Through the sheer force of his outsized personality, Tracy Morgan made a memorable impression in his seven years at 30 Rockefeller Plaza on Saturday Night Live. It translated into even shinier comedic gold on 30 Rock shortly thereafter. He comes in at #48 on the list of greatest performers on the program that just started its 50th season.
From clueless though well-meaning Safari Planet host Brian Fellows to homeless Woodrow, Morgan’s mix of sweetness with outrageousness gave us bright spots in a top shelf SNL era. He also killed as Star Jones in those View sketches. In what should come as no surprise, we’re not finished with 30 Rock cast mates. #47 is coming you way soon!
Blogger’s Update (10/09): Based partly on its considerable 2500 screen count, I am upping my Terrifier 3 from $9.4 million to $14.4 million. That gives it the #1 slot.
A fascinating weekend lies ahead at the box office as a handful of newcomers try to break out, but they could all fall under $10 million. We have low-budget horror threequel Terrifier 3, behind the scenes showbiz dramedy Saturday Night (expanding in wide release), manga superhero entry My Hero Academia: You’re Next, the Pharrell Williams Lego themed doc Piece by Piece, and a Donald Trump biopic The Apprentice all vying for attention. You can peruse my prediction posts on them here:
This sophomore frame of October is one in which Joker: Folie à Deux was widely expected to dominate the charts for a second time. That is very much in danger after its disastrous premiere (more on that below). The musical mashup of Joaquin Phoenix and Lady Gaga could experience a decline in 75% range considering its toxic word-of-mouth.
If so, that could mean a return to 1st position for The Wild Robot in its third outing. It may only dip in the high 30s or low 40s.
Terrifier 3 may have the best breakout potential among the newbies. I have it placing second just ahead of Joker. That’s a development that would’ve been unimaginable days ago.
I don’t foresee any of the fresh product reaching eight digits with Saturday Night in fourth and holdover Beetlejuice Beetlejuice rounding out the high five. The other three debuting flicks I have slotted 6-7 (Academia, Piece) and 9 (Apprentice) with Academia potentially having the chance for a little more than I’m projecting.
Here’s how I have it playing out with a top 8 this time around:
1. Terrifier 3
Predicted Gross: $14.4 million
2. The Wild Robot
Predicted Gross: $11.7 million
3. Joker: Folie à Deux
Predicted Gross: $9.5 million
4. Saturday Night
Predicted Gross: $7.8 million
5. Beetlejuice Beetlejuice
Predicted Gross: $6.7 million
6. My Hero Academia: You’re Next
Predicted Gross: $5.9 million
7. Piece by Piece
Predicted Gross: $5.4 million
8. Transformers One
Predicted Gross: $3.2 million
9. The Apprentice
Predicted Gross: $2.4 million
Box Office Results (October 4-6)
Arriving 5 years to the day behind its billion plus grossing predecessor, Joker: Folie à Deux failed in spectacular fashion with critics and audiences. The sequel from Todd Phillips crashed with $37.6 million compared to my $54.3 million prediction. 2019’s original caught lightning in a bottle with a $96 million burst out of the gate (still the best October start in history) and 11 Oscar nominations. Deux could not measure up and that’s being kind considering it came in nearly $60 million lower. To add insult to injury, many reviews were brutal. Even worse, crowds gave it an awful D Cinemascore grade as they did not love this Joker.
The Wild Robot was second with $18.8 million, in line with my $19.8 million take. DreamWorks Animation’s potential frontrunner for Best Animated Feature has grossed $64 million in ten days as it eyes a potential return to #1 this weekend.
Beetlejuice Beetlejuice was third at $10.1 million, a bit under my $11.6 million estimate for a five-week haul of $265 million.
Transformers One held up decently in fourth with $5.3 million (I said $4.4 million). The $47 million three-week total is nothing to brag about.
Speak No Evil rounded out the top five with $2.7 million compared to my $3.2 million projection. In four weeks, it’s made $32 million.
Finally, Lionsgate had another turkey on their hands with Wonder prequel White Bird. It was seventh with $1.5 million. My guess? $1.5 million!
They’re not all former cast members on my Top 50 SNL Cast Members of All Time list as #49 is Chloe Fineman, who just began her sixth season on the iconic sketch show. She’s proven herself to be one of the program’s strongest impressionists including Meryl Streep, Scarlett Johansson, and Drew Barrymore. That’s in addition to dancing alongside Julia Stiles in a Save the Last Dance inspired Update bit and uproariously understudying fellow cast members in a digital short. Her take on con artist Anna Delvey is another example of her versatility as Fineman is one of SNL’s current bright spots.
