Romance and volcanoes dominate the doc Fire of Love, which debuted at Sundance over the weekend and already ignited a heated bidding war. The French offering from filmmaker Sara Dosa is one of the most discussed pics of the fest and the Rotten Tomatoes rating stands at 100%.
Centered on a couple and their devotion to capturing volcanic imagery, Love was quickly picked up by National Geographic’s documentary division and should be out later this year. It could follow a similar path to The Rescue, another acclaimed Nat Geo pickup that appears destined to nab a Documentary Feature nomination from the Academy in a couple weeks (and it could win).
Sundance has already produced a potential shortlist contender here and my Oscar Prediction posts will continue…
From a randy aging rock star in Love Actually to Dave Jones in the Pirates of the Caribbean franchise, Bill Nighy has been turning up in notable roles for years. Yet the acclaimed English thespian hasn’t gotten his awards bait role to date. That could change with Living, which has premiered at Sundance over the weekend.
Set in 1950s London, the remake of Akira Kurosawa’s 1952 pic Ikiru casts Nighy as a government worker diagnosed with a terminal illness. Costars include Aimee Lou Wood, Alex Sharp, and Tom Burke. Kazuo Ishiguro, who wrote the source material for 1993’s The Remains of the Day (which nabbed Best Picture and acting noms) is the screenwriter. Initial reviews (under 10 thus far) give it a 100% Rotten Tomatoes score.
For a well-regarded actor of Nighy’s stature, this certainly seems like something that could be catnip for BAFTA voters. Whether the Academy follows suit might be determined by how robust its campaign is and that, of course, remains to be seen in the days and months ahead. My Oscar Predictions posts will continue…
From 1992-1995, Emma Thompson scored a remarkable five Oscar nominations – winning twice. The first was for her lead role in 1992’s Howards End. The second was a screenplay win for 1995’s Sense and Sensibility. The other three nods were for The Remains of the Day and Sensibility (both lead) and supporting for In the Name of the Father.
In the quarter century plus since, the Academy has yet to call her name again. That could change with Good Luck to You, Leo Grande which premiered at Sundance. From director Sophie Hyde, the comedic drama finds Thompson as a retiree who enlists the services of a sex worker (Daryl McCormack of Peaky Blinders).
Early reviews are hailing the performances of both leads. With the right eventual distributor, I wouldn’t be surprised if Thompson in particular is in the mix for awards attention. If Oscar doesn’t bite, she could at least be in line for a Best Actress nod in the Musical/Comedy category at next year’s Golden Globes. Thompson made the cut with HFPA in 2019 for Late Night and the buzz for Grande might be larger. My Oscar Predictions posts will continue…
Based on a dozen reviews thus far out of Sundance, Phyllis Nagy’s Call Jane stands at 92% on Rotten Tomatoes. Focused on the real life Jane Collective from the 1960s (a group of women who fought for reproductive rights prior to Roe v Wade), Elizabeth Banks stars alongside Sigourney Weaver, Kate Mara, and Chris Messina.
While its rating is high, most reviews so far are in the three star range. Nagy makes her feature film debut after drawing acclaim for her Carol screenplay in 2015. Banks’s lead performance is drawing solid notices but it’s the supporting work from Weaver garnering a bit of buzz. Despite appearing in a whole lot of high profile pics over the decades, she hasn’t been nominated for an Oscar since 1988. She was actually up twice that year – in lead for Gorillas in the Mist and supporting for Working Girl. Her first nod came two years prior for Aliens. She’s never won.
A campaign for Weaver could be Jane‘s only real shot at awards recognition a year from now. Time will tell and my Oscar Prediction posts will continue…
The 2022 Sundance Film Festival is underway and, if history is any judge, we could see films and performances that may be talked about come Oscar time a year from now. In 2021, CODA premiered at the fest in January and it looks to be on its way to a Best Picture nod a couple weeks from now. In 2020, Judas and the Black Messiah also got its start and (with the elongated Academy schedule from that frame) hit the BP derby. In 2020, three BP nominees (The Father, Minari, Promising Young Woman) made their initial stops in Park City, Utah.
