A quarter century after Steven Spielberg’s JurassicPark thrilled audiences with its eye-popping visuals, the fifth entry in the franchise arrives domestically two weeks from Friday. However, JurassicWorld: FallenKingdom is out tomorrow in the United Kingdom, so critical reaction is present. The verdict? Mixed. Kingdom currently sits at 65% on Rotten Tomatoes (predecessor JurassicWorld ended up with 71%).
No Oscar prognosticator looked at this as Best Picture material. This series is all about the potential for technical recognition. The 1993 original was nominated for and won three gold statues: Sound Editing, Sound Mixing, and Visual Effects. For those around at the time, Park was an undeniable marvel with said visuals and the sounds of the dinosaurs wreaking havoc. The 1997 sequel managed one nod for Visual Effects and lost to a little something called Titanic.
2001’s JurassicParkIII, no surprise, was ignored by the Academy. On the other hand, it may surprise you to learn that 2015’s World also came up empty with voters. The pic did set box office records at the time, but couldn’t even manage Visual Effects or Sound recognition.
The answer as to why could be simple. In this particular franchise, there’s really little room for improvement when it comes to its technical capabilities. JurassicPark set a high bar in Isla Nublar for the CG dinos and their sounds. The Academy has moved onto other impressive tech work for other pictures.
Bottom line: If JurassicWorld couldn’t manage down the line nods, don’t expect any for Kingdom.
If you could envision a picture made in a factory for Best Picture consideration, The Post might be it. Two-time Oscar-winning director Steven Spielberg? Check. Three-time winner and most nominated actress ever Meryl Streep? Yep. Two-time recipient Tom Hanks? Indeed. A historical context that has connections to what’s happening today? Present. Luckily, the film itself manages to be an often engrossing experience that is (surprise) quite well-acted and directed. Does it match the high mark of some other journalistic features that cover similar ground? Not in my view.
The Post opens with State Department analyst Daniel Ellsberg (Matthew Rhys) in Vietnam in the late 1960s and his growing realization that the conflict has no end in sight. Ellsberg has access to classified government docs and by the early 1970s, he wishes to expose the top secrets of the U.S. Government’s involvement overseas from the Truman through Nixon administrations. He first leaks some information to the vaunted New York Times, but attention soon turns to The Washington Post, which at this juncture is considered more of a hometown paper. That paper is run by Katharine Graham (Streep) and she’s the first woman to run such an operation. She inherited the Post after the deaths of her father and husband. While the film’s attention is mostly centered on the impending giant story that they may break, we also witness the difficulties Graham experiences as a woman working in a man’s world. This provides some of the best moments and more examples of Streep’s limitless abilities as a performer.
Graham runs in the D.C. social circles and she’s close with many of the figures her journalists look to expose, including Secretary of Defense Robert McNamara (Bruce Greenwood). The paper’s editor is Ben Bradlee (Hanks), a hard charging type who doesn’t think of the corporate exposure landmines that go along with spilling these secrets. Graham must do so because her business is about to go up for public offering and President Nixon isn’t exactly warm-hearted when dealing with media types.
Therein lies the drama with The Post as Graham and Bradlee struggle to do the right thing. The pic clearly reveres it main subjects and the virtuous acts they took. It also adores the bygone and pre-digitized era of the news. There are lovingly crafted shots of the newspapers being developed for print and frenzied reporters furiously typing their copy to meet their deadline. We also witness occasional spurts of dialogue that border on preachy. Screenwriters Liz Hannah and Josh Singer craft a couple of monologues that could warrant a bright red MESSAGE signal across the screen while its actors are speaking.
That said, the story itself is inherently fascinating and it’s told in a well-crafted manner. There are plenty of actors who pop up in supporting roles, including a very nice performance from Bob Odenkirk as an editor who goes way back with Ellsberg and is instrumental in the paper’s expose. This is primarily the Streep and Hanks show, however. And in case you didn’t know, the two can act. Hanks is playing a part made most famous by Jason Robards in All the President’s Men (for which he won a gold statue). It is that movie that you may wish to draw comparisons with. The Post isn’t in that league, but few reach that level of greatness. The Post, rather,is exceedingly competent.
In a time when much of our popular entertainment is now made by 1980s kids who worshipped at the altar of Steven Spielberg and others, ReadyPlayerOne often feels like a loving homage to the product he made. Except it’s made by Spielberg himself and based on a 2011 Ernest Cline novel that also placed Spielberg’s works among its many cultural references. Such an experience runs the considerable risk of collapsing upon itself in a meta avalanche. Yet there’s a reason Spielberg is considered the best in the blockbuster game and he mostly avoids the potential self congratulating pitfalls here. It doesn’t belong in the same stratosphere as his most delicious popcorn offerings, but it contains enough sweetness and eye-popping visuals to be reasonably filling.