My Top 50 countdown of SNL cast members begins with a glue guy who was present in one of the show’s finest eras. That would be Chris Parnell. Whether rapping about Jennifer Garner or Britney Spears or rapping alongside Andy Samberg in the iconic “Lazy Sunday” short or lead singing beside a cow-belling Will Ferrell, Parnell was always a welcome presence on the show.
A utility player who would also provide hilarious moments on Tina Fey’s 30 Rock, Parnell kicks off the list and #49 is coming your way shortly!
Chris Parnell
Years on the Show: 1998-2006
If you missed my prelude mentioning cast members who just missed the cut, you can find it here:
SNL just began its 50th season and a grand televised celebration is anticipated this spring. I have been a huge follower of the iconic sketch comedy show my whole life. That includes devouring books about its history and memoirs from former cast members.
To mark its half century in existence, I have decided to make a list of my top 50 cast members in the show’s history. Let’s establish an important ground rule. This list covers each member’s time on the show only and not what they did before or after. There’s obvious examples of Not Ready for Prime Time Players who had terrific careers following their stints (some of them short-lived) on Saturday Night Live. Robert Downey, Jr. and Julia Louis-Dreyfus. Ben Stiller and Damon Wayans. Chris Rock and Christopher Guest. You won’t find them in my top 50, but they’ve certainly had incredible contributions to film, TV, and stand-up.
I wrote down 70 performers of the 167 total cast members and whittled it down to 50. Not all original members from 1975 made the cut (apologies to Laraine Newman and Garrett Morris). There are current cast members who almost made it like Mikey Day, Ego Nwodim, and James Austin Johnson. In between there were those I struggled to leave off like Beck Bennett, Nora Dunn, Leslie Jones, Chris Kattan, Taran Killam, Tim Meadows, Kyle Mooney, Joe Piscopo, and Rob Schneider. There were a couple that were just never quite my cup of tea… Jim Breuer and Jon Lovitz.
Despite the tough subtractions, the forthcoming list is a treasure trove of talented comedic performers who have kept the show running for half a century. These posts will be a countdown from 50 to 1 (yep, 50 posts) that’ll run through the course of the 50th season. Stay tuned!
Arriving in wide release exactly 49 years to the day from the event it showcases, Saturday Night expands nationwide on October 11th. From Jason Reitman, the dramedy recounts the 90 minutes leading up to the premiere of Saturday Night Live. Gabriel LaBelle stars as Lorne Michaels with a large supporting cast including Rachel Sennott, Cory Michael Smith (getting a lot of solid buzz as Chevy Chase), Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (pulling double duty as Andy Kaufman and Jim Henson), Cooper Hoffman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste (who also provides the score).
The behind the scenes showbiz tale first premiered at Telluride to mostly favorable reaction. The RT score is 80% with 63 on Metacritic. This could contend for one of the ten slots in Best Picture at the Academy Awards, but it’s not a slam dunk nominee.
Opening just as SNL kicks off its 50th season certainly helps exposure. It debuted in five venues on September 27th in New York and L.A. to a robust $53k per screen average (second best this year after Kinds of Kindness). Saturday Night expands slightly on October 4th before the 2000 screen rollout on the 49th anniversary.
This was rightly anticipated to start out well on the coasts. I’m unconvinced general audiences will make this a sizable hit even with the (not exactly loud) awards chatter and decades long familiarity with the source material. I’m not sure this gets to $10 million and I’m putting it under.
Saturday Night opening weekend prediction: $7.8 million
For decades in Hollywood, the first weekend of May (or occasionally last frame of April) has served as the official start of cinematic summer. Ryan Gosling’s character in The Fall Guy might have worked on some of those kickoff projects as his stuntman title character gets top billing here. Emily Blunt co-headlines the action comedy from director David Leitch (Atomic Blonde, Deadpool 2, Bullet Train). Aaron Taylor-Johnson, Winston Duke, Hannah Waddingham, and Stephanie Hsu provide supporting work.
This Universal project (loosely based on the 1980s TV show) finds the studio in an unfamiliar position. The summer season has begun in many recent years with a Disney/MCU blockbuster getting the financial ball rolling (last year it was Guardians of the Galaxy Vol. 3).
Obviously The Fall Guy won’t reach MCU figures, but it has a lot going for it. Gosling is hot off Barbie and a recent SNL hosting stint that generated lots of buzz. Blunt is coming off reigning BP winner Oppenheimer. The Barbenheimer duo’s teaming initially debuted at South by Southwest to loud buzz and solid reviews (the RT score is 90%).
I do believe a $50 million opening is achievable but unlikely. Low 40s to mid 40s is also reasonable while mid to high 30s might be where it lands. Regardless I think this will leg out impressively throughout May.
