Oscar Predictions: My Father’s Shadow

Nigerian family drama My Father’s Shadow has been playing the festival circuit for months beginning at Cannes and continuing to Toronto. It marks the directorial debut of Akinola Davies Jr. and stars Sope Dirisu with Godwin Chiemerie Egbo and Chibuike Marvellous Egbo as his sons. The United Kingdom has submitted it as the hopeful for Best International Feature Film.

The Brits may have chosen wisely. Shadow is receiving early kudos from other awards bodies. It was given a special award for its first-time filmmaker at Cannes. At the British Independent Film Awards, it was up in 12 categories and won Best Director. And tonight at the Gothams, it went 2 for 2 with Breakthrough Director and a surprise victory for Dirisu for Outstanding Lead Performance.

After a streak in which none of their 21st century submitted features made the cut in the international race, the UK took top honors two years ago for The Zone of Interest. Last year, Santosh made the shortlist but not the final quintet. With 97% on Rotten Tomatoes and an 85 Metacritic, Shadow could be gathering buzz at the right time.

Some key caveats as the aforementioned ceremonies aren’t exactly reliable Oscar precursors. There’s also the matter of IFF being quite crowded with more high-profile titles including Sentimental Value, It Was Just an Accident (which also received some Gotham love), The Secret Agent, and No Other Choice. However, if Shadow makes this year’s shortlist, it could be a trendy pick. My Oscar Prediction posts will continue…

Oscar Predictions: Mr. Malcolm’s List

Adapting her own 2009 novel, Suzanne Allain scripts the period piece dramedy Mr. Malcolm’s List. Out July 1st and apparently borrowing influence from Jane Austen, Emma Holly Jones makes her directorial debut. The cast includes Freida Pinto (from 2008’s Best Picture winner Slumdog Millionaire), Sope Dirisu, Oliver Jackson-Cohen, Ashley Park, Zawe Ashton, and Theo James.

Early reviews are decent at 89% on Rotten Tomatoes with the bulk calling it a pleasant diversion. That’s hardly enough for it to contend for any major awards prizes. Furthermore, distributor Bleecker Street has a sketchy track record getting their films noticed (ask the ensemble from Mass last year).

There’s always the possibility of Costume Design, but I suspect heavier hitters are arriving in the fall. My Oscar Prediction posts will continue…

Oscar Predictions: Mothering Sunday

Eva Husson’s romantic British period piece Mothering Sunday sure looks like an awards contender on paper. Based on a 2016 novel by Graham Swift, the Lionsgate release (out stateside November 19) originally debuted at Cannes and has made its way to the Toronto Film Festival. Starring Odessa Young and Josh O’Connor, Sunday also features a trio of Oscar winner in its supporting cast (Olivia Colman, Colin Firth, Glenda Jackson).

Reviews thus far are pleasing with a 93% score on Rotten Tomatoes. Calling it a bleaker story set in a Downton Abbey world, this could find a niche audience. Yet even the positive critical reaction doesn’t indicate to me that it will resonate with the Academy. Competition could simply be too steep to make a play in the major races like Picture or Adapted Screenplay. Furthermore it’s said the high-profile supporting cast may not receive enough screen time to contend. Don’t cry for Colman, however. She’s already in the mix in Best Actress for The Lost Daughter.

Bottom line: perhaps Sunday could pop up in Production or Costume Design (though I doubt it) and that’s about the best hope. My Oscar Prediction posts for the films of 2021 will continue…