The 95th Academy Awards air tomorrow and, just in the nick of time, I have seen all ten Best Picture nominees courtesy of my Netflix viewing of All Quiet on the Western Front today.
If you missed my predictions for who and what I believe will win at the ceremony, you can access that here:
Now that I’ve seen the group of pics vying for BP, I will rank them according to personal preference. Just as in 2019 with Parasite, my #1 happens to match the movie that I’m projecting to take the biggest prize.
In 2022, I was ecstatic to attend the Toronto Film Festival for the first time. It is there that I saw future nominees The Banshees of Inisherin, The Fabelmans, and Women Talking. At the theater in my home state of Ohio, I took in Avatar: The Way of Water, Tár, and Top Gun: Maverick. Home sweet home is where I viewed All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, and Triangle of Sadness.
Playing a version of Steven Spielberg’s real mother, Michelle Williams is nominated for her fifth Oscarin The Fabelmans.
The Case for Michelle Williams:
From the moment this personal project of Spielberg’s was announced, Williams was correctly assumed to have an awards bait role. Precursor noms have materialized at Critics Choice and the Golden Globes. There could also be a feeling that she is overdue given that her track record is 0 for 4 on previous mentions.
The Case Against Michelle Williams:
Universal Pictures surprised everyone when they announced they were campaigning Williams in lead instead of supporting. I maintain that she would stand a considerably better shot at winning in the latter. Some wondered if the Academy might choose to put her up in supporting anyway. SAG and BAFTA left her off their ballots and there’s no significant victories to speak of. The general consensus and one I agree with is this is a two-person race between Cate Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once).
Previous Nominations:
Brokeback Mountain (Supporting Actress, 2005); Blue Valentine (Actress, 2010); My Week with Marilyn (Actress; 2011); Manchester by the Sea (Supporting Actress; 2016)
The Verdict:
I believe the choice to slot Williams will universally be regarded as an unforced error. She seemed headed for 0 for 5.
My Case Of posts will continue with Paul Mescal in Aftersun!
If you didn’t catch my other write-ups on the contending Actresses, click here:
Ahead of Sunday evening’s Screen Actors Guild (SAG) Awards, it’s the producers turn on Saturday night. The 34th PGA Awards winner for their best in show has matched the Oscar Picture victor 70% of the time in the previous decade. The times they diverged were 2015 with PGA naming The Big Short instead of Spotlight, 2016 with La La Land over Moonlight, and 2019 when 1917 took the producer prize as opposed to Parasite. PGA also has animated and documentary competitions. I’m walking through them one by one with a winner and runner-up projection.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Nominees:
Avatar: The Way of Water
The Banshees of Inisherin
Black Panther: Wakanda Forever
Elvis
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
Tár
Top Gun: Maverick
The Whale
There’s a 7 for 10 correlation with the PGA contenders and the BP hopefuls from the Academy. The former has Black Panther, Glass Onion, and The Whale up while the Oscars went with All Quiet on the Western Front, Triangle of Sadness, and Women Talking. The PGA is known for favoring blockbusters over some smaller pics from time to time. Previous examples that didn’t make the Academy’s cut include Bridesmaids, Skyfall, Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, and Crazy Rich Asians.
This helps explain why some prognosticators are favoring Maverick to take PGA’s highest award. Another explanation is that pundits are attempting to make the race more exciting than it actually is. I do believe Everything Everywhere All at Once is still most likely to emerge. Maverick does warrant runner-up status.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: Top Gun: Maverick
Outstanding Producer of Animated Theatrical Motion Pictures
Nominees:
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Minions: The Rise of Gru
Puss in Boots: The Last Wish
Turning Red
Guillermo del Toro’s Netflix rendering of the classic tale has cleaned up with precursors and there’s no reason to believe it won’t with PGA.
Predicted Winner: Guillermo del Toro’s Pinocchio
Runner-Up: Puss in Boots: The Last Wish
Outstanding Producer of Documentary Theatrical Motion Pictures
Nominees:
All That Breathes
Descendant
Fire of Love
Navalny
Nothing Compares
Retrograde
The Territory
I wrongly picked Fire of Love to win the BAFTA instead of Navalny. Have I learned my lesson? Nope! I’m doubling down and saying a Fire PGA victory will make the Oscar quintet more competitive.
