Rom com remake The Wedding Banquet opens in theaters on Easter weekend from director Andrew Ahn. Arriving 22 years after Ang Lee’s acclaimed pic (which was nominated in the international race at the Oscars), the new version stars Bowen Yang, Lily Gladstone, Kelly Marie Tran, Han Gi-chan, Joan Chen, and Minari Supporting Actress winner Youn Yuh-jung.
After its premiere at the Sundance Film Festival in January, critical reaction was encouraging. The Rotten Tomatoes meter is at 97% with 72 on Metacritic. I don’t see this as an Academy contender for Bleecker Street (a distributor with a rough record at awards campaigning). Maybe they’ll give it a shot in the Musical/Comedy race at the Golden Globes, but they better up their game. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Supporting Actor and that’s Kieran Culkin in Jesse Eisenberg’s A Real Pain. If you missed my post covering Yura Borisov in Anora, it’s linked at the bottom.
Previous Acting Oscar Nominations:
None
The Case for Kieran Culkin:
Ever since A Real Pain premiered at Sundance over a year ago, Culkin has been considered a strong possibility for awards play. That narrative has carried over and intensified as the Succession Emmy winner has already picked up the Golden Globe and Critics Choice Award. He’s also vying for BAFTA and SAG.
The Case Against Kieran Culkin:
The fact that A Real Pain didn’t nab a BP nod from the Academy is a tad concerning. Christopher Plummer (Beginners) is the last Supporting Actor recipient whose film wasn’t up in the big race and that was 13 years ago.
The Verdict:
Culkin is unquestionably the favorite. If someone else snags BAFTA or SAG (say Edward Norton for A Complete Unknown or Guy Pearce in The Brutalist), it could get more interesting.
My Case Of posts will continue with the second hopeful in Best Director and that’s Brady Corbet for The Brutalist…
Fantasy adventure The Legend of Ochi was unveiled at Sundance prior to the A24 project’s April 25th release. Marking the directorial debut of Isaiah Saxon, the creature feature has drawn comparisons to 80s family flicks including E.T.: The Extra-Terrestrial and The Neverending Story. Helena Zengel (who probably came close to a Supporting Actress nom for 2020’s News of the World), Finn Wolfhard, Willem Dafoe, and Emily Watson star.
While critics are appreciating its throwback vibe, reviews aren’t strong enough for serious awards consideration. Rotten Tomatoes is at 80% with a 66 on Metacritic. There is some kudos for its practical effects though I don’t believe they will register with the VE branch several months down the line. My Oscar Prediction posts will continue…
Prior to its March 28th limited release stateside, The Ballad of Wallis Island landed at Sundance. The British comedy casts Tim Key as an accidental multi-millionaire who plots to reunite his favorite musicians (Tom Basden and Carey Mulligan) on his private island. Akemnji Ndifornyen and Sian Clifford costar. James Griffith, best known for TV production work on Black-ish and Grown-ish, directs.
Park City reaction praised Island as a heartwarming confection. With its spring release, I question whether Focus Features will make it a focus come awards time despite the 95% Rotten Tomatoes score and 76 Metacritic. Its best hope might be recognition at BAFTA where it could nab one of the 10 slots for Outstanding British Film. My Oscar Prediction posts will continue…
Eva Victor is making her feature film directorial, screenwriting, and starring debut in Sorry, Baby. The drama centered around trauma costars Naomi Ackie, Lucas Hedges, John Carroll Lynch, Louis Cancelmi, and Kelly McCormack. It is one of the buzziest titles that premiered at Sundance.
With a Rotten Tomatoes score of 97% and an 88 Metacritic, A24 outbid competitors for distribution rights. Victor is being hailed as a welcome new voice to the silver screen. Her original screenplay could draw attention from the Academy. I would especially look for the Indie Spirit Awards to take notice of it and that could apply to multiple categories. My Oscar Prediction posts will continue…
Opus, out March 14th from A24, marks the directorial debut of Mark Anthony Green. Unveiled at Sundance, the thriller stars The Bear‘s Ayo Edebiri as a journalist tasked with profiling a reclusive former pop star (John Malkovich) on his island full of sycophants. Juliette Lewis, Murray Bartlett, Amber Midthunder, Young Mazino, Tatanka Means, and Tony Hale are among supporting players.
