2022 Oscar Shortlists Predictions

The Academy, as they do every year, whittles down a few of their races to a set 10-15 contenders before announcing the final five on January 24th. This occurs tomorrow. For Original Score and Song and International Feature Film and Documentary Feature, the list goes down to 15. For Makeup and Hairstyling, Sound, and Visual Effects – it drops to 10. There are surprises every year. In 2021, Titane was shockingly left out of International Feature Film.

I’m giving you my predicted shortlists for all 7 feature film derbies with some commentary. I’ll have a recap up tomorrow!

Best Original Score

Predicted Shortlist:

Avatar: The Way of Water

Babylon

The Banshees of Inisherin

Bardo

The Batman

Black Panther: Wakanda Forever

Empire of Light

The Fabelmans

Guillermo del Toro’s Pinocchio

Living

Nope

RRR

White Noise

The Woman King

Women Talking

***She Said was just on the outside looking in and I wouldn’t discount A Man Called Otto either.

Best Original Song

Predicted Shortlist:

“Applause” from Tell It Like a Woman

“Carolina” from Where the Crawdads Sing

“Ciao Papa” from Guillermo del Toro’s Pinocchio

“Good Tonight” from The Bad Guys

“Hold My Hand” from Top Gun: Maverick

“Keep Rising” from The Woman King

“Lift Me Up” from Black Panther: Wakanda Forever

“Naatu Naatu” from RRR

“New Body Rhumba” from White Noise

“Nobody Like U” from Turning Red

“Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water

“On My Way (Marry Me)” from Marry Me

“Ready As I’ll Ever Be” from The Return of Tanya Tucker – Featuring Brandi Carlile

“Stand Up” from Till

“This Is a Life” from Everything Everywhere All at Once

***Leaving “Love Is Not Love” from Bros off was tough and don’t discount a tune (probably “Carried Away”) from Lyle Lyle Crocodile.

Best International Feature Film

Predicted Shortlist:

Alcarras (Spain)

All Quiet on the Western Front (Germany)

Argentina, 1985 (Argentina)

Bardo (Mexico)

Cairo Conspiracy (Sweden)

Close (Belgium)

Corsage (Austria)

Decision to Leave (South Korea)

EO (Poland)

Holy Spider (Denmark)

Joyland (Pakistan)

Mars One (Netherlands)

The Quiet Girl (Ireland)

Return to Seoul (Cambodia)

Saint Omer (France)

***No love for Japan’s Plan 75 or Ukraine’s Klondike (which would be a surprise omission), but both could easily surface. I also don’t have India’s Last Film Show making the cut. If it doesn’t, that would confirm that nation’s error in not putting up RRR.

Best Documentary Feature

Predicted Shortlist:

All That Breathes

All the Beauty and the Bloodshed

Bad Axe

Descendant

Fire of Love

Gabby Giffords Won’t Back Down

Good Night Oppy

The Janes

Last Flight Home

Moonage Daydream

Navalny

Retrograde

Riotsville U.S.A.

Sr.

Wildcat

***My major snub here is The Territory. I also left Sidney (about the legendary Poitier) out which is certainly risky.

Best Makeup and Hairstyling

Predicted Shortist:

Amsterdam

Babylon

The Batman

Black Panther: Wakanda Forever

Blonde

Elvis

Everything Everywhere All at Once

Three Thousand Years of Longing

The Whale

The Woman King

***I so wanted to put X here, but didn’t pull the trigger. All Quiet on the Western Front, Emancipation, and The Fabelmans are all viable too.

Best Sound

Predicted Shortlist:

All Quiet on the Western Front

Avatar: The Way of Water

Babylon

The Batman

Elvis

Everything Everywhere All at Once

Nope

RRR

Thirteen Lives

Top Gun: Maverick

***Leaving out Black Panther: Wakanda Forever is risky and this is another category where The Fabelmans is possible. Same goes for The Woman King.

