Tag: Taylor Swift

October 10-12 Box Office Predictions

Blogger’s Update (10/08): The announced theater count of just 1300 venues has me changing my prediction from $5.2 million to $2.2 million. That puts it outside of the of the top 5.

With Taylor Swift sashaying out of multiplexes after a dominant weekend, Tron: Ares looks to take over the charts. We also have Channing Tatum in the crime dramedy Roofman and Jennifer Lopez headlining Kiss of the Spider Woman. My detailed prediction posts on the trio can be accessed here:

Tron: Ares Box Office Prediction
Roofman Box Office Prediction
Kiss of the Spider Woman Box Office Prediction

With scant competition, Tron should have no trouble placing first. That said, I have the sci-fi threequel earning less out of the gate than what greeted Tron: Legacy nearly 15 years ago.

I have both Roofman and Spider Woman in the mid single digits and both could fall behind the third frame of One Battle After Another if it dips in the low to mid 40s. **I’ll also note the release of Soul on Fire starring William H. Macy. It could manage to do $3 million or so and sneak into the top 5, but I’m uncertain on the theater count. I may add it into the lineup later this week so keep an eye out.

The Conjuring: Last Rites could hold the five spot since I believe its decline will be far less than The Smashing Machine‘s sophomore outing. The latter bombed over the weekend (more on that below) and its B- Cinemascore doesn’t bode well for the road ahead.

Here’s how I see the top 5 shaking out:

1. Tron: Ares

Predicted Gross: $42.6 million

2. One Battle After Another

Predicted Gross: $6.4 million

3. Roofman

Predicted Gross: $5.8 million

4. The Conjuring: Last Rites

Predicted Gross: $3.1 million

5. The Smashing Machine

Predicted Gross: $2.6 million

Box Office Results (October 3-5)

To coincide with the release of her already record-breaking 12th album, Taylor Swift: The Official Release Party of a Showgirl played for a three-day engagement and was #1 as expected. The $34 million take was in line with many expectations, but I thought Ms. Swift might surpass them with a $48.6 million projection. Any way you cut it, it’s a fine result while not approaching the $93 million that her Eras Tour theatrical experience garnered.

In fact, pretty much everything fell below my forecasts this weekend. One Battle After Another slid to second with a troubling 50% decline to $11 million. I was more generous at $14.5 million as I thought the A Cinemascore would help out more than it did. The two-week take is $42 million.

Dwayne Johnson suffered his weakest ever wide release opening as The Smashing Machine crumbled in third with $6 million. I guesstimated more than twice that number at $13.7 million. A poor start like that should evaporate any awards buzz and look for it to fade quickly.

Gabby’s Dollhouse: The Movie nosedived 61% in fourth with $5.3 million compared to my glass half full $7.9 million prediction. Its ten-day tally is a meager $21 million.

The Conjuring: Last Rites rounded out the top five with $4.1 million and I incorrectly had it on the outside looking in. The five-week total is $167 million.

Two other new(ish) titles struggled. The re-release of Avatar: The Way of Water was seventh with $3.2 million. I went with $4.4 million. Nevertheless the few extra bucks brought its gross to $687 million as Avatar: Fire and Ash is primed for December.

Canine horror pic Good Boy was ninth with $2.3 million, falling a bit under my $2.8 million projection.

And that does it for now, folks! Until next time…

October 3-5 Box Office Predictions

Just as she will on the music charts starting Friday, the biggest pop star in the universe seeks to dominate the box office rankings with Taylor Swift: The Official Release Party of a Showgirl. We also have Dwayne Johnson and Emily Blunt in the MMA biopic The Smashing Machine, the re-release of Avatar: The Way of Water and canine centric horror tale Good Boy out. You can peruse my detailed prediction posts on the newcomers here:

Taylor Swift: The Official Release Party of a Showgirl Box Office Prediction
The Smashing Machine Box Office Prediction
Avatar: The Way of Water Re-Release Box Office Prediction
Good Boy Box Office Prediction

Coinciding with the release of her 12th studio album, Showgirl looks to kick up impressive earnings for its engagement lasting only this weekend. While it’s unlikely to approach the $93 million generated out of the gate by her Eras Tour doc in 2023, I believe it’ll surpass the $40 million forecasts and reach higher 40s. As a general rule, take the over when it comes to Taylor.