Despite a cool sounding concept, critics are saying the execution doesn’t land. The Rotten Tomatoes meter and Metacritic score are each stalled at 41. This is one Sundance entry that will not be part of any awards conversations. My Oscar Prediction posts will continue…
Josh O’Connor is already an Emmy winner as a young Prince Charles from Netflix’s The Crown. He’s recently had acclaimed roles in La Chimera and Challengers and probably isn’t far away from his first silver screen awards bait role. Could that be Rebuilding?
Max Walker-Silverman’s drama casts O’Connor as a rancher displaced by wildfires. Costars include Meghann Fahy, Kali Reis, Lily LaTorre, and Amy Madigan. Reviews out of Sundance screenings are positive at 94% on RT and 76 on Metacritic. Some notices are strong enough that I wonder whether this could be an awards player with the right campaign. The timely nature of the subject matter should additionally be taken into consideration.
That chatter could extend to O’Connor and the lauded cinematography (a similar combo to Train Dreams which was also unveiled in Park City). My Oscar Prediction posts will continue…
Netflix is banking on Train Dreams logging some awards chatter after primarily positive reaction at Sundance. The period piece drama casts Joel Edgerton as a railroad worker traveling across the United States. Felicity Jones (currently vying for Supporting Actress in The Brutalist), Kerry Condon, and William H. Macy provide support.
Dreams is the latest screenplay from Clint Bentley and Greg Kwedar (based on a novella by Denis Johnson). Bentley last directed Jockey in 2021 which probably came close to nabbing a Best Actor nod for Clifton Collins Jr. (who also costars here). Kwedar was behind the camera for Sing Sing where Colman Domingo is contending this year for the lead slot.
With 90% on Rotten Tomatoes and an 83 Metacritic, Netflix quickly snatched up distribution rights in Utah. Based on the buzz, they might give this a spirited campaign. That holds true particularly for Edgerton (who’s never been nominated) and the cinematography that is consistently being singled out. If Adapted Screenplay can be in play, BP attention could come along for the ride. My Oscar Prediction posts will continue…
Critics are liking the hang for Peter Hujar’s Day out of Sundance, the latest feature from indie auteur Ira Sachs. The two-hander casts Ben Whishaw in the title role of the real-life photographer known for his work in the 1970s and 80s. Rebecca Hall is his writer friend.
Originally meant to be a short film, it still is definitionally at a brisk 76 minutes. This is Sachs’s follow-up to his acclaimed 2023 Passages, which collected four Independent Spirit Awards including Best Film and Mr. Whishaw in Supporting Actor.
Known to many moviegoers as Q from Daniel Craig’s 007 run (or the voice of Paddington), Whishaw is getting lots of Park City praise for his lead role. The pic itself stands at 93% on Rotten Tomatoes and 85 on Metacritic. Like Passages, I’d say this is more Indie Spirit friendly than Oscar. The eventual distributor might be wise to campaign in that space. My Oscar Prediction posts will continue…
James Sweeney directs, writes, and costars in Twinless which made serious waves at the Sundance Film Festival in recent days. Costarring Dylan O’Brien, Aisling Franciosi, Lauren Graham, and Chris Perfetti, the heartfelt comedy took the Audience Award in Park City. That’s a prize shared in recent years by Oscar players like Whiplash, Minari, and CODA.
With 100% on Rotten Tomatoes and 82 on Metacritic, this is one Sundance title that could still be talked about next awards season. Much like A Real Pain, the bulk of the buzz may go to Supporting Actor where O’Brien is drawing raves. Also like Pain, the original screenplay could generate some attention. My Oscar Prediction posts will continue…
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