After venturing into superhero territory with Shazam! and its sequel, David F. Sandberg reenters horror territory with Until Dawn on April 25th. Inspired by the 2015 PlayStation game, Ella Rubin, Michael Cimino (not the late Deer Hunter and Heaven’s Gate director), Odessa A’Zion, Ji-young Yoo, Belmont Cameli, and Peter Stormare star.
This survival scare fest from the filmmaker behind Lights Out and Annabelle: Creation is a test of Sony’s marketing muscle. The PS game did well and that could bleed over to cinematic sales. However, reaction to the trailer has been rather weak. Unless I’m grossly underestimating the draw of its source material, this may fail to reach $10 million.
Until Dawn opening weekend prediction: $7.8 million
It’s been a rough cinematic 2023 for DC Studios with flops Shazam! Fury of the Gods, The Flash, and Blue Beetle. Over this Christmas weekend, early numbers indicate that their latest Aquaman and the Lost Kingdom may be another entry that opens below expectations. Jason Wan returns to direct his sequel to the 2018 blockbuster with Jason Momoa back in the title role. Costars include Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II, Randall Park, Dolph Lundgren, Temuera Morrison, Martin Short (!), and Nicole Kidman.
The review embargo lifted on Thursday – the day of its unveiling in multiplexes. That’s usually not a good sign and that proved true with an underwater Rotten Tomatoes rating of 36%. Its predecessor managed 65%.
The 2018 original came up empty-handed in the awards space and didn’t make the 10 picture shortlist for Visual Effects. This sequel popped up on the first 20 contenders for VE. However, when the whittled down list of 10 were revealed Thursday, Lost was nowhere to be found. The fourth DCU offering of the year will share the same number of Academy nods as the first three: none. My Oscar Prediction posts will continue…
Blogger’s Update (12/21): I am increasing my The Color Purple one-day projection from $7.9M to $12.9M
With Christmas falling on a Monday this year, this is one of the most jam packed Yuletide box office seasons in memory. There’s a whole bunch of cinematic gifts that studios hope open well. On Friday (December 22), Aquaman and the Lost Kingdom looks to top the charts and reverse the misfortunes of the DCU in 2023. Joining Aquaman for the long weekend are Illumination Entertainment’s animated Migration, wrestling biopic The Iron Claw with Zac Efron, Indian Telugu-language action epic Salaar: Part 1 – Ceasefire, Sydney Sweeney and Glen Powell’s rom com Anyone but You, and the nationwide expansion of Oscar hopeful Poor Things with Emma Stone. On Christmas Day, they are joined by The Color Purple (adapting the Broadway musical which adapted the 1985 Spielberg pic which adapted the acclaimed novel), Michael Mann’s Ferrari with Adam Driver, and the George Clooney directed Olympic period piece The Boys in the Boat. You can peruse my detailed prediction posts on all nine (yes, nine) right here:
Even Aquaman himself, Jason Momoa, recently stated in an interview that the future of the franchise is murky at best. Despite the 2018 original making over a billion bucks worldwide, expectations for the sequel are underwater after the DCU’s year that included flops Shazam! Fury of the Gods, The Flash, and Blue Beetle. The worst case scenario is that this opens second to Wonka. On the bright side: Warner Bros gets the #1 slot either way. A low to mid 40s beginning from Friday to Monday is nothing to brag about, but that should get it to first place.
Wonka got off to a pretty sweet start at the top of its anticipated range (more on that below). Since I’m doing predictions from December 22-25, it may only decline from the high 30s to the mid to high 20s with bright weekends ahead (especially over New Year’s).
Therefore Wonka might be the family choice over Christmas and that could put Migration in third with a high teens or low 20s output. For Illumination, the silver lining should be small declines in subsequent frames.
I’m expecting a fourth place finish for The Iron Claw as wrestling fans could turn out to the tune of high single digits.
As for the three features out on Christmas Day, this obviously means I’m only doing a one-day projection. The Color Purple, with its well-known source material, should do best among that trio and I have its single day managing a fifth place showing.