The Smashing Machine will compete for adult eyeballs with the second weekend of One Battle After Another. My low teens take would put it in third for a so-so showing.

While audiences await threequel James Cameron’s Avatar: Fire and Ash this December, I have the re-release of The Way of Water in mid single digits and rounding out the high five.

My lower single digits estimate at $2.8 million for Good Boy leaves it outside the top five.

As for holdovers, Battle came in at the lower end of its expected range (more on that below). However, awards buzz and the Cinemascore grade of A might mean a meager drop. Gabby’s Dollhouse: The Movie didn’t pack in family crowds, but lack of competition for kids (though plenty of them might see Ms. Swift) could mean a decline around 40% or less.

Here’s I have it all shaking out:

1. Taylor Swift: The Official Release Party of a Showgirl

Predicted Gross: $48.6 million

2. One Battle After Another

Predicted Gross: $14.5 million

3. The Smashing Machine

Predicted Gross: $13.7 million

4. Gabby’s Dollhouse: The Movie

Predicted Gross: $7.9 million

5. Avatar: The Way of Water re-release

Predicted Gross: $4.4 million

Box Office Results (September 26-28)

Paul Thomas Anderson’s acclaimed One Battle After Another certainly set a record for his openings. Yet the $22 million debut for Leonardo DiCaprio’s latest came in lower than my $27 million prediction. It will hope for (and should achieve) smallish dips in the coming weeks due to the aforementioned word-of-mouth.

Gabby’s Dollhouse: The Movie was second with an unimpressive $13.6 million, well under my $20.3 million call. Based on the Netflix TV show, plenty of viewers opted to stay home.

Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle was third in weekend #3 with $7.1 million and ahead of my $5.8 million projection. The anime record holder has amassed $118 million stateside.

The Conjuring: Last Rites was fourth in weekend #4 at $6.7 million (I said $6.4 million) as the sequel’s tally is $161 million.

The Strangers – Chapter 2 sputtered in fifth with $5.8 million, under my $6.7 million take. This scary sequel failed to approach the double digits that its predecessor last year managed.

Speaking of underwhelming fright fest performances, Him tumbled 73% in sixth with $3.5 million. I was more generous at $5.1 million as its two-week earnings are $20 million.

And that does it for now, folks! Until next time…

Taylor Swift: The Official Release Party of a Showgirl Box Office Prediction

Coinciding with the release of her 12th album The Life of a Showgirl, the unstoppable force that is Taylor Swift is back in theaters October 3rd courtesy of Taylor Swift: The Official Release Party of a Showgirl. Clocking in at just under an hour and a half, Showgirl will showcase the premiere of a new video in addition to lyric videos for other tracks and behind the scenes footage.

Announced just days ago, all domestic AMC Theatres will feature the project as well as participating Alamo Drafthouse, Regal and Cinemark locations. Tickets are $12 to honor her 12th album. Nearly two years ago, the pop sensation dominated the box office with her Eras Tour big screen experience. It opened to a walloping $93 million on its way to a $180 million stateside haul.

Showgirl will only be in theaters for three days. Expectations are not as high and this probably won’t play on the 3800+ venues that Eras did. Early estimates have this grossing around $40 million. This might go without saying, but I would take the over when it comes to Ms. Swift.

When the screen count is released, my estimate could fluctuate. While I agree this won’t reach Eras level, I’m going with low to mid 50s and let’s see if that ticks up (or maybe down) in the days to come.