The Fall Guy opening weekend prediction: $38.3 million
For my Star Wars: Episode 1 – The Phantom Menace re-release prediction, click here:
The 2024 edition of South by Southwest recently concluded, but Problemista from Julio Torres premiered at the fest last year. Distributor A24 has at last put it into theaters this month. The quirky pic is written and directed by and stars Torres, a former SNL scribe who also co-created the HBO series Los Espookys. His directorial debut features Tilda Swinton, RZA, Greta Lee, Catalina Saavedra, James Scully, and Isabella Rossellini.
Reviews are mostly complimentary for the black comedy with an 89% RT score and particular kudos for the script and Swinton’s work. The reaction isn’t strong enough for this to have any Oscar viability. Maybe the Indie Spirit Awards will give Torres a nod in the First Screenplay competition. My Oscar Prediction posts will continue…
After a year plus of speculation, the 96th Academy Awards have finally happened. As anticipated, Oppenheimer had a solid night by winning over half of its nominations with 7 trophies out of 13 nods. It emerged triumphant in the top of the line races where it was expected to do so: Picture, Director (Christopher Nolan), Actor (Cillian Murphy), and Supporting Actor (Robert Downey Jr.). **Fun fact: RDJ is the first former SNL cast member to win an Oscar. Oppenheimer also took the prizes for Cinematography, Film Editing, and Original Score. I correctly called those victories for the epic biopic correctly.
The real question of the night was what other movie would emerge as having a good night with the Academy. That answer turned out to be Poor Things. I only had Yorgos Lanthimos’s multi-genre experiencing generating one Oscar. It received four. I rightly had it pegged for Production Design. Yet it also took Makeup & Hairstyling over my pick of Maestro and Costume Design over my favored Barbie.
And then… Emma Stone took to the podium for her second Academy Award in 7 years over Lily Gladstone (Killers of the Flower Moon), who had seemed to grab the momentum after her SAG statue. It turned out to be the BAFTAs (where Stone won) that had the closest correlations with tonight’s show. Poor Things had a rich bounty that was better than my projections and pretty much everyone else’s.
The Zone of Interest, as widely projected, is the International Feature Film. In another slight surprise, it also was named for Best Sound over Oppenheimer (got that wrong).
Oppenheimer, Poor Things, and Zone were the only films with multiple golden pickups. Other BP nominees that nabbed a win were The Holdovers where Da’Vine Randolph completed her sweep in Supporting Actress and Anatomy of a Fall in Original Screenplay and American Fiction in Adapted Screenplay (got those right). Same goes for Barbie‘s sole trophy in Original Song with “What Was I Made For?” by Billie Eilish over “I’m Just Ken” (though Ryan Gosling’s performance of the tune was perhaps the evening’s highlight).
I correctly called 20 Days in Mariupol for Documentary Feature while The Boy and the Heron is Animated Feature over Spider-Man: Across the Spider-Verse (I went with Spidey). Another wrong projection: The Creator didn’t take Visual Effects as that went to Godzilla Minus One.
All in all, I went 14 for 20. I will note that in the six races I missed, my runners-up ended up with each one. And in perhaps the biggest shocker of the night, the ceremony actually wrapped up early and that was with host Jimmy Kimmel (who’s good at this assignment) stretching in the home stretch.
It’s been a blast trying to figure out the 96th Academy Awards! Now onto the 97th…
FINAL WIN TALLY
7 Wins
Oppenheimer
4 Wins
Poor Things
2 Wins
The Zone of Interest
1 Win
American Fiction, Anatomy of a Fall, Barbie, The Boy and the Heron, Godzilla Minus One, The Holdovers, 20 Days in Mariupol
Johan Renck’s Spaceman is not – I repeat, not – about the doctor that Chris Parnell hilariously played on 30 Rock. The sci-fi drama does star a fellow SNL alumni in Adam Sandler as a Czech astronaut on a solo mission. It premiered at the Berlin Film Festival earlier this week, hits theaters in limited fashion this weekend, and premieres on Netflix March 1st. Costars include Carey Mulligan (currently vying for Best Actress in Maestro), Paul Dano (doing voiceover work), Kunal Nayyar, Lena Olin, and Isabella Rossellini.
Sandler’s serious work has probably come close to making the Academy’s cut with 2019’s Uncut Gems or 2022’s Hustle which earned him a SAG nod. I don’t think you’ll see Spaceman launch him into consideration. The RT score is a mixed 64% with some reviews calling it a bore. Others are far more complimentary, but not to the degree that I think that generates any awards buzz. The lone exception could be Visual Effects. I’m not confident in that. My Oscar Prediction posts will continue…
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