Like many eventual award contending documentaries, Cutting Through Rocks premiered at Sundance back in January. Focused on the first Iranian female elected as a councilperson, it marks the debut project from Mohammadreza Eyni and Sara Khaki. Rocks is slated for a December 5th limited domestic bow.
With 100% on Rotten Tomatoes and an 80 Metacritic score, I’ve had this in and out of my top 10 contenders in Best Documentary Feature. Rocks is one of numerous politically charged genre pics trying to make the final cut. I’ve been keeping it out of the projected quintet though it’s certainly viable. My Oscar Prediction posts will continue…
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. Best Actor and the supporting fields have been covered. If you missed my write-ups on them, please find them here:
I published my first preview of the lead Actress field on April 11th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Jessie Buckley, Hamnet
Cynthia Erivo, Wicked: For Good
Renate Reinsve, Sentimental Value
Julia Roberts, After the Hunt
Amanda Seyfried, The Testament of Ann Lee
Other Possibilities:
Rose Byrne, If I Had Legs I’d Kick You
Olivia Colman, The Roses
Jodie Foster, A Private Life
Jessica Lange, Long Day’s Journey Into Night
Jennifer Lawrence, Die, My Love
Lucy Liu, Rosemead
Emma Mackey, Ella McCay
June Squibb, Eleanor the Great
Emma Stone, Bugonia
Tessa Thompson, Hedda
What’s pretty amazing is how viable many of these contenders still are. In fact, it wouldn’t be totally crazy for my initial quintet to still be the final quintet. I believe there’s an excellent shot that 80% of them get in. Before we get to them, let’s dispense with the other possibilities that are no longer possibilities, shall we?
Olivia Colman (The Roses) and Jodie Foster (A Private Life) have OK chances to make the cut at the Globes in lead Actress in a Musical/Comedy. However, the former Oscar winners will not be returning to that ceremony. I’d say the same for June Squibb as Eleanor the Great drew mixed notices from critics and was a non-factor at the box office. Then there’s Jessica Lange. It seems like Long Day’s Journey Into Night is always about to come out, but never does. I’ve had her listed as a possibility in 2023 and 2024 and now 2025 and there’s still no release date. Perhaps she’ll pop up again for 2026.
Emma Mackey’s work for December’s Ella McCay is still unseen. The fact that it skipped autumn festivals could be telling, but you never know. Lucy Liu’s performance in Rosemead has been heralded at fests and distributor Vertical should push her as they picked up distribution rights for a December bow. I’m just not convinced it’ll get enough eyeballs for her to truly contend.
The other nine actresses among the 15 above are very much worthy of discussion, along with a couple others. That discussion begins (and ultimately could end) with Jessie Buckley in Hamnet. As Agnes Shakespeare, wife to the famed playwright in Chloé Zhao’s historical drama, she drew raves at Telluride and Toronto. Slated for wide release in December, the pic should garner multiple noms and Buckley is in the pole position for a victory.
Her biggest competition could be Renate Reinsve from another fest favorite Sentimental Value. I had her at #1 for awhile until Hamnet was unveiled.
While it’s still unseen, Cynthia Erivo could make it two in a row with the second part of Wicked and once again join her costar Ariana Grande (in supporting) as a nominee.
And while the movie itself drew divergent reactions, Amanda Seyfried was widely praised for The Testament of Ann Lee and Searchlight seems poised to mount a spirited campaign.
All four were in my inaugural April predictions. All four still are at the moment. The one that’s not is Julia Roberts in After the Hunt despite her being on top when I did my first ranked projections a few months ago. Since then, Hunt has been hindered plenty of negative reviews and poor box office. It’s not unthinkable for the 2000 Best Actress recipient to make the cut though it is a more remote possibility at this juncture.
Of the other possibilities from April, four still are. I could easily give two-time winner Emma Stone the spot. A Bugonia BP nom would help. The Academy could also feel like she’s been honored enough.
Rose Byrne has never been nominated for an Oscar and she’s getting career best notices for If I Had Legs I’d Kick You. Precursor attention and critics groups trophies could put her in.
Jennifer Lawrence (Die, My Love) and Tessa Thompson (Hedda) face trickier odds and if either got in, it’d be considered an upset right now. That dynamic could shift if the Globes/Critics Choice/SAG start naming either of them.
When it comes to names not mentioned in the initial 15, Sydney Sweeney has many critics saying she delivers in the boxing biopic Christy. Her chances could be KO’d by middling reviews for the pic itself.
Eva Victor (Sorry, Baby) got her flowers at Sundance and beyond. She would need precursors to gain any momentum.
There are two actresses not in the April mix that certainly are now. Chase Infiniti will be campaigned in lead for One Battle After Another which could become the next BP. The Warner Bros announcement that Infinti (in her first feature film role) is going for Actress and not Supporting Actress has caused many prognosticators to shift their thinking. She’s far from automatic (or close to it) like her costars Leonardo DiCaprio, Sean Penn, and Teyana Taylor but she could find herself joining them on the red carpet.
Finally, Kate Hudson was up 25 years ago in supporting for Almost Famous. Her role in the forthcoming Song Sung Blue is rumored to be an Oscar-baity part. We’ll know more tomorrow when it screens at the AFI Fest.
My in-depth look at the big races will continue with Best Director!
Based on an acclaimed novella by Max Porter, The Things with Feathers casts Benedict Cumberbatch as a widower going through a unique grieving process. Dylan Southern directs with a supporting cast including Richard and Henry Boxall as his children, Eric Lampaert and David Thewlis.
