Cannes Can’t Resist Titane

The big victor at the Cannes Film Festival turned out to be an anticlimactic announcement when jury president Spike Lee accidentally revealed it at the beginning of the evening. Julia Ducournau’s Titane, said to be one of the most shocking and viscerally thrilling entries coming out of the French Riviera, won the Palme d’Or (the fest’s equivalent of Best Picture).

This is a gift for distributor Neon as they will handle its domestic distribution. Sporting a 95% rating on Rotten Tomatoes, could Titane enter the Oscar conversation in Best International Feature Film? The three previous Palme recipients from 2017-2019 managed to do so (The Square, Shoplifters, Parasite). Remember there was no competition in 2020. My feeling is that it’s a contender though I doubt it will cross over for Best Picture consideration (and a win) like Parasite did.

The Grand Prix award (basically runner-up) was split between Asghar Farhadi’s Iranian drama A Hero and Juho Kuosmanen’s Russian feature Compartment No. 6. Of those two, the latter has the best opportunity to break through with the Academy.

Leos Carax is best director for his opening night selection Annette. The musical drama starring Adam Driver and Marion Cotillard elicited strong reactions (mostly positive, some negative) from the French crowd and it is a major question mark heading into awards season.

Caleb Landry Jones, seen in numerous supporting roles recently like Get Out and Three Billboards Outside Ebbing, Missouri, was named Best Actor for the thriller Nitram. Winning over higher profile contenders like Driver and Simon Rex (Red Rocket), the eventual stateside distributor would need to mount quite a campaign for Jones to be in contention, but you never know.

Same goes for Best Actress Renate Reinsve in The World Person in the World, the Norwegian romantic comedic drama which had ardent admirers at the fest. This is a picture to keep an eye on as well that the international voters could pick up on.

Lastly, Wes Anderson’s The French Dispatch was perhaps the most notable premiere, but it came up empty-handed when all was settled. It could still certainly be a factor at the Oscars despite not getting a boost here.

For my blog readers, expect more Oscar Watch posts in the coming days as I sort out all the Cannes action and that will include Titane, The World Person in the World, and more. Stay tuned!

Oscar Watch: Red Rocket

Former MTV VJ’s turned actors is not a new phenomenon. For the kids in the crowd, that network MTV used to play videos of our favorite musical artists back in the day. Bill Bellamy headlined How to Be a Player in the late 90s. Karen Duffy was a henchwoman in Dumb and Dumber. And, of course, there’s the many contributions from Pauly Shore to the cinematic universe.

None of these performances garnered awards buzz, but Simon Rex appears poised to change that dynamic after his work on the network a quarter century ago. Rex is the star of Red Rocket, which has screened at Cannes. He’s no stranger to silver screen as he costarred in volumes 3-5 of the Scary Movie series.

This one is a whole new ball game courtesy of director Sean Baker. Four years ago, he made the acclaimed The Florida Project. It probably came close to Best Picture and Original Screenplay nods, but didn’t get there. Willem Dafoe was nominated for Supporting Actor. Baker (along his cowriter Chris Bergoch) are also responsible for 2015’s heralded Tangerine.

Red Rocket casts Rex as a former adult film performer who returns to his rural Texas uptown. A gander at the actor’s Wikipedia page will inform you there’s some meta activity happening here. Early reviews offer praise for the lead and picture itself.

So will this be the Academy breakthrough for Baker and company that The Florida Project couldn’t eventually reach? Some critics are saying it doesn’t quite match the filmmaker’s predecessor in terms of overall quality. Distributor A24 will surely mount a campaign and I believe that will include Suzanna Son in Supporting Actress as reviews are also singling her out.

We don’t know yet how crowded Best Actor will be, but I suspect Rex and his costar will at least be on the radar moving forward. Picture, Director, and Original Screenplay could be more of a challenge. One thing’s for certain: nomination or not, this will be the closest a former VJ gets to the big show. My Oscar Watch posts will continue…

https://www.youtube.com/watch?v=BLXJdQ4M2hg