As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our fourth performer in Best Actress is Renate Reinsve for Sentimental Value. If you missed my posts covering the previous three contenders, you can access them here:
Following her acclaimed performance in 2021’s The Worst Person in the World from Joachim Trier, the Norwegian actress became a major awards player. Their follow-up premiered at Cannes last summer in which she won Best Actress. Nominations at the BAFTAs, Critics Choice, and the Golden Globes have followed.
The Case Against Renate Reinsve:
Simply put – Jessie Buckley in Hamnet. She’s taken home all the aforementioned precursors and appears poised to be the only acting competition sweeper. Along with her Oscar nominated costars Stellan Skarsgård, Elle Fanning, and Inga Ibsdotter Lilleass, the SAG Actor branch completely ignored the Value cast.
The Verdict:
In this Best Actress quintet, Reinsve will be a bridesmaid and not the bride.
My Oscar Prediction posts will continue with the next hopeful in Best Actor – Michael B. Jordan for Sinners…
The ceremony formerly known as the SAG Awards is now the Actor Awards and the 32nd edition of the ceremony airs Sunday, March 1st. Kristen Bell returns to host a show that is tough to predict, especially in the supporting fields where no frontrunner has emerged via the precursors. Will the Screen Actors Guild help make it clearer or muddy it up even more?
Let’s walk through the six movie races with my thoughts and a winner and runner-up projection. I’ll have a recap up Sunday evening with initial thoughts and how I did.
Outstanding Performance by a Cast in a Motion Picture
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
Over the past 10 years, this ensemble award has matched the Academy’s Best Picture half the time (Spotlight, Parasite, CODA, Everything Everywhere All at Once, Oppenheimer). I would definitely say the two pics with a shot to win are Battle and Sinners, the two BP favorites. While the former may have an edge with the Academy, my hunch is that SAG goes with Ryan Coogler’s sprawling cast.
WINNER: Sinners
Runner-Up: One Battle After Another
Outstanding Performance by a Female Actor in a Leading Role
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Emma Stone (Bugonia)
This category has matched Oscar 6 out the last 10 years. Actress is the only competition where the possibility of a sweep is still open. Jessie Buckley has triumphed everywhere else and I see no compelling reason why this guild would change that.
WINNER: Jessie Buckley, Hamnet
Runner-Up: Rose Byrne, If I Had Legs I’d Kick You
Outstanding Performance by a Male Actor in a Leading Role
Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)
The idea of a Chalamet sweep was halted when BAFTA unexpectedly rolled with Robert Aramayo in I Swear (who isn’t nominated here or at the Oscars). My hesitation to pick Chalamet has less to do with that and more to do with the fact he won SAG Actor last year for A Complete Unknown. I could see Hawke taking this prize for his showy role or the voters selecting Jordan. Ultimately I’m not pulling the trigger on the upset, but don’t discount the possibility. There is a 7 for 10 Actor/Oscar match over the past decade.
WINNER: Timothée Chalamet, Marty Supreme
Runner-Up: Ethan Hawke, Blue Moon
Outstanding Performance by a Female Actor in a Supporting Role
Odessa A’Zion (Marty Supreme), Ariana Grande (Wicked: For Good), Amy Madigan (Weapons), Wumni Mosaku (Sinners), Teyana Taylor (One Battle After Another)
Ugh… this is a tough one. There is no consistency among the precursors – Critics Choice went with Madigan, the Globes honored Taylor, and BAFTA picked Mosaku. One could certainly argue that Mosaku has the momentum and that if Sinners takes Best Ensemble, it increases the chances of a solo acting victory. Taylor could solidify her status as Oscar favorite with this award. This is essentially a three-way coin flip. Madigan could certainly emerge as this branch has shown the ability to honor the horror genre in a way the Academy doesn’t (see Demi Moore last year for The Substance). My gut says Sinners gets that one solo prize though I cannot stress enough that I almost went with Taylor. There is a 9 for 10 match with this branch and Oscar since 2015.
WINNER: Wunmi Mosaku, Sinners
Runner-Up: Teyana Taylor, One Battle After Another
Outstanding Performance by a Male Actor in a Supporting Role
Miles Caton (Sinners), Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Sean Penn (One Battle After Another)
There’s a 9 for 10 match here as well and this is just as wide open as Supporting Actress. Critics Choice called Elordi as their winner, Globes picked Stellan Skarsgård in Sentimental Value (not nominated here), and BAFTA went with Sean Penn. In this case, I am going with the BAFTA momentum though his costar del Toro might pose the realest threat.