Taylor Swift: The Official Release Party of a Showgirl opening weekend (and overall gross) prediction: $48.6 million

For my The Smashing Machine prediction, click here:

The Smashing Machine Box Office Prediction

For my Avatar: The Way of Water re-release prediction, click here:

Avatar: The Way of Water Re-Release Box Office Prediction

For my Good Boy prediction, click here:

Good Boy Box Office Prediction

Argylle Box Office Prediction

Kingsman maker Matthew Vaughn appears to be in his comfort zone with Argylle, out February 2nd. The spy action comedy comes with a reported $200 million budget and hopes to spawn a trilogy. Henry Cavill, Bryce Dallas Howard, Sam Rockwell, Bryan Cranston, Catherine O’Hara, Dua Lipa, Ariana DeBose, John Cena, and Samuel L. Jackson fill out the eclectic cast. There’s even a Taylor Swift connection (sort of). Swifties speculated that the film’s author character (played by Howard) might in fact be the superstar/Chiefs fan, but Vaughn debunked the theory. Anytime Swift is in the mix, that means your movie is getting extra attention.

Argylle could also be helped by the dead zone that is the current box office landscape. There’s simply not much out there and this star-studded affair will be the highest profile option.

That said, I don’t think this will exceed expectations. Current forecasts have this in the high teens to low 20s and I think that sounds right. This means Argylle may need to rely on overseas grosses if it wants that trilogy.

Argylle opening weekend prediction: $18.3 million

2023: The Year of Taylor Swift

My first two Year Of posts for the cinematic gifts we’ll remember in 2023 didn’t cover individuals. They focused on the phenomenon known as Barbenheimer and the impressive past few months for video game adaptations. You can peruse both of those entries here:

2023: The Year of Barbenheimer
2023: The Year of the Video Game Movie

Now we arrive at one performer whose year shone brightest beyond the silver screen. Yes, we’re talking Taylor, Swifties! Whether it was on her money minting tour or upping NFL viewership due to her romance with Travis Kelce, it was all about Taylor in 2023.

That popularity extended to the multiplex. On October 13th, her concert pic Taylor Swift: The Eras Tour broke every record in the genre. Actually it did so before it release by racking up ginormous pre-sales. When it debuted, the result was a $250 million worldwide gross with nearly $180 million of that stateside. Critics turned into Swifties as well (99% on Rotten Tomatoes).

This reversed perhaps the only blip on Swift’s career trajectory. Her movie past was littered with disappointments like 2019’s Cats and 2022’s Amsterdam. With Eras, she now stands tall as the Queen of the Concert Movie… and pretty much everything else in 2023. My Year Of posts will continue…

81st Golden Globe Awards Nominations Predictions

Prior to its January 7th airing on CBS and Paramount+, nominations for the 81st Golden Globe Awards are out Monday, December 11th. After years of airing on NBC, the ceremony has found a new home after the controversies of the last few years involving the Hollywood Foreign Press Association.

That’s not the only change with the program. The categories we are used to have expanded from five to six nominees. And a new competition – Cinematic and Box Office Achievement – comes with eight contenders. We could safely coin this the “Barbenheimer” race unless Taylor Swift has something to say about that.

As always, there’s some controversy in the differentiation between Drama and Musical/Comedy placements. Netflix decided to campaign Todd Haynes’s May December in the latter even though Drama seems more appropriate. It could help it get more noms.

Here we go with my picks in each cinematic derby and I’ll give you an alternate with each.

Motion Picture (Drama)

Anatomy of a Fall

Killers of the Flower Moon

Maestro

Oppenheimer

Past Lives

The Zone of Interest

Alternate: Saltburn

Motion Picture (Musical/Comedy)

American Fiction

Barbie

The Color Purple

The Holdovers

May December

Poor Things

Alternate: Air

Film Director

Bradley Cooper, Maestro

Greta Gerwig, Barbie

Yorgos Lanthimos, Poor Things

Christopher Nolan, Oppenheimer

Martin Scorsese, Killers of the Flower Moon

Celine Song, Past Lives

Alternate: Alexander Payne, The Holdovers

Actress (Film Drama)

Annette Bening, Nyad

Lily Gladstone, Killers of the Flower Moon

Sandra Hüller, Anatomy of a Fall

Greta Lee, Past Lives

Carey Mulligan, Maestro

Cailee Spaney, Priscilla

Alternate: Teyana Taylor, A Thousand and One

Actor (Film Drama)

Bradley Cooper, Maestro

Leonardo DiCaprio, Killers of the Flower Moon

Colman Domingo, Rustin

Barry Keoghan, Saltburn

Cillian Murphy, Oppenheimer

Andrew Scott, All of Us Strangers

Alternate: Zac Efron, The Iron Claw

Actress (Musical/Comedy)

