Tag: SNL

The King of Staten Island Movie Review

Pete Davidson is not your average Saturday Night Live cast member. He is less known for characters he plays and is more known for essentially portraying himself on Weekend Update sketches. That includes warts and all with his much publicized romantic life, struggles with mental health and drug issues, and tragic family history. It is no surprise that Judd Apatow is the director to bring his semi autobiographical story to the big screen in The King of State Island. And the Apatow treatment comes with the high points of his previous efforts. It also comes with the warts and all of his pics that includes an unnecessarily lengthy running time and subplots that don’t really pan out.

The big screen treatment ended up being a misnomer since Island went the Video on Demand route due to the COVID-19 pandemic. Davidson is Scott Carlin, an aimless 24 year old living with his mom Margie (Marisa Tomei) in the borough where it is joked that New Jersey looks down upon. His little sister (Maude Apatow) is an achiever who is moving along to college. Scott’s longtime friend and sort of girlfriend Kelsey (Bel Powley) is a glass half full type in contrast with his constantly half empty outlook. The similarities between Davidson and his character are hard to miss. Scott’s father was a firefighter who died in the line of duty and so did Davidson’s on 9/11. Substance abuse and effects of ADD are prevalent with Scott and, as mentioned, the actor hasn’t been shy about addressing those matters.

One key difference: Davidson has been a pop culture fixture on the famous sketch comedy show for a few years. The man he is playing isn’t accomplishing much of anything. His idea to open a tattoo parlor/restaurant is met with understandable skepticism. Scott’s arrested development is dealt a setback when Margie finds romance after 17 years of being a widow with fireman Ray (Bill Burr). Their courtship elevates his anxieties to a new level.

Apatow, over the past decade and half, has elevated numerous comedic performers to new heights. These include Steve Carell in The 40 Year Old Virgin, Seth Rogen in Knocked Up, and Amy Schumer in Trainwreck. The similarities here are most in line with the latter as Davidson’s known persona is put through the cinematic lens. As an avid SNL watcher, I have found his bits occasionally inspired and frequently a little grating. It is a credit to Apatow and Davidson that Island finds a balance that is primarily satisfying. However, that’s not to say there aren’t issues. Island is too long. A subplot regarding Scott and his buddies and a pharmaceutical heist could have easily been left on the cutting room floor. While it often deftly switches between humorous and serious segments, the tone shifts are not always consistent.

On the bright side, some scenes are quite well done. This includes a night out with Scott, Ray, and some fellow firefighters where his late dad’s angelic legacy is tarnished to his son’s delight. Every time romantic interest Kelsey (with a terrific performance by Powley) is around, it works. I actually found myself wishing Scott had more interest in her because she deserves more screen time.

Ultimately The King of Staten Island is vintage Apatow and that includes the glass being measured in both ways. Thankfully it is full for the most part.

*** (out of four)

Oscar Watch: The King of Staten Island

The latest dramedy from director Judd Apatow is receiving a lot of similar praise and a bit of the same criticism as other titles in his filmography. The King of Staten Island hits the VOD circuit this Friday after foregoing a theatrical release due to COVID-19. The pic is a showcase for Saturday Night Live cast member Pete Davidson, who’s received as much press for his personal life as his SNL antics. This is a semi-autobiographical vehicle for him and reviews out today give high marks to his work.

Overall Island currently stands at 79% on Rotten Tomatoes. Several critics are calling it Apatow’s most mature work. There are kudos for the supporting cast that includes Marisa Tomei, Bill Burr, and Bel Pawley. On the flip side, there are some complaints about its 136 minute runtime. This is a common gripe for the director’s efforts.

While Oscar attention is unlikely, the pic could garner the attention of Golden Globes voters since it splits acting races between Drama and Musical/Comedy. In the latter, Davidson could be a contender for Actor. Yet the Apatow track record at the Globes is shaky. Neither Steve Carell (The 40 Yr. Old Virgin) or Seth Rogen (Knocked Up) made the final five. I would especially say that Carell was robbed in 2005. On the other hand, 2015’s Trainwreck nabbed Amy Schumer an Actress mention.

Bottom line: some awards chatter for Apatow’s latest stand-up star could happen, but I don’t think it would be at the biggest show of all. My Oscar Watch posts will continue…

2019: The Year of Eddie Murphy and Adam Sandler

One of the welcome cinematic storylines of 2019 involves two beloved Saturday Night Live vets who accomplished some of their finest film work, have garnered Oscar attention, and both returned to the show that made them after many years away.

I’m referring to Eddie Murphy and Adam Sandler and they both get spots in my Year of 2019 posts. Murphy had been absent from the silver screen since 2016’s drama Mr. Church. Over the past several years, he was known more for his family comedies then the raunchy comedian that sold out stadiums in the 1980s. 2019 saw a return to form with Netflix’s Dolemite Is My Name, his critically hailed recounting of Rudy Ray Moore’s contributions to movies. The pic has given Murphy his best reviews since 2006’s Dreamgirls and gotten him back into the Oscar conversation. We also witnessed the legendary performer host SNL for the first time in 35 years. 2020 will showcase Murphy returning to stand-up (something he hasn’t done since the late 1980s) and reprising his Prince Akeem character and others in Coming 2 America, which again teams him with Netflix and Dolemite director Craig Brewer.