We begin in the dystopian future of 2045 where the majority of the Earth’s populace lives in slum conditions. Wade Watts (Tye Sheridan) is among them. He’s an 18-year-old in Columbus, Ohio with deceased parents and a sad life living with his trashy aunt. Wade’s existence matches that of many and their only refuge from squalor is The OASIS. That’s a virtual reality world created by the late James Halliday (Mark Rylance), an eccentric developer whose nostalgic tastes inform his fantasy universe. Those preferences include a whole slew of 80s flicks and tunes and more. Players can select alternate identities when they slap on the VR goggles. Wade takes on the persona of Parzival and he cruises around in the iconic DeLorean from BacktotheFuture. Wade/Parzival isn’t just a run of the mill player. He’s a good one. And he’s among a small group of high level participants known as Gunters.
Following Halliday’s death, it’s revealed he hid an Easter egg in the OASIS and the first player to find it will inherit control of the whole shebang. Wade has noble intentions should he win. So does Art3mis (Olivia Cooke), an expert gamer who attracts Wade’s admiration and his heart. There’s also those who want control of this trillion-dollar game for more devious purposes. That includes Sorrento (Ben Mendelsohn), corporate overlord of IOI (Innovative Online Industries). That conglomerate envisions total control of this product and go to dangerous lengths to prevent ace players like Parzival and Art3mis from succeeding.
ReadyPlayerOne quickly establishes this dense new world to us without making it seem too complicated. We quickly accept the dual nature of these heroes and villains in the depressed looking capital of Ohio and the shimmering alternate reality of the OASIS. In the latter, players can become whoever they want and the programmers can insert anyone in. That allows a lot of references to characters we’ve seen elsewhere. If you have ever imagined King Kong, The Iron Giant, and the murderous Chucky doll in the same feature, your wish is granted.
Much of this is an excuse for dazzling adventure sequences and many of them truly are. There’s a notable horror pic that is the centerpiece of a key scene. Going much more into it would feel like spoiler territory, but I’ll say it’s a pretty amazing highlight. Some of the battles take on a sameness vibe eventually, but the OASIS is consistently a visual wonder to behold.
Leads Sheridan and Cooke are both stellar. Rylance and Simon Pegg as Halliday’s former business partner are memorable. Mendelsohn (as he did in RogueOne: AStarWarsStory) brings a satisfying sinister turn as the bad guy.
Spielberg’s classics have become so because of their heart. ReadyPlayerOne is not a classic, but there are moments when the beats of them are well replicated. The picture may be best appreciated by an audience whose nostalgia glasses are usually half full. I’m among them. While you might be watching closely for pop culture references, there’s an overall message of balance between adoration of the past and appreciating the present. The director behind the camera here is deservedly revered for his great past, but he can still provide the goods presently.
Opening over Easter weekend, Steven Spielberg attempts to delve into our collective member berries with the release of Ready Player One. Based on the 2011 Ernest Cline bestseller, the futuristic adventure stars Tye Sheridan as a gamer entering a virtual reality world chock-full of 1980s pop culture references and beyond. The Warner Bros release comes with a reported $175 million budget. The supporting cast includes Olivia Cooke, Ben Mendelsohn, T.J. Miller, Simon Pegg, Letitia Wright, and Mark Rylance. There’s also appearances from Freddy Krueger, the DeLorean from Back to the Future, Sonic the Hedgehog, and many more. I’ll also note the picture is set in the place I call home – Columbus, Ohio.
Ready premiered at the South by Southwest Film Festival to mostly acclaim and it currently stands at 79% on Rotten Tomatoes. Some reviews have called it Spielberg’s most accessible and inspired work in quite some time. Even though it’s based on a known novel, questions abound as to how it will perform. Having Mr. Spielberg’s name attached doesn’t automatically generate dollars anymore, though it certainly doesn’t hurt (especially in a genre like this).
It opens on Thursday (meaning Wednesday night showings) and that’s a break from the typical release pattern. Generous estimates put this at a $50 million roll out with $35 million on the lower end. This is a toughie. I’ll estimate Player manages to reach mid 30s for the traditional portion of the weekend and possibly hit that $50 million number when factoring in its Wednesday sneaks and full day on Thursday.
