Olivia Colman headlines the irreverent and vulgarly romantic Sundance premiere Wicker from co-directors Alex Huston Fischer and Eleanor Wilson. As a Fisherwoman who builds herself a wooden boyfriend, the supporting cast includes Alexander Skarsgård (as said BF), Peter Dinklage, and Elizbeth Debicki.
Currently seeking distribution, Rotten Tomatoes is at 93% with 68 on Metacritic for the bawdy concoction. Three-time nominee and one-time winner Colman (for The Favourite) will probably assist in easily securing a release deal. Oscar attention will be harder to achieve though I do wonder if the Globes could bite in their Musical or Comedy competitions if a legit campaign is mounted. If nothing else, the BAFTAs are a possibility (maybe remote dependent on competition) for Colman. My Oscar Prediction posts will continue…
A remake of the 2020 Spanish comedy The People Upstairs, Olivia Wilde’s third directorial feature The Invite has screened at the Sundance Film Festival. The four-hander’s cast consists of Wilde, Seth Rogen, Edward Norton, and Penélope Cruz.
Early word-of-mouth suggests a distributor should snatch this up quickly. The Rotten Tomatoes rating is 93% with Metacritic at 74. Wilde has a double dose of raunchy material playing in Park City with I Want Your Sex also debuting. The Invite is nabbing slightly stronger reviews. The reaction is closer to Wilde’s behind the camera debut Booksmart rather than her sophomore effort Don’t Worry Darling. It may not translate to Oscar attention. However, with the right campaign and studio/streamer behind it, the Globes could take notice courtesy of their Musical or Comedy competitions. My Oscar Prediction posts will continue…
Gregg Araki’s I Want Your Sex does not chronicle the making of George Michael’s nearly 40-year-old pop hit. Premiering at Sundance, the explicit comedy stars Olivia Wilde and Cooper Hoffman as an unconventional couple with Mason Gooding, Chase Sui Wonders, Daveed Diggs, and Charlie XCX in the supporting cast.
Early word-of-mouth suggests the romp (seeking distribution) has some positive attributes but may appeal only to a niche crowd. Rotten Tomatoes stands at 85% with Metacritic at 63. It’s safe to assume this won’t be in awards contention. Olivia Wilde’s directorial effort (The Invite) which is also screening in Park City might be another story and you can expect that write-up on the blog in short order. My Oscar Prediction posts will continue…
The Sundance Film Festival is underway this weekend for the final time in Park City before it moves to Boulder in 2027. This is also the first Sundance since the passing of its legendary founder Robert Redford. In particular, Sundance is a major indicator of the documentaries that will be in eventual Oscar contention. At the 2025 fest, all five just nominated docs played there. Also last year, BP nominee Train Dreams got its first exposure as did Rose Byrne’s nominated Best Actress turn in If I Had Legs I’d Kick You.
You can expect a few Sundance related prediction posts to pop up in the coming days, but we’ll start with Josephine. The drama marks the second film for auteur Beth de Araújo (behind 2022’s Soft & Quiet) and it incorporates a traumatizing incident involving sexual violence that the filmmaker experienced at a young age. Gemma Chan, Channing Tatum, and Philip Ettinger lead the cast and early word-of-mouth is very complimentary to them.
Yet the loudest praise is going to eight-year-old Mason Reeves in her title role cinematic debut. The raves for Josephine and the girl playing her is already an indication of potential awards attention down the line. Reeves might be a shoo-in at the Critics Choice Awards for Best Young Actor/Actress. A distributor is likely to snatch up rights quickly. One question is whether the tough subject matter will be a hindrance. The first reviews out of Utah suggest it could be in the mix for Picture, some acting nods, and Original Screenplay with a deftly handled campaign. My Oscar Prediction posts will continue…
As we await nominations for the 98th Academy Awards on Thursday, my Oscar Prediction write-ups on contenders for the 99th are beginning to trickle in. This will pick up with the start of the Sundance Film Festival later this week.
