Tag: Sundance Film Festival

Oscar Predictions – The AI Doc: Or How I Became an Apocaloptimist

Following its Sundance premiere in January, The AI Doc: Or How I Became an Apocaloptimist is in actual theaters this weekend. Daniel Roher, who made the 2022 Oscar winning documentary Navalny, co-directs with Charlie Tyrell. Per the title, the Focus Features pickup centers on a hot button issue and should generate a fair amount of attention for its genre.

Whether that translates to any awards focus is a trickier question. While Rotten Tomatoes is at an optimistic 88%, the 57 Metacritic is more glass half empty. The Academy’s branch of doc voters often don’t go with the highest profile titles and the mixed critical reaction can’t help much. That said, I’m sure its distributor will attempt to keep it visible months down the line. My Oscar Prediction posts will continue…

Oscar Predictions: The Weight

Ethan Hawke, fresh off his third acting Oscar nod for Blue Moon, headlines the 1930s set survival drama The Weight. Directed by Padraic McKinley and scheduled for domestic release in September, it premiered at the Sundance Film Festival and has also played Berlin. Costars include Julia Jones, Austin Amelio, and Russell Crowe.

Plenty of reviews are praising this as an old-fashioned yarn with 94% on Rotten Tomatoes. The 70 on Metacritic is more indicative of positive write-ups expressing some reservations. A lot of the kudos are going to Hawke’s performance.

Indie outlet Vertical picked up distribution rights. This is not a company who’ve successfully played much in the awards campaigning space. They’ll need to up their game for Hawke to be in contention for a back-to-back nomination. My Oscar Prediction posts will continue…

Oscar Nominations: The Case of Train Dreams

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the final film in BP and that’s Clint Bentley’s Train Dreams. If you missed my posts covering the previous nominees, you can find them here:

Oscar Nominations: The Case of Bugonia
Oscar Nominations: The Case of F1
Oscar Nominations: The Case of Frankenstein
Oscar Nominations: The Case of Hamnet
Oscar Nominations: The Case of Marty Supreme
Oscar Nominations: The Case of One Battle After Another
Oscar Nominations: The Case of The Secret Agent
Oscar Nominations: The Case of Sentimental Value
Oscar Nominations: The Case of Sinners

The Case for Train Dreams:

Since premiering at Sundance over a year ago, the period drama has been seen an awards player. In addition to the BP nod, it’s up for Adapted Screenplay, Cinematography, and Original Song. Precursor BP nominations for the Netflix release include the Globes and PGA.

The Case Against Train Dreams:

Note the noms it didn’t get including directing and or any mentions for its cast (Joel Edgerton, Felicity Jones, or William H. Macy). BAFTA almost completely ignored it where it received a sole cinematography nom and it was blanked at SAG Actor.

The Verdict:

Of the two Netflix entries up in the biggest race, Dreams is below Frankenstein as far as victory chances and Frankenstein is definitely not going to win.

My Case Of posts will continue with the first Best Actress write-up and that’s Jessie Buckley in Hamnet…

Oscar Predictions: Wicker

Olivia Colman headlines the irreverent and vulgarly romantic Sundance premiere Wicker from co-directors Alex Huston Fischer and Eleanor Wilson. As a Fisherwoman who builds herself a wooden boyfriend, the supporting cast includes Alexander Skarsgård (as said BF), Peter Dinklage, and Elizbeth Debicki.

Currently seeking distribution, Rotten Tomatoes is at 93% with 68 on Metacritic for the bawdy concoction. Three-time nominee and one-time winner Colman (for The Favourite) will probably assist in easily securing a release deal. Oscar attention will be harder to achieve though I do wonder if the Globes could bite in their Musical or Comedy competitions if a legit campaign is mounted. If nothing else, the BAFTAs are a possibility (maybe remote dependent on competition) for Colman. My Oscar Prediction posts will continue…

Oscar Predictions: The Invite

A remake of the 2020 Spanish comedy The People Upstairs, Olivia Wilde’s third directorial feature The Invite has screened at the Sundance Film Festival. The four-hander’s cast consists of Wilde, Seth Rogen, Edward Norton, and Penélope Cruz.