Ready Player One opening weekend prediction: $36.7 million (Friday to Sunday), $50.8 million (Thursday to Sunday)
Perhaps the most high-profile title to screen at the South by Southwest Film Festival over the weekend was Steven Spielberg’s Ready Player One. The sci-fi action spectacle is based on Ernest Cline’s 2011 bestseller that’s chock full of pop culture references. In the lead up to its stateside release on March 29, advance word of mouth has been mixed. However, the screening yesterday may have changed those perceptions. Early reviews are calling this Spielberg’s biggest crowd pleaser in quite some time. The festival only gives us a small sampling of critical reaction, but it is certainly encouraging.
Even if the pic turns out to be a box office success, that doesn’t necessarily translate to any awards love (especially considering the genre). I don’t see this as a factor in the big races like Picture or Director. That said, Ready appears primed to be a player in one particular category and that’s Visual Effects. It’s said to be a feast for the eyes and though competition could be fierce, a nomination in that race seems quite feasible. Other tech categories such as Sound Editing, Sound Mixing, and Production Design could also be on table.
Winston Churchill died 100 years after Abraham Lincoln. In the United Kingdom, the Prime Minister is now regarded as one of, if not thee nation’s most revered leaders in perilous times. Like Lincoln. And like Steven Spielberg’s Lincoln from 2012, Joe Wright’s DarkestHour focuses on a short period when both men’s leadership abilities were put to their most strenuous tests. Lincoln featured Daniel Day-Lewis embodying the 16th President of the United States in memorable and Oscar-winning fashion. Hour has Gary Oldman with an equally towering performance that is also barreling toward Academy gold.
The picture takes place in May 1940 as Churchill becomes the doubted but consensus choice to succeed Neville Chamberlain as PM of England. He’s known as much if not more for his failures in previous offices than his successes. Churchill enters the position at a precarious moment for the country. Hitler is on the march, conquering European countries with sights set on England. King George VI (Ben Mendelsohn) is suspicious of the new leader. Office holders, especially Lord Halifax (Stephen Dillane), are pleading for Churchill to cut a deal with the Nazi Party.
It is Churchill’s instinct to fight on the battlefield and with his detractors. He gets support from his wife Clementine (Kristin Scott Thomas). His historic decision-making and speech dictation is witnessed by new personal secretary Elizabeth (Lily James). The key choices he must make involve Operation Dynamo, which was just chronicled in Christopher Nolan’s Dunkirk.
Oldman, buried under impressive makeup that render him barely recognizable, excels in making Churchill a force of nature. We’ve seen Oldman’s chameleon like abilities to disappear into a character before and it’s on full display here. The Prime Minister’s boozing and oratory prowess and connection to his countrymen are also displayed. The supporting players are all just fine, if understandably relegated to the sideline in favor of a far larger personality. Those in Churchill’s orbit probably came to realize they were part of his show. Same here with Mr. Oldman.
DarkestHour doesn’t quite reach the heights of dramatic impact as the films mentioned from Spielberg and Nolan. It is, however, a well-crafted tale of leading with gut and gusto at a juncture when it was needed and with Oldman spearheading the eventual charge to victory.
For over four months, I have been making weekly Oscar predictions and it all comes down to this Tuesday morning when they are at last revealed. These are my FINAL predictions along with a first and second alternate in each category.
Tuesday on the blog – I’ll have results on how I did with reaction to the nominations in general. Let’s get to it!
Best Picture
Call Me by Your Name
Dunkirk
The Florida Project
Get Out
Lady Bird
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri
1st Alternate – I, Tonya
2nd Alternate – The Big Sick
Best Director
Guillermo del Toro, The Shape of Water
Greta Gerwig, Lady Bird
Martin McDonagh, Three Billboards Outside Ebbing, Missouri
Christopher Nolan, Dunkirk
Jordan Peele, Get Out
1st Alternate – Steven Spielberg, The Post
2nd Alternate – Sean Baker, The Florida Project
Best Actor
Timothee Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
James Franco, The Disaster Artist
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
1st Alternate – Tom Hanks, The Post
2nd Alternate – Denzel Washington, Roman J. Israel, Esq.