Sundance’s opening night selection is When You Finish Saving the World and it marks the directorial debut of Jesse Eisenberg. A Best Actor nominee back in 2010 for The Social Network, the dramedy stars Julianne Moore and Finn Wolfhard. Early buzz is mixed and the Rotten Tomatoes score sits at 73%. Most critical reaction indicates the characters are unpleasant to watch with reviews pretty divided on its overall effectiveness.
Eisenberg also wrote the screenplay and Emma Stone serves as a producer. And while World has received some praise, this is highly unlikely to be an awards breakout. My Oscar Prediction posts will continue…
We actually had two weeks in a row of my Best Actor predictions staying the same after the five spot seemed to be constantly shifting. Not anymore as Andrew Garfield (Tick, Tick… Boom!) makes his first appearance in the predicted hopefuls at the expense of Joaquin Phoenix in C’Mon C’Mon. That films also drops out of Original Screenplay in favor of Spencer.
The biggest change is in International Feature Film as France somewhat surprisingly picked Julia Ducournau’s Titane as their selection. That drops Happening from the race and vaults Titane to the five. I’m also putting in Drive My Car over The Hand of God.
A note – the 10 Best Picture nominees has stayed steady as of late. However, I have a sneaking suspicion that a Sundance selection from early this year (Mass, Flee, or CODA) will end up making the cut. I just can’t decide what to take out yet. We will know soon whether Nightmare Alley, West Side Story, Licorice Pizza, or House of Gucci (the unscreened titles) are vulnerable.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Belfast (Previous Ranking: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Nightmare Alley (PR: 3) (E)
4. King Richard (PR: 6) (+2)
5. Dune (PR: 5) (E)
6. Licorice Pizza (PR: 4) (-2)
7. West Side Story (PR: 7) (E)
8. House of Gucci (PR: 8) (E)
9. Spencer (PR: 10) (+1)
10. The Tragedy of Macbeth (PR: 9) (-1)
Other Possibilities:
11. Mass (PR: 12) (+1)
12. Don’t Look Up (PR: 11) (-1)
13. Tick, Tick… Boom! (PR: 15) (+2)
14. Flee (PR: 13) (-1)
15. CODA (PR: 14) (-1)
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Kenneth Branagh, Belfast (PR: 2) (E)
3. Guillermo del Toro, Nightmare Alley (PR: 3) (E)
4. Denis Villeneuve, Dune (PR: 4) (E)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Pablo Larrain, Spencer (PR: 6) (E)
7. Steven Spielberg, West Side Story (PR: 7) (E)
8. Ridley Scott, House of Gucci (PR: 10) (+2)
9. Joel Coen, The Tragedy of Macbeth (PR: 8) (-1)
10. Julia Ducournau, Titane (PR: Not Ranked)
Dropped Out:
Reinaldo Marcus Green, King Richard
Best Actress
Predicted Nominees:
1. Kristen Stewart, Spencer (PR: 1) (E)
2. Lady Gaga, House of Gucci (PR: 3) (+1)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (-1)
4. Olivia Colman, The Lost Daughter (PR: 4) (E)
5. Jennifer Hudson, Respect (PR: 5) (E)
Other Possibilities:
6. Frances McDormand, The Tragedy of Macbeth (PR: 6) (E)
7. Jodie Comer, The Last Duel (PR: 8) (+1)
8. Penelope Cruz, Parallel Mothers (PR: 7) (-1)
9. Rachel Zegler, West Side Story (PR: 9) (E)
10. Nicole Kidman, Being the Ricardos (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3) (E)
4. Peter Dinklage, Cyrano (PR: 4) (E)