Early word-of-mouth suggests a distributor should snatch this up quickly. The Rotten Tomatoes rating is 93% with Metacritic at 74. Wilde has a double dose of raunchy material playing in Park City with I Want Your Sex also debuting. The Invite is nabbing slightly stronger reviews. The reaction is closer to Wilde’s behind the camera debut Booksmart rather than her sophomore effort Don’t Worry Darling. It may not translate to Oscar attention. However, with the right campaign and studio/streamer behind it, the Globes could take notice courtesy of their Musical or Comedy competitions. My Oscar Prediction posts will continue…

Oscar Predictions: I Want Your Sex

Gregg Araki’s I Want Your Sex does not chronicle the making of George Michael’s nearly 40-year-old pop hit. Premiering at Sundance, the explicit comedy stars Olivia Wilde and Cooper Hoffman as an unconventional couple with Mason Gooding, Chase Sui Wonders, Daveed Diggs, and Charlie XCX in the supporting cast.

Early word-of-mouth suggests the romp (seeking distribution) has some positive attributes but may appeal only to a niche crowd. Rotten Tomatoes stands at 85% with Metacritic at 63. It’s safe to assume this won’t be in awards contention. Olivia Wilde’s directorial effort (The Invite) which is also screening in Park City might be another story and you can expect that write-up on the blog in short order. My Oscar Prediction posts will continue…

Oscar Predictions: Josephine

The Sundance Film Festival is underway this weekend for the final time in Park City before it moves to Boulder in 2027. This is also the first Sundance since the passing of its legendary founder Robert Redford. In particular, Sundance is a major indicator of the documentaries that will be in eventual Oscar contention. At the 2025 fest, all five just nominated docs played there. Also last year, BP nominee Train Dreams got its first exposure as did Rose Byrne’s nominated Best Actress turn in If I Had Legs I’d Kick You.

You can expect a few Sundance related prediction posts to pop up in the coming days, but we’ll start with Josephine. The drama marks the second film for auteur Beth de Araújo (behind 2022’s Soft & Quiet) and it incorporates a traumatizing incident involving sexual violence that the filmmaker experienced at a young age. Gemma Chan, Channing Tatum, and Philip Ettinger lead the cast and early word-of-mouth is very complimentary to them.

Yet the loudest praise is going to eight-year-old Mason Reeves in her title role cinematic debut. The raves for Josephine and the girl playing her is already an indication of potential awards attention down the line. Reeves might be a shoo-in at the Critics Choice Awards for Best Young Actor/Actress. A distributor is likely to snatch up rights quickly. One question is whether the tough subject matter will be a hindrance. The first reviews out of Utah suggest it could be in the mix for Picture, some acting nods, and Original Screenplay with a deftly handled campaign. My Oscar Prediction posts will continue…

Oscar Predictions: Charlie the Wonderdog

As we await nominations for the 98th Academy Awards on Thursday, my Oscar Prediction write-ups on contenders for the 99th are beginning to trickle in. This will pick up with the start of the Sundance Film Festival later this week.

Over the weekend, the animated feature Charlie the Wonderdog debuted quietly with Owen Wilson voicing the superhero hound. Shea Wageman directs with a supporting behind the mic cast including Tabitha St. Germain, Sebastian Billingsley-Rodriguez, Anthony Bolognese, and Lindsay Gibson.

Distributor Icon Creative Studio isn’t posting box office numbers at press time and the pic doesn’t even have a Wiki page. Rotten Tomatoes is at just 50%. In other words, if you’re starting to think of possibilities for Animated Feature a year from now, you would be barking up the wrong tree with Charlie. My Oscar Prediction posts will continue…

Oscar Predictions: Coexistence, My Ass!

Coexistence, My Ass is one of the 15 shortlisted documentaries for the 98th Academy Awards as it tries to make the quintet after premiering at Sundance nearly a year ago. From filmmaker Amber Fares, it focuses on Israeli comedian and activist Noam Shuster-Eliassi’s one-woman show.

With 92% on Rotten Tomatoes, Coexistence must coexist with numerous politically themed docs in the running and some are higher profile including 2000 Meters to Andrivka, My Undesirable Friends: Part I – Last Air in Moscow, and Apocalypse in the Tropics. The voting branch for this genre is unpredictable and any of the 15 contenders could get in. However, predicting this one in your projected five would be an upset selection. My Oscar Prediction posts will continue…

Oscar Predictions: Cutting Through Rocks

Like many eventual award contending documentaries, Cutting Through Rocks premiered at Sundance back in January. Focused on the first Iranian female elected as a councilperson, it marks the debut project from Mohammadreza Eyni and Sara Khaki. Rocks is slated for a December 5th limited domestic bow.

With 100% on Rotten Tomatoes and an 80 Metacritic score, I’ve had this in and out of my top 10 contenders in Best Documentary Feature. Rocks is one of numerous politically charged genre pics trying to make the final cut. I’ve been keeping it out of the projected quintet though it’s certainly viable. My Oscar Prediction posts will continue…