Arriving in theaters exclusively two years after its predecessor did a simultaneous release on Peacock and in multiplexes, Five Nights at Freddy’s 2 is out December 5th. Based on the Scott Cawton created video game series, the horror sequel sees Emma Tammi back directing. Returning cast members include Josh Hutcherson, Elizabeth Lail, Piper Rubio, and Matthew Lillard. Newcomers to the mix are Skeet Ulrich, Wayne Knight, Mckenna Grace, and Teo Briones.
In October 2023, Freddy’s greatly exceeded expectations with a fab $80 million out of the gate despite it being available at home for paying customers. The front loaded debut yielded a $137 million overall domestic haul. That detail could be key as part 2 could struggle. Fans of the games were deeply divided about whether the original did its source material justice. They came out right away to see it but word-of-mouth fizzled and some casual moviegoers steered clear. Many may not turn up for a second reservation.
Estimates have this only earning half of what part 1 achieved. This is a bit reminiscent of the M3GAN franchise where the 2022 pic landed a potent and unanticipated $30 million debut and this year’s sequel petered out with only $10 million. I’ll say Freddy’s 2 only gets mid to maybe high 30s.
Five Nights at Freddy’s 2 opening weekend prediction: $36.5 million
For my Jujutsu Kaisen: Execution prediction, click here:
There’s more than one way to clean a knife after piercing a victim’s skin in the Scream flicks. The filmmakers appear determined to give this series nine lives or more as the sixth installment finds new terrorizers to fill the Ghostface mask. Let’s quickly go through the strange name game as 2022’s Scream was really Scream V. Termed as a requel, Urban Dictionary considers that a “sequel to a movie that functions somewhere between a sequel, a reboot, and a remake”. Unfortunately Scream (’22 version) didn’t function that well at all. With directors Matt Bettinelli and Tyler Gillett taking over directorial duties from the late Wes Craven, they showed lots of appreciation for the original from 1996. Like the other follow-ups, it couldn’t compare to the fresh satiric edge that part 1 had. In fact, despite a well-executed slashing or two, I’d rank it fifth of the lot.
Now I’d rank it sixth because Scream VI is a minor improvement. It picks up a year after the events of the fifth. We’re not in Woodsboro anymore as Sam Carpenter (Melissa Barrera), daughter of the OG Ghostface Billy Loomis, has relocated to the Big Apple. She’s there mostly to keep watch over little sister Tara (Jenna Ortega), now a college freshman along with sister and brother Mindy (Jasmin Savoy Brown) and Chad (Mason Gooding). They call themselves the Core 4 since they managed to survive the havoc wreaked by Sam’s ex-bf Richie in the last go-round.
The dwindling legacy characters returning are Gail Weathers (Courtney Cox), the reporter who’s always looking for a way to make a buck from the mayhem. There’s also Kirby Reed (Hayden Panettiere), who played an integral role in Scream 4. She was the best friend to the eventual Ghostface in that one. And while part four was one of the better sequels, I would understand if you forgot her character. Now Kirby is an FBI agent who shows up to help (which obviously makes her a quick suspect). I wonder if her appearance might be due to Sidney (Neve Campbell) not being present. Word is they didn’t want to show her the money to appear.
While the predecessor often paid homage to Scream ’96 (released the same month when Mason Gooding’s dad Cuba was screaming “Show me the money!” to Tom Cruise in Jerry Maguire), this has its winks to Scream 2 from 1997 by being set in the higher ed world. Some of the brutal sequences are well-constructed. The opening with Samara Weaving as a college professor on a blind date is a clever way to start.
Part of the fun in the Scream pics is figuring out the slayers and it’s usually more than one. There’s a few to consider with Sam’s neighbor and secret lover (Josh Segarra), the detective father (Dermot Mulroney) of her roommate Quinn (Liana Liberato), and Chad’s roommate Ethan (Jack Champion). And who knows? Maybe Papa Billy’s demonic genes are infecting Sam.