5. Andrew Garfield, Tick, Tick… Boom! (PR: 6) (+1)
Other Possibilities:
6. Joaquin Phoenix, C’Mon C’Mon (PR: 5) (-1)
7. Bradley Cooper, Nightmare Alley (PR: 7) (E)
8. Nicolas Cage, Pig (PR: 9) (+1)
9. Adam Driver, House of Gucci (PR: 8) (-1)
10. Clifton Collins, Jr., Jockey (PR: 10) (E)
Best Supporting Actress
Predicted Nominees:
1. Caitriona Balfe, Belfast (PR: 1) (E)
2. Ann Dowd, Mass (PR: 2) (E)
3. Kirsten Dunst, The Power of the Dog (PR: 3) (E)
4. Aunjanue Ellis, King Richard (PR: 5) (+1)
5. Ariana DeBose, West Side Story (PR: 4) (-1)
Other Possibilities:
6. Judi Dench, Belfast (PR: 6) (E)
7. Ruth Negga, Passing (PR: 9) (+2)
8. Marlee Matlin, CODA (PR: 7) (-1)
9. Jayne Houdyshell, The Humans (PR: 8) (-1)
10. Martha Plimpton, Mass (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Licorice Pizza (PR: 1) (E)
2. Jamie Dornan, Belfast (PR: 2) (E)
3. Richard Jenkins, The Humans (PR: 4) (+1)
4. Jason Isaacs, Mass (PR: 3) (-1)
5. Jared Leto, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Kodi Smit-McPhee, The Power of the Dog (PR: 6) (E)
7. Ciaran Hinds, Belfast (PR: 7) (E)
8. Jon Bernthal, King Richard (PR: Not Ranked)
9. Ben Affleck, The Tender Bar (PR: 8) (-1)
10. Andrew Garfield, The Eyes of Tammy Faye (PR: 10) (E)
Dropped Out:
Troy Kotsur, CODA
Best Original Screenplay
Predicted Nominees:
1. Belfast (PR: 1) (E)
2. Licorice Pizza (PR: 2) (E)
3. King Richard (PR: 3) (E)
4. Mass (PR: 4) (E)
5. Spencer (PR: 6) (+1)
Other Possibilities:
6. C’Mon C’Mon (PR: 5) (-1)
7. Don’t Look Up (PR: 7) (E)
8. A Hero (PR: 8) (E)
9. The Worst Person in the World (PR: 10) (+1)
10. Parallel Mothers (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. Nightmare Alley (PR: 2) (E)
3. The Humans (PR: 4) (+1)
4. House of Gucci (PR: 3) (-1)
5. The Lost Daughter (PR: 5) (E)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 6) (E)
7. West Side Story (PR: 8) (+1)
8. Dune (PR: 7) (-1)
9. Passing (PR: 9) (E)
10. The Last Duel (PR: Not Ranked)
Dropped Out:
The Tender Bar
Best Animated Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. Encanto (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 4) (+1)
4. Luca (PR: 3) (-1)
5. Belle (PR: 5) (E)
Other Possibilities:
6. Raya and the Last Dragon (PR: 6) (E)
7. Where Is Anne Frank (PR: 8) (+1)
8. Vivo (PR: 7) (-1)
9. Marcel the Shell With Shoes On (PR: 10) (+1)
10. Ron’s Gone Wrong (PR: 9) (-1)
Best International Feature Film
Predicted Nominees:
1. A Hero (PR: 1) (E)
2. The Worst Person in the World (PR: 2) (E)
3. Flee (PR: 3) (E)
4. Titane (PR: Not Ranked)
5. Drive My Car (PR: 5) (+1)
Other Possibilities:
6. The Hand of God(PR: 5) (-1)
7. I’m Your Man (PR: 9) (+2)
8. 7 Prisoners (PR: 8) (E)
9. Compartment No. 6 (PR: 7) (-2)
10. Memoria (PR: Not Ranked)
Dropped Out:
Happening
The Good Boss
Best Documentary Feature
Predicted Nominees:
1. The Rescue (PR: 1) (E)
2. Flee (PR: 2) (E)
3. Attica (PR: 4) (+1)
4. President (PR: 6) (+2)
5. Summer of Soul (PR: 3) (-2)
Other Possibilities:
6. The First Wave (PR: 10) (+4)
7. The Lost Leonardo (PR: 5) (-2)
8. Becoming Cousteau (PR: 7) (-1)
9. The Velvet Underground (PR: 9) (E)
10. Ailey (PR: Not Ranked)
Dropped Out:
Julia
Best Cinematography
Predicted Nominees:
1. The Tragedy of Macbeth (PR: 2) (+1)
2. Dune (PR: 1) (-1)