Best Actress
Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post
1st Alternate – Jessica Chastain, Molly’s Game
2nd Alternate – Judi Dench, Victoria and Abdul
Best Supporting Actor
Willem Dafoe, The Florida Project
Armie Hammer, Call Me by Your Name
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Sam Rockwell, Three Billboards Outside Ebbing, Missouri
1st Alternate – Michael Stuhlbarg, Call Me by Your Name
2nd Alternate – Christopher Plummer, All the Money in the World
Best Supporting Actress
Mary J. Blige, Mudbound
Hong Chau, Downsizing
Allison Janney, I, Tonya
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water
1st Alternate – Holly Hunter, The Big Sick
2nd Alternate – Lesley Manville, Phantom Thread
Best Adapted Screenplay
Call Me by Your Name
The Disaster Artist
Molly’s Game
Mudbound
Wonder
1st Alternate – Victoria and Abdul
2nd Alternate – Wonderstruck
Best Original Screenplay
Get Out
I, Tonya
Lady Bird
The Shape of Water
Three Billboards Outside Ebbing, Missouri
1st Alternate – The Big Sick
2nd Alternate – The Florida Project
Best Animated Feature
The Breadwinner
Coco
Ferdinand
The Girl Without Hands
Loving Vincent
1st Alternate – The LEGO Batman Movie
2nd Alternate – Cars 3
Best Foreign Language Film
A Fantastic Woman
Foxtrot
The Insult
In the Fade
Loveless
1st Alternate – The Square
2nd Alternate – The Wound
Best Documentary Feature
City of Ghosts
Faces Places
Icarus
Jane
Long Strange Trip
1st Alternate – Strong Island
2nd Alternate – Last Men in Aleppo
Best Film Editing
Baby Driver
Dunkirk
I, Tonya
The Shape of Water
Three Billboards Outside Ebbing, Missouri
1st Alternate – The Post
2nd Alternate – Get Out
Best Cinematography
Blade Runner 2049
Dunkirk
Mudbound
The Post
The Shape of Water
1st Alternate – Darkest Hour
2nd Alternate – Three Billboards Outside Ebbing, Missouri
Best Production Design
Blade Runner 2049
Darkest Hour
Dunkirk
Phantom Thread
The Shape of Water
1st Alternate – Beauty and the Beast
2nd Alternate – Murder on the Orient Express
Best Costume Design
Beauty and the Beast
Murder on the Orient Express
Phantom Thread
The Shape of Water
Victoria and Abdul
1st Alternate – The Post
2nd Alternate – The Beguiled
Best Makeup and Hairstyling
Darkest Hour
I, Tonya
Wonder
1st Alternate – Bright
2nd Alternate – Victoria and Abdul
Best Visual Effects
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi
War for the Planet of the Apes
1st Alternate – Okja
2nd Alternate – Kong: Skull Island
Best Sound Editing
Baby Driver
Blade Runner 2049
Dunkirk
Star Wars: The Last Jedi
War for the Planet of the Apes
1st Alternate – The Shape of Water
2nd Alternate – The Greatest Showman
Best Sound Mixing
Baby Driver
Blade Runner 2049
Dunkirk
The Greatest Showman
The Shape of Water
1st Alternate – Star Wars: The Lat Jedi
2nd Alternate – Beauty and the Beast
Best Original Score
Darkest Hour
Dunkirk
Phantom Thread
The Post
The Shape of Water
1st Alternate – Victoria and Abdul
2nd Alternate – Star Wars: The Last Jedi
Best Original Song
“It Ain’t Fair” from Detroit
“Mighty River” from Mudbound
“Remember Me” from Coco
“Stand Up for Something” from Marshall
“This is Me” from The Greatest Showman
1st Alternate – “Evermore” from Beauty and the Beast
2nd Alternate – “The Mystery of Love” from Call Me by Your Name
And that leaves the final predicted list of nominations for each picture:
13 Nominations
The Shape of Water
9 Nominations
Dunkirk
7 Nominations
Three Billboards Outside Ebbing, Missouri
5 Nominations
Lady Bird, I, Tonya, Blade Runner 2049
4 Nominations
Get Out, Phantom Thread, Darkest Hour, The Post, Mudbound
3 Nominations
Baby Driver
2 Nominations
The Florida Project, The Disaster Artist, Wonder, Coco, Star Wars: The Last Jedi, War for the Planet of the Apes, The Greatest Showman
1 Nomination
Downsizing, Molly’s Game, Beauty and the Beast, Murder on the Orient Express, Victoria and Abdul, Detroit, Marshall, The Breadwinner, Ferdinand, The Girl Without Hands, Loving Vincent, A Fantastic Woman, Foxtrot, The Insult, In the Fade, Loveless, City of Ghosts, Faces Places, Icarus, Jane, Long Strange Trip
And there you have it, folks! I’ll have reaction up Tuesday…
We have arrived at my penultimate weekly Oscar predictions. With the Oscar nods arriving in 8 days, I will be making my final estimates next Monday. And as we get closer and closer to actually knowing the nominees, there are some notable changes today:
Jordan Peele has at last entered my predicted five in the Director category, replacing Steven Spielberg.
Daniel Kaluuya is in Best Actor for the first time, replacing Tom Hanks.