Salaar: Part 1 – Ceasefire could over perform, but I have it in ninth. The newcomers should dominate the top ten as I have Anyone but You in sixth with the Poor Things expansion in seventh.
I do have holdovers The Hunger Games: The Ballad of Songbirds and Snakes and Trolls Band Together finishing out the top ten.
That means my single day estimates for Ferrari ($2.1 million) and The Boys in the Boat ($1.1 million) leave them outside the top ten.
Truth be told, this is a highly unpredictable Christmas weekend with lots of moving parts. Here’s my best attempt at that top 10 and keep in mind that this is for Friday-Monday:
1. Aquaman and the Lost Kingdom
Predicted Gross: $42.8 million
2. Wonka
Predicted Gross: $31.4 million
3. Migration
Predicted Gross: $19.6 million
4. The Color Purple
Predicted Gross: $12.9 million
5. The Iron Claw
Predicted Gross: $8.7 million
6. Anyone but You
Predicted Gross: $5.3 million
7. Poor Things
Predicted Gross: $5 million
8. Salaar: Part One – Ceasefire
Predicted Gross: $4.4 million
9. The Hunger Games: The Ballad of Songbirds and Snakes
Predicted Gross: $4.1 million
10. Trolls Band Together
Predicted Gross: $3.3 million
Box Office Results (December 15-17)
Warner Bros might face choppy waters ahead with Aquaman and the Lost Kingdom, but the Wonka opening went swimmingly. Timothee Chalamet’s take on the iconic chocolatier was treated to a $39 million start. That’s slightly ahead of my $36.4 million prediction as the family pic should have a robust road ahead this season.
It was the only newcomer this past weekend (which makes sense considering the onslaught ahead). The Hunger Games: The Ballad of Songbirds and Snakes stayed put in second with $5.8 million, a smidge under my $6.6 million call. The prequel is up to $145 million after five weekends.
The Boy and the Heron, after its better than anticipated bow, dropped from 1st to 3rd with $5.5 million. That’s lower than my $7 million forecast as the ten-day take is $23 million.
Godzilla Minus One was fourth with $5 million (I said $5.7 million) for $34 million after three weeks.
Trolls Band Together rounded out the top five with $3.9 million compared to my $4.6 million projection. The threequel is approaching nine figures after five weeks with $88 million.
And that does it for now, folks! Have a wonderful holiday and until next time…
Aquaman and the Lost Kingdom hopes to rescue a troubling 2023 for the DCU when it opens December 22nd. Following up on the 2018 original, James Wan returns to direct with Jason Momoa back in the title role. Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II, and Nicole Kidman costar.
With a reported budget of $215 million, the sequel needs solid domestic and overseas grosses to stay above water. That could be a challenge. The DCU has seen its share of flops this year including Shazam! Fury of the Gods, The Flash, and Blue Beetle.
The superhero’s first adventure five years ago ended up making an impressive $335 million stateside and $1.1 billion worldwide. It exceeded expectations, but Kingdom could fall under or just match them.
With Christmas on a Monday, I’m projecting a Friday to Monday number. Aquaman also came out on the big holiday weekend and Christmas was on a Tuesday. It took in $105 million in its first five days. This one might be fortunate to gross about half of that during its first four. I’m saying it won’t.
Aquaman and the Lost Kingdom opening weekend prediction: $42.8 million (Friday to Monday estimate)
Blogger’s Update (11/08): I am lowering my The Marvels prediction from $62.3 million to $46.3 million and that gives it the lowest MCU premiere ever.
After a series of delays dating back to summer 2022, the MCU’s 33rd adventure arrives November 10th with The Marvels. Nia DaCosta, best known for her 2021 Candyman remake, directs. Captain Marvel Brie Larson leads a cast that includes Teyonah Parris, Iman Vellani, Zawe Ashton, Park Seo-joon, and Samuel L. Jackson.
Beginning with Spider-Man: No Way Home, we’ve seen a run of six MCU pics that opened to $100 million or over. It certainly helped that each one of them was a sequel in a well-established sub franchise including Guardians of the Galaxy, Thor, and Black Panther.