WINNER: Sean Penn, One Battle After Another
Runner-Up: Benicio del Toro, One Battle After Another
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
F1, Frankenstein, Mission: Impossible – The Final Reckoning, One Battle After Another, Sinners
Tom Cruise’s franchise is known for stunts so I wouldn’t bet against it.
The 37th Producers Guild of America (PGA) Awards take place this Saturday and their best of prize has become a rather reliable bellwether for the Academy’s Best Picture. The two have matched 7 out of the last 8 years with 2019 being the exception when PGA chose 1917 and Oscar went with Parasite.
PGA also honors documentaries and animated features. Let’s walk through each race with a winner and runner-up selection.
Daryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners, Train Dreams, Weapons
PGA and the Academy have a 9 for 10 match this year. Weapons makes the cut on this list with The Secret Agent replacing it at the Oscars. This is expected to come down to Warner Bros offerings One Battle and Sinners. While I am predicting the latter to get Best Ensemble at Sunday’s Actor Awards, I still see Battle as the Oscar frontrunner and therefore am picking it here. That said, if Sinners gets this, the momentum will have shifted.
WINNER: One Battle After Another
Runner-Up: Sinners
Outstanding Producer of Documentary Theatrical Motion Pictures
The Alabama Solution, Cover-Up, Mr. Nobody Against Putin, My Mom Jayne, Ocean with David Attenborough, The Perfect Neighbor, The Tale of Silyan
At BAFTA over the weekend, Nobody rose above favored The Perfect Neighbor. In this doc derby, PGA has often shown a lean toward the most high profile project and that would be Neighbor. I’ll go with it with the caveat that this category can be unpredictable.
WINNER: The Perfect Neighbor
Runner-Up: The Alabama Solution
Outstanding Producer of Animated Theatrical Motion Pictures
The Bad Guys 2, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, Elio, KPop Demon Hunters, Zootopia 2
I find myself tempted to go with Zootopia 2 in an upset, but I can’t bet against juggernaut KPop.
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Delroy Lindo is our third possibility in Supporting Actor for Sinners. If you missed my posts covering the first two, they can be accessed here:
As Delta Slim in Ryan Coogler’s blockbuster, Lindo is a well-respected veteran in a movie that could win Best Picture. There is also a feeling that he was snubbed in 2020 for his lead work in Spike Lee’s Da 5 Bloods. Supporting Actor is wide open this year with different winners at the Globes (Stellan Skasgård in Sentimental Value), Critics Choice (Jacob Elordi for Frankenstein), and BAFTA (Sean Penn in One Battle After Another).
The Case Against Delroy Lindo:
Notice you don’t see his name as a recipient anywhere. In fact, you won’t because Lindo missed out on nominations at SAG, the Globes, Critics Choice, and BAFTA. It is extremely rare for someone to nominated (let alone win) without being up at any of those precursors. You have to go back to Marcia Gay Harden in Pollock 25 years ago to find the last one. The voters can honor the Sinners cast elsewhere via Michael B. Jordan and especially BAFTA winner Wunmi Mosaku.
The Verdict:
With the absence of noms everywhere else, logic would dictate that Lindo isn’t a threat to take gold. However, this Supporting Actor derby is unpredictable enough that I wouldn’t completely discount it. The chances increase if Sinners can pry BP away from One Battle.
My Case Of posts will continue with the third filmmaker contending for Best Director, Josh Safdie for Marty Supreme…
I didn’t anticipate mentioning the 2000 feature Billy Elliot in my BAFTA recap covering 2025 pictures, but these voters are dancing to the beat of a different drum so here we are! That’s one surprise of several that developed at the British equivalent of the Academy Awards. It was not surprising that Paul Thomas Anderson’s One Battle After Another led the way and (yes) won one BAFTA after another. However, the outcome of the acting races provided legit unexpected results and might have a hand in reshaping what happens at the 98th Oscars.
As far as results, I went 14 for 23 in my projections and 1 for 4 in the acting derbies. I correctly forecasted Best Film and Director BAFTAs for One Battle After Another and its maker Anderson. Same goes for its victories in Adapted Screenplay and Cinematography. It also took the Editing prize where I had F1.