Frances McDormand has taken the #1 spot in Actress over Saoirse Ronan.
In more good news for ThreeBillboards, Sam Rockwell has reached the top spot in Supporting Actor over Willem Dafoe.
Octavia Spencer has replaced Holly Hunter in Supporting Actress.
You can read it all here with those last estimates coming in one week!
Two major developments since last week’s Oscar predictions as the Golden Globes happened and the Production Guild Award nominations came out. Combined with other precursor activity, one thing has become clear to me:
It was time to remove Dunkirk from its months long perch in the #1 slot. It’s fallen to #4 and we finally have a new #1 – Three Billboards Outside Ebbing, Missouri. Truth be told, I could have just as easily put The Shape of Water or Lady Bird in that spot. It’s a close race, folks!
Guillermo del Toro replaces Christopher Nolan in the top spot for director, as does Allison Janney in Supporting Actress over Laurie Metcalf.
We are only 15 days away from nominations and here’s my take at this moment:
Best Picture
Predicted Nominees:
1. Three Billboards Outside Ebbing, Missouri (Previous Ranking: 2)
2. The Shape of Water (PR: 4)
3. Lady Bird (PR: 5)
4. Dunkirk (PR: 1)
5. The Post (PR: 3)
6. Get Out (PR: 7)
7. Call Me by Your Name (PR: 8)
8. The Florida Project (PR: 6)
Other Possibilities:
9. The Big Sick (PR: 12)
10. Mudbound (PR: 11)
11. I, Tonya (PR: 13)
12. Phantom Thread (PR: 10)
13. Darkest Hour (PR: 9)
14. Molly’s Game (PR: Not Ranked)
15. Wonder Woman (PR: 15)
Dropped Out:
Blade Runner 2049
Best Director
Predicted Nominees:
1. Guillermo del Toro, The Shape of Water (PR: 2)
2. Christopher Nolan, Dunkirk (PR: 1)
3. Greta Gerwig, Lady Bird (PR: 4)
4. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 5)
5. Steven Spielberg, The Post (PR: 4)
Other Possibilities:
6. Jordan Peele, Get Out (PR: 8)
7. Sean Baker, The Florida Project (PR: 6)
8. Luca Guadagnino, Call Me by Your Name (PR: 7)
9. Dee Rees, Mudbound (PR: 9)
10. Paul Thomas Anderson, Phantom Thread (PR: 10)
Best Actor
Predicted Nominees:
1. Gary Oldman, Darkest Hour (PR: 1)
2. Daniel Day-Lewis, Phantom Thread (PR: 2)
3. Timothee Chalamet, Call Me by Your Name (PR: 3)
4. James Franco, The Disaster Artist (PR: 4)
5. Tom Hanks, The Post (PR: 5)
Other Possibilities:
6. Denzel Washington, Roman J. Israel, Esq. (PR: 6)
7. Daniel Kaluuya, Get Out (PR: 7)
8. Jake Gyllenhaal, Stronger (PR: 9)
9. Christian Bale, Hostiles (PR: 8)
10. Robert Pattinson, Good Time (PR: 10)
Best Actress
Predicted Nominees:
1. Saoirse Ronan, Lady Bird (PR: 1)
2. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Margot Robbie, I, Tonya (PR: 3)
4. Sally Hawkins, The Shape of Water (PR: 5)
5. Meryl Streep, The Post (PR: 4)
Other Possibilities:
6. Jessica Chastain, Molly’s Game (PR: 6)
7. Judi Dench, Victoria and Abdul (PR: 7)
8. Emma Stone, Battle of the Sexes (PR: 10)
9. Michelle Williams, All the Money in the World (PR: 8)
10. Kate Winslet, Wonder Wheel (PR: 9)
Best Supporting Actor
Predicted Nominees:
1. Willem Dafoe, The Florida Project (PR: 1)
2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Richard Jenkins, The Shape of Water (PR: 3)
4. Woody Harrelson, Three Billboards Outside Ebbing, Missouri (PR: 4)
5. Armie Hammer, Call Me by Your Name (PR: 5)
Other Possibilities:
6. Michael Stuhlbarg, Call Me by Your Name (PR: 6)
7. Christopher Plummer, All the Money in the World (PR: 7)
8. Steve Carell, Battle of the Sexes (PR: 8)
9. Michael Shannon, The Shape of Water (PR: 9)
