Oscar Watch: Passengers

A week ago, the prospect of this Wednesday’s Passengers receiving some Oscar attention didn’t seem totally far fetched. After all, the Academy has shown some love to the science fiction space pic genre three years ago with Gravity and last year with The Martian as they both received Best Picture nods. In addition, their respective leads Sandra Bullock and Matt Damon were nominated in the lead acting races.

Passengers is director Morten Tyldum’s follow-up to The Imitation Game, which was in the Picture race two years ago and for which he received a directing nod. And this space opera boasts Jennifer Lawrence, who’s been nominated four times since 2010 and won in 2012 for Silver Linings Playbook. So, again, not so far fetched.

And then reviews happened late this week for the sci fi romantic thriller which costars Chris Pratt. The verdict? A rather troubling 32% on Rotten Tomatoes and its Oscar chances evaporating. Passengers still has a remote shot at Visual Effects, but in all likelihood the pic will be sitting on the awards sideline.

My Oscar Watch posts will continue…

Arrival Box Office Prediction

Denis Villeneueve’s science fiction drama and potential Oscar contender Arrival lands in theaters next weekend, looking for a healthy run throughout the awards season. Amy Adams headlines a cast that includes Jeremy Renner, Forest Whitaker, and Michael Stuhlbarg. Villeneueve has been on a roll (especially critically) in recent years with well-regarded titles such as Prisoners and last year’s Sicario.

With a relatively modest $50 million reported budget, Arrival debuted at the Venice Film Festival to many raves and it currently stands at 100% on Rotten Tomatoes. It could find itself in the mix at the Academy Awards for Best Picture, Director, and Actress with Ms. Adams.

What could hinder Arrival from a huge debut is a relative lack of star power. While Adams and Renner are certainly recognizable names, they don’t carry the box office potency of Sandra Bullock and George Clooney in Gravity ($55 million opening  in 2013), Matthew McConaughey and director Christopher Nolan in Interstellar ($47 million in 2014), and Matt Damon and director Ridley Scott in The Martian ($54 million last autumn). Those similar genre pics premiered in a realm that looks to be unrealistic for this.

Arrival could manage to top $30 million out of the gate, but a relatively low screen count of 2200 screens should prevent that. I’ll say a low to mid 20s debut is more probable as it looks to play well in subsequent weekends based on buzz.

Arrival opening weekend prediction: $22.4 million

For my Almost Christmas prediction, click here:

https://toddmthatcher.com/2016/11/02/almost-christmas-box-office-prediction/

For my Shut In prediction, click here:

https://toddmthatcher.com/2016/11/02/shut-in-box-office-prediction/

Top 25 Highest Grossing Actresses of All Time (10-6)

We have now reached Top Ten of the Top 25 Highest Grossing Actresses in box office history.

And now, numbers 10-6 before we reach our finale tomorrow…

10. Jennifer Lawrence

Career Earnings: $2.3 billion

Franchises: The Hunger Games, X-Men

Highest Grossing Picture: The Hunger Games: Catching Fire (2013) – $424 million

Number of $100M+ Earners: 9 (The Hunger Games, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay Part 1, The Hunger Games: Mockingjay Part 2, X-Men: First Class, X-Men: Days of Future Past, X-Men: Apocalypse, Silver Linings Playbook, American Hustle)

Lowest Grosser: Garden Party (2008) – $10,000

Overall Rank: 57

9. Anne Hathaway

Career Earnings: $2.3 billion

Franchises: The Princess Diaries, Rio, Alice in Wonderland

Highest Grossing Picture: The Dark Knight Rises (2012) – $448 million

Number of $100M+ Earners: 10 (The Princess Diaries, The Devil Wears Prada, Get Smart, Valentine’s Day, Alice in Wonderland, Rio, The Dark Knight Rises, Les Miserables, Rio 2, Interstellar)

Lowest Grosser: Song One (2015) – $32,000

Overall Rank: 52

8. Sandra Bullock

Career Earnings: $2.4 billion

Franchises: Speed, Miss Congeniality

Highest Grossing Picture: Minions (2015) – $336 million

Number of $100M+ Earners: 8 (Minions, Gravity, The Blind Side, The Proposal, The Heat, Speed, A Time to Kill, Miss Congeniality)