Best Visuasl Effects

Predicted Shortlist:

Avatar: The Way of Water

The Batman

Black Panther: Wakanda Forever

Doctor Strange in the Multiverse of Madness

Everything Everywhere All at Once

Good Night Oppy

Nope

RRR

Thor: Love and Thunder

Top Gun: Maverick

***Look out for All Quiet on the Western Front and maybe Guillermo del Toro’s Pinocchio.

Oscar Predictions: Sidney

After being unveiled at the Toronto Film Festival, Sidney debuts on Apple TV  tomorrow. The documentary focuses on the life and legacy of cinematic groundbreaker Sidney Poitier, who passed in January at age 94. Denzel Washington, Barbra Streisand, Spike Lee, Halle Berry, and Robert Redford are among the interviewees for the project. Oprah Winfrey is a coproducer.

While most critics are deeming it worthy of recommendation (82% on Rotten Tomatoes), several reviews claim it’s only mildly successful. That could hinder its chances for a Documentary Feature nod at the Oscars, where Mr. Poitier received two nominations. This, of course, includes a Best Actor victory for 1963’s Lilies of the Field where he became the first African-American to win that competition.

Perhaps voters will simply wish to honor the late actor one more time. However, I’m doubtful this ends up in the final five. My Oscar Prediction posts will continue…

Summer 1990: The Top 10 Hits and More

In what has become tradition on this here blog, I use the summertime months to reflect on the cinematic seasons that came 30, 20, and 10 years prior. So while we wait for features to hit theaters in the summer of 2020 (something that is looking less and less certain), let’s take a gander at the hits, misses, and other significant product from the past.

The format is as follows: a rundown of the top ten hits as well as other noteworthy titles and some of the flops. We begin with 1990… a summer where we all got ghosted.

10. Flatliners

Domestic Gross: $61 million

Fresh off her star making role that spring in Pretty Woman, Julia Roberts teamed with then boyfriend Kiefer Sutherland in this psychological thriller from the late director Joel Schumacher. A far less successful 2017 remake would follow.

9. Bird on a Wire

Domestic Gross: $70 million

Despite mostly poor reviews, the drawing power of Mel Gibson and Goldie Hawn compelled this action comedy to a #1 debut and solid returns. Mr. Gibson wouldn’t fare as well later that summer when Air America with Robert Downey Jr. grossed less than half of Bird‘s earnings.

8. Another 48 Hrs.

Domestic Gross: $80 million

The re-teaming of Eddie Murphy and Nick Nolte from their 1982 hit might have earned more than the predecessor, but $80 million was considered a bit of a letdown compared to expectations. The quality left a bit to be desired as well.

7. Days of Thunder

Domestic Gross: $82 million

Another high profile reunification is this racing pic with Tom Cruise and his Top Gun maker Tony Scott back together. While it wasn’t as successful as that blockbuster, it did just fine and it cast a mostly unknown actress named Nicole Kidman alongside her future (and eventually former) husband.

6. Presumed Innocent

Domestic Gross: $86 million

Harrison Ford has had plenty of summer hits, but this adaptation of Scott Turow’s novel was a considerably more adult project that earned mostly rave reviews. The courtroom drama was a sizable earner considering its meager $20 million budget.

5. Back to the Future Part III

Domestic Gross: $87 million

The Western themed threequel arrived just six months after Part II. While it received better critical reaction, its gross of $87 million couldn’t match the $118 million of what preceded it.

4. Dick Tracy

Domestic Gross: $103 million

Warren Beatty’s long in development version of the 1930s comic strip was a visual sight to behold. However, critical reaction was mixed. It managed to just outdo its reported $100 million budget stateside. Tracy provided a showcase for Beatty’s then flame Madonna and earned Al Pacino a Best Supporting Actor nod.

3. Die Hard 2

Domestic Gross: $117 million

The goodwill brought forth by the 1988 original allowed this decent sequel to outgross its predecessor and permit Bruce Willis to return in his signature role three more times. This would be the last Die Hard pic with the Christmas Eve theme as it scorched the summer charts.