Feathers was first screened way back in January at Sundance and also played in Berlin. Slated for a November 28th stateside bow, festival reaction was unimpressive. Despite an awards baity premise and source material, the Rotten Tomatoes rating is 53% with 51 on Metacritic. Those numbers won’t fly as we get deeper into the season. My Oscar Prediction posts will continue…
Blogger’s Update (10/08): The announced theater count of just 1300 venues has me changing my prediction from $5.2 million to $2.2 million
Bill Condon (Dreamgirls, Beauty and the Beast) adapts a 1976 stage play where the first cinematic version in 1985 nabbed William Hurt an Oscar in Kiss of the Spider Woman. Out October 10th, the musical drama premiered back at Sundance early this year. Jennifer Lopez, Tonatiuh (in the Hurt role) and Diego Luna headline.
The politically charged tale generated mixed to positive notices in Utah. Rotten Tomatoes is at 82% while the Metacritic score is 60. Awards buzz lies with Lopez and some tech races only. Better word-of-mouth could have equaled stronger grosses.
I suspect this will struggle to find an audience. A theater count might alter my projection, but I’m going mid single digits.
Kiss of the Spider Woman opening weekend prediction: $2.2 million
Writer/director Angus MacLachlan’s family drama A Little Prayer premiered over two and a half years ago at the 2023 Sundance Film Festival to critical appreciation. Sony picked up distribution rights, but the deal fell through and the indie pic is finally being released in limited fashion today after Music Box acquired it.
So while Venice and Telluride debut plenty of high-profile potential titles for the 98th Academy Awards over the weekend, this one is opening quietly. David Strathairn, Jane Levy, Celia Watson, Will Pullen, Anna Camp, and Dascha Polanco make up the ensemble. Nominated for Best Actor 20 years for George Clooney’s Good Night, and Good Luck, Strathairn is drawing kudos for his work as is Levy.
Simply put, I just think Prayer won’t get the push it needs for consideration from the Academy. Perhaps some Indie Spirit love will come its way. My Oscar Prediction posts will continue…
Come See Me in the Good Light premiered at Sundance back in January with Apple TV picking up distribution rights in the spring (a release date is yet TBD). Directed by Ryan White (best known for Good Night Oppy), Light focuses on the relationship between poets Andrea Gibson and Megan Falley after the former’s terminal cancer diagnosis. Gibson was in Park City for the unveiling of the documentary, but passed away two weeks ago.
Critical reaction has yielded 100% on Rotten Tomatoes. Sara Beirelles is an executive producer and she sings the track “Salt Then Sour Then Sweet”. It is cowritten by Brandi Carlile (another exec producer). Tig Notaro is another well-known artist on the production team. I would anticipate Apple and the well-known contributors to mount campaigns in Documentary Feature and Original Song. The amount of exposure this receives should determine its success in both categories. My Oscar Prediction posts will continue…
Theaters are greeting Oh, Hi! in limited fashion this weekend after its premiere at Sundance in January. The dark rom com is directed by Sophie Brooks who also co-scripts with lead Molly Gordon. The supporting cast includes Logan Lerman, Geraldine Viswanathan, John Reynolds, David Cross, and Polly Draper.
Park City reaction was mixed and that has carried over to the general critical mass. Rotten Tomatoes is at 63% with Metacritic at 62. Two years ago, Gordon’s co-direction and cowriting of Theater Camp received better notices and nabbed some Independent Spirit Award noms. Don’t expect the same for this from any awards show. My Oscar Prediction posts will continue…
Real-life spouses Dave Franco and Alison Brie are fictional spouses growing a little too close for comfort in the body horror tale Together, out July 30th. It marks the directorial debut of Michael Shanks (who also scripts) and the Neon distributed release generated significant buzz after its Sundance bow.
Together currently has bragging rights with a rare 100% Rotten Tomatoes score and that’s helpful for the TV spots. Metacritic is at 76. Neon hopes this brings in genre audiences like their unexpected hit Longlegs did last summer. That critically appreciated pic surprised prognosticators with a $22 million start.
I don’t anticipate Together will see that kind of premiere. I do anticipate it will outdo the $5.3 million opening of Neon offering Immaculate last spring. Since it kicks off on a Wednesday, I’ll say a higher single digits bow over the traditional weekend with around $10 million for the five-day is the call.
Together opening weekend prediction: $7 million (Friday to Sunday); $10.2 million (Wednesday to Sunday)
David Borenstein’s Mr. Nobody Against Putin chronicles a Russian school videographer (Pavel Talankin) and his documentation of the propaganda handed down to students following its invasion of Ukraine. It won a World Cinema Documentary Special Jury Award from Sundance after its premiere there back in January.
With 100% on Rotten Tomatoes and a 79 Metacritic, Nobody awaits stateside distribution. If it makes the 2025 release calendar, it could certainly contend for Doc Feature. I do wonder if 2000 Meters to Andriivka, also covering the Russia-Ukraine war on the battlefield and not the classroom, will fill that so-called slot among the five nominees. There could be room for two, but I’d give Andriivka the edge. My Oscar Prediction posts will continue…
The body horror genre had its awards breakout last year via Coralie Fargeat’s The Substance. After its January unveiling at Sundance, could Together generate attention from voters? Starring real-life married couple Alison Brie and Dave Franco, it marks the directorial debut of Michael Shanks (who also scripts).
The exploration of codependence made a splash in Park City months ago. Hitting theaters on July 30th, the Rotten Tomatoes score is a perfect 100% (with almost 50 reviews in) with 76 on Metacritic. I probably would’ve discounted its prospects before The Substance nabbed five nods. Together is likely still a long shot for Academy attention. If it can contend anywhere, look to Original Screenplay. However, that race is already packed with potential players. Perhaps more importantly, distributor Neon will have its hands full with Sentimental Value and It Was Just an Accident. My Oscar Prediction posts will continue…