Lowest Grosser: Who Shot Patakango? (1992) – $2,000

Overall Rank: 47

7. Emma Watson

Career Earnings: $2.6 billion

Franchises: Harry Potter

Highest Grossing Picture: Harry Potter and the Deathly Hallows Part 2 (2011) – $381 million

Number of $100M+ Earners: 10 (Harry Potter and the Sorcerer’s Stone, Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows Part 1, Harry Potter and the Deathly Hallows Part 2, This is the End, Noah)

Lowest Grosser: Colonia (2016) – $15,000

Overall Rank: 32

6. Elizabeth Banks

Career Earnings: $2.7 billion

Franchises: Hunger Games, Pitch Perfect

Highest Grossing Picture: The Hunger Games: Catching Fire (2013) – $424 million

Number of $100M+ Earners: 8 (The Hunger Games, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay Part 1, The Hunger Games: Mockingjay Part 2, The LEGO Movie, Pitch Perfect 2, Seabiscuit, The 40 Yr. Old Virgin

Lowest Grosser: Ordinary Sinner (2003) – $4,000

Top 5 manana!

 

Our Brand Is Crisis Box Office Prediction

In her first live action role since her Oscar nominated turn in box office bonanza Gravity, Sandra Bullock headlines the comedic drama and political pic Our Brand Is Crisis, out next weekend. Supporting players include Billy Bob Thornton, Anthony Mackie, Joaquim de Almeida, and Ann Dowd. From the producers of Argo (Grant Heslov and Bullock’s Gravity costar George Clooney) and director David Gordon Green, Crisis was once looked at as a potential awards contender until it screened at the film festival circuit. Its mixed reviews put it at just 40% on Rotten Tomatoes.

Even Bullock’s legitimate star power may not save this from being a mediocre performer. Political movies are a tough sell generally, especially without critics praising it. Only positive buzz could turn this into a hit and it’s just not there. I believe Crisis may struggle to reach double digits and disappear rather quickly.

Our Brand Is Crisis opening weekend prediction: $7.8 million

For my Burnt prediction, click here:

https://toddmthatcher.com/2015/10/22/burnt-box-office-prediction/

For my Scouts Guide to the Zombie Apocalypse prediction, click here:

https://toddmthatcher.com/2015/10/22/scouts-guide-to-the-zombie-apocalypse-box-office-prediction/

Oscar Watch: Our Brand Is Crisis

On the last two occasions that Sandra Bullock has headlined a picture with dramatic elements, it’s resulted in a 2009 Oscar win for The Blind Side and a 2013 nomination for Gravity. Therefore, it is no surprise that her upcoming comedic drama Our Brand Is Crisis (out October 30) was garnering talk of a third nomination.

However, its screening at the Toronto Film Festival has mostly muted that chatter. The film, in which Bullock plays a political operative assigned to help a struggling Bolivian president win reelection, was met with mixed word of mouth at the festival. Its Rotten Tomatoes score stands at just 44% currently. While her performance has been received well, readers of this blog may be familiar with the recent theme of Best Actress being very crowded this year. That will likely leave Bullock on the outside looking in. In fact, one of the category front runners is Cate Blanchett for Carol, whose winning role in Blue Jasmine probably kept Bullock from a second gold statue. Costars including Billy Bob Thornton and Ann Dowd also shouldn’t be a factor and the picture itself has virtually zero hope in the big race.

Once again, that important festival in Canada has eliminated another Oscar hopeful from the mix. Look for more Oscar Watch posts following the same theme on the blog.

 

Oscar History: 2009

It’s been a little while, but this evening on the blog – we continue with my ongoing series of Oscar History posts and we’ve arrived at 2009. That year’s Academy Awards are notable for a couple of reasons. First, this was the year where the decision was made to expand the list of Best Picture nominees from five to ten. It’s likely not an accident that this occurred just one year after 2008’s commercial and critical smash The Dark Knight failed to make the five pic cut. This was the Academy’s way of including more commercially successful ventures. After all, there’s a direct correlation between hit pictures being nominated and the ratings of the telecast itself. Secondly, the real battle of nominated entries came down between the efforts of a couple that was married and divorced – James Cameron for his smash hit Avatar (which demolished all box office records) and ex wife Kathryn Bigelow for her war drama The Hurt Locker.