The nine digit premiere streak should end here and the debut may look more like a trilogy of titles from 2021. Black Widow started with $80 million in the summer of that year and Shang-Chi and the Legend of the Ten Rings did $75 million over the Friday to Sunday portion of its Labor Day weekend bow. Finally, Eternals managed $71 million in November.
Two years later, I’m not confident The Marvels even matches those grosses. Other than Captain Marvel and Jackson’s Nick Fury, the other characters are relatively unknown compared to various Avengers counterparts. There’s always the risk of superhero overload and we’ve seen our share of letdowns in the genre in 2023 (The Flash, Blue Beetle, Shazam! Fury of the Gods). Yes, those were all DCU, but the subpar earnings could apply here.
I’m projecting The Marvels will have the lowest MCU beginning since Ant-Man ($57 million) back in 2015. That would be a rather significant letdown for Marvel in their third feature from Phase Five and the third smallest opening overall of the 33 picture series.
The Marvels opening weekend prediction: $46.3 million
For my Journey to Bethlehem prediction, click here:
We will see if it struggles at the box office (which is expected) or exceeds projections, but Blue Beetle is topping expectations with its reviews. The 14th pic in the DC Universe currently has the 4th best Rotten Tomatoes score (81%) behind Wonder Woman, Shazam!, and The Suicide Squad. Ángel Manuel Soto directs the origin story with Xolo Maridueña as the title hero.
The MCU has racked up plenty of Visual Effects nods (though no victories) in addition to a BP nod for Black Panther five years ago. The DCU’s awards exposure has been far more limited. 2016’s Suicide Squad (not the stronger reviewed 2021 reboot The Suicide Squad) won for Makeup and Hairstyling. And that, my friends, is the extent of the DCU Oscar mentions.
It is worth noting that Visual Effects this year looks kind of thin. The unseen Dune: Part Two is probably the easy frontrunner while the other four slots are up for grabs. Beetle is getting some praise for its visuals and it likely stands a better chance than earlier ’23 DCU titles Shazam! Fury of the Gods and The Flash. If it can make the shortlist, maybe it gets in. I wouldn’t bet on it, but it’s doable. My Oscar Prediction posts will continue…
The DCEU hopes to halt a string of disappointments with Blue Beetle while Strays features the vocal canine stylings of Will Ferrell and Jamie Foxx. Both pics will attempt to dethrone Barbie after four weeks on top. My individual prediction posts on the newcomers can be accessed here:
Warner Bros and DC Comics have seen some underwhelming returns as of late with Black Adam, Shazam! Fury of the Gods, and this summer’s mega flop The Flash. I don’t anticipate their fortunes will turn with Beetle. A best case scenario might be $30 million. My projection below $25 million does give it an ever so slight edge over Barbie (which I see falling in the mid 30s in its fifth outing). Yet I doubt WB/DC will be bragging.
As for Strays, the R-rated comedy might have benefitted from Ferrell and Foxx hitting the promotion circuit. With the SAG-AFTRA strike, that’s not an option. This genre has struggled in recent years anyway. My low to mid teens take puts it in third with a start similar to No Hard Feelings from a few weeks back.
Oppenheimer and Teenage Mutant Ninja Turtles: Mutant Mayhem should fill out the rest of the top five and here’s how I see it shaking out:
1. Blue Beetle
Predicted Gross: $23.7 million
2. Barbie
Predicted Gross: $22.5 million
3. Strays
Predicted Gross: $13.5 million
4. Oppenheimer
Predicted Gross: $12.7 million
5. Teenage Mutant Ninja Turtles: Mutant Mayhem
Predicted Gross: $9.2 million
Box Office Results (August 11-13)
The summer phenomenon that is Barbenheimer returned to rule the charts with Barbie leading the way. In its fourth frame, it took in $33.8 million and that’s good for the ninth best fourth weekend in history. It’s also a touch higher than my $30.4 million forecast as it climbed to $526 million overall.
Oppenheimer returned to the runner-up slot with $18.8 million, on target with my $19 million take. Christopher Nolan’s epic was down only 35% and it’s up to $264 million.
