Oscar Predictions: Jimpa

Three years ago at the Sundance Film Festival, Sophie Hyde premiered her dramedy Good Luck to You, Leo Grande where Emma Thompson earned an Actress (Musical or Comedy) nom. It also rounded up a few BAFTA mentions. In 2025, the writer/director is back in Park City with Jimpa. Olivia Colman stars as a mom taking her non-binary teen to visit their gay grandpa (or Jimpa) in Amsterdam. John Lithgow is the title character with newcomer Aud Mason-Hyde as the teen. Costars include Tilda Cobham-Hervey, Daniel Henshall, Kate Box, Eamon Farren, and Zoë Love Smith.

Colman had a four year Oscar run where she achieved 3 nominations: 2018’s The Favourite (where she won), 2020’s The Father in supporting, and 2021’s The Lost Daughter in lead. Lithgow nabbed back-to-back mentions in Supporting Actor over four decades ago with 1982’s The World According to Garp and 1983’s Terms of Endearment (winning neither). Both of these roles seem like Academy bait.

However, initial reaction is mixed with 67% on Rotten Tomatoes. Perhaps its eventual distributor will mount a campaign. Lithgow, in what’s said to be quite a revealing role, seems due for one. His turn in Conclave last year turned out not to be that part as costars Ralph Fiennes and Isabella Rossellini were the focal points. I’m just not convinced this’ll be a major awards player at all. My Oscar Prediction posts will continue…

Oscar Predictions: Good Luck to You, Leo Grande

From 1992-1995, Emma Thompson scored a remarkable five Oscar nominations – winning twice. The first was for her lead role in 1992’s Howards End. The second was a screenplay win for 1995’s Sense and Sensibility. The other three nods were for The Remains of the Day and Sensibility (both lead) and supporting for In the Name of the Father.

In the quarter century plus since, the Academy has yet to call her name again. That could change with Good Luck to You, Leo Grande which premiered at Sundance. From director Sophie Hyde, the comedic drama finds Thompson as a retiree who enlists the services of a sex worker (Daryl McCormack of Peaky Blinders).

Early reviews are hailing the performances of both leads. With the right eventual distributor, I wouldn’t be surprised if Thompson in particular is in the mix for awards attention. If Oscar doesn’t bite, she could at least be in line for a Best Actress nod in the Musical/Comedy category at next year’s Golden Globes. Thompson made the cut with HFPA in 2019 for Late Night and the buzz for Grande might be larger. My Oscar Predictions posts will continue…