Fantasia Barrino, The Color Purple

Abby Ryder Fortson, Are You There God? It’s Me, Margaret

Julia Louis-Dreyfus, You Hurt My Feelings

Natalie Portman, May December

Margot Robbie, Barbie

Emma Stone, Poor Things

Alternate: Jennifer Lawrence, No Hard Feelings

Actor (Musical/Comedy)

Gael Garcia Bernal, Cassandro

Nicolas Cage, Dream Scenario

Timothee Chalamet, Wonka

Matt Damon, Air

Paul Giamatti, The Holdovers

Jeffrey Wright, American Fiction

Alternate: Jamie Foxx, The Burial

Supporting Actress

Emily Blunt, Oppenheimer

Danielle Brooks, The Color Purple

Jodie Foster, Nyad

Taraji P. Henson, The Color Purple

Julianne Moore, May December

Da’Vine Joy Randolph, The Holdovers

Alternate: Rachel McAdams, Are You There God? It’s Me, Margaret

Supporting Actor

Robert De Niro, Killers of the Flower Moon

Robert Downey Jr., Oppenheimer

Ryan Gosling, Barbie

Charles Melton, May December

Mark Ruffalo, Poor Things

Dominic Sessa, The Holdovers

Alternate: Willem Dafoe, Poor Things

Best Screenplay

American Fiction

Barbie

The Holdovers

Killers of the Flower Moon

Oppenheimer

Poor Things

Alternate: May December

Cinematic and Box Office Achievment

Barbie

Elemental

Guardians of the Galaxy Vol. 3

John Wick: Chapter 4

Oppenheimer

Spider-Man: Across the Spider-Verse

The Super Mario Bros. Movie

Taylor Swift: The Eras Tour

Alternate: The Little Mermaid

Motion Picture (Non-English Language)

Anatomy of a Fall

Perfect Days

Society of the Snow

The Taste of Things

The Teachers’ Lounge

The Zone of Interest

Alternate: The Promised Land

Motion Picture (Animated)

The Boy and the Heron

Chicken Run: Dawn of the Nugget

Elemental

Nimona

Spider-Man: Across the Spider-Verse

The Super Mario Bros. Movie

Alternate: Wish

Original Score

The Boy and the Heron

Killers of the Flower Moon

Nyad

Oppenheimer

Poor Things

Spider-Man: Across the Spider-Verse

Alternate: Elemental

Original Song

“Dance the Night” from Barbie

“I’m Just Ken” from Barbie

“What Was I Made For?” from Barbie

“Keep It Movin” from The Color Purple

“The Fire Inside” from Flamin’ Hot

“A World of Your Own” from Wonka

Alternate: “Peaches” from The Super Mario Bros. Movie

That equates to these movies generating these numbers of nominations:

9 Nominations

Barbie

8 Nominations

Oppenheimer

7 Nominations

Killers of the Flower Moon

6 Nominations

Poor Things

5 Nominations

The Color Purple, The Holdovers

4 Nominations

Maestro, May December

3 Nominations

American Fiction, Nyad, Past Lives, Spider-Man: Across the Spider-Verse

2 Nominations

The Boy and the Heron, Elemental, The Super Mario Bros. Movie, Wonka, The Zone of Interest

1 Nomination

Air, All of Us Strangers, Are You There God? It’s Me, Margaret, Cassandro, Chicken Run: Dawn of the Nugget, Dream Scenario, Flamin’ Hot, Guardians of the Galaxy Vol. 3, John Wick: Chapter 4, Nimona, Perfect Days, Priscilla, Rustin, Saltburn, Society of the Snow, The Taste of Things, Taylor Swift: The Eras Tour, The Teachers’ Lounge, You Hurt My Feelings

December 8-10 Box Office Predictions

Blogger’s Update (12/06): It appears The Boy and the Heron is opening on approximately 2100 screens. That is more than I assumed and my estimate rises from $3.8 million to $8 million. I’m also lowering my Renaissance prediction from $8.9M to $7.6M and raising my Hunger Games estimates from $7.8M to $8.6M. This dramatically alters my previous top five.

