After the entirety of the original cast had left SNL by 1980 as well as creator Lorne Michaels, the program was in a precarious position. Indeed the 1980-81 season is perhaps the worst of the 50 when associate producer Jean Doumanian took over show running duties.
There was one decision that failed season that literally saved the show and that was hiring Eddie Murphy at age 19. He joined SNL in the fourth episode that year and the rest was history. For the next four seasons, his comedic brilliance would shine brightly and turned Murphy into a phenom.
His mimicry skills were impeccable with classic bits like James Brown in a hot tub or the creation of Little Richard Simmons, a mashup of flamboyant singer Little Richard and fitness guru Richard Simmons. Other impersonations included James Brown and Stevie Wonder.
Mister Robinson was a takeoff on children’s host Fred Rogers with a more urban feel. One of the greatest pre-taped segments was “White Like Me” when Murphy came back to host in 1984 shortly after his departure. It was a preview of the kind of makeup effects he would become known for in The Nutty Professor and more years later. There’s Gumby (damnit) and Buckwheat and Velvet Jones. Buckwheat’s “assassination” is an all-timer.
Murphy would reprise many of these characters 35 years later in a triumphant Christmas show hosting gig in 2019. It was one more reminder of his vital contributions to SNL during a period where he also shot 48 Hrs., Trading Places, and Beverly Hills Cop and created the iconic stand-up special Delirious. The 40 years that followed are thanks to him and he deserves that credit. #1 will be up soon!
Ghostbusters: Frozen Empire attempts to match its 2021 predecessor’s grosses when it debuts this weekend. Chances are that it will also match its Oscar prospects. The fifth feature in the franchise that began in 1984, Gil Kenan directs with Jason Reitman coproducing and cowriting. Stars from Afterlife three years back return including Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor, and Logan Kim. Cast members from 40 years ago are in attendance – Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton. Kumail Nanjiani and Patton Oswalt additionally join the bustin’.
Critical reaction today gives it the coldest Rotten Tomatoes score of all Ghostbusters at 47%. The original nabbed 95% while its 1989 sequel only managed 55%. 2016’s reboot was rated 74% while Afterlife received 64%.
The Academy’s history with this series is limited to part 1. Ray Parker Jr.’s inescapable theme song was up for Best Song (losing to Stevie Wonder’s “I Just Called to Say I Love You” from The Woman in Red) and the Visual Effects were in contention (coming up short to Indiana Jones and the Temple of Doom). Three ceremonies ago, Afterlife was shortlisted for VE but didn’t make the final five cut. The special effects (which some reviewers are criticizing) are highly unlikely to catch the attention of voters this time around. My Oscar Prediction posts will continue…
Ahmir “Questlove” Thompson has had a sterling career with his rap group The Roots and as Jimmy’s Fallon’s Tonight Show bandleader over the years. He can now add acclaimed documentary filmmaker to his resume with Summer of Soul (…Or, When the Revolution Could Not Be Televised). The film focuses on the Harlem Cultural Festival, a series of concerts featuring the likes of Stevie Wonder, Gladys Knight & The Pips, and Sly and the Family Stone that took place in the summer of 1989. That also happened to be the season of another festival named Woodstock.
Soul premiered at the Sundance Film Festival to massive acclaim and ended up taking that festival’s Audience Award and Grand Jury Prize. The doc hits theaters and Hulu streaming this Friday. More reviews have come in and it stands at 97% on Rotten Tomatoes.
Will the Sundance love translate to Oscar voters? Every time I write about documentaries in these posts, I must point out the Academy’s branch in that category is notoriously unpredictable. Oftentimes, the most hailed and popular docs don’t make the cut. I suspect distributor Fox Searchlight will give this a major push and that could put it over the edge. That said, projecting the pics of this genre which make it in is always a tricky proposition. My Oscar Watch posts will continue…
A growing trend in movies for the past few years (and a bit beyond) is the musical biopic that incorporates one of the band or artist’s songs into the title. The latest example will come out this fall with BohemianRhapsody, the behind the scenes story of Queen.
2019 will bring us Rocketman with Taron Egerton as the legendary Elton John.
We’ve seen this trend in years past. For instance, the 1980s saw LaBamba about Richie Valens.
The 1990s gave us Angela Bassett in her Oscar nominated role playing Tina Turner in What’sLoveGottoDoWithIt?
In 2005, we had WalktheLine with Joaquin Phoenix in his Academy nominated turn as Johnny Cash and Reese Witherspoon winning as June.
More recent ones have been in the hip hop world with StraightOuttaCompton (N.W.A.) and AllEyezonMe (Tupac Shakur). There’s also GetOnUp with Chadwick Boseman as the Godfather of Soul, James Brown.
So this got me thinking. What would be some other movie/song titles if certain iconic musicians got their biopic? For this blog post’s purposes, I tried to focus on artists where I feel a big screen treatment on them is at least feasible. In other words, while RicoSuave might be a spectacular title, I don’t envision two hours on Gerardo coming anytime soon.