10. Mark Rylance, Dunkirk (PR: Not Ranked)
Dropped Out:
Jason Mitchell, Mudbound
Best Supporting Actress
Predicted Nominees:
1. Allison Janney, I, Tonya (PR: 2)
2. Laurie Metcalf, Lady Bird (PR: 1)
3. Mary J. Blige, Mudbound (PR: 3)
4. Hong Chau, Downsizing (PR: 5)
5. Holly Hunter, The Big Sick (PR: 4)
Other Possibilities:
6. Octavia Spencer, The Shape of Water (PR: 6)
7. Melissa Leo, Novitiate (PR: 8)
8. Lesley Manville, Phantom Thread (PR: 7)
9. Tiffany Haddish, Girls Trip (PR: Not Ranked)
10. Bria Vinaite, The Florida Project (PR: 9)
Dropped Out:
Kristin Scott Thomas, Darkest Hour
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 1)
2. Molly’s Game (PR: 2)
3. Mudbound (PR: 3)
4. The Disaster Artist (PR: 4)
5. Wonder (PR: 5)
Other Possibilities:
6. Wonderstruck (PR: 7)
7. Victoria and Abdul (PR: 6)
8. All the Money in the World (PR: 8)
9. Hostiles (PR: Not Ranked)
10. The Beguiled (PR: Not Ranked)
Dropped Out:
Film Stars Don’t Die in Liverpool
Blade Runner 2049
Best Original Screenplay
Predicted Nominees:
1. Three Billboards Outside Ebbing, Missouri (PR: 1)
2. Lady Bird (PR: 2)
3. Get Out (PR: 3)
4. The Shape of Water (PR: 4)
5. The Big Sick (PR: 5)
Other Possibilities:
6. The Florida Project (PR: 7)
7. The Post (PR: 6)
8. I, Tonya (PR: 9)
9. Phantom Thread (PR: 8)
10. Dunkirk (PR: Not Ranked)
Dropped Out:
Darkest Hour
Best Animated Feature
Predicted Nominees:
1. Coco (PR: 1)
2. The Breadwinner (PR: 2)
3. Loving Vincent (PR: 3)
4. The Girl Without Hands (PR: 5)
5. Ferdinand (PR: 7)
Other Possibilities:
6. The LEGO Batman Movie (PR: 6)
7. Cars 3 (PR: 4)
8. Birdboy: The Forgotten Children (PR: 8)
9. The Big Bad Fox and Other Tales (PR: 9)
10. Despicable Me 3 (PR: 10)
Best Foreign Language Film
Predicted Nominees:
1. Foxtrot (PR: 1)
2. Loveless (PR: 2)
3. The Insult (PR: 4)
4. A Fantastic Woman (PR: 3)
5. In the Fade (PR: 6)
Other Possibilities:
6. The Square (PR: 5)
7. The Wound (PR: 7)
8. On Body and Soul (PR: 9)
9. Felicite (PR: 8)
Best Documentary Feature
Predicted Nominees:
1. Jane (PR: 1)
2. Faces Places (PR: 2)
3. Long Strange Trip (PR: 5)
4. City of Ghosts (PR: 3)
5. Icarus (PR: 6)
Other Possibilities:
6. Strong Island (PR: 4)
7. Last Men in Aleppo (PR: 7)
8. Human Flow (PR: Not Ranked)
9. LA 92 (PR: 8)
10. Ex Libris – The New York Public Library (PR: 10)
Dropped Out:
Chasing Coral
Best Film Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. The Shape of Water (PR: 2)
3. The Post (PR: 3)
4. Three Billboards Outside Ebbing, Missouri (PR: 4)
5. I, Tonya (PR: 5)
Other Possibilities:
6. Baby Driver (PR: 6)
7. Get Out (PR: 9)
8. Blade Runner 2049 (PR: 8)
9. Lady Bird (PR: 7)
10. Darkest Hour (PR: 10)
Best Cinematography
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. The Shape of Water (PR: 3)
4. The Post (PR: 4)
5. Darkest Hour (PR: 5)
Other Possibilities:
6. Three Billboards Outside Ebbing, Missouri (PR: 8)
7. Mudbound (PR: 7)
8. Call Me by Your Name (PR: 9)
9. Wonderstruck (PR: 6)
10. Lady Bird (PR: 10)
Dropped Out:
Hostiles
Best Production Design
Predicted Nominees:
1. The Shape of Water (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. Dunkirk (PR: 3)
4. Beauty and the Beast (PR: 4)
5. Phantom Thread (PR: 9)
Other Possibilities:
6. Murder on the Orient Express (PR: 6)
7. The Post (PR: 7)
8. Darkest Hour (PR: 8)
9. Downsizing (PR: 5)
10. The Greatest Showman (PR: 10)
Best Costume Design
Predicted Nominees:
1. Phantom Thread (PR: 1)
2. Beauty and the Beast (PR: 2)
3. The Shape of Water (PR: 3)
4. I, Tonya (PR: Not Ranked)
5. The Post (PR: 8)