In Supporting Actor, Battle‘s Sean Penn emerged in a field where I picked Stellan Skasgård as the winner and had Penn’s costar Benicio del Toro as the runner-up. We now have 3 different Supporting Actor victors in the three highest profiles precursors – Penn at BAFTA, Skarsgård at the Globes, and Jacob Elordi (Frankenstein) at Critics Choice. Let’s see what SAG Actor does next weekend as this race is wide open.
Battle did nothing but help its status as BP Oscar frontrunner. Yet Sinners didn’t take a significant hit. It won Original Screenplay and I went with Sentimental Value. I correctly picked it for Original Score.
In Supporting Actress, it represented a One Battle miss and a Sinners pickup. I went with Teyana Taylor, but Wunmi Mosaku lodged her first major recognition. Like Supporting Actor, we now have a trio of recipients among the precursors – Mosaku at BAFTA, Taylor at the Globes, and Amy Madigan (Weapons) at Critics Choice. Once again, SAG Actor will be closely viewed in another wide open acting derby. Simply put, I can’t remember the last time both supporting fields were this unpredictable.
That’s not the case in Actress where Jessie Buckley (Hamnet) predictably did a podium walk as her chances at a seasonal sweep are looking strong.
We will not be seeing a Timothée Chalamet (Marty Supreme) sweep. I had him taking Actor with Ethan Hawke (Blue Moon) as runner-up. BAFTA went their own way with Robert Aramayo (I Swear). He was additionally named the BAFTA Rising Star. Aramayo is not nominated at Oscar. The last time a BAFTA Best Actor wasn’t among the Academy’s quintet? That would be Jamie Bell in the title role of… you guessed it (!) Billy Elliot.
Here’s where I managed to get it right – Hamnet for Outstanding British Film and Sentimental Value having a subpar day with its sole win for Film Not in the English Language. I was correct in calling Zootopia 2 as Best Animated Film. Same goes for Frankenstein with the trio of Costume Design, Makeup & Hair, and Production Design and F1 in Sound and Avatar: Fire and Ash in Special Visual Effects.
Here’s where I whiffed. I will pat myself on the back for predicting The Perfect Neighbor would not be the documentary that BAFTA selected. Unfortunately I went with 2000 Meters to Andrivka and not Mr. Nobody Against Putin. Could it emerge as a spoiler to a Neighbor Oscar prize?
Pillion looked like the pick for Outstanding British Debut by a Writer, Director or Producer, but BAFTA chose My Father’s Shadow. Same with Children’s & Family Film where Zootopia 2 looked probable, but Boong was listed in the envelope. In Casting (always a tough race to project), I Swear emerged over Sentimental Value and my runner-up One Battle.
So what’s the biggest takeaway? I’d say the chaos occurring in the supporting competitions and that Battle vs. Sinners appears to still be a battle.
Today’s ceremony bestowed these numbers of wins for these movies:
6 Wins
One Battle After Another
3 Wins
Frankenstein, Sinners
2 Wins
Hamnet, I Swear
1 Win
Avatar: Fire and Ash, Boong, F1, Mr. Nobody Against Putin, My Father’s Shadow, Sentimental Value, Zootopia 2
I’ll have winner predictions up for SAG Actor (happening a week from today) on the blog soon!
The 79th BAFTAs (Britain’s version of the Academy Awards) occur this Sunday and they are often a reliable precursor to what Oscar voters will do. For example, they are 8 for 8 in the past two cycles in forecasting the acting races. On the flip side, in 2022, none of the four BAFTA acting recipients took the Oscar. The previous five cycles has seen the BAFTA Best Film match with Best Picture only twice (Nomadland, Oppenheimer). In 2021, the Brits honored The Power of the Dog over CODA (which wasn’t nominated). The following year it was All Quiet on the Western Front instead of Everything Everywhere All at Once. Last year, BAFTA selected Conclave and not Anora.
That’s why it’s very tempting to go with Hamnet over arguable frontrunners One Battle After Another and Sinners in the top competition. I almost did so, but ultimately decided with roll with Battle (with a low degree of confidence). Let’s walk through each race one by one with my winner projections and a runner-up.