Teenage Mutant Ninja Turtles: Mutant Mayhem rose from fourth to third with $15.2 million in its sophomore weekend. My prediction? $15.2 million! The acclaimed animated reboot has made $72 million.
As anticipated, Meg 2: The Trench suffered the heftiest drop of the holdovers (57%). Falling from second to fourth, the shark sequel grossed $12.8 million (I said $12 million) to bring its tally to $54 million. On the brighter side, it’s making a killing overseas like its 2018 predecessor.
Finally, The Last Voyage of the Demeter bombed in fifth with $6.5 million. Dubbed the “Dracula on a Boat” movie, audiences weren’t intrigued as it premiered on pace with my $6.4 million projection. With a B- Cinemascore, looking for it to sink even further next weekend.
And that does it for now, folks! Check out my podcast by searching Movies at the Speed of Speculation on your favorite listening stream. Until next time…
**Blogger’s Update (06/13): I’m revised my prediction down from $90.2 million to $83.2 million**
Warner Bros hopes for the 13th DCEU picture is lucky at the box office as The Flash bolts into multiplexes on June 16th. It’s been a bumpy ride to the big screen between COVID delays and Ezra Miller (playing the title character) and their personal troubles. Andy Muschietti, who made the two It chapters, directs. Michael Keaton and Ben Affleck reprise their roles as Batman with Sasha Calle debuting as Supergirl. Costars include Michael Shannon (reprising his General Zod role from Man of Steel), Ron Livingston, Maribel Verdú, Kiersey Clemons, Antje Traue, and Jeremy Irons. Expect other noteworthy cameos.
The DCEU has had a rough go lately. Their last two titles, Black Adam and Shazam! Fury of the Gods, were significant financial disappointments. James Gunn and Peter Safran were recently tapped to run the struggling franchise. The Flash hopes to right the ship. The first four entries in the series (Man of Steel, Batman v Superman: Dawn of Justice, Suicide Squad, Wonder Woman) all grossed $100 million plus in their debut weekends. The next eight movies did not with the second Shazam! only taking in $30 million out of the gate.
Reviews are fairly positive with a 71% Rotten Tomatoes score at press time. If you subscribe to the all publicity is good publicity notion, the negative ink surrounding its lead shouldn’t hinder its potential (and the studio is keeping Miller off the circuit). While The Flash isn’t as iconic a character as the Caped Crusader, the reemergence of Keaton as that character could draw in viewers for a nostalgia fix (it’s been over 30 years since he’s donned the Batsuit).
A best case scenario is The Flash achieving the second best start of 2023 and topping the $120 million that Spider-Man: Across the Spider-Verse achieved. The worst case result could be not reaching nine figures like those first four superhero tales. That might be the case and it could end up falling outside the top five openings of 2023 (under the $95 million of The Little Mermaid). My forecast puts this on pace with the $93 million that Justice League made back in 2017 (where Miller first fleshed out this character).
The Flash opening weekend prediction: $83.2 million
For about the first hour of Shazam! Fury of the Gods, the stakes feel about as high as ordering a cheesesteak. I guess given the setting of Philly, maybe that’s something to be taken seriously. In the second half, the Phillies Stadium and I assume the Liberty Bell and Independence Hall are in danger of being decimated Independence Day style (or countless comic book action flicks).
With nearly the entire team returning including director David F. Sandberg, part 2 of the DC Comics property is unwieldy in its tone. The happy-go-lucky vibe of Shazam! and Zachary Levi’s enjoyable performance made it worth a view. It was also, to be fair, mostly forgettable and clearly worked better as a one-off.