There is already a Madonna flick reportedly in the works and it takes its name not from a tune, but from one of her tours – BlondAmbition. I suppose MaterialGirl or LikeaPrayer could have worked, but BlondAmbition is just about perfect.
Some choices seem obvious. You gotta call the Bon Jovi story LivinonaPrayer, after all. And MyWay seems like the natural fit for Frank Sinatra. And BorntoRun for Bruce Springsteen. And there’s PianoMan for Billy Joel.
It doesn’t end there. Respect (Aretha Franklin) and FireandRain (James Taylor).
When it comes to some recently dearly departed legends, Prince presents a challenge because you can’t call it PurpleRain. And a number of his other massive hits don’t fit. WhenDovesCry is probably the name the studio would go for considering it’s his biggest hit. Personally, I rather like the thought of MyNameisPrince, taken from his Love Symbol album of 1992.
With Michael Jackson, Thriller would work but it’s hard to imagine ManintheMirror not being the choice.
For David Bowie, Starman seems like the winner, but that’s also the name of a fairly well-known 1980s science fiction effort starring Jeff Bridges. That may not matter, but if so, SpaceOddity or simply calling it ZiggyStardust might fit.
Tom Petty? How about FreeFallin or RunninDownaDream. George Michael? Faith or Freedom. Whitney Houston? Tough one. Perhaps a studio would want IWillAlwaysLoveYou. Maybe SoEmotional works as well.
Some bands have more than one title that seem appropriate. Aerosmith has three great ones: DreamOn, SweetEmotion, or WalkThisWay. With AC/DC – BackinBlack or Thunderstruck.
Guns n Roses is an interesting one. WelcometotheJungle is fantastic, but it was just the subtitle for the blockbuster Jumanji reboot. In this matter, you might have to go with their album name AppetiteforDestruction, which is ideal.
Metallica could have ForWhomtheBellTolls or EnterSandman. Nirvana might have SmellsLikeTeenSpirit as the studio choice, but I’m a little partial to ComeAsYouAre.
I like RunninwiththeDevil for Van Halen and I suppose StairwaytoHeaven would be the choice for Led Zeppelin.
Let’s move off rock. How about Britney Spears? That may depend on what direction the studio goes. It could be Toxic or Stronger. Maybe BabyOneMoreTime instead.
Stevie Wonder? Superstition or SirDuke are possibilities, but I like HigherGround.
With Bob Marley, maybe GetUp, StandUp or OneLove.
Circling back to hip hop, FightthePower is the clear pick for Public Enemy and the same may hold true for MamaSaidKnockYouOut with LL Cool J.
And then there’s my favorite… the Rick James biopic SuperFreak. Why hasn’t this been made already?
I could go on, but you get the idea. Let’s see if any of these suggested titles end up playing out in the future. Maybe there will be surprises… BarbieGirl: TheAquaStory, anyone?
This Sunday evening, the Golden Globes (perhaps the most significant Oscar precursor) airs with Jimmy Fallon hosting. Unlike the Academy Awards, the Globes divide both Picture and the Lead Acting races in two categories: Drama and Musical/Comedy.
Here’s how I have each race playing out with the winners predicted. As a side note, I decided to not do my weekly Oscar predictions yesterday and will have an updated post on Thursday next week!
With that, let’s get to the races…
Best Drama
The Nominees: Hacksaw Ridge, Hell or High Water, Lion, Manchester by the Sea, Moonlight
Todd’s Prediction: Moonlight
Analysis: Not an easy prediction as this will probably boil down to Moonlight and Manchester, with both Hacksaw and Lion being potential spoilers (Water is only pic I see as having no shot). The winner of this category will likely vault into a two-way race with La La Land as to what comes out on top at Oscar time.
Best Musical/Comedy
The Nominees: 20th Century Women, Deadpool, Florence Foster Jenkins, La La Land, Sing Street
Todd’s Prediction: La La Land
Analysis: It would be pretty shocking if Damien Chazelle’s ode to Hollywood musicals didn’t win here. I suppose perhaps Jenkins has a dark horse shot, but this is the easiest pick of the bunch to make.
Best Director
The Nominees: Damien Chazelle (La La Land), Tom Ford (Nocturnal Animals), Mel Gibson (Hacksaw Ridge), Barry Jenkins (Moonlight), Kenneth Longergan (Manchester by the Sea)
Todd’s Prediction: Damien Chazelle
Analysis: Jenkins has racked up a slew of precursors and a win for Gibson would be seen as completing a remarkable comeback after multiple personal issues. However, at the end of the day, I believe the La La love will extend to its director.
Best Actor (Drama)
The Nominees: Casey Affleck (Manchester by the Sea), Joel Edgerton (Loving), Andrew Garfield (Hacksaw Ridge), Viggo Mortensen (Captain Fantastic), Denzel Washington (Fences).
Todd’s Prediction: Casey Affleck
Analysis: Like the Oscar race, this looks to be between Affleck and Washington. I’ll give the former the slight edge as he’s won more precursors and Manchester itself was nominated for Picture, whereas Fences was not.
Analysis: While I wouldn’t totally rule out an Adams or Huppert win, Portman has the edge in her acclaimed role of Mrs. Kennedy.