Predicted Winner: Fire of Love
Runner-Up: Navalny
I’ll have a recap up Saturday evening or Sunday ahead of the SAG show. If you missed my SAG predictions, they can be accessed here:
The 29th Screen Actors Guild Awards air this Sunday evening and they are often a reliable preview of what direction the Academy will go. In their races for Actress, Actor, and Supporting Actor – there has been an 8/10 correlation over the past decade for SAG/Oscar matches. With Supporting Actress – it is 9/10.
Let’s walk through each of the six categories with my predicted winner and a runner-up, shall we?
Outstanding Performance by a Cast in a Motion Picture
Nominees:
Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Women Talking
Since the SAGs began in 1995, only one winner (1996’s The Birdcage) wasn’t at least nominated for Best Picture at the Oscars. That rules out Babylon. I think (like some earlier precursors) this comes down to Everything v Banshees. I’m majorly tempted to say Banshees as the voters could see it as a way to honor the four thespians nominated in the individual races below. However, I’m giving a very slight edge to SAG doing the same for Michelle Yeoh, Jamie Lee Curtis, and others for Everything.
Predicted Winner: Everything Everywhere All at Once
Runner-Up: The Banshees of Inisherin
Outstanding Performance by a Female Actor in a Leading Role
Nominees:
Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Danielle Deadwyler (Till), Michelle Yeoh (Everything Everywhere All at Once)
SAG could bestow Yeoh with the trophy, but Blanchett’s work may simply be undeniable at this juncture. If Banshees ends up taking Ensemble, I do think it increases Yeoh’s chances here.
Predicted Winner: Cate Blanchett, Tár
Runner-Up: Michelle Yeoh, Everything Everywhere All at Once
Outstanding Performance by a Male Actor in a Leading Role
Nominees:
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Bill Nighy (Living), Adam Sandler (Hustle)
I feel like Farrell really needed that BAFTA last weekend and he didn’t emerge victorious. So it’s a two-person race between Butler and Fraser. And I’m struggling with this one. I could easily envision fellow actors crowning Fraser’s dramatic comeback that includes a Critics Choice award. Yet Butler has seen an impressive run that includes the Golden Globe and BAFTA. This is a coin flip, but I’ll say Butler has a little more momentum.
Predicted Winner: Austin Butler, Elvis
Runner-Up: Brendan Fraser, The Whale
Outstanding Performance by a Female Actor in a Supporting Role
Nominees:
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
A quintet that matches the Oscar five, Condon disrupted the possibility of Bassett sweeping when she took the BAFTA. They’re the two likeliest winners. I will say Curtis scoring an upset is feasible. I think the smart money is on Bassett with Condon as the runner-up.
Predicted Winner: Angela Bassett, Black Panther: Wakanda Forever
Runner-Up: Kerry Condon, The Banshees of Inisherin
Outstanding Performance by a Male Actor in a Supporting Role
Nominees:
Paul Dano (The Fabelmans), Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)
BAFTA again had a trick up their sleeve when Keoghan surprised over Quan. I think SAG will follow the lead of the Globes and Critics Choice and bring the latter back to the stage.
Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once
Runner-Up: Barry Keoghan, The Banshees of Inisherin
Outstanding by a Stunt Ensemble in a Motion Picture
Nominees:
Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick, The Woman King
The only pic that I don’t think has a shot is Avatar because the original in 2009 didn’t even land a nom. 2018’s Black Panther won so Wakanda is certainly viable. Those pilots from Maverick did same amazing stuff though. They’re my pick.
Predicted Winner: Top Gun: Maverick
Runner-Up: Black Panther: Wakanda Forever
And there you have it! I’ll have a recap up Sunday evening with my thoughts on what happened compared to my predictions.
How reliable is the Director Guild of America (DGA) recipient as it pertains to the eventual Oscar winner for Best Director? In the 21st century, the match has been 19 of 22 times. In 2000, Ang Lee (Crouching Tiger, Hidden Dragon) took DGA and the Academy Award went to Steven Soderbergh for Traffic. Ben Affleck was the DGA recipient in 2012 for Argo though he didn’t get an Oscar nod. Ang Lee, for Life of Pi, took the gold instead. Sam Mendes (1917) was DGA in 2019, but Bong Joon-ho (Parasite) was the Academy’s choice. All others years corresponded in the century corresponded.