3. Nightmare Alley (PR: 3) (E)
4. The Power of the Dog (PR: 5) (+1)
5. Belfast (PR: 4) (-1)
Other Possibilities:
6. West Side Story (PR: 6) (E)
7. Spencer (PR: 7) (E)
8. Cyrano (PR: 9) (+1)
9. Licorice Pizza (PR: 8) (-1)
10. C’Mon C’Mon (PR: Not Ranked)
Dropped Out:
The French Dispatch
Best Costume Design
Predicted Nominees:
1. Spencer (PR: 2) (+1)
2. House of Gucci (PR: 3) (+1)
3. Cruella (PR: 1) (-2)
4. West Side Story (PR: 5) (+1)
5. The French Dispatch (PR: 7) (+2)
Other Possibilities:
6. Dune (PR: 4) (-2)
7. Nightmare Alley (PR: 6) (-1)
8. Licorice Pizza (PR: 9) (+1)
9. Cyrano (PR: 8) (-1)
10. The Last Duel (PR: Not Ranked)
Dropped Out:
The Tragedy of Macbeth
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Nightmare Alley (PR: 4) (+1)
4. West Side Story (PR: 3) (-1)
5. Licorice Pizza (PR: 7) (+2)
Other Possibilities:
6. The Power of the Dog (PR: 6) (E)
7. King Richard (PR: 5) (-2)
8. Don’t Look Up (PR: 8) (E)
9. House of Gucci (PR: 9) (E)
10. Spencer (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. House of Gucci (PR: 1) (E)
2. Dune (PR: 3) (+1)
3. Spencer (PR: 2) (-1)
4. The Eyes of Tammy Faye (PR: 6) (+2)
5. Cruella (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 7) (+1)
7. The Suicide Squad (PR: 5) (-2)
8. The Green Knight (PR: 8) (E)
9. Cyrano (PR: 9) (E)
10. The Last Duel (PR: Not Ranked)
Dropped Out:
West Side Story
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Spencer (PR: 2) (E)
3. The Power of the Dog (PR: 3) (E)
4. Nightmare Alley (PR: 5) (+1)
5. The Tragedy of Macbeth (PR: 6) (+1)
Other Possibilities:
6. The French Dispatch (PR: 4) (-2)
7. Belfast (PR: 7) (E)
8. Don’t Look Up (PR: 10) (+2)
9. Licorice Pizza (PR: 9) (E)
10. King Richard (PR: 8) (-2)
Best Original Song
Predicted Nominees:
1. “Be Alive” from King Richard (PR: 1) (E)
2. “No Time to Die” from No Time to Die (PR: 2) (E)
3. “Colombia, Mi Encanto” from Encanto (PR: 3) (E)
4. “Down to Joy” from Belfast (PR: 4) (E)
5. “Every Letter” from Cyrano (PR: 9) (+4)
Other Possibilities:
6. “Here I Am” from Respect (PR: 5) (-1)
7. “Believe” from The Rescue (PR: 7) (E)
8. “So May We Start” from Annette (PR: 6) (-2)
9. “Somehow You Do” from Four Good Days (PR: Not Ranked)
10. “Beyond the Shore” from CODA (PR: Not Ranked)
Dropped Out:
“Don’t Look Up” from Don’t Look Up
“Anonymous Ones” from Dear Evan Hansen
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Nightmare Alley (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. Spencer (PR: 6) (+1)
Other Possibilities:
6. Cyrano (PR: 5) (-1)
7. The Tragedy of Macbeth (PR: 7) (E)
8. The Power of the Dog (PR: 9) (+1)
9. Belfast (PR: 8) (-1)
10. Licorice Pizza (PR: Not Ranked)
Dropped Out:
The Last Duel
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. No Time to Die (PR: 3) (E)
4. Belfast (PR: 4) (E)
5. Nightmare Alley (PR: 6) (+1)
Other Possibilities:
6. The Tragedy of Macbeth (PR: 5) (-1)
7. The Matrix Resurrections (PR: Not Ranked)
8. A Quiet Place Part II (PR: 8) (E)
9. The Last Duel (PR: Not Ranked)
10. Don’t Look Up (PR: 7) (-3)
Dropped Out:
King Richard
Cyrano
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. Eternals (PR: 3) (+1)
3. The Matrix Resurrections (PR: 2) (-1)
4. Godzilla vs. Kong (PR: 4) (E)
5. Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. Shang-Chi and the Legend of the Ten Rings (PR: 6) (E)