Best Actor (Musical/Comedy)
The Nominees: Colin Farrell (The Lobster), Ryan Gosling (La La Land), Hugh Grant (Florence Foster Jenkins), Jonah Hill (War Dogs), Ryan Reynolds (Deadpool)
Todd’s Prediction: Hugh Grant
Analysis: Conventional wisdom would point to a Gosling win, but I believe the Hollywood Foreign Press will provide a bit of an upset here and honor Grant. Also – don’t be too shocked if Reynolds manages to surprise.
Best Actress (Musical/Comedy)
The Nominees: Annette Bening (20th Century Women), Lily Collins (Rules Don’t Apply), Hailee Steinfeld (The Edge of Seventeen), Emma Stone (La La Land), Meryl Streep (Florence Foster Jenkins)
Todd’s Prediction: Emma Stone
Analysis: Bening and Streep are long shots, but it would be a rather large upset if Stone didn’t emerge victorious here.
Best Supporting Actor
The Nominees: Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Simon Helberg (Florence Foster Jenkins), Dev Patel (Lion), Aaron Taylor-Johnson (Nocturnal Animals)
Todd’s Prediction: Mahershala Ali
Analysis: Bridges or Patel are feasible, but Ali has received the bulk of precursor awards and I believe that will continue here.
Best Supporing Actress
The Nominees: Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), Michelle Williams (Manchester by the Sea)
Todd’s Prediction: Viola Davis
Analysis: Davis is the clear front runner here and at the Oscars. An upset win (possible for any of these actresses other than Spencer) could dispel that notion, but it probably won’t occur.
Best Screenplay
The Nominees: Hell or High Water, La La Land, Manchester by the Sea, Moonlight, Nocturnal Animals
Todd’s Prediction: Moonlight
Analysis: La La and Manchester are in the mix here, but this is probably where Barry Jenkins will get his win and not for direction.
Best Original Score
The Nominees: Arrival, Hidden Figures, La La Land, Lion, Moonlight
Todd’s Prediction: La La Land
Analysis: Tough one and it’s not out of the question to envision any of them winning. I’ll just go La La and see what happens.
Best Original Song
The Nominees: “Can’t Stop the Feeling!” from Trolls, “City of Stars” from La La Land, “Faith” from Sing, “Gold” from Gold, “How Far I’ll Go” from Moana
Todd’s Prediction: “City of Stars”
Analysis: There’s some real heavy hitters here: Justin Timberlake, Lin-Manuel Miranda, and Stevie Wonder with nominations. Yet I think the HFPA honors La La once again.
Best Animated Feature
The Nominees: Kubo and the Two Strings, Moana, My Life as a Zucchini, Sing, Zootopia
Todd’s Prediction: Zootopia
Analysis: Kubo has a shot and you can never dismiss Disney with Moana. However, there’s another acclaimed Mouse Factory title in the mix and I believe Zootopia gets in.
Best Foreign Language Film
The Nominees: Divines, Elle, Neruda, The Salesman, Toni Erdmann
Todd’s Prediction: Toni Erdmann
Analysis: Elle could absolutely win here (and perhaps The Salesman), but I’ll go with Academy favorite Erdmann.
And that does it, folks! I’ll have a post up Sunday night letting you know how well (or poorly) I did. Until then…
We have arrived at part five of my personal Top 90 R&B songs of the 1990s and that means numbers 50-41 coming at you this evening! If you’d like to see what else has made the list, read my previous entries here:
50. “I Will Always Love You” by Whitney Houston (1992)
You didn’t think I’d leave Ms. Whitney’s signature tune off here, did you? Her smash hit from The Bodyguard soundtrack is prime crank it up when you’re by yourself in the car bliss. And Dolly Parton wrote it!
49. “Lately” by Jodeci (1993)
Not many artists could pull off covering Stevie Wonder, but Jodeci managed excellently with their beautiful version of this classic.
48. “Hey Mr. D.J.” by Zhane (1993)
The group’s biggest hit is a club anthem.
47. “Jerk Out” by The Time (1990)
Prince brought this group to prominence in the 1980s, but this first single off their album Pandemonium has been a personal favorite for quite some time.
***SO, Prince doesn’t let any music he owns on YouTube. Sorry folks!
46. “At Your Best” by Aaliyah (1994)
Aaliyah’s slow jam from her debut album. Get used to seeing her on the remainder of this list.
45. “Return of the Mack” by Mark Morrison (1997)
Mr. Morrison might not have had other stateside hits, but this banger cements his place in history.
44. “My Way” by Usher (1998)
Usher makes his debut on the list with the title track to his fabulous 1997 album.
43. “Weak” by SWV (1993)
This #1 smash was the R&B ballad of summer 1993. This girl group isn’t done yet on the list either.
42. “My Boo” by Ghost Town DJ’s (1996)
This track would still fill up on a dance floor. If you don’t know this one, you need to.
41. “Feels Good” by Tony! Toni! Tone! (1990)
This influential group peaks here with their greatest single.
And that’s our 90s R&B edition for tonight, folks! We’ll get to the Top 40 tomorrow evening!
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