Before some high profile holiday releases are unwrapped, it should be a quiet weekend at the box office as Hayao Miyazaki’s The Boy and the Heron is the only significant newcomer. You can peruse my detailed prediction post on it here:

The Boy and the Heron Box Office Prediction

We may not see any picture top $10 million in this sleepy frame. Beyoncé may manage to rule the charts for a second time even though I have Renaissance having a sophomore slide in the high 50s. A gross approaching $9 million should keep it ahead of The Hunger Games: The Ballad of Songbirds and Snakes (which should fall in the mid 40s).

After an impressive debut, Godzilla Minus One should stay in third with Trolls Band Together remaining in fourth. I have Heron rounding out the top five, just ahead of Disney’s dud Wish.

Here’s how I see it playing out:

1. The Hunger Games: The Ballad of Songbirds and Snakes

Predicted Gross: $8.6 million

2. The Boy and the Heron

Predicted Gross: $8 million

3. Renaissance: A Film by Beyoncé

Predicted Gross: $7.6 million

4. Godzilla Minus One

Predicted Gross: $4.9 million

5. Trolls Band Together

Predicted Gross: $4.7 million

Box Office Results (December 1-3)

Audiences might not have been crazy in love with Renaissance: A Film by Beyoncé to the level of Taylor Swift’s tour feature, but it opened in line with its anticipated range. Premiering in first, the acclaimed concert pic started with $21.8 million. That’s on pace with my $20.7 million take.

The Hunger Games: A Ballad of Songbirds and Snakes slid to second with $14.1 million in its third outing, just ahead of my $13.1 million call. The franchise prequel is up to $120 million.

In a weekend with many debuts, Godzilla Minus One achieved the largest one at $11.4 million. The Japanese was third with $11.4 million, well ahead of my $7.6 million projection. This is especially impressive since it’s making most of its green overseas.

Trolls Band Together was fourth with $7.8 million (I said $8.5 million) as the three-week total is $75 million.

Disney’s Wish tumbled a steep 61% for fifth in its sophomore frame with $7.7 million. I was more generous at $9.3 million. The two-week tally is a troubling $42 million.

The second weekend plummet was even higher for Napoleon in sixth. It was down 65% to $7.2 million compared to my $9.2 million forecast. The overall gross is $45 million.

Newcomers filled the 7-9 spots. Hindi-language action flick Animal exceeded my expectations in seventh with $6.4 million. I said $4 million.

Sci-fi tale The Shift from Angel Studios was eighth with $4.6 million. That’s in line with my expectations at $4.3 million.

John Woo’s Silent Night was quiet in ninth with $3 million. That’s below my expectations as I went with $5 million.

Lastly, Eli Roth’s slasher Thanksgiving was tenth with $2.6 million, a tad under my $3.3 million prediction. Total is $28 million.

And that’s all for now, folks! Until next time…

December 1-3 Box Office Predictions

November closed out at the box office with an unpredictable Thanksgiving frame where I had the entirety of the top four in the wrong spots. The head scratching will continue as December arrives with a quintet of newcomers (four of which could post very similar earnings). We have the concert pic Renaissance: A Film by Beyoncé, Japanese monster mash Godzilla Minus One, John Woo’s dialogue free action thriller Silent Night, sci-fi drama The Shift from Angel Studios, and Hindi-language shoot-em-up Animal. My detailed prediction posts on all of them can be accessed here:

Renaissance: A Film by Beyoncé Box Office Prediction
Godzilla Minus One Box Office Prediction
Silent Night Box Office Prediction
The Shift Box Office Prediction
Animal Box Office Prediction

Beyoncé’s tour doc might be the only new entry in the top five. While it shouldn’t approach the near $100M out of the gate that Taylor Swift accomplished, a mid to high 20s output would firmly put it in first position.

It is common to see hefty drops after the Turkey Day weekend and that should apply to the leftovers. The Hunger Games: The Ballad of Songbirds and Snakes (after surprisingly staying at #1 over the holiday) should slide to second with a mid 50s decline.