Other Possibilities:
6. Murder on the Orient Express (PR: 6)
7. Victoria and Abdul (PR: 5)
8. The Greatest Showman (PR: 4)
9. Darkest Hour (PR: 9)
10. The Beguiled (PR: 7)
Dropped Out:
Star Wars: The Last Jedi
Best Makeup and Hairstyling
Predicted Nominees:
1. Darkest Hour (PR: 1)
2. Wonder (PR: 2)
3. I, Tonya (PR: 4)
Other Possibilities:
4. Bright (PR: 3)
5. Guardians of the Galaxy Vol. 2 (PR: 5)
6. Victoria and Abdul (PR: 6)
7. Ghost in the Shell (PR: 7)
Best Visual Effects
Predicted Nominees:
1. Blade Runner 2049 (PR: 1)
2. War for the Planet of the Apes (PR: 2)
3. Star Wars: The Last Jedi (PR: 3)
4. The Shape of Water (PR: 4)
5. Dunkirk (PR: 5)
Other Possibilities:
6. Okja (PR: 6)
7. Guardians of the Galaxy Vol. 2 (PR: 8)
8. Kong: Skull Island (PR: 7)
9. Valerian and the City of a Thousand Planets (PR: 9)
10. Alien: Covenant (PR: 10)
Best Sound Editing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. Star Wars: The Last Jedi (PR: 4)
4. Baby Driver (PR: 3)
5. The Shape of Water (PR: 6)
Other Possibilities:
6. War for the Planet of the Apes (PR: 7)
7. Coco (PR: 8)
8. The Greatest Showman (PR: 5)
9. Detroit (PR: 10)
10. Beauty and the Beast (PR: 9)
Best Sound Mixing
Predicted Nominees:
1. Dunkirk (PR: 1)
2. Blade Runner 2049 (PR: 2)
3. Baby Driver (PR: 3)
4. The Shape of Water (PR: 6)
5. The Greatest Showman (PR: 5)
Other Possibilities:
6. Star Wars: The Last Jedi (PR: 4)
7. War for the Planet of the Apes (PR: 7)
8. Coco (PR: 8)
9. The Post (PR: Not Ranked)
10. Beauty and the Beast (PR: 9)
Dropped Out:
Detroit
Best Original Score
Predicted Nominees:
1. The Shape of Water (PR: 1)
2. Dunkirk (PR: 2)
3. The Post (PR: 4)
4. Phantom Thread (PR: 3)
5. Darkest Hour (PR: 5)
Other Possibilities:
6. Victoria and Abdul (PR: 6)
7. Blade Runner 2049 (PR: 7)
8. Three Billboards Outside Ebbing, Missouri (PR: 10)
9. Star Wars: The Last Jedi (PR: 8)
10. Wonderstruck (PR: 9)
Best Original Song
Predicted Nominees:
1. “Stand Up for Something” from Marshall (PR: 1)
2. “This is Me” from The Greatest Showman (PR: 3)
3. “Remember Me” from Coco (PR: 2)
4. “Mighty River” from Mudbound (PR: 5)
5. “It Ain’t Fair” from Detroit (PR: 4)
Other Possibilities:
6. “Evermore” from Beauty and the Beast (PR: 6)
7. “I Don’t Wanna Live Forever” from Fifty Shades Darker (PR: 8)
8. “The Mystery of Love” from Call Me by Your Name (PR: 7)
9. “Prayers for this World” from Cries from Syria (PR: 9)
10. “The Star” from The Star (PR: 10)
And that leaves the following nomination breakdown for each picture –
13 Nominations
The Shape of Water
9 Nominations
Dunkirk
8 Nominations
The Post
7 Nominations
Three Billboards Outside Ebbing, Missouri
5 Nominations
Lady Bird, I, Tonya, Blade Runner 2049
4 Nominations
Call Me by Your Name, Darkest Hour, Phantom Thread
3 Nominations
Mudbound
2 Nominations
Get Out, The Florida Project, The Disaster Artist, The Big Sick, Wonder Coco, Beauty and the Beast, Star Wars: The Last Jedi, Baby Driver, The Greatest Showman
1 Nomination
Downsizing, Molly’s Game, War for the Planet of the Apes, Marshall, Detroit, The Breadwinner, Loving Vincent, The Girl Without Hands, Ferdinand, Foxtrot, Loveless, The Insult, A Fantastic Woman, In the Fade, Jane, Faces Places, Long Strange Trip, City of Ghosts, Icarus
The most high-profile Oscar precursor arrives Sunday night when Seth Meyers hosts the Golden Globe awards. Of course, the Hollywood Foreign Press Association operates a bit differently by divvying its major categories (Picture, Actor, Actress) into Drama and Musical/Comedy.