You may recall (or not) that high schooler Billy Batson (Asher Angel) received the abilities of Shazam from Djimon Hounsou’s wizard in the 2019 original. This gave him the form of Levi’s red caped superhero yet it did not grant him wisdom beyond his teenage mind. Billy/Shazam still managed to outwit Mark Strong’s mad scientist with the help of his foster care siblings who were also soon bestowed with superhuman strengths. That includes brother Freddy Freeman (Jack Dylan Grazer as younger and Adam Brody in grownup spandex form) and he has a unique love interest
Anne (Rachel Zegler from West Side Story) is the new girl at school who looks amazing for her age. She’s actually Anthea, the centuries old daughter of Greek god Atlas. Her other sisters are Hespera (Helen Mirren) and Kalypso (Lucy Liu) and they are determined to reclaim powers taken from them ages ago. The Daughters of Atlas look far apart in age. Lucy Liu’s middle child is the Jan Brady of this bunch as she’s got the most up her sleeve. Young Anne (she’s only 6000 it’s revealed) is the sweet one who might not be bent on world destruction after all. And despite Mirren’s presence, the trio’s motivations aren’t particularly spellbinding. Once again we have a comic book adaptation where the villains are a weakness. The MCU and this DCEU are frequent offenders.
Four years ago, it was easier to root for Levi’s charming underdog of a title character. Gods just never clicks and average CG and action sequences keep the mediocrity intact. Standard wizardry is ordered in this follow-up. The result is that I could have done witout it (spelling error intended, Philadelphians).
Blogger’s Update (04/05): I am revising my estimate for Mario slightly up from $92.6M for the three-day to $98.6M and from $128.7M for the five-day to $137.7M
The Easter weekend starts early with Illumination Entertainment’s The Super Mario Bros. Movie and Ben Affleck’s sports drama Air rising in multiplexes on Wednesday. My detailed prediction posts on the newcomers can be accessed here:
It’s Mario that should have no trouble ruling the holiday frame. Coming from the studio behind the massive Despicable Me, Minions, and Sing franchises, this is likely to spawn another one. I’ve got it topping $90 million for the traditional Friday to Sunday portion and falling just shy of $130 million during its first five days.
Air could certainly exceed forecasts with its strong reviews and frequent promotion during the March Madness tournament. I’m projecting a low double digits output for the three-day and high teens for the five. The Friday to Sunday take would place it fourth. Expect it to have sturdy holds in subsequent weekends.
Dungeons & Dragons: Honor Among Thieves may see a mid to high 50s dip in its sophomore frame while John Wick: Chapter 4 might experience a high 40s to 50% percentage drop. That would mean they fall a spot to 2nd and 3rd, respectively.
After a slightly better than anticipated beginning, His Only Son could take advantage of the Easter weekend with a l0w 30s slide for fifth.
Here’s how I see it playing out:
1. The Super Mario Bros. Movie
Predicted Gross: $98.6 million (Friday to Sunday); $137.7 million (Wednesday to Sunday)
2. Dungeons & Dragons: Honor Among Thieves
Predicted Gross: $16.8 million
3. John Wick: Chapter 4
Predicted Gross: $14.6 million
4. Air
Predicted Gross: $12.7 million (Friday to Sunday); $18.9 million (Wednesday to Sunday)
5. His Only Son
Predicted Gross: $3.8 million
Box Office Results (March 31-April 2)
Dungeons & Dragons: Honor Among Thieves matched or barely surpassed most prognostications with $37.2 million for the gold. That’s beyond my $32.7 million call. It’s a decent opening though not spectacular considering the reported $150 million budget (minus promotion). Factoring in overseas earnings, however, it might still spawn a franchise.
John Wick: Chapter 4 was second after its series best start. Down an understandable 62% at $28.3 million (I went a little higher at $31.5 million), the ten-day haul is $123 million.
Faith-based drama His Only Son, on less than 2000 screens, managed a sturdy $5.5 million (I was lower at $3.8 million). As mentioned, this may experience the lowest decline of the holdovers coming up.
Spots 4-6 were holdover sequels with Scream VI in fourth at $5.3 million compared to my $4.2 million projection. The tally is nearly at nine digits with $98 million.
Creed III was fifth with $5 million (I said $4.6 million) to bring its total to $148 million.
Shazam! Fury of the Gods was sixth at $4.6 million, in line with my $4.3 million forecast for a lowly $53 million (which is was its 2019 predecessor opened with).
Check out my podcast where I talk all things box office by searching “Movies at the Speed of Speculation” at your favorite podcasting engine…
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