2. Total Recall

Domestic Gross: $119 million

One year before he would rule the summer of 1991, Arnold Schwarzenegger had a massive hit with this sci-fi rendering of the Philip K. Dick short story. Recall also provided the first juicy role for Sharon Stone, who would become a sensation two years later in Basic Instinct. 

1. Ghost

Domestic Gross: $217 million

At the start of the new decade, no one would have pegged Ghost to rule the summer frame. Made for $22 million, the supernatural romance ended up making over half a billion worldwide. A pottery themed love scene between stars Patrick Swayze and Demi Moore would become iconic, Whoopi Goldberg would win Best Supporting Actress for her psychic role, and it was nominated for Best Picture.

And now for some noteworthy titles from the season:

Problem Child

Domestic Gross: $53 million

Just outside the top 10 at 11, John Ritter headlined this tale of a rambunctious kid who just needs a family. Budgeted at a measly $10 million, it was a surprise performer that spawned two sequels.

https://www.youtube.com/watch?v=LvZJxdF1J60

Arachnophobia

Domestic Gross: $53 million

Doubling its budget, this black comedy about deadly black spiders received mostly praise from critics and had a nice showcase role for John Goodman as an exterminator.

https://www.youtube.com/watch?v=4X32lp_pVQ0

Darkman

Domestic Gross: $33 million

Sam Raimi would eventually direct Spider-Man over a decade later and break box office records. Yet this original story (made for only $16 million) was a cult hit that introduced a lot of filmgoers to Liam Neeson. Two direct to video sequels would follow (minus Raimi behind the camera and Neeson in front of it).

Mo’ Better Blues

Domestic Gross: $16 million

This jazz infused dramedy was Spike Lee’s follow-up to his groundbreaking Do the Right Thing one year prior. Blues received solid reviews, but is best remembered as the director’s first collaboration with Denzel Washington.

And now for some pictures that didn’t match expectations either financially or critically or both (including a host of underwhelming sequels):

Robocop 2

Domestic Gross: $45 million

Irvin Kerschner made one of the greatest part two’s ever with The Empire Strikes Back. He wasn’t so lucky here. It made slightly less than its 1987 predecessor and reviews weren’t nearly as positive.

Gremlins 2: The New Batch

Domestic Gross: $41 million

It’s become a cult favorite since its release, but The New Batch grossed over $100 million less than the 1984 smash success.

https://www.youtube.com/watch?v=DVUZOjKi_ag

The Exorcist III

Domestic Gross: $26 million

Following 17 years after the phenomenon that was the original, part 3 simply didn’t land with audiences or critics. This is another example of a sequel that would pick up more fans in subsequent years.

Ghost Dad

Domestic Gross: $24 million

Sidney Poitier directed this supernatural comedy starring Bill Cosby. At the time, he had a smash TV comedy named after him. Yet audiences didn’t follow him to the multiplex for this critically drubbed effort.

https://www.youtube.com/watch?v=OW4ae78PtrU

The Freshman

Domestic Gross: $21 million

Marlon Brando seemed to have a fun time parodying his iconic Godfather role here alongside Matthew Broderick. It wasn’t a hit, but its reputation has grown since.

The Adventures of Ford Fairlane

Domestic Gross: $21 million

Andrew Dice Clay was one of the most popular and controversial stand up comics of this era, but his anticipated breakout to the silver screen landed with a thud.

Wild at Heart

Domestic Gross: $14 million

David Lynch’s follow-up to his heralded Blue Velvet starred Nicolas Cage and Laura Dern. It garnered decidedly more mixed reaction from critics.

https://www.youtube.com/watch?v=w_e5kx3ONfs

The Two Jakes

Domestic Gross: $10 million

Jack Nicholson went behind the camera and reprised his acclaimed role as Jake Gittes from 1974’s Chinatown. This was a year following the star’s turn as The Joker in Batman, which dominated that summer. Audiences (and many critics) simply turned a blind eye to this long gestating sequel.

And that’ll do it for now folks! I’ll have the summer of 2000 up shortly.