After that… it’s a crapshoot. Any of the newcomers could post better figures than my calls. However, I have all four making between $5-8 million and each falling outside the top five.

That’s because Napoleon, Wish, and Trolls Band Together may all flirt with $10 million. I’ve got the trio falling under that for a close finish between 3-5.

With all the newbies, I’ll expand to a top ten outlook and here’s how I see it:

1. Renaissance: A Film by Beyoncé

Predicted Gross: $20.7 million

2. The Hunger Games: The Ballad of Songbirds and Snakes

Predicted Gross: $13.1 million

3. Wish

Predicted Gross: $9.3 million

4. Napoleon

Predicted Gross: $9.2 million

5. Trolls World Tour

Predicted Gross: $8.5 million

6. Godzilla Minus One

Predicted Gross: $7.6 million

7. Silent Night

Predicted Gross: $5 million

8. The Shift

Predicted Gross: $4.6 million

9. Animal

Predicted Gross: $4 million

10. Thanksgiving

Predicted Gross: $3.3 million

Box Office Results (November 24-26)

In one of the most unexpected upsets in recent memory, The Hunger Games: The Ballad of Songbirds and Snakes had a far better than anticipated sophomore hold to rather easily take the holiday weekend. The franchise prequel eased a mere 35% for $29 million from Friday to Sunday, surpassing my $20.3 million projection with flying colors. The ten-day take is now $98 million.

Ridley Scott’s bio-epic Napoleon with Joaquin Phoenix was second as it slightly rose above forecasts. It made $20.6 million from Friday to Sunday and $32.7 million when counting Wednesday and Thursday. That’s ahead of my respective $18.2 million and $28.5 million takes. With a weak B- Cinemascore grade, it may fade rather quickly.

After the massive flop that was The Marvels, the news didn’t get better for the Mouse House as the animated Wish was granted a tepid start in third. With ho-hum reviews, the Disney title fell far short of hopes with $19.6 million over the three-day and $31.6 million since Wednesday. I (along with most others) predicted a first place showing and had it at $32.2 million and $46.4 million. Ouch.

Trolls Band Together, in weekend two, was fourth with $17.8 million. I was more generous at $22.6 million and the DreamWorks Animated sequel has made $64 million after ten days.

Eli Roth’s slasher Thanksgiving capitalized on that title with a fifth place slot and $7 million (I said $6.5 million). The ten-day tally is a respectable $24 million, especially since it comes with a low budget.

And that does it for now, folks! Until next time…

October 27-29 Box Office Predictions

Based on the hugely popular series of video games, the PG-13 horror flick Five Nights at Freddy’s looks to dominate the Halloween frame. It is the only wide release as October draws to a close and you can peruse my detailed prediction post on it here:

Five Nights at Freddy’s Box Office Prediction

There is a wide range of possibility for Freddy’s and I think it is ready for a debut just north of $60 million. That would easily top the rest of the top five combined.

The battle for the runner-up spot will be decided by the respective third and second weekend drops for Taylor Swift: The Eras Tour and Killers of the Flower Moon. The former had an understandable mid 6os plummet as Swifties wanted to rush out and see it immediately. Moon hopes for smallish declines in the frames ahead. I have Ms. Swift edging Killers as her concert film enters its third and final outing in multiplexes.

The Exorcist: Believer should be fourth with PAW Patrol: The Mighty Movie rounding out the top five. Here’s how I see it shaking out:

1. Five Nights at Freddy’s

Predicted Gross: $68.3 million

2. Taylor Swift: The Eras Tour

Predicted Gross: $14.2 million

3. Killers of the Flower Moon

Predicted Gross: $13.4 million

4. The Exorcist: Believer

Predicted Gross: $3.5 million

5. PAW Patrol: The Mighty Movie

Predicted Gross: $2.9 million

Box Office Results (October 20-22)

Taylor Swift: The Eras Tour belonged at #1 again as the record-setting concert experience drew another $33.2 million, a tad under my $35.6 million projection. That gives it a two weekend take of $131 million.