The DGA Award is revealed tomorrow night and here’s your nominees:
Daniels, Everything Everywhere All at Once
Todd Field, Tár
Joseph Kosinski, Top Gun: Maverick
Martin McDonagh, The Banshees of Inisherin
Steven Spielberg, The Fabelmans
There’s a 4/5 correlation with the Oscar nominees (par for the course). Kosinski is not in the Academy’s quintet while Ruben Ostlund (Triangle of Sadness) is. Therefore it’s safe to rule the Maverick maker out.
Neither Field nor McDonagh have taken any major precursors. The Daniels and Spielberg have. For the Daniels, they were the Critics Choice victors. At the Golden Globes, it was Spielberg. To call this is a two-person (or three technically) race seems accurate. Anyone else winning would be a considerable upset.
A little less than a month before the Oscar ceremony, I do believe Everything stands as your soft Oscar frontrunner. Spielberg saw a surprising omission at the BAFTAs where he didn’t even make their shortlist. Due to his legendary status, it would be foolish to discount him. However, I believe the momentum lies with Dan Kwan and Daniel Scheinert so…
Predicted DGA Winner(s):
The Daniels, Everything Everywhere All at Once
I’ll make my DGA commentary part of my recap post for the BAFTAs on Sunday evening. Stay tuned!
As a down on her luck lottery winner who blew through the cash, Andrea Riseborough’s much discussed Best Actress nomination for To Leslie is next up in my Case Of posts.
The Case for Andrea Riseborough:
Even a week before Oscar nods came out, Riseborough (known for roles in mainstream and indie fare including Oblivion, Battle of the Sexes, and Mandy) was on no one’s radar screen for this small budget drama. Then a grassroots campaign emerged with shout-outs from fellow competitor Cate Blanchett and others. Most didn’t think she’d manage to get in, but lo and behold it happened. So it that can happen… why not a victory?
The Case Against Andrea Riseborough:
Well, there’s plenty of reasons why there probably won’t be a win. She was mentioned in zero precursors. The unconventional campaign for her to make the quintet – fairly or unfairly – has been criticized. And Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once) appear to be in a two-person race for the gold.
Previous Nominations:
None
The Verdict:
The biggest surprise of the 20 contestants in the four acting derbies, Riseborough’s inclusion could lead to changes in the Academy’s campaign rules or could revolutionize how small distributors mount their campaigns. It’s doubtful the end result of the nomination itself is a win.
My Case Of posts will continue with Brendan Fraser in The Whale!
For my write-ups on Riseborough’s fellow nominees, click here:
Ana de Armas is Marilyn Monroe in Andrew Dominik’s Blonde and she’s the second Best Actress hopeful in my Case Of Posts.
The Case for Ana de Armas:
Despite the film itself garnering mixed reactions (more on that below), de Armas was widely praised. This resulted in nods at the Globes, SAG, and BAFTAs.
The Case Against Ana de Armas:
I’m talking really mixed reactions for the film. Blonde received the most Razzie nominations (8) of any 2022 title. Some critics and viewers outright despised the Netflix effort as evidenced by the 42% Rotten Tomatoes score and even lower 32% audience rating. She has yet to win anywhere.
Previous Nominations:
None
The Verdict:
The fact that so many had their knives out for Blonde makes her a non-factor in this competition (unless we see a shocking SAG or BAFTA victory). We should see the Academy’s ladies and gentlemen prefer Cate Blanchett (Tár) or Michelle Yeoh (Everything Everywhere All at Once).
My Case Of posts will continue with Colin Farrell in The Banshees of Inisherin!
If you missed my other write-ups for the Actress nominees, you can find them here:
Actor turned lauded filmmaker Todd Field is the second director on deck for My Case Of posts covering that competition at the 95th Academy Awards.
The Case for Todd Field:
Tár, Field’s third behind the camera feature, is perhaps the critics darling of awards season and voters may wish to honor it somewhere. It helps that there’s no slam dunk pick in this quintet for the victory. He has shown up in precursors including Critics Choice, DGA, and BAFTA. The Academy has nominated him multiple times as a producer and writer (though this is his first directing nod).
