The Unbearable Weight of Massive Talent Review

Director Tom Gormican and his cowriter Kevin Etten’s reverence for Nicolas Cage is on full display in The Unbearable Weight of Massive Talent. So is their affection for the kind of action packed and occasionally aimless buddy comedies that Cage might’ve starred in 30 years ago without all the meta sprinklings. Oh, and there’s also a deep reservoir of digging Paddington 2. 

Playing a fictionalized version of himself (he might even be more normal in this), Nicolas Cage is smarting from the loss of a movie role when he decides to give up acting. He’s also estranged from his 16-year-old daughter (Lily Sheen) and ex-wife (Sharon Horgan) – or is at least always making everything about himself. Facing financial woes as described by his agent (Neil Patrick Harris), he accepts a million dollar payday to jet to the Spanish Mediterranean. The assignment: hang out with billionaire Javi (Pedro Pascal), who may also be the head of a crime syndicate. His host is a huge fan of the actor and this allows for references to obvious titles like The Rock, Con Air, Face/Off and National Treasure. Most amusingly, the 1994 Secret Service romp Guarding Tess costarring Shirley MacLaine is given its share of exposure.

CIA agents Tiffany Haddish and Ike Barinholtz (two funny people given nothing funny to do) are convinced that Javi has kidnapped the daughter of a politician. His guest of honor is recruited with breaking her out. For much of the running time, Talent coasts on just that of Cage and Pascal. Their chemistry clicks as they start plotting their own screenplay which this often mirrors.

Unlike, say, the brilliant Being John Malkovich – Gormicon’s invention feels like more like a novelty item. Yet it is a frequently witty one mixed with a surprising amount of sincerity. In fact, I found myself wanting it to dig a bit deeper at times. The screenplay attempts to say something about its two protagonists always being forced to act like someone they’re not before it gets distracted by the next reference (The Bees!). In Cage’s massive filmography filled with triumphs, turkeys and Tess‘s, there’s an enjoyable enough catalogue to sift through.

*** (out of four)

The Unbearable Weight of Massive Talent Box Office Prediction

Nicolas Cage may not always be picky with his projects and that gets him into hot water in The Unbearable Weight of Massive Talent, out April 22nd. The acclaimed comedy casts the eccentric national treasure as an exaggerated (?) version of himself who accepts $1 million from Pedro Pascal’s superfan to attend a birthday party. It goes downhill from there. Tom Gormican directs and the supporting cast includes Sharon Horgan, Ike Barinholtz, Neil Patrick Harris, and Tiffany Haddish.

When Weight premiered in March at South by Southwest, it did so to sizzling reviews. The Rotten Tomatoes meter stands at a clean 100%. That should get a decent amount of cinephiles in multiplexes to see what all the buzz is about.

That said, I wonder if the concept is a little too inside baseball for general audiences. Additionally, plenty of viewers have grown accustomed to dialing up Cage’s new pics on streaming services and not in theaters.

Some forecasts have this reaching double digits in its debut, but I’m going a bit under that.

The Unbearable Weight of Massive Talent opening weekend prediction: $7.9 million

For my The Bad Guys prediction, click here:

The Bad Guys Box Office Prediction

For my The Northman prediction, click here:

The Northman Box Office Prediction

Oscar Predictions: The Unbearable Weight of Massive Talent

Nicolas Cage was probably close to a third Oscar nomination for last year’s Pig and now he’s earning kudos for playing himself in The Unbearable Weight of Massive Talent. The meta comedy finds Cage in a sticky situation when he accepts a hefty payday to attend the birthday party of a billionaire drug lord. Pedro Pascal is that financier and the supporting cast also includes Sharon Horgan, Ike Barinholtz, Neil Patrick Harris, and Tiffany Haddish. Tom Gormican directs.

Prior to its April 22nd release, Weight dropped at South by Southwest and reviews currently stand at 100% on Rotten Tomatoes. Cage has become known for alternating acclaimed indie projects with dreadful direct to streaming material. This certainly appears to fall into the former designation.

Could awards voters take note? It might be a bit too out there, but Original Screenplay is not out of the question. A Best Comedy nod from Critics Choice next year is also a decent possibility. My Oscar Prediction posts will continue…

Game Night Movie Review

Too many big studio comedies can be numbered by the handful of gags that work while the rest fall flat. This is thankfully not the case with Game Night. It’s gimmicky, sure. It’s a bit forgettable. Yet it’s consistently amusing and doesn’t overburden itself with too much sentimentality. As far as the genre goes as of late, that’s enough to mark this a success.

The pic comes from co-directors John Francis Daley and Jonathan Goldstein, who last made the more consistently unfunny Vacation reboot. Jason Bateman and Rachel McAdams are Max and Annie, married with no children even though she’s ready. Their biggest shared love is one of competitiveness, which includes their game nights with friends. Their usual group includes playboy Ryan (Billy Magnussen) and childhood sweethearts Kevin and Michelle (Lamorne Morris and Kylie Bunbury). Next door neighbor and police officer Gary (Jesse Plemons) is a former regular until his recent divorce has turned him into quite the weirdo.

Our main couple’s typical showing of charade and board gaming dominance is interrupted when Max’s brother Brooks (Kyle Chandler) pops up. Brooks is the ultra cool brother with a better bone structure and larger pocketbook that Max harbors jealousy for. Instead of Clue or Risk, Brooks has a different idea for game night involving a kidnapping and real actors interacting with the group. The players won’t know what’s real and what isn’t.

Wouldn’t you know it? Turns out some real kidnappers turn up and that Brooks may be involved in some seedy stuff. What follows is a search for a Faberge egg, guns that the principals think aren’t real (an overused gag by now), squeaky toys used to bite down on for pain (a never before seen gag that’s pretty darn funny), and Bateman’s patented ironic detachment that always seems to work.

Night is served with a game cast. Standouts include Plemons as the creepy but probably well-meaning neighbor and Magnussen as the dim bulb participant of the team. Sharon Horgan is his much smarter date for the evening and she provides some humorous moments as well. The screenplay also provides a twist or two that are genuinely surprising.

The actual concept of a game night may not be as joyous as it’s supposed to be on occasion. You need fun people there. This movie has them. Like real game nights, you may forget some of details by the next day but you’ll remember enjoying it.

*** (out of four)