Best Film
Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
WINNER: One Battle After Another
Runner-Up: Hamnet
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Yorgos Lanthimos (Bugonia), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
WINNER: Paul Thomas Anderson, One Battle After Another
Runner-Up: Chloé Zhao, Hamnet
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
WINNER: Jessie Buckley, Hamnet
Runner-Up: Renate Reinsve, Sentimental Value
Best Actor
Robert Aramayo (I Swear), Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)
WINNER: Timothée Chalamet, Marty Supreme
Runner-Up: Ethan Hawke, Blue Moon
Best Supporting Actress
Odessa A’Zion (Marty Supreme), Inga Ibsdotter Lilleass (Sentimental Value), Wunmi Mosaku (Sinners), Carey Mulligan (The Ballad of Wallis Island), Teyana Taylor (One Battle After Another), Emily Watson (Hamnet)
WINNER: Teyana Taylor, One Battle After Another
Runner-Up: Inga Ibsdotter Lilleass, Sentimental Value
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Peter Mullan (I Swear), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
WINNER: Stellan Skarsgård, Sentimental Value
Runner-Up: Benicio del Toro, One Battle After Another
Best Original Screenplay
I Swear, Marty Supreme, The Secret Agent, Sentimental Value, Sinners
WINNER: Sentimental Value
Runner-Up: Sinners
Best Adapted Screenplay
The Ballad of Wallis Island, Bugonia, Hamnet, One Battle After Another, Pillion
WINNER: One Battle After Another
Runner-Up: Hamnet
Outstanding British Film
28 Years Later, The Ballad of Wallis Island, Bridget Jones: Mad About the Boy, Die My Love, H is for Hawk, Hamnet, I Swear, Mr Burton, Pillion, Steve
WINNER: Hamnet
Runner-Up: Pillion
Outstanding Debut by a British Writer, Director or Producer
The Ceremony, My Father’s Shadow, Pillion, A Want in Her, Wasteman
WINNER: Pillion
Runner-Up: My Father’s Shadow
Best Film Not in the English Language
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
WINNER: Sentimental Value
Runner-Up: The Secret Agent
Best Animated Film
Elio, Little Amélie or the Character of Rain, Zootopia 2
WINNER: Zootopia 2
Runner-Up: Little Amélie or the Character of Rain
Best Children’s & Family Film
Arco, Boong, Lilo & Stitch, Zootopia 2
WINNER: Zootopia 2
Runner-Up: Arco
Best Documentary
2000 Meters to Andrivka, Apocalypse in the Tropics, Cover-Up, Mr. Nobody Against Putin, The Perfect Neighbor
WINNER: 2000 Meters to Andrivka
Runner-Up: The Perfect Neighbor
Best Casting
I Swear, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
WINNER: Sentimental Value
Runner-Up: One Battle After Another
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
WINNER: One Battle After Another
Runner-Up: Sinners
Best Costume Design
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
WINNER: Frankenstein
Runner-Up: Hamnet
Best Editing
F1, A House of Dynamite, Marty Supreme, One Battle After Another, Sinners
WINNER: F1
Runner-Up: One Battle After Another
Best Make Up & Hair
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
WINNER: Frankenstein
Runner-Up: Wicked: For Good
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
WINNER: Sinners
Runner-Up: Hamnet
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
WINNER: Frankenstein
Runner-Up: Hamnet
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Warfare
WINNER: F1
Runner-Up: Sinners
Best Special Visual Effects
Avatar: Fire and Ash, F1, Frankenstein, How to Train Your Dragon, The Lost Bus
WINNER: Avatar: Fire and Ash
Runner-Up: F1
That adds up to these movies generating numbers of victories:
5 Wins
One Battle After Another
4 Wins
Sentimental Value
3 Wins
Frankenstein
2 Wins
F1, Hamnet, Zootopia 2
1 Win
2000 Meters to Andrivka, Avatar: Fire and Ash, Marty Supreme, Pillion, Sinners
I’ll have a recap up Sunday with how I performed and my thoughts on how it might impact the Oscars…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our second write-up among the Supporting Actor five is Jacob Elordi in Frankenstein. If you missed my post covering Benicio del Toro from One Battle After Another, you can find it here:
The Aussie star of Euphoria and Saltburn (and currently #1 movie Wuthering Heights) entered the awards chat as The Monster in Guillermo del Toro’s passion project. He surprisingly nabbed a trophy at first major precursor Critics Choice and was nominated at the Globes and is awaiting word from BAFTA and SAG Actor.