It would be Bigelow who would come out on top as The Hurt Locker would take Best Picture over her ex-husband’s blockbuster. The other eight nominated features: The Blind Side, District 9, An Education, Inglourious Basterds, Precious, A Serious Man, Up, and Up in the Air. The success of Hurt Locker would relegate Avatar to winning only the tech categories.

Up would mark the first animated flick nomination (and first and only Pixar one) since 1991’s Beauty and the Beast and it hasn’t happened since. Basterds would mark Quentin Tarantino’s second pic nod after Pulp Fiction fifteen years prior.

As for movies that might have made my personal cut, I advocate for Steven Soderbergh’s underrated and hilarious The Informant! And if the Academy wanted to include high profile pictures, why not consider the acclaimed Star Trek reboot or comedy smash of the year The Hangover? I’m also a big fan of Zack Snyder’s graphic novel adaptation of Watchmen.

Bigelow would go onto make history by becoming the first female Best Director winner in Oscar history over Cameron, Lee Daniels (Precious), Jason Reitman (Up in the Air), and Tarantino. I may have found room for Neill Blomkamp’s impressive work in District 9.

Beloved actor Jeff Bridges would score his first Best Actor win for Crazy Heart, beating out George Clooney (Up in the Air), Colin Firth (A Single Man), Morgan Freeman (Invictus), and Jeremy Renner (Hurt Locker). Firth would go onto win the prize the following year for The King’s Speech. Once again, my Informant! love would have meant an inclusion for Matt Damon’s terrific work in it.

Sandra Bullock would receive her first ever nomination and a win for her hit football drama The Blind Side. Other nominees: Helen Mirren (The Last Station), Carey Mulligan (An Education), Gabourey Sidibe (Precious), and Meryl Streep (Julie & Julia). Two names I would’ve considered: Alison Lohman’s great scared crapless work in Sam Raimi’s horror tale Drag Me to Hell and Zooey Deschanel in the rom com (500) Days of Summer.

Quentin Tarantino’s knack of finding the perfect actor in the perfect role landed an at the time unknown Christoph Waltz a win in Supporting Actor for Inglourious Basterds. Other nominees were Matt Damon for Invictus, Woody Harrelson for The Messenger, Christopher Plummer in The Last Station, and Stanley Tucci for The Lovely Bones. As I’ve mentioned in these posts before, the Academy usually ignores comedies and this race would have given them an excellent opportunity to nominate Zach Galifianakis in The Hangover. Also, I may have included Jackie Earle Haley for his work in Watchmen.

Mo’Nique would win Supporting Actress in Precious over previous year’s winner Penelope Cruz (Nine), Vera Farmiga and Anna Kendrick (both nominated for Up in the Air), and Maggie Gyllenhaal (Crazy Heart). I would have given consideration to either Melanie Laurent or Diane Kruger for their roles in Basterds.

And that’s 2009 for you, my friends! I’ll get to 2010 at same point in the future…

2015 Early Oscar Predictions: Best Actress

This evening on the blog, we continue on with my very early and first predictions for the 2015 Oscars and we’ve come to Best Actress. This category, just like Supporting Actor and Actress, yielded two out of the five nominees when I made my predictions in 2014 with 1 other that was nominated being mentioned as an other possibility.

Astonishingly, the group of actresses that could be honored in 2015 encompasses seven out of the eight past winners of the award. 2007 winner Marion Cotillard is getting buzz for Macbeth, though it’s unclear whether she’ll be campaigned for here or in supporting. 2008 winner Kate Winslet has this fall’s The Dressmaker. 2009 winner Sandra Bullock headlines this October’s Our Brand is Crisis. 2011’s Meryl Streep had Ricki and the Flash last month. It’s always foolish to count her out, but the film’s low box office and mixed critical response could hinder her chances. 2012’s Jennifer Lawrence teams with David O. Russell again for Joy and her two previous films with him both landed her Oscar nods and a win for Silver Linings Playbook. 2013’s Cate Blanchett seems practically guaranteed a nod for Todd Haynes’s Carol, which premiered to raves at Cannes. 2014’s Julianne Moore has Freeheld out soon and it could make her a contender again.