7. Free Guy (PR: 7) (E)
8. Spider-Man: No Way Home (PR: 9) (+1)
9. The Suicide Squad (PR: 8) (-1)
10. Finch (PR: Not Ranked)
Dropped Out:
Jungle Cruise
And that equates to the following number of nominations for these films:
9 Nominations
Belfast, Dune
8 Nominations
Nightmare Alley
7 Nominations
The Power of the Dog, Spencer
6 Nominations
House of Gucci, West Side Story
5 Nominations
King Richard, Licorice Pizza
4 Nominations
The Tragedy of Macbeth
3 Nominations
Flee, Mass
2 Nominations
Cruella, Cyrano, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Humans, The Lost Daughter, No Time to Die
1 Nomination
Attica, Belle, Don’t Look Up, Driver My Car, Eternals, Godzilla vs. Kong, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, President, The Rescue, Respect, Summer of Soul, Tick, Tick… Boom!, Titane, The Worst Person in the World
Camille Nielsson’s documentary President premiered at the Sundance Film Festival early in the year. Focused on the 2018 elections in Zimbabwe, the pic stands a chance at inclusion at the Oscars. In its favor is that Sundance named it for their world cinema special jury award back in January.
Sporting a 90% Rotten Tomatoes rating, the reviews are decent enough that it could be a player. On the other hand, they’re not strong enough for me to believe it’s a threat to win.
In my first prediction posts covering this category on Sunday, I had President ranked fourth and therefore making the cut. At the moment, The Rescue and Flee look like potential victors. Those two pictures appear to be in. The rest of the doc hopefuls should be duking it out for the other three slots and President is worth paying attention to. My Oscar Prediction posts for the films of 2021 will continue…
For those who don’t follow the Oscar game and film festivals like I do (which is understandably most of you), this post looks to be a helpful primer on why such festivals are so important when doing predictions.
The 2021 Venice Film Festival kicks off tomorrow and you can anticipate plenty of Oscar speculation chatter on the blog in the next several days. You may ask – why is this Italian extravaganza so key in determining how this year’s awards landscape may look?
Let’s look at just the past five years as prologue. Of the 43 features nominated for Best Picture from 2016-2020, 31 were originally screened at the various high-profile festivals. There were six from Sundance and four each premiered at Telluride, Toronto and Cannes (with one emanating from the New York Film Festival). Eleven had their start in Venice. That’s right. Essentially one in four. That means that, lately, the average year has seen two to three BP nominees coming from this one event.
Of the last five Best Picture winners, all of them kicked off at a festival. 1 from Telluride (Moonlight). 1 from Toronto (Green Book). 1 from Cannes (Parasite). Two from Venice: The Shape of Water and last year’s Nomadland.
How about the acting derbies? Of the 20 winners in Actor, Actress, and the supporting fields from 2016-2020, only two were performances that did not come from a festival screened film. There’s 1 from Cannes. Three each from Telluride and Toronto. Four from Sundance. And seven from Venice.