The Case Against Jacob Elordi:
He lost the Globe to Sentimental Value‘s Stellan Skarsgård. All other nominees in the Academy quintet are veteran thespians and voters might think Elordi’s time could come later.
The Verdict:
At the time of this writing, it is definitely a mystery whether that Critics Choice podium trip was a fluke. It will become more clear if Elordi can manage to take BAFTA or SAG Actor. Both are possible and if takes either or both, his stock on Oscar night goes up.
My Case Of posts will continue with the second director in contention and that’s Ryan Coogler for Sinners…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our second contender among the Supporting Actress nominees is Inga Ibsdotter Lilleass for Sentimental Value. If you missed the first write-up covering her costar Elle Fanning, you can peruse it here:
The Norwegian thespian gets her first Oscar nod along with three of her costars for Joachim Trier’s acclaimed family drama. Precursors nods include the Golden Globes, BAFTA, Critics Choice, and a win from the National Board of Review. Value did better than expected on nominations morning and the cast could benefit.
The Case Against Inga Ibsdotter Lilleass:
Her cast mate Stellan Skarsgård appears most likely to benefit in terms of victory chances. Lilleass wasn’t nominated at SAG Actor and only 2 of the 31 previous Academy recipients were ignored by SAG. Vote splitting is probable between her and Fanning. Precursors have gone to Teyana Taylor in One Battle After Another (Globes) and Amy Madigan for Weapons (Critics Choice).
The Verdict:
A BAFTA win could increase the chances of a Lilleass upset, but I wouldn’t bet on it.
My Case Of posts will continue with the second man up in Supporting Actor and that’s Jacob Elordi in Frankenstein…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender in the quintet of Supporting Actor nominees is Benicio del Toro for One Battle After Another.
Previous Acting Nominations:
2000: Supporting Actor (Traffic) – WON; 2003: Supporting Actor (21 Grams) – lost to Tim Robbins for Mystic River
The Case for Benicio del Toro:
As sensei Sergio in Paul Thomas Anderson’s multi-nominated pic, del Toro would certainly win if this competition were based on internet memes. Outside of that, his third appearance in this category has been preceded with noms everywhere else including the Golden Globes, BAFTA, Critics Choice, and SAG Actor and several wins from regional critics groups. If Another takes BP (where it’s the frontrunner), an acting victory seems likely to come with it. del Toro is coming off an impressive 2025 with his work here and as lead in Wes Anderson’s The Phoenician Scheme.
The Case Against Benicio del Toro:
Jacob Elordi (Frankenstein) took Critics Choice and Stellan Skasgård (Sentimental Value) got the Globe while we await SAG Actor and BAFTA. He could vote split with his costar Sean Penn. Teyana Taylor, his cast mate contending in Supporting Actress, appears best poised for a Battle acting win.
The Verdict:
Of the four acting derbies, this might be the most unsettled. I still think Benicio needs SAG or BAFTA (that one seems more out of reach) to have a better shot at Oscar.
My Case Of posts will continue with our first directing nominee and that’s del Toro’s auteur Paul Thomas Anderson…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender among the Supporting Actress nominees is Elle Fanning for Sentimental Value.
Previous Acting Nominations:
None
The Case for Elle Fanning:
The 27-year-old has amassed numerous nods for her TV work on The Great, but her appearance in Joachim Trier’s Norwegian drama is her first Oscar at bat. She was nominated at Critics Choice and by several regional critics groups. Value also had a slight overperformance with nine mentions from the Academy.
The Case Against Elle Fanning:
She is likely to vote split with her costar Inga Ibsdotter Lilleass. Fanning did not receive nominations from the Golden Globes, SAG Actor, and wasn’t even shortlisted at BAFTA. Teyana Taylor (One Battle After Another) and Amy Madigan (Weapons) have taken the Globe and Critics Choice, respectively. The best shot at a victory for this cast is in Supporting Actor with Stellan Skarsgård.
The Verdict:
Most prognosticators did not have Fanning in their quintet. I will give myself a pat on the back for predicting her, but I’m under no illusions that she is a threat to win.
My Case Of posts will continue with our first Supporting Actor write-up and that’s Benicio del Toro from One Battle After Another…
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