Ultimately, however, my early predictions only have two of these women ending up with nominations. Alicia Vikander (who made a splash already this year with Ex Machina) is bound to get attention for Tom Hooper’s The Danish Girl. Carey Mulligan stars in the womens voting rights drama Suffragette. Saoirse Ronan has already gotten raves on the festival circuit for this autumn’s immigration tale Brooklyn.

More possibilities abound. Veteran comedian/actress Lily Tomlin is being praised for the indie pic Grandma. Emily Blunt stars in the action drama Sicario this September. Angelina Jolie directs and stars in By the Sea. And we can’t count out Charlize Theron in this summer’s Mad Max: Fury Road, even though it’s difficult for the action genre to give us acting nominees. It is worth noting that it happened with Sigourney Weaver nearly 30 years ago with Aliens.

This race looks to be one of the most competitive with a whole lot of huge stars going for the prize. And here’s my first take:

TODD’S EARLY PREDICTIONS – BEST ACTRESS

Cate Blanchett, Carol

Jennifer Lawrence, Joy 

Carey Mulligan, Suffragette

Saoirse Ronan, Brooklyn

Alicia Vikander, The Danish Girl

 

Other Possibilities:

Emily Blunt, Sicario

Sandra Bullock, Our Brand is Crisis

Marion Cotillard, Macbeth

Angelina Jolie, By the Sea

Julianne Moore, Freeheld

Meryl Streep, Ricki and the Flash

Charlize Theron, Mad Max: Fury Road

Lily Tomlin, Grandma

Kate Winslet, The Dressmaker 

For my previous posts with early predictions on Supporting Actor and Actress, click here:

https://toddmthatcher.com/2015/09/01/2015-early-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2015/08/30/2015-early-oscar-predictions-best-supporting-actress/

The Superman We Never Saw

When you’ve got yourself a documentary about a major Hollywood production that never ended up being made and its director Tim Burton isn’t the most eccentric individual being interviewed, you’re probably in for something fascinating. And so it is with The Death of Superman Lives: What Happened?, which tells the tale of why Burton’s proposed reimagining of the Man of Steel never made it to the screen.

The more eccentric character is by far Jon Peters, the mega producer who had successfully worked with Burton to bring Batman to the masses in 1989. The two were deep into pre-production on the late 1990s Superman Lives project before the plug was pulled and some of this doc’s greatest moments involve Peters being interviewed and, even more so, other people talking about him. Peters started out as Barbara Streisand’s hairdresser before becoming a major producing player. We hear tales of Peters’ insistence on having a giant spider featured in the film, his preference on having scripts read to him while he lays on the couch, his proclivity for putting employees in headlocks and trying out his jiu jitsu moves on underlings.

There’s a lot more to the story of how Superman Lives died and director/writer Jon Schnepp explores it in great detail here. This documentary has had its own difficult history in finally being released and it was partly funded through a Kickstarter campaign. The Supes reboot went through three screenwriters during its gestation: Kevin Smith at first, who brought his comic book geek sensibility before being jettisoned by Warner Bros brass, Peters, and Burton; Wesley Strick, who would eventually suffer the same fate; and its final writer Dan Gilroy, who would go onto direct my favorite pic of last year, Nightcrawler. Nicolas Cage was to star in the title role and there’s even fascinating footage of him trying on the iconic Superman costume, which the doc spends a lot of time talking delving into. In the late 1990s, Cage seemed like a fairly logical choice as he was coming off an Oscar for 1995’s Leaving Las Vegas and headlining A list action projects like The Rock, Con Air, and Face/Off.  In other words, it was a few years prior to Cage seemingly accepting every single script that came his way. Other casting choices are discussed, including Sandra Bullock as Lois Lane, Chris Rock as Jimmy Olsen, Christopher Walken as Brainiac, and Kevin Spacey as Lex Luthor (that actor would go onto play him in 2006’s Superman Returns).