Martin Scorsese’s Killers of the Flower Moon came in at the bottom end of its expected range with $23.2 million. I was more generous at $32.7 million. While not a flop (especially considering it was first slated for an Apple TV streaming start), it is underwhelming considering the awards buzz, Leo star power, and $200 million reported budget. The Oscar hopeful will hope to leg out during November.

The Exorcist: Believer was third with $5.6 million compared to my $6.9 million forecast. The three-week total is a fair $54 million.

PAW Patrol: The Mighty Movie sat in the four spot with $4.4 million (I said $4.7 million) for $56 million after four frames.

Rounding out the top five was a holiday themed re-release of 1993’s The Nightmare Before Christmas on its 30th anniversary. The Tim Burton produced classic added another $4.2 million to its coffers. I failed to put it in the mix.

That took Saw X out of the high five in sixth with $3.6 million (I went with $4.1 million). The four-week gross is $47 million.

And that does it for now, folks! Until next time…

October 20-22 Box Office Predictions

Blogger’s Update (10/18): And it’s a big one… by lowering my projection of Killers from $38.7 million to $32.7 million, that puts Eras at #1 for the second weekend in a row.

Martin Scorsese and Leonardo DiCaprio’s sixth collaboration faces off against Taylor Swift’s second cinematic touring weekend as Oscar hopeful Killers of the Flower Moon blossoms on Friday. It could shape up to be a close battle for the top spot. You can peruse my detailed prediction post on Killers here:

Killers of the Flower Moon Box Office Prediction

With rave reviews and awards buzz, Moon could fill multiplexes up with adult moviegoers who turned Oppenheimer into a smash hit over the summer. While it won’t reach as high, I believe a low 30s premiere is certainly doable.

Whether that puts it in first is a huge question mark. That’s because the sophomore frame of Taylor Swift: The Eras Tour is tricky to figure out. The concert doc didn’t reach the lofty expectations that kept rising prior to its start (more on that below). Yet it still scored a massive debut that set every record possible for its genre. The deal that Ms. Swift cut with theaters is a unique one, to say the least. Eras is not playing on Mondays, Tuesdays, or Wednesdays. That could certainly increase the demand during the second weekend. However, it probably goes without saying that its gross is likely to be front loaded due to her fans rushing out to see it (a whole bunch of its business came from presales). I’ll be honest. I’m at a loss for how far it dips coming up. I will speculate high 60s to possibly low 70s and that would put it just behind my Killers estimate.

Holdover sequels of the horror and family variety should fill the 3-5 slots as The Exorcist: Believer, PAW Patrol: The Mighty Movie, and Saw X look to post decent holds in the 30s-low 40s range.

Here’s how I see it shaking out:

1. Taylor Swift: The Eras Tour

Predicted Gross: $35.6 million

2. Killers of the Flower Moon

Predicted Gross: $32.7 million

3. The Exorcist: Believer

Predicted Gross: $6.9 million

4. PAW Patrol: The Mighty Movie

Predicted Gross: $4.7 million

5. Saw X

Predicted Gross: $4.1 million

Box Office Results (October 13-15)

It isn’t often that Taylor Swift doesn’t reach the levels of financial success that are anticipated, but it might have been a case of expectations being too sky high. The Eras Tour was projected to top the all-time October weekend record held by Joker at $96 million. I had it doing so with room to spare at $139.6 million. It wasn’t to be as it achieved the second largest debut at $92.8 million. By the way, that triples the previous best concert doc start held by Hannah Montana and Miley Cyrus: Best of Both Worlds Concert Tour. In other words, it’s still a rather remarkable performance.

The Exorcist: Believer dropped to second with an understandable $10.9 million, a bit above my $9.7 million take. The direct sequel to the 1973 classic sits at $44 million after ten days as it hopes for meager declines as we approach Halloween.

PAW Patrol: The Mighty Movie was third with $6.8 million (on pace with my $6.6 million forecast) for $49 million after three weeks.

Saw X reaped the benefit of horror fans looking for a scare. Dropping just 28%, Jigsaw and company took in $5.6 million compared to my $4.1 million prediction. Total is $41 million thus far.

The Creator rounded out the top five at $4.3 million (I said $3.5 million) for a three-week tally of just $32 million.

And that does it for now, folks! Until next time…