This is why the titles hitting Venice in 2021 currently hold lofty positions with prediction makers like myself. It’s why Jane Campion’s The Power of the Dog took over House of Gucci (not currently slated for a fest) at the #1 slot in my BP rankings. This explains why I’m keeping a close eye on pics like Dune, The Hand of God, Parallel Mothers, Spencer, and Last Night in Soho. Maybe Spencer won’t win Best Picture, but it could nab Kristen Stewart her first nomination and victory.
Of course, only the screenings themselves will demonstrate the viable contenders. Yet there’s a recent history proving that Venice has become the most important festival of all. Ask the makers of Nomadland and The Shape of Water. Or Emma Stone (La La Land), Olivia Colman (The Favourite), or Joaquin Phoenix (Joker) to name just some.
My coverage of the Venice Film Festival begins tomorrow!
Back in January at the Sundance Film Festival, Flee was a home run with critics. The film has the very rare distinction of fitting multiple categories – it’s animated. It’s a documentary. And it comes from the nation of Denmark.
Directed by Jonas Poher Rasmussen (and executive produced by last year’s Best Actor nominee Riz Ahmed), Flee tells the true life story of an Afghan refugee’s trials and tribulations. Based on nearly 50 reviews, it holds a pure 100% Rotten Tomatoes rating.
Flee is unique in that it could contend in all four races at the Academy Awards honoring feature-length efforts: Best Picture, International Feature Film, Animated Feature, and Documentary Feature. The recent news coverage from Afghanistan could contribute to its urgent nature.
Bowing in theaters on December 3rd via Neon, the acclaim for Flee should get this in at least half of the categories where it is eligible. Just last year, Collective managed to do so in International Feature Film and Documentary. It remains to be seen whether this is the Danish pick for the former competition. My hunch is, if so, it could show up in both races.
Animated Feature is also a strong possibility though I’ve written before about how packed it could be. Other viable hopefuls include The Mitchells vs. the Machines, Raya and the Last Dragon, Luca, Vivo, and the forthcoming Encanto and Wendell and Wild.
Best Picture is obviously the toughest one to breach, but I wouldn’t count it out. I could even envision a narrative developing rooting Flee on for inclusion in the entire quartet.
Bottom line: expect to see Flee in the mix in more than one category next year. My Oscar Watch posts will continue…
A remake of the 2014 French film La Famille Belier, Sian Heder’s CODA finds its emotional pitches and frequently hits them out of the park. This is an uncomplicated and charming story with a central character in a complicated position. Ruby Rossi (Emilia Jones) fits the description of the title as she’s a child of deaf adults. She’s the only hearing person in her family of four – parents Jackie (Marlee Matlin) and Frank (Troy Kotsur) and older brother Leo (Daniel Durant).
Ruby spends her early mornings in the water as part of the family’s struggling New England fishing business. As she arrives at school during her senior year, she finally decides to take up choir. Her little secret is she loves to sing. It doesn’t hurt that her crush Miles (Ferdia Walsh-Peelo) is also enlisted. The teacher Mr. V (Eugenio Derbez) soon recognizes her potential. Family obligations make her ability to practice a challenge. Ruby is the clan’s full-time interpreter and has never really considered leaving the nest until the opportunity to attend the Berklee College of Music becomes achievable.
CODA is a romance between Ruby and Miles with the teacher/pupil dynamic involving the caring and tough Mr. V in there too. Neither of those subplots makes a huge impression (though Derbez gives a fine performance). The Rossi family dynamic is where its heart lies. And it’s also where we find some truly superb acting.
Jones’s Ruby is a believable teen torn between her outsized obligations and her dream. This may be a typical coming-of-age tale in many respects but we see it through a unique lens of an atypical cinematic household. Kudos go to Matlin as the mom who just assumes her daughter will always be there and Durant as the brother who supports Ruby’s need to spread her wings and vocal cords. The biggest tearjerking moments come courtesy of her relationship with her father and Kotsur’s work leaves an impression equal to that of Jones. He’s also responsible for some genuinely funny moments.
With a minimum of melodrama, the teary joy you may experience at key moments feels earned. This is a love letter to family and the idea that we need them to get by and sometimes that involves getting out of the way.
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