Mr. Sandler also hit the 30 Rock building to headline SNL. He hadn’t been back in that role since being fired from the show in the mid 90s and embarking on his own wildly successful film career. The SNL gig saw him perform a humorous and touching tribute to cast mate Chris Farley. His partnership with Netflix includes this year’s Murder Mystery with Jennifer Aniston. There’s already a sequel planned for it. And the critical kudos came with crime thriller Uncut Gems, which opens wide on Christmas. That pic, from directors Ben and Josh Safdie, has Sandler picking up awards precursors and, like Murphy, in the mix for Academy attention. He’ll return to his preferred streaming service next year with Hubie Halloween.

For SNL, 2019 will be remembered as a time when two of their most famous alumni returned. For Murphy and Sandler, it’s a time when they gave us some of the most memorable onscreen work.

Movie Perfection: A Shagadelic Therapy Session

“In the spring, we’d make meat helmets.” – Dr. Evil

In this week’s example of “Where has the time gone?”, Austin Powers: International Man of Mystery celebrated its 20 year anniversary. In May of 1997, this creation of Mike Myers wasn’t expected to be the cultural milestone it turned out to be and spawn endless catchphrases. The SNL alum had not capitalized on the wild success five years earlier of Wayne’s World. Myers experienced two box office disappointments in his follow-ups – So I Married An Axe Murderer (which would achieve minor cult status later) and the Wayne’s World sequel.

Not much was expected from Powers, but the James Bond spoof immediately achieved its cult status and over performed expectations by grossing $53 million domestically. That was a pleasing number, but not a total runaway hit. It took home video to expand its audience and expand its audience it did. By the time Austin Powers: The Spy Who Shagged Me was released two summers later, it made $54 million… in its first weekend. Goldmember, the third installment, would make $73 million out of the gate in 2002.

Yet it’s the original from two decades past that remains the best. And in this edition of Movie Perfection, I focus on what was my favorite scene 20 years ago and remains so today. That would be the therapy session between Myers’ Dr. Evil and his son Scott (Seth Green).

This sequence finds the late Carrie Fisher as a shrink offering advice to fathers and their teenage boys. The group quickly finds the bald mastermind and nemesis of the title character has the strangest relationship with his estranged offspring. Dr. Evil is, in fact, actually trying to kill him. And Scott’s aspirations of working with animals doesn’t gel with Dad’s idea of it.

The entire scene is hilarious but it builds to an epic climax with Dr. Evil’s description of his own bizarre childhood. Burlap bags, luge lessons, webbed feet, and the laziness of chestnuts are all incorporated into an uproarious monologue that solidifies why Dr. Evil was always the greatest character in the franchise.

Carrie Fisher is pitch perfect in her cameo. It’s crazy to think her work here arrived almost exactly 20 years after her first appearance as Princess Leia and now it’s been 20 years since her participation in this fantastic sequence.

So, as we celebrate two decades since this memorable series, today’s Movie Perfection honors its best scene.

The Boss Baby Box Office Prediction

Next weekend, Alec Baldwin is The Boss Baby in Dreamworks Animation’s latest feature. Based on a 2010 childrens book, the pic has the SNL hosting record setter voicing a wiser than his years infant. Other voice over work is provided by Tobey Maguire, Steve Buscemi, Jimmy Kimmel, and Lisa Kudrow.

Baby arrives in the midst of a number of titles catering to younger audiences and their families. Beauty and the Beast will be in its third weekend and still posting large earnings. Power Rangers will be in its sophomore frame and Smurfs: The Lost Village will debut the weekend after.

Reviews haven’t been strong so far with just a 27% rating on Rotten Tomatoes. That said, Baldwin has surely been visible as of late with his President Trump impression and Dreamworks has a mostly impressive track record in their animated division.

The competition is likely to be a factor keeping this from truly significant grosses, but I’ll still estimate Baby manages a high 20s to possibly low 30s birth.

The Boss Baby opening weekend prediction: $28.6 million

For my Ghost in the Shell prediction, click here:

https://toddmthatcher.com/2017/03/23/ghost-in-the-shell-box-office-prediction/

This Day in Movie History: February 14

22 years ago on This Valentine’s Day in Movie History – February 14 – Wayne’s World debuted in theaters and provided Mike Myers with his first comedy smash. Based on the wildly popular SNL sketches featuring Wayne and Garth (Dana Carvey), Wayne’s World would earn $18 million in its first weekend on its way to a $121 million domestic haul. A less successful sequel would come the following year and Myers, of course, would get another huge franchise years later with the Austin Powers flicks and then the Shrek pictures.

As for birthdays, Simon Pegg is 44 today. A favorite of director JJ Abrams, Pegg has appearared in the last two Mission: Impossible features and in the current Star Trek franchise. And there’s also his acclaimed comedic collaborations with director Edgar Wright – Shaun of the Dead, Hot Fuzz, and last year’s The World’s End.

Freddie Highmore is 22 today. You may know him best for his appearances as a child actor working with Johnny Depp in both Finding Neverland and Charlie and the Chocolate Factory. He’s currently playing Norman Bates in A&E’s “Bates Motel” series.

As for Six Degrees of Separation between them:

Simon Pegg was in Mission: Impossible III with Philip Seymour Hoffman

Philip Seymour Hoffman was in A Late Quartet with Dustin Hoffman

Dustin Hoffman was in Finding Neverland with Freddie Highmore

And that’s today – February 14 – in Movie History. And Happy Valentine’s Day!