A24 is hoping audiences make some noise for Heretic when it debuts November 8th. The horror thriller comes from Scott Beck and Bryan Woods, who wrote the blockbuster A Quiet Place and recently directed the megaflop 65. Sophie Thatcher and Chloe East costar as Mormon missionaries who knock on Hugh Grant’s wrong door.
Critics opened up to Heretic upon its screening at the Toronto Film Festival. The Rotten Tomatoes score is a certified fresh 95% with Metacritic at 71. Moviegoers have had plenty of scary material to feast on in 2024 and that could limit its potential. I could see a start in the $11.5 million range that Speak No Evil managed in September.
Heretic opening weekend prediction: $11.2 million
For my The Best Christmas Pageant Ever prediction, click here:
A24 has premiered Heretic at the Toronto Film Festival before it hits multiplexes on November 15th. The psychological horror pic casts Sophie Thatcher and Chloe East as Mormon missionaries who knock on Hugh Grant’s wrong door. Scott Beck and Bryan Woods co-direct. They are best known for penning the wildly successful A Quiet Place in 2018. On the flip side, they helmed and scripted Adam Driver’s dino adventure 65 last year. It was a box office and critical failure.
Early reaction from Canada indicates that Heretic mostly succeeds. The Rotten Tomatoes score is 89 with Metacritic at 67. Critics are certainly directing their applause to Grant in his creepy role. Despite four Golden Globe nominations for feature films (all in Musical/Comedy and he won for 1994’s Four Weddings and a Funeral), the Academy has yet to mention his name. That won’t change here as this genre rarely gets noticed by the voters. My Oscar Prediction posts will continue…
The title card for 65 doesn’t emerge onscreen until 16 minutes into the runtime. That’s actually about one-sixth of the way through and (I think) it’s meant to serve as a surprise reveal. The trailer already spoiled it because (umm… spoiler alert?) that number refers to 65 million years ago on Earth when so-so looking CG dinosaurs roamed freely. I suspect a lot more roamed freely, but this movie’s budget might not have supported Jurassic Park or World level sizes.
Mills (Adam Driver) is a pilot on the planet Somaris whose sick daughter (Chloe Coleman) causes him to take on a two-year expedition to pay for her treatment. When an asteroid field causes his ship to crash, he lands on a planet filled the aforementioned creatures. It turns out (as we find either via TV spots, trailers, or after 16 minutes) that this extinction level event is about to make the dinos disappear. Alien Mills has collided into our planet at an inopportune time. He discovers one survivor from the accident – a preteen who speaks a foreign language named Koa (Ariana Greenblatt). The duo must find the other half of the wreckage lying atop a mountain that contains an escape hatch.
It’s a long haul to that locale as their words are lost in translation and future relics hunt them down. They do manage to bond and, yes, there are correlations to his ill offspring. The script from directors Scott Beck and Bryan Woods (who’ve done much better when they penned A Quiet Place) injects some humor into their interplay for about two or three minutes. A tone of somberness rules this for the remaining hour and a half.
As they make their uphill climb to safety, I was disappointed in how flat 65 feels. The effects are mostly bland. Of course, technicians haven’t really improved dino design since Jurassic Park 30 years ago and this is no exception. There is some occasional striking production design. Driver is a fine actor with a nothing part and there’s little character development with Koa either. At its best, this is serviceable. For the most part, what is happening on Earth is unremarkable.
Adam Driver often turns up in prestige pics with awards buzz, but 65 is a rare exception. The prehistoric action thriller comes from directors Scott Beck and Bryan Woods, who wrote A Quiet Place. That acclaimed feature nabbed a Sound Editing nom back in 2018. The 65 buzz is rather silent and it could be a big budget flop for Sony.
With a 25% Rotten Tomatoes rating, most critics are far from impressed. Yet with its lead battling dinosaurs, tech races like Sound and Visual Effects could be in the mix. Not so fast. Even the creatures are being called subpar versions of what the Jurassic Park/World franchise have given us. And if all the Jurassic follow-ups couldn’t achieve VE nominations, there’s no real chance for 65 to make noise anywhere. My Oscar Prediction posts will continue…
The writers of A Quiet Place are hoping to make some noise at the box office when 65 opens on March 10th. Scribes Scott Beck and Bryan Woods handle directorial and scripting duties for the sci-fi thriller. The number refers to “million years ago” as pilot Adam Driver becomes stranded on Earth where dinosaurs roam and attack. Costars include Ariana Greenblatt, Chloe Coleman, and Nika King.
Reportedly made for a substantial price tag of over $90 million, 65 risks hefty losses for Sony. Buzz seems to be muted and theaters could be a quiet place where it’s playing. Some potential viewers may be distracted by Scream VI debuting against it. It also may not help that this isn’t based on known IP and that Driver, while certainly an acclaimed actor, isn’t a box office draw.
I’ll say this manages to top double digits, but not by much.
All My Life... I Wanted To Be A Blogster 