Over the weekend, the animated feature Charlie the Wonderdog debuted quietly with Owen Wilson voicing the superhero hound. Shea Wageman directs with a supporting behind the mic cast including Tabitha St. Germain, Sebastian Billingsley-Rodriguez, Anthony Bolognese, and Lindsay Gibson.
Distributor Icon Creative Studio isn’t posting box office numbers at press time and the pic doesn’t even have a Wiki page. Rotten Tomatoes is at just 50%. In other words, if you’re starting to think of possibilities for Animated Feature a year from now, you would be barking up the wrong tree with Charlie. My Oscar Prediction posts will continue…
Coexistence, My Ass is one of the 15 shortlisted documentaries for the 98th Academy Awards as it tries to make the quintet after premiering at Sundance nearly a year ago. From filmmaker Amber Fares, it focuses on Israeli comedian and activist Noam Shuster-Eliassi’s one-woman show.
With 92% on Rotten Tomatoes, Coexistence must coexist with numerous politically themed docs in the running and some are higher profile including 2000 Meters to Andrivka, My Undesirable Friends: Part I – Last Air in Moscow, and Apocalypse in the Tropics. The voting branch for this genre is unpredictable and any of the 15 contenders could get in. However, predicting this one in your projected five would be an upset selection. My Oscar Prediction posts will continue…
Like many eventual award contending documentaries, Cutting Through Rocks premiered at Sundance back in January. Focused on the first Iranian female elected as a councilperson, it marks the debut project from Mohammadreza Eyni and Sara Khaki. Rocks is slated for a December 5th limited domestic bow.
With 100% on Rotten Tomatoes and an 80 Metacritic score, I’ve had this in and out of my top 10 contenders in Best Documentary Feature. Rocks is one of numerous politically charged genre pics trying to make the final cut. I’ve been keeping it out of the projected quintet though it’s certainly viable. My Oscar Prediction posts will continue…
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. Best Actor and the supporting fields have been covered. If you missed my write-ups on them, please find them here:
I published my first preview of the lead Actress field on April 11th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Jessie Buckley, Hamnet
Cynthia Erivo, Wicked: For Good
Renate Reinsve, Sentimental Value
Julia Roberts, After the Hunt
Amanda Seyfried, The Testament of Ann Lee
Other Possibilities:
Rose Byrne, If I Had Legs I’d Kick You
Olivia Colman, The Roses
Jodie Foster, A Private Life
Jessica Lange, Long Day’s Journey Into Night
Jennifer Lawrence, Die, My Love
Lucy Liu, Rosemead
Emma Mackey, Ella McCay
June Squibb, Eleanor the Great
Emma Stone, Bugonia
Tessa Thompson, Hedda
What’s pretty amazing is how viable many of these contenders still are. In fact, it wouldn’t be totally crazy for my initial quintet to still be the final quintet. I believe there’s an excellent shot that 80% of them get in. Before we get to them, let’s dispense with the other possibilities that are no longer possibilities, shall we?
Olivia Colman (The Roses) and Jodie Foster (A Private Life) have OK chances to make the cut at the Globes in lead Actress in a Musical/Comedy. However, the former Oscar winners will not be returning to that ceremony. I’d say the same for June Squibb as Eleanor the Great drew mixed notices from critics and was a non-factor at the box office. Then there’s Jessica Lange. It seems like Long Day’s Journey Into Night is always about to come out, but never does. I’ve had her listed as a possibility in 2023 and 2024 and now 2025 and there’s still no release date. Perhaps she’ll pop up again for 2026.
Emma Mackey’s work for December’s Ella McCay is still unseen. The fact that it skipped autumn festivals could be telling, but you never know. Lucy Liu’s performance in Rosemead has been heralded at fests and distributor Vertical should push her as they picked up distribution rights for a December bow. I’m just not convinced it’ll get enough eyeballs for her to truly contend.
The other nine actresses among the 15 above are very much worthy of discussion, along with a couple others. That discussion begins (and ultimately could end) with Jessie Buckley in Hamnet. As Agnes Shakespeare, wife to the famed playwright in Chloé Zhao’s historical drama, she drew raves at Telluride and Toronto. Slated for wide release in December, the pic should garner multiple noms and Buckley is in the pole position for a victory.