As has been a common theme lately, one of the “Musical/Comedy” entries is a bit questionable – Jordan Peele’s Get Out. To be fair, it is a difficult picture to classify. The Golden Globes can often shed some light on Oscar contenders or solidify front runners. Here are my predictions, race by race, on who and what will emerge victorious and my runner-up picks:
Best Picture (Drama)
Nominees: Call Me by Your Name, Dunkirk, The Post, The Shape of Water, Three Billboards Outside Ebbing, Missouri
Predicted Winner: The Shape of Water
Runner-Up: Three Billboards Outside Ebbing, Missouri
Best Picture (Musical/Comedy)
Nominees: The Disaster Artist, Get Out, The Greatest Showman, I, Tonya, Lady Bird
Predicted Winner: Lady Bird
Runner-Up: The Disaster Artist
Best Director
Nominees: Guillermo del Toro (The Shape of Water), Martin McDonagh (Three Billboards Outside Ebbing, Missouri), Christopher Nolan (Dunkirk), Ridley Scott (All the Money in the World), Steven Spielberg (The Post)
Predicted Winner: del Toro
Runner-Up: Nolan
Best Actor (Drama)
Nominees: Timothee Chalamet (Call Me by Your Name), Daniel Day-Lewis (Phantom Thread), Tom Hanks (The Post), Gary Oldman (Darkest Hour), Denzel Washington (Roman J. Israel, Esq.)
Predicted Winner: Oldman
Runner-Up: Chalamet
Best Actress (Drama)
Nominees: Jessica Chastain (Molly’s Game), Sally Hawkins (The Shape of Water), Frances McDormand (Three Billboards Outside Ebbing, Missouri), Meryl Streep (The Post), Michelle Williams (All the Money in the World)
Predicted Winner: Hawkins
Runner-Up: McDormand
Best Actor (Musical/Comedy)
Nominees: Steve Carell (Battle of the Sexes), Ansel Elgort (Baby Driver), James Franco (The Disaster Artist), Hugh Jackman (The Greatest Showman), Daniel Kaluuya (Get Out)
Predicted Winner: Franco
Runner-Up: Jackman
Best Actress (Musical/Comedy)
Nominees: Judi Dench (Victoria and Abdul), Helen Mirren (The Leisure Seeker), Margot Robbie (I, Tonya), Saoirse Ronan (Lady Bird), Emma Stone (Battle of the Sexes)
Predicted Winner: Ronan
Runner-Up: Robbie
Best Supporting Actor
Nominees: Willem Dafoe (The Florida Project), Armie Hammer (Call Me by Your Name), Richard Jenkins (The Shape of Water), Christopher Plummer (All the Money in the World), Sam Rockwell (Three Billboards Outside Ebbing, Missouri)
Predicted Winner: Plummer
Runner-Up: Rockwell
Best Supporting Actress
Nominees: Mary J. Blige (Mudbound), Hong Chau (Downsizing), Allison Janney (I, Tonya), Laurie Metcalf (Lady Bird), Octavia Spencer (The Shape of Water)
Predicted Winner: Janney
Runner-Up: Metcalf
Best Screenplay
Nominees: Lady Bird, Molly’s Game, The Post, The Shape of Water, Three Billboards Outside Ebbing, Missouri
Predicted Winner: Three Billboards Outside Ebbing, Missouri
Runner-Up: Lady Bird
Best Animated Feature
Nominees: The Boss Baby, The Breadwinner, Coco, Ferdinand, Loving Vincent
Predicted Winner: Coco
Runner-Up: Loving Vincent
Best Foreign Language Film
Nominees: A Fantastic Woman, First, They Killed My Father, In the Fade, Loveless, The Square
Predicted Winner: First, They Killed My Father
Runner-Up: A Fantastic Woman
Best Score
Nominees: Dunkirk, Phantom Thread, The Post, The Shape of Water, Three Billboards Outside Ebbing, Missouri
Predicted Winner: Dunkirk
Runner-Up: The Shape of Water
Best Song
Nominees: “Home” from Ferdinand, “Mighty River” from Mudbound, “Remember Me” from Coco, “The Star” from The Star, “This is Me” from The Greatest Showman
Predicted Winner: “This is Me”
Runner-Up: “Remember Me”
I’ll have a recap up Sunday night with how I did! Until then…
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