As we’ve seen before in this franchise, there’s a scene where a character explains that the “rules have changed!”. And nothing is as it seems. The NYC locale change is welcome (Ghostface brandishing a shotgun in a bodega is fresh new territory). Scream VI gets by for a while in the new setting and with its furious piercings. Sadly it is not faster. The 122 minute runtime is a series record and when we reach the third act, the rules haven’t changed much with the unmasking reveals. That portion is the biggest letdown. There’s only so many ways to inject life into these deaths, but they’ll find ways as long as we continue to show them the money.
Landline phones are looked upon by the new kids of Scream like they’re phonographs, but some things never change with this fourth sequel to the 1996 original. Unlike other horror franchises, I would say there hasn’t been a bad Scream follow-up nor has one come close to approaching the quality of the first. My reception for parts II-IV are fairly similar – passably entertaining and ultimately forgettable. Part V – call it Scream if you want but it’s Scream 5 – is no different and a tad more underwhelming since its new characters add little.
When the ’96 version of Scream came out, Wes Craven and screenwriter Kevin Williamson deftly satirized the slasher genre while also making a scary movie. It’s why Scary Movie four years later didn’t work for me – it was trying to parody something that had already cleverly done it. The rest of the Scream efforts have struggled with the mix as it continually invents new family connections to reveal new Ghostface killers.
In this Scream, Sam (Melissa Barrera) fled the town of Woodsboro five years ago. She makes a hasty return when her high school age sister Tara (Jenna Ortega) is attacked by the now iconic villain. With Sam’s boyfriend Richie (Jack Quaid) and Tara’s student clique as potential suspects, we soon see familiar faces besides Ghostface. Dewey (David Arquette) is divorced from Gale Weathers (Courtney Cox) and no longer the sheriff in town. He reluctantly accepts Sam’s offer to get involved. Sidney (Neve Campbell) has no desire for a hometown return but we know that won’t last.
Sam’s genealogy allows for some slightly more surprising cameos as we try to deduce who the killer(s) are this time around. Some of Tara’s schoolmates fill the Scream bingo card. There’s the Jock, the Movie Buff, and the Virgin. Some of the roles are given a modern update (one of the guys is given the potentially fatal shower scene).
Of course, these characters talk endlessly about sequels and reboots and “requels”. This was a pretty fresh concept a quarter century ago (even if Craven had mined similar territory in New Nightmare). Now there’s precious little more meta to mine. Like the sequels, there’s also the fact that this Scream just isn’t a very scary movie.
Matt Bettinelli-Olpin and Tyler Gillett take over the reigns as Craven passed in 2015. They clearly have reverence for the series and especially part one. That’s understandable. So did the other ones. Some of them landed their plot points with more precision (Scream 4 managed to have a decent killer reveal and fun third act). All of them were duller cuts and this one strains to properly explain its reason for being despite endless attempts.
If there was a category for Best Robot at the Academy Awards, it sure sounds as if Caleb Landry Jones would be in contention for Finch. The sci-fi drama is available this Friday on Apple TV after Universal COVID delayed it from October 2020. The pic comes from director Miguel Sapochnik (best known for his small screen work on Games of Thrones) and stars Tom Hanks alongside the aforementioned Jones voicing an android, Samira Wiley, Laura Harrier, and Skeet Ulrich.
The review embargo lapsed today and it currently holds an adequate 73% on Rotten Tomatoes. Many critics are praising the bot and the pooch that costar with Hanks. Audiences may be pleased to see its lead back in dog lover mode after Turner and Hooch three decades ago.
There’s also kudos for its visual effects and that could be where Finch contends at the Oscars. Right now, only Dune seems like a surefire nominee in that category. It would be surprising if it didn’t win. There’s four other spots available. The Matrix Resurrections is an obvious hopeful. It is worth noting that parts II and III (both from 2003) didn’t get in. The Marvel Cinematic Universe has contenders like Eternals, Shang-Chi, and the Legend of the Ten Rings, and Spider-Man: Far From Home. Others include Godzilla vs. Kong, Don’t Look Up, Nightmare Alley, Free Guy, and The Suicide Squad.
The Visual Effects derby is one that can produce surprising nominees. The reaction to Finch indicates it’s got a shot, especially with the uncertain nature of the race. My Oscar Prediction posts for the films of 2021 will continue…
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