Her biggest competition could be Renate Reinsve from another fest favorite Sentimental Value. I had her at #1 for awhile until Hamnet was unveiled.
While it’s still unseen, Cynthia Erivo could make it two in a row with the second part of Wicked and once again join her costar Ariana Grande (in supporting) as a nominee.
And while the movie itself drew divergent reactions, Amanda Seyfried was widely praised for The Testament of Ann Lee and Searchlight seems poised to mount a spirited campaign.
All four were in my inaugural April predictions. All four still are at the moment. The one that’s not is Julia Roberts in After the Hunt despite her being on top when I did my first ranked projections a few months ago. Since then, Hunt has been hindered plenty of negative reviews and poor box office. It’s not unthinkable for the 2000 Best Actress recipient to make the cut though it is a more remote possibility at this juncture.
Of the other possibilities from April, four still are. I could easily give two-time winner Emma Stone the spot. A Bugonia BP nom would help. The Academy could also feel like she’s been honored enough.
Rose Byrne has never been nominated for an Oscar and she’s getting career best notices for If I Had Legs I’d Kick You. Precursor attention and critics groups trophies could put her in.
Jennifer Lawrence (Die, My Love) and Tessa Thompson (Hedda) face trickier odds and if either got in, it’d be considered an upset right now. That dynamic could shift if the Globes/Critics Choice/SAG start naming either of them.
When it comes to names not mentioned in the initial 15, Sydney Sweeney has many critics saying she delivers in the boxing biopic Christy. Her chances could be KO’d by middling reviews for the pic itself.
Eva Victor (Sorry, Baby) got her flowers at Sundance and beyond. She would need precursors to gain any momentum.
There are two actresses not in the April mix that certainly are now. Chase Infiniti will be campaigned in lead for One Battle After Another which could become the next BP. The Warner Bros announcement that Infinti (in her first feature film role) is going for Actress and not Supporting Actress has caused many prognosticators to shift their thinking. She’s far from automatic (or close to it) like her costars Leonardo DiCaprio, Sean Penn, and Teyana Taylor but she could find herself joining them on the red carpet.
Finally, Kate Hudson was up 25 years ago in supporting for Almost Famous. Her role in the forthcoming Song Sung Blue is rumored to be an Oscar-baity part. We’ll know more tomorrow when it screens at the AFI Fest.
My in-depth look at the big races will continue with Best Director!
Based on an acclaimed novella by Max Porter, The Things with Feathers casts Benedict Cumberbatch as a widower going through a unique grieving process. Dylan Southern directs with a supporting cast including Richard and Henry Boxall as his children, Eric Lampaert and David Thewlis.
Feathers was first screened way back in January at Sundance and also played in Berlin. Slated for a November 28th stateside bow, festival reaction was unimpressive. Despite an awards baity premise and source material, the Rotten Tomatoes rating is 53% with 51 on Metacritic. Those numbers won’t fly as we get deeper into the season. My Oscar Prediction posts will continue…
Blogger’s Update (10/08): The announced theater count of just 1300 venues has me changing my prediction from $5.2 million to $2.2 million
Bill Condon (Dreamgirls, Beauty and the Beast) adapts a 1976 stage play where the first cinematic version in 1985 nabbed William Hurt an Oscar in Kiss of the Spider Woman. Out October 10th, the musical drama premiered back at Sundance early this year. Jennifer Lopez, Tonatiuh (in the Hurt role) and Diego Luna headline.
The politically charged tale generated mixed to positive notices in Utah. Rotten Tomatoes is at 82% while the Metacritic score is 60. Awards buzz lies with Lopez and some tech races only. Better word-of-mouth could have equaled stronger grosses.
I suspect this will struggle to find an audience. A theater count might alter my projection, but I’m going mid single digits.
Kiss of the Spider Woman opening weekend prediction: $2.2 million
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