The Case Against Todd Field:
Critics Choice went for the Daniels (Everything Everywhere All at Once) while the Globes didn’t nominate him at all. The best chance for a win probably lies with its lead Cate Blanchett. With Everything as a soft frontrunner for Picture and the possibility of Globe recipient Steven Spielberg (The Fabelmans) taking the prize, that puts the rest of the hopefuls at a competitive disadvantage.
Previous Nominations:
None in Director (he has been nominated as a producer and writer for In the Bedroom and Little Children). He also picked up an original screenplay mention for this.
The Verdict:
The uncertainty of this contest could pave the way for a surprise winner. However, Best Director is not usually a race where that occurs. Field would need to take BAFTA or DGA for me to think he has a legit shot.
My Case Of posts will continue with Ana de Armas in Blonde!
If you missed my other posts on the nominees for Director, you can access them here:
Todd Field’s Tár is next up in my Case Of posts for the ten Best Picture nominees. Time to weigh the pros and cons…
The Case for Tár:
Auteur Field has a knack for attracting the Academy’s attention with his trilogy of pictures. In 2001, In the Bedroom received five nods (including BP and Field’s Adapted Screenplay). Five years later, Little Children nabbed three and that once again included its maker’s adapted screenplay. Tár, with a towering lead performance from Globes and Critics Choice victor Cate Blanchett, saw him emerge from a long break and it received six Oscar mentions (including directing and original screenplay for Field).
The Case Against Tár:
Despite Blanchett being at least a co-frontrunner in Actress, she marked the only Globes win. At Critics Choice, its additional award was for Original Score. While this is a critical darling that generated some regional groups victories, the box office office was quiet at $10 million. Both Bedroom and Children went home empty-handed on Oscar night.
Other Nominations:
Director (Field), Actress (Blanchett), Original Screenplay, Cinematography, Film Editing
The Verdict:
As with the aforementioned precursors, Tár‘s strongest shot at gold is with Blanchett and not Best Picture.
My Case Of posts will continue with Top Gun: Maverick!
It wasn’t just the Screen Actors Guild revealing their list of nominees today as the Directors Guild of America (DGA) put out the five filmmakers vying for their top prize.
First things first. The three pictures that I believe have the best shot at taking BP at the Oscars all saw their conductors brought to this stage. That would be the Daniels (Everything Everywhere All at Once), Martin McDonagh (The Banshees of Inisherin), and Steven Spielberg (The Fabelmans). This trio were all obvious ones to predict and that I did.
Yet I ultimately went 3 for 5. That’s because my picks of James Cameron (Avatar: The Way of Water) and Baz Luhrmann (Elvis), makers of two popular commercial moneymakers, were left on the cutting room floor. Instead we got the surprising selection of Joseph Kosinski, maker of the year’s biggest moneymaker domestically with Top Gun: Maverick. I’ve only had Kosinski in my top 10 possibilities for the Academy on a couple of occasions. He’s never been in my high five.
The directing category at the Oscars usually match DGA on a 4 for 5 accuracy scale. You have to go back to 2009 to find the last time they matched 5 for 5. In other words, I wouldn’t rush to put Kosinski in the quintet.
My other miss was Todd Field, conductor of Tár. His inclusion was more anticipated and I had him as my runner-up.
Assuming we don’t get a total match, what’s the state of the Academy competition? The Daniels and McDonagh and Spielberg (despite the BAFTA snub) are probably safe and Field seems right up the Academy’s alley.
The fifth slot, while it could be Kosinski, is still available for Cameron or Luhrmann. Charlotte Wells (Aftersun) is beginning to get some ink. And we could absolutely still see a foreign director slide in like Edward Berger for All Quiet on the Western Front. Longer shots in that vein are S.S. Rajamouli (RRR) and Park Chan-wook (Decision to Leave).
Who got hurt by being left out today? Certainly Sarah Polley for Women Talking and Ruben Ostlund for Triangle of Sadness. Either one of them could have used this as a momentum boost. Same for Babylon‘s Damien Chazelle.
The DGA’s will be presented on February 18th and my winning projection will be made shortly beforehand.
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