
6. The Florida Project (PR: 11)
7. The Big Sick (PR: 5)
8. Get Out (PR: 6)
9. Lady Bird (PR: 9)
10. Dunkirk (PR: 7)
11. I, Tonya (PR: 8)
12. Downsizing (PR: 12)
13. Phantom Thread (PR: 13)
14. Wind River (PR: 14)
15. Detroit (PR: Not Ranked)
Dropped Out:
The Greatest Showman
And there you have it! I’ll be back at it next Thursday with fresh predictions…
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