What emerges from the documentary is a film about a film never made (it was three weeks away from shooting) that probably would’ve been something to behold. Would it have been good? Hard to say. The two subsequent Superman reboots that would follow years later (the aforementioned Superman Returns and 2013’s Man of Steel) were both rather disappointing in my view and many comic book lovers felt the same way. Burton’s track record over the last quarter century has been hit and miss. While his take on Batman was a rousing success, his “reimagining” of Planet of the Apes in 2001 left much to be desired. What’s clear is that it would have been a much different Superman than we’ve ever seen and would have looked a whole lot different (the long portions about its production design are quite intriguing).

One important through line that runs in the doc is the fact that Superman Lives was by no means guaranteed massive success in the late 1990s. We must remember that it wasn’t until the turn of the century that 2000’s X-Men truly helped usher in the golden age of comic book flicks that we’ve seen steadily over the last 15 years. When this project was gestating, 1997’s Batman and Robin had essentially killed that Caped Crusader franchise until Chris Nolan brought it back to life eight years later. Warner Bros. was nervous about a similar fate for Burton’s new project. Ironically, it was Batman and Robin director Joel Schumacher who killed Burton’s Batman series and helped pump the brakes on Burton’s budding Superman picture.

For comic book lovers, The Death of Superman Lives: What Happened? will be a treasure trove of intel on why this project never saw the light of day. Yet for movie fans in general, it provides key insight into how movies are made… and how some aren’t made. And how its possibly crazy main producer was obsessed with spiders and jui jitsu.

Minions Box Office Prediction

Two summers ago, Despicable Me 2 rocketed out of the gate over the July 4th weekend with a better than expected $83.5 million over the three day traditional weekend and $143 million over the holiday frame. Its eventual domestic gross of $368 million would be good for fourth on the list of 2013 earners.

With that glorious performance fresh in mind, it’s anticipated that Minions, out Friday, should have a stealthy opening. The 3D animated pic is a spinoff of Universal’s venerable franchise that should easily tide fans over until Despicable Me 3 hits screens in the summer of 2017.

Lots of familiar faces populate the voices behind the characters, including Sandra Bullock, Jon Hamm, Michael Keaton, Allison Janney, Steve Coogan and Geoffrey Rush. Reviews have been mostly positive as it stands at 74% on Rotten Tomatoes, which exactly matches the number posted by DM2. There will be competition as Pixar’s Inside Out continues to post robust numbers, but family audiences should have no trouble fitting these cute little Minions in their schedule.

I would anticipate the film debuting to just under the $100 million mark and the possibility certainly exists that it could top that magic century mark. Whether or not it reaches the eventual gross of its franchise predecessor remains to be seen.

Minions opening weekend prediction: $96.4 million

For my Self/less prediction, click here:

https://toddmthatcher.com/2015/07/04/selfless-box-office-prediction/

For my The Gallows prediction, click here:

https://toddmthatcher.com/2015/07/04/the-gallows-box-office-prediction/

2014 Oscars: Best Actress Prediction

And now we continue with my predictions for winners in the six major categories for the Oscars in early March. I’ve already weighed in with my Supporting predictions for Lupita Nyong’o in 12 Years a Slave and Jared Leto in Dallas Buyers Club. Tonight I move forward with Best Actress. Let’s recap the five nominees:

Amy Adams, American Hustle

Cate Blanchett, Blue Jasmine

Sandra Bullock, Gravity

Judi Dench, Philomena

Meryl Streep, August: Osage County

For awhile it appeared that this race could be a tight one between Blanchett and Bullock. However, all major awards precursors have bestowed Blanchett with their awards for her work in Woody Allen’s film. To say the least, the momentum has swung for her in a big way.

There’s been some chatter that the controversies Mr. Allen finds himself in could negatively impact her ability to win. Simply put, I’m not buying it. If anyone were to win other than Blanchett it would constitute quite an upset and I don’t see it happening. This prediction, like Leto for Supporting Actor, is an easy one to make.

Predicted Winner: Cate Blanchett, Blue Jasmine