Tag: Samy Burch

Oscar Predictions: Late Fame

As an NYC poet, Willem Dafoe’s character is subject to the unanticipated Late Fame of the title. Kent Jones directs the drama which has screened at the Venice and New York festivals. Greta Lee and Edmund Donovan costar.

Based on a posthumously released novella from Arthur Schnitzler and adapted by Samy Burch (who received an Adapted Screenplay nod for 2023’s May December), Fame is generating mostly complimentary early reviews. Rotten Tomatoes is at 85% with 76 on Metacritic.

If Fame were to contend for awards, it would be with Dafoe’s performance. The veteran would be vying for his fifth gold statue. His last try was for 2018’s At Eternity’s Gate in the lead derby. Dafoe’s previous three attempts were in supporting for 1986’s Platoon, 2000’s Shadow of the Vampire and 2017’s The Florida Project. He’s yet to win.

Unlike seven years ago, Best Actor is already looking too crowded for a fifth nod to be realistic. That’s unless precursors provide him with surprise mentions. We’re also not even sure that Fame will materialize as a 2025 calendar play so that doesn’t help. My Oscar Prediction posts will continue…

Oscar Predictions: May December

The Cannes Film Festival can quickly confirm or deny the awards prospects for its screeners. Just today, Martin Scorsese’s Killers of the Flower Moon (as expected) solidified its standing as a player in multiple races including the big one. On other hand, anyone thinking that Indiana Jones and the Dial of Destiny had a Top Gun: Maverick level shot at breaking into Oscar territory were disabused of that notion upon its unveiling.

Then there’s cases where it’s murkier and May December from Todd Haynes falls into that category. The word campy is being used more than any other I’ve seen in this tale of a Hollywood actress (Natalie Portman) shadowing Julianne Moore. She plays a tabloid star known for bedding a 13-year-old who’s now her adult husband (Charles Melton).

Haynes has yet to see any of his pictures, including the acclaimed Far From Heaven, I’m Not There, and Carol, contend for Best Picture. He has, on the other hand, seen his performers get nominated. Moore was up in lead for Heaven while Cate Blanchett received a Supporting Actress mention for There. For Carol, Blanchett was nominated again (this time for Actress) while Rooney Mara made the cut in Supporting Actress.

With 90% on Rotten Tomatoes at press time, December is receiving some glowing reviews mixed with more subdued appreciation. Whatever distributor picks it up (which I’m sure is imminent) is bound to mount a campaign. Its chances in the acting derbies are probably higher than Picture or Director (though I wouldn’t count out Samy Burch’s original screenplay).

Category placement will be fascinating to watch. From what I’ve read, Portman and Moore appear to be co-leads. That doesn’t mean they won’t be split and one believable scenario is Portman in lead with Moore in supporting. They are both former winners in Best Actress: Portman for 2010’s Black Swan and Moore in 2014’s Still Alice. As for Melton, the former Riverdale performer appears to be a Supporting Actor play. All three should be in the mix for contention.

There’s another category placement story. At the Golden Globes, December could be placed in Musical/Comedy where its chances at noms might be stronger. My